GALLERY

Austin (1895-1973) was a British etcher, engraver and watercolourist. R.A. Walker (born 1886), whose bookplate is on the front pastedown, was a connoisseur and Aubrey Beardsley scholar. Quarto, twenty-six leaves. Internally tight, clean and sound, in worn and stained half-leather binding, with 'ROBERT AUSTIN' in gilt on spine. The item contains a total of forty-seven reproductions of Austin's works, many gleaned from magazines, etc, and tipped in throughout.

3pp., 12mo. Bifolium. In fair condition. He has been 'clinging' to Lucas's umbrella since the return from a trip to Ostend, where Cust had 'an awful quart d'heure with the luggage people, who were very unwilling to send it on, [...] but by bribery and threats of weeping and pcitures of you all shivering on deck, I <?> them to entrust the 16 or 17 packages to the guard of the train next due'. The letter continues in much the same chatty tone.

2pp., 12mo. Bifolium. In fair condition, lightly-aged. 'I shipped on yesterday to you through Mr J. D. Brink Jr Forwarding Merchant of this city a box containing 4 Oil Pictures which I wish you to expose for sale at your Exhibition Rooms. | The titles and prices of the same will be given you by my friend Mr G. du Mourier. Please let me know when they come to hand.' The Berner's Street Gallery's association with American artists would continue: in the following decade it would gain notoriety for exhibiting Whistler's 'Symphony in White, No. 1'.

Printed on one side of a piece of 12.5 x 20 cm green card. In fair condition, lightly aged and worn, with central vertical crease line unobtrusively strengthened with archival tape. To the left of the page is an illustration of a British soldier officer a Burmese temple. The text is written out in a range of lettering characteristic of the period, and reads: 'Exhibition of Original Burmese War & Nile Expedition Sketches by Melton Prior Special Artist of the Illustrated London News. Under the Patronage of His Royal Highness The Duke of Connaught.

2pp., 12mo. In good condition, lightly aged. He considers that 'the scraps of Irish Architects' might be 'very useful for reference', and suggests offering them to the Royal Institute of British Architects or Association of Architects. In the latter part of the letter he makes suggestions regarding a meeting the following week.

The five letters total 10pp., 12mo. On five bifoliums. In good condition, lightly aged. An interesting correspondence, from one of the trustees of the new National Portrait Gallery to its (as yet unknighted) secretary. ONE: 'Brit. Mus. | Saturday afternoon' [1859]. 1p., 12mo. Begins: 'Lord Macaulay [another trustee] tells me that he intends to visit the Portrait Gallery with some friends at 3 on Monday.' TWO: Chevening. 2 November 1859. 2pp., 12mo. After thanking him for 'the drawings for Lady Stanhope' he exclaims: 'Another terrible storm yesterday!

Totalling 14pp., 12mo. On four bifoliums. In good condition, lightly-aged. The correspondence indicates the closeness between Scharf and the family of the man responsible for his appointment as Secretary to the National Portrait Gallery. Topics include: the obtaining by her son [Edward Stanhope (1840-1893)] of 'a first Class in Mathematics the first in that branch at Ch[rist]. Ch[urch, Oxford].

3pp., 12mo. Bifolium. In good condition, lightly-aged. Scharf had illustrated her 'Life in Ancient India' (1856), and she writes informally, expressing regret at the news of his move 'from the Classic No. 1., a house consecrated to the Arts by your occupation of it & ever to be remembered with respect, regard, pleasure & all good feelings'.

8pp., 4to. Stapled. In fair conditon, on aged and lightly creased paper, with slight damage to upper staple. Unillustrated: listing 100 works, with date and dimensions. Uncommon: no copy in the British Library, and six copies on COPAC and OCLC WorldCat.

48pp., folio. Each page on the recto of a leaf, and all 48 leaves held together by a brass stud. In fair condition, on aged and worn paper. Authorship or ownership inscription on title page: 'A. E. Bullock | 43 Chancery Lane | W. C.', with autograph note: 'An Essay written originally for a prize, I believe.

[36]pp., 12mo. In olive wraps printed in green. Printed on art paper with 17 photographic illustrations (14 of them of the house), and the last four pages carrying advertisements. In fair condition, lightly aged and worn. Disbound from a collection of pamphlets ('13' in manuscript at head of front cover), and with library stitching at spine. Uncommon: five copies on COPAC and WorldCat, but none at the British Library or in North America.

20pp., 8vo. In lilac wraps, printed in black. Disbound from a collection of pamphlets, and with library stitching on spine. Aged and worn, with stamp of the Free Public Library, Wigan, to damaged front cover. (The collection had been amassed by the cotton manufacturer Thomas Taylor, Mayor of Wigan, 1854-55, and was housed in his country house at Aston Rowant.) Around half the 94 lots priced in guineas and pounds in red ink. Includes work by John Linnell, J. W. Waterhouse, Luke Fildes, Marcus Stone, W. P. Frith and G. F. Watts.

Both items on aged and lightly-worn paper. ONE: Invitation. Printed postcard, addressed on reverse to 'Mrs Molanda [sic] Sonnaband, | 30, Hamilton Terrace, | N.W.8.' Tastefully designed, in sans-serif font, the card reads: 'Elisabeth Frink | Basil Jonzen requests the honour of your company at the Private View of the first one-man exhibition of sculpture & drawings of Elisabeth Frink at St. George's Gallery Paintings & Sculpture. 3pm Tuesday 17 May 1955 | 10am to 6pm (1pm Saturdays) 7 Cork Street . London W1'. TWO: Programme.

4to, 75 pp. On aged paper, in original purple printed wraps, which are repaired at spine with tape. Inscribed at head of the front wrap to 'Mr. Tregaskis with Mr. Archibald Russell's compliments'. Russell was an authority on Blake's works, the recipient, Tregaskis, a distiguished bookseller.

1p., 12mo. In good condition, on lightly-aged paper. He writes to apologise that he 'cannot get away to see the Holbein' at the previously arranged time, because he has a meeting with 'my accounting officer'. He suggests an alternative time, and apologises 'heartily for my mistake'.

1p., 4to. In good conditon, on aged paper. He begins: 'As both the pictures you bought are to be taken without the frames, I can't take upon me to displace them, without either you or the Artists were present, and more especially Mr. Daniell's, which is framed in a particular way.' Consequently he will keep the paintings, till either the recipient or artists take them away, 'and give me a proper discharge for them'. He ends with his hours of attendance.

Letter One: 4pp., 12mo. Bifolium. With decorative letterhead in red. Very good, on lightly-aged paper. Addressed to 'My dear Old DD' and 'E. D. Davis'. He realises that Davis is in 'a precious state of mind', and will only send 'a few lines to exchange domestic greetings of kindliness & good fellowship from the circle of Balham to the Square in N'Castle - the waters of the Thames mingle with those of the Tyne'.

2pp., 12mo. 40 lines. Bifolium. Good, on aged paper. The reverse of the second leaf carries half of a red wax seal, as well as the address to 'James Loch Esqr | Bloomsbury Square'. The letter begins: 'My dear Loch | Some friends of mine from the Country are desirous of seeing Lord Stafford's & Lord Grosvenor's pictures some time next week; & they understand that the obtaining of Tickets is not a matter of course but that some little interest is necessary.' He asks for assistance 'with regard to Cleveland House [...] for Mrs Johnston & party (about 5 or 6 persons)'.

Two extraordinarily positive testimonials, especially significant coming from one of the leading educationalists of his age, and also of interest considering the fact that Whaite would follow Nunn to the London Institute. (Whaite was first cousin twice removed of his more famous namesake. He was himself an excellent artist and teacher, and there is a large collection of his work at the Whitworth Gallery in Manchester.) ONE: Written by Nunn as Principal, London County Council, London Day Training College (University of London), Southampton Row, London, WC1. On College letterhead; 28 June 1928.

The note is Item Three below, and the testimonial is Item Six. Items One and Six refer to Tonks's 'large wall decoration at University College', 'The Four Founders', on which Whaite assisted Tonks. (Whaite, who was first cousin twice removed of his more famous namesake, was an excellent artist and tutor, and there is a large collection of his work at the Whitworth Gallery in Manchester.) One: Vale Studio B, Vale Avenue, Chelsea; 22 July 1932. 1p., 16mo. Good, on aged and spotted paper. 'I enclose you a Cheque for £5.

2pp., 12mo. Bifolium. Good, on lightly-aged paper. Having received the unnamed recipient's letter of the previous day, Northwick will be 'most happy to give effect to your wishes by granting free access to my Pictures to you, & your Daughter, whenever it may be convenient to you to call at Connaught Place'. If the recipient calls before noon Northwick will probably 'have the pleasure of shewing them to you', if he comes after noon, or Northwich 'shd. happen to be from home, my Servants shall receive directions to admit you to see the Paintings'.

ONE. Letter, signed 'Wm Brown'. 3 pp, 12mo. Bifolium. 25 lines. Text clear and complete. Good, on lightly-aged paper. He is 'greatly disappointed' that, '[h]aving gone to the expense of building the Hall of Inventions & Science', 'the five Learned Societies' that 'induced' him 'to make that addition to the Library, have taken no effectual means to make it available for the purpose intended'. Brown 'promised £100 towards the fittings', and is sending a cheque for that amount.

12mo, 1 p. On mourning paper. Ten lines of text, followed by initialed signature 'GS.' Clear and complete. Good, on aged paper. Scharf states that his last meeting with Stanhope was at Chevening on 20 November 1875, and that he had 'almost up to the last moment been reading to him "Advice to Julia" by Henry Lutterell illigitimate [sic] son of Lord Carhampton, publd by Murray. 1820'. Stanhope, he concludes, 'enjoyed it very much'.

One page, 8vo, some marking but text clear and complete. "Iam glad that your messenger caught me here, & that the picture could at once be returned. There is nothing to bid fo. It is a wothless painting, clumsily touched upon to make high lights &c. & is in miserable condition might be any child of the period".

Goodyer has long been recognised as a significant figure in the arts and crafts movement (see Adburgham's 'Shops and Shopping' and Aslin's 'Aesthetic Movement, Prelude to Art Nouveau'), but surprisingly little is known about him. A former partner in the firm of Liberty's, he founded his Aesthetic Gallery at 55 Bond Street in 1889. It specialized in 'English silks, cashmeres, velveteens, fans, cushions, handkerchiefs, table covers, and other dainty manufactures', and numbered Voysey among its suppliers.

Both items good, on lightly aged and creased paper, with both texts clear and complete. The Minstrels' Gallery referred to in the letter was held in the vicinity of Hamilton's estate Sandon Hall, Staffordshire. Written a few months before Hamilton's death in the celebrated duel with Lord Mohun. Bromley to Hamilton: Autograph Letter Signed, 8vo, 1 p. 23 lines of text. Bifolium, addressed on reverse of second leaf 'To his Grace Duke Hamilton in St. James's Square | London.', and docketed 'Mr: Bromley 7:th June 1712 about the Minstrill court & that Holden the Attorney had with drawen'.

4to: 36 pp + 12 pp of prints on art paper. Stapled. In striking original printed red card wraps. With A4 addendum leaf loosely inserted. Good, with light stain to bottom outer corner. Important two-page introduction by Lewis, reviewing his career, followed by three-page essay by Rothenstein on 'Wyndham Lewis and Vorticism'.

Scottish art critic and engineer (1864-1950). One page, octavo. Very good. Bearing the Society's stamp. 'It is very good of the Council of the Royal Society of Arts to ask me to become a member, but, while thanking them, I regret that I do not see my [^ way,] at present, to join any more societies.' Signed 'James L. Caw'.

12mo, 2 pp. 12 lines of text. Creased and ruckled, with a little smudging. Difficult hand. Asking the recipient 'd'aller passer une soirée avec nous'. Laid down on a piece of paper which is attached to the blank reverse of the second leaf of the bifolium is a slip of paper (roughly 2 x 9 cm) carrying Eastlake's signature ('always truly yours | [signed] C. L. Eastlake').

4to: 1 p. Facsimile of a handwritten letter. With small embossed circular letterhead, in red and gilt, with crest enclosed by the words 'Bibliotheca civitatis Londoniarum'. Somewhat grubby bifolium, but with text clear and entire, reading 'The Committee appointed by the Corporation of London to carry out the works in connexion with their new Library and Museum having fixed Thursday, the 27th. Instant for the ceremony of laying the Foundation Stone of the buildings, it will afford them much pleasure to be favored with your company on the occasion, at Guildhall at 2. o'clock. p.m.