SCULPTOR

Draft invitation on both sides of landscape 12mo (11 x 18 cm) piece of paper. In fair condition, lighly aged. A rough draft, apparently for the design of a printed card. The main effort, on one page, reads: 'Mr. Geo. G. Adams, Sculptor, | Solicits the honor of a call, from | [wavy line] | to inspect his | [two wavy lines] | Private view on the [wavy line] | 126, Sloane Street.' There is the start of another attempt on the reverse. The poetical quotation is on one side of a 5 x 18 cm strip of paper, laid down on a paper backing. In fair condition, aged and worn.

1p., 12mo. In fair condition, on lightly-aged paper. Addressed to an unnamed recipient. He gives his prices for 'a head in Marble', a 'Torso bust', and a 'pale draped bust'. Docketed on reverse with biographical details in a nineteenth-century hand.

Bold Signature on detached album leaf, 18 x 13cm, one edge rough (from removal from album), mainly good condition.

4pp., 12mo. In good condition, on lightly-aged paper. The second page carries photographic reproductions of the bas-reliefs of Tennyson and Carlyle, in frames. The third page gives details of the twelve portraits (Carlyle, Tennyson, Hawthorne, Longfellow, Dickens, Whittier, Lowell, Thackeray, Bryant, E. A. Poe, Ambriose [sic] Thomas, O. W. Holmes), executed by 'Mr. RALPH BARTLETT GODDARD, the eminent Sculptor', stating that they are available in plaster or bronze, and 'form a most suitable adornment for the walls of a private or public library, schoolroom, or study'.

Rochefort's letter: 1p., 12mo. Thirteen lines of text. In fair condition, aged and worn. Following an 'aimable visite' he thanks him for 'le plus charmant article', with reference to 'Mr. Dufaux' (Rochefort's future son-in-law) and 'son tableau ' and 'son buste'. After more graceful thanks and a request he ends, 'Mille poignés de main avec la moitié pour Neville'. The copy of 'La Laterne d'Arlequin' (not to be confused with Rochefort's 'La Lanterne') is 16pp., 12mo, in its original orange printed wraps. In good condition, lightly aged.

On one side of a 12 x 13 cm piece of paper. On aged paper with four folds. The crown is drawn in pencil, and is 2.5 x 2.75 cm. The caption, in ink, is below, and reads: 'Scottish crown. | Drawing to be returned.' Between the two lines of text is the firm's stamp, made up of perforated lettering. Presumably a design for a letterhead, or other engraving.

Three pages, 12mo, bifolium, faint foxing and minor damage, text clear and complete. " The son of my excellent friendm Robt Harrison, Librarian of the London Library, is an applicant for the assistant Librarianship of the Royal Academy. [...]" He gives information about him (education, languages, travels, familiarity with "library work" (as assistant to his father), current filling in work in the Observatory at Kew. He solicits Woolner's vote, and adds, in a postscript, that the applicant is the grandson of an artist.

1p., 12mo. On bifolium. In fair condition, on lightly-aged paper, with one dog-eared corner, and minor traces of previous mount to blank second leaf of bifolium. The text is neatly written out in the two men's autographs, as follows, with Chorley's writing in square brackets. 'My Autograph? With pleasure. Another Lady begged me to get an autograph of H. F. Chorley. She did not ask for mine. | I immediately wrote to Chorley, and he promptly replied. | [But not for Hope I pray, to day contriving | Tomorrow's dreams. | Only for Patience, through long years of striving | Against the stream.

4pp., 12mo. Paginated to 4. Bifolium. In fair condition, on aged and worn paper. On laid paper watermarked 'A PIRIE & SONS | 1883'. Tastefully printed.

Four pages, 12mo, fairly closely-written. "Mon cher ami, | Vous avez profondement [raison?]! Voici ce que j'ai ecrit a Ld H. | " I am most grateful for the great interest you are so kind as to take in the execution of my statue of R.C. de L. I certainly will do every thing I can to make your exertions fruitful. The subscriptions [...] are so highly flattering to me that I would do any sacrifice to perpetuate such a generous instance, so much to their honour and p[raise.

Both items in fair condition, on lightly aged and creased paper. The second letter addressed by the secretary on the reverse, with four torn stamps and postmarks, to 'Mr. Lawrence Hodson | Bradbourne Hall | Ashbourne | Derbyshire'. The 'set of stations' referred to in the first letter is likely to have been based on those executed by Gill in stone in Westminster Cathedral, and completed in 1918. Letter One (3 November 1920): 1p., 12mo.

Both items in fair condition, on lightly-aged and worn paper, each with pin holes in one corner. Both items in a hurried, difficult hand. ONE: To 'Dear Madam', dated 19 March 1893. Docketed 'Mr. B. Joy | 29/3/93'. 2pp., 12mo. Bifolium. He begins by apologising that 'your letter should not have been replied to you [sic]', as he has been 'laid up'. He asks her to inform him when 'the busts' will be needed, '& I will see whether I can send anything'. TWO: Incomplete letter, signed 'A. Bruce Joy'. 4pp., 12mo. Bifolium. Numbered by Bruce-Joy '2'.

3pp., 4to. Fair, on lightly-aged paper, with slight smudging to outer margins of both leaves. Addressed to 'My dear Jack'. He is pleased to have heard from Driberg, but disappointed that there is 'no immediate chance' of seeing him, as he has not 'strayed from home for moons.

1p., 8vo. Good, on lightl-aged paper. He thanks her for her telephone call, and hopes to give 'an illustrated talk about my work from 1980 onwards and culmination of themes towards sculptures for Victoria Square'. He will 'touch upon my conscious concerns for outdoor pieces in public, and working with others'. He ends by giving the title of the talk, 'If it is not too late'.

2pp., 16mo. On bifolium. Good, on lightly-aged paper. After presenting his respects, Lane states that he'regrets that he is so engaged for three or four months that he must not undertake any more - / He has found the copying miniatures so injurious to his eyes and the drawings so unsatisfactory in the printing that he is at all times unwilling to engage in very small Drawings -'. He concludes by thanking her for 'her most kind & gratifying note'.

12mo, 3 pp. Bifolium. 28 lines. Text clear and complete. Good, on lightly-aged paper, with a trace of the mount adhering to the reverse of the second leaf, which is docketed by the recipient. The letter concerns her 'favourite old Clock', about which she expresses anxiety: 'the Man you now send to wind up the Clock is, I dare say, very clever in his Business, but as he almost constantly leaves it with somethig not right in Motion, striking &c I must therefore think that he is not accustomed to direct all the movements of such a Clock'.

12mo, 4 pp. Bifolium. Good, on aged paper. He has been 'hunting among papers, & found a great quantity of notable letters from notable people but they are mostly confidential - or dealing with some private matters'. He would have liked to gratify her wishes 'in a more liberal fashion, 'but I hope the enclosed may serve'. He wonders whether she is 'packing up for India - - perhaps for Worthing'. The valediction on the final page ('Believe me | sincerely') is followed by a large bold signature which with its underlinings covers an area 11 cm square.

Tow pages, 8vo, good condition. "I was at Mitchells' today on my way to you- and proceeded as far as the end of Piccadilly - but time failed me, & I returned at 1/2 of 3 - I had business on the way which I thought to put through - So I send the scraps - which I had put into the envelope & in the right place - though not directed to you - I mean to be with you very soon after you get this - but, for the fear of some unlooked for hundrance I send - I have seen the notice in the Ill[usterated] Lond[on] News - very nice."

Seven lines on one side of a piece of aged wove paper, roughly 12.5 x 10 cm. A hurried, smudged communication. Reads 'My Dear Sir | I have the ill luck to be obliged to attend a Council of the Royal Academy. We commence business punctually [last word underlined] at 8 oClock - Confound the R.A.!!! | Truly yrs | [signed] F Chantrey | Tuesday Morng'.

Two pages, 12mo. Very good on lightly aged paper, and with the blank second leaf of the bifolium laid down on part of a leaf detached from an autograph album. Thanks him 'for the votes [of election to the Royal Academy?] which through your kindness I received to-day'. He is glad Field has been able to give Dr Armitage 'a hint that his assistance will be required as well as the assistance of others to insure the Election of young Lloyd'.

12mo, 2 pp, 18 lines. Good, on lightly aged and creased paper. 'Mr. Westmacott presents his Compts and has to acknowledge Mr Twinings polite letter'. Its delivery has been delayed 'owing to its incorrect address', 'Mr W. having left Wilton <& Co.?>. (and quitted the practice of his profession) for some years'. As for 'Engravings and Photographs' of Westmacott's works, 'very few were made'. Most of these were 'ill done', although he does name one with which he was satisfied. Consequently Westmacott cannot 'assist Mr. Twining in his object'.

4to, 1 p, 8 lines. Lightly creased and with a little smudging from a carbon and some minor paperclip staining (none of which affects the signature). He is sending 'a short article [not present] - "Art in the Post War World", and a copy of an address to "The Auckland Society of Arts." ' He believes 'that countries like New Zealand, cut off from the inspiration and example of what is best in European Art, are prone to be dazzled by Materialistic Efficiency; even when linked with the best technical flavourings through Art in industry.'

12mo: 1 p. On aged and creased paper, divided into two parts by a horizontal tear, which has been repaired with three paper labels. A square of paper from previous mounting (with 'Marochetti Sculptor' in contemporary hand) adhering to reverse. Accepting an invitation with the greatest pleasure and apologising ('je vous demande mille fois pardon') for not having been to tell her so. He did not know that she was there: no one told him anything and he thought her note had been sent from her house.

One page, quarto. Very good, with staple holes in one corner. He thanks Samson for his letter 'about the enquiry from the Esso Petroleum Company concerning a sculptured commemorative tablet. I should be pleased to take part in any limited competition for this project and could carry out the work this year if I were commissioned to do so within the scheme of my existing commitments.' The context is explained by an accompanying photocopy of a carbon of a typed letter (one page, quarto) of 5 May 1960 from Samson to the sculptor Professor R. Y.

Behnes (died 1864) was a sculptor, and Robins (1778-1847) a flamboyant auctioneer. Very good, on piece of paper roughly two inches by three and a half. From a collection of Autograph Signatures cut from petitions to the Artists' General Benevolent Fund. Blank reverse.

Anglo-Irish sculptor (1842-1924). One page, quarto. Good, on slightly discoloured paper. The embossment has been gone over in light blue pencil to bring it up. A couple of manuscript marks by Bruce-Joy for emphasis. Begins Offers to show his correspondent the 'colossal Statue of Mr. Oliver Heywood, which I have lately completed in the marble' (leaving for Manchester 'in a few days'), as well as 'the finished marble Statue of Mr. Whitley, M.P., for St.

English sculptor (1799-1872). Paper dimensions roughly seven and a half inches by one and a quarter. Good. Reads '| <...> | To be | Gentn | Your obt Sert | Richd Westmacott | S. Audley St | 1st. Decr 1837.' Fragment of docketting on reverse. From a collection of material relating to the Artists' General Benevolent Fund.

Behnes (died 1864) and Westmacott (1799-1872) were both sculptors. Paper dimensions roughly four and a half inches by three inches. Folded three times. Good, though a shade grubby. Reads 'I believe the above statement to be quite correct | [signed] Richd Westmacott | William Behnes | Feb. 27/40.' Docketed on reverse. From a collection of material relating to the Artists' General Benevolent Fund.

British sculptor (died 1864). Paper dimensions roughly five inches by two inches. Good, but on slightly discoloured paper. Reads 'I have the Honor to be | Gentlemen | Your Obedient Humble Servant | [signed] William Behnes'. From a collection of material relating to the Artists' General Benevolent Fund. Behnes ended his days in considerable distress.

English sculptor (1799-1872), Professor of Sculpture at the Royal Academy and son of Sir Richard Westmacott. Two pages, 12mo. Good, but on grubby, foxed paper, and with remains of stubs from previous mounting still adhering. A formal letter in the third person. Reads 'Mr Westmacott presents his Compliments, and thanks Mrs Morgan very much for her kind proposal for Friday - Malheureusement Mr. W. is engaged that day - & must therefore give up the pleasure that Mr & Mrs. <?>'s kindness offers him.'