Art and Architecture

Anglo-Russian collector of paintings whose collection formed the basis of the National Gallery collection. Clipped signature, c.3.5 x 1", "I am Sir Your [?] / J.J. Angerstein"

Traveller, antiquary, writer on architecture (1786-1846). One page, 8vo with added page of verse, nick not affecting text, good. He responds to a request by sending an impression of a seal [not present] "which bears the armorial ensigns of the two families which I represent" - which he expands on.

(1861-1945). "First Cartoonist" for Punch (1909-1945). "In reply to your enquiry I am afraid I cannot furnish you with any names of artists wanting ideas for humorous drawings. The only thing would be to apply to any artists who do such work & take your chance."

Cartoonist (1844-1925). Two pages, 8vo, fold marks but text good and clear. "My dear Jim,/ Broken out in a new place, have you? Well, I'll see what I can do to help. Just at present I am entirely out of my book plate, and as the block has been damaged I shall have either to get a new one made or design a new one. I hope to do this soon and will send you samples. I may have some other Ex Libris amongst my papers and if I come across any I will send them on to you./ Grace has come back from Porlock . . .". He concludes on health matters.

Artist and Poet (1845-1915). Two Autograph Letters Signed, 2 pages and one page respectively, 4to, staining and damage especially to 1910 letter, but texts clear. (1904) Crane outlines his understanding of "the terms under which 'The Golden Primer' was produced" based on his co-author's (Meiklejohn) letters - three fifths of the proceeds. He quotes relevant detail from two letters,on of which discusses a cheap edition for schools. "I find a dummy copy of this with a cover design of mine & Blackwood's imprint". He thinks a re-issue in the "original form" a good idea.

Irish Painter, poet, dramatist and novelist (1770-1850). He gives his correspondent the address of a "Mr Herbert" who was, according to the Post Office Directory of 1846, a professor and publisher of music.

Art dealer and Member of Parliament ((1825-1910). He is writing to her because hers is the first name on a list of "ladies" who have signed a petition "in favour of the extension of the suffrage to women householders". He has presented the petition with which he sympathises.

Designer and goldsmith (1873-1939). Cut from letter to "Mr Grin[ling]", socialist, "Yours sincerely/ Omar Ramsden." Alongside small design headed "Omar Ramsden", with then name "Alwyn C.E. Carr" at teh foot, hand with wings golding tools, with words "DESIGN-HANDICRAFT".

Sculptor (1847-1922). 3 pp, 12mo, on mourning paper. "I have just returned from a short stay in the Country and find your letter of the 29th ult With regard to the proposed Statuette in silver I need scarcely say I shall have much pleasure in assisting you in any way I can. / Your letter however leaves me a little in the dark. Do you wihs me to recommend some young Sculptor for the task or would you like me to undertake it?" Signed "Thos Brock".

Subject and portrait painter (1817-1867). He discusses a possible visit.

Artist. 3pp., 8vo. None of her pictures has ever been chromo-lithographed but she will let him know when one is. She hopes to exhibit at the Royal Academy and would like inform,ation about exhibitions in Birmingham, etc. where she would think of exhibiting.

Painter, President of the Royal Academy (1836-1919). Four pages, 8vo. As follows: " I never thanked you for your postcard & its information which adds greatly to the interest of the drawing. " is puzzling certainly, but so unlike "canonico" that I can hardly think it can have been an error in the transcript of that word. I have not yet discovered the other two sketches I possess . . .

Antiquarian and dramatist (1796-1880), disbound article, [12] pages, in homemade blue wraps, contents partly detached, manuscript title on front "J.R. Planche on a battlepiece in the National Gallery, July. 1878".

Cartoonist. Threee pages, vestiges indicating it derives from an album affecting only the blank fourth page. "I am sorry you could not turn up at the Club as my time is very uncertain there ...". He invites his correspondent to meet him at the Club after a meeting he is attending. "I would gladly give you suggestions about the bust." In case they don't meet he suggests his correspondent mention his ideas to "Mr Draper". He is uncertain whether he will make a meeting.

Architect (1830-1905). He declines an invitation to call on the Lanyons. "The fact is that I must return to-morrow evening by the 5 oclock train. I find the drawings will occupy me every minute of the 3 days I have set aside for the work". Four pieces of gummed paper from mounting adhering to the blank reverse.

Essayist and dramatist (1830-1877). Portrait photograph, 3¾ inches by 2½, from the studio of Charles Watkins, 54 Chancery Lane, of a heavily-bearded Halliday looking to the right in jacket, coat and striped tie. The photographer's details and device are printed on the reverse of the mount, which is docketted "Andrew Halliday / 1873", and carries traces of glue and paper. Somewhat grubby.

Sculptor (1775-1856). Work takes precedence over "gaieties" so he cannot accept an invitation.

Sculptor (1799-1872). Clipped signature from an appeal to the Artists' Benevolent Fund. Thomas Phillips, portrait painter (1770-1845), signature is on the same piece of paper

Artist. One page, 4to. He says that he is Secretary of the Artists' General Benevolent Fund for the year 1938-9 and asks for support for those artists in difficulty in "this period of unrest & uncertainty".

Scottish natural philosopher. One page, 8vo. He finds the invitation to a lecture at the "Club" interesting but cannot manage it. He would welcome a copy of "any scientific abstract of the Lecture".

Architect (1849-1930). He thanks him effusively for his congratulations, finding them especially gratifying from a member of his own profession.

Artist (1879-1972). One page, 8vo. He had discussed with "Mr Entwhistle" (wallpaper historian) a little collection of wallpapers he had purchased. Entwhistle had retired but suggested he write to Archer. He thought he did, and found a copy of his letter. "If you are not interested it will be quite easy for you to let me know". photocopy of a page from Derek Stanford's biography of Kelly tells the story of his pruchase of "a trunk-full of Second Empire wall-papers" which he gave to the V & A at the end of his life.

Antiquarian and art connoisseur (1857-1929). 3pp., 8vo. He wishes to clarify the view he and his colleagues at the British Museum are taking on "the Thompson memorial", ignoring it since it is a British Academy matter not British Museum.

Caricaturist (1861-1945). He declines taking up a suggestion since he is "no longer doing that kind of illustration for 'Punch'".

Artist. One and 2pp., 8vo. (1899) He suggests the steps she must take to arrange the loan a a "miniature table" from the Royal Academy. (1904) He gives permission for his "Diploma Picture" to be reproduced in the "Windsor Magazine", revealing its history (an illustration to Tennyson's lines in "Break, break!"). He later appears to allude to a collection of moutaineering pictures(?). 2 items,

Diplomat and Lord-Lieutenant of Ireland (1752-1825). 2 & 4pp., 8vo. (1820) He expresses gratitude for Mahon's part in getting him membership of the Society of Antiquaries, and discusses his future resolves in its regard. (1822) He renews a request for a portrait of Sir Walter Scott to hang at Knole, and goes into some detail. 2 items,

Poster artist (1868-1948). (1900) 3 pages, 8vo, black-edged,foxing and fold mark, remnants of laying down in album, text clear and complete. He describes the deat of his wife in childbirth ("She [Isabel, first wife] was up and about in the morning, confined of a wee girl baby at one midday and all over at 3. everything was going so well too. It was finished so quickly that I never saw her conscious tho' I was in the next room. Its all too awful to think about. The cause was . . .") He had left the notifying to others.