Marie

On one side of a piece of light-brown laid paper, dimensions roughly 240 x 125 mm. Text clear and entire, on lightly creased paper with chipping, short closed tears and loss to extremities. Crudely printed. A thirty-two line poem, arranged in four four-line stanzas, each with a different chorus. An excessively scarce piece of music hall ephemera. No other copy of this particular item, possibly produced for distribution to Hurley's music hall audience, is present on COPAC or anywhere on the web.

On a piece of paper roughly 5.5 x 13 cm. Good firm signature (8 cm long) on lightly aged and creased paper. Reads 'Faithfully yours | [signed] Marie Corelli'. Fragment on reverse reads '<...> education nowadays <...> hope you <...> induced to <...> estimable'.

Dimensions of paper 3 x 8 cm. Good, firm signature, on lightly aged and spotted paper. The flourish beneath the signature (paraph) has been cropped.

On both sides of a folio leaf (dimensions 42 x 26.5 cm). On aged and lightly creased and spotted paper. Proposing to raise 'CAPITAL, £50,000, in 5,000 SHARES of £10 each.' Details of Directors; Bankers; Auditors; Brokers; Solicitors; Secretary, (pro tem.); and Offices left blank.

12mo bifolium: 4 pp. Printed on grey paper. Very good. Small print.

12mo, 1 p, 7 lines. Good, with the address on the verso of the second leaf of the bifolium, which also carries the broken red wafer. Written in French. An interesting communication between two of the leading lights of French nineteenth-century mathematics. Lalanne describes Moigno as 'toujours le juge bienveillant et aimable que je connais depuis si longtemps'.

12mo, 2 pp. Good, on lightly aged paper. In French. Difficult hand. Regarding 'la société musicale et littéraire de Meaux', of which he approves. 'Malheureusement plusieurs obstacles s'opposent à ma bonne volonté.' As a gesture of good will, he asks the Society to accept 'quelques ouvrages'.

4to, 1 p, 12 lines. Text clear and entire, on creased paper. Printed in copperplate. Requesting subscription money due for his 'Indicateur Nobiliaire'. Good firm signature.

The cutting consists of the two outer columns of pp.11 and 12, measuring 42 x 15.5 cm, with the article on Marie Lloyd, consisting of forty-four lines of text, covering roughly 12 x 6 cm of the inner column. Good, though a little aged and frayed at extremities, with the article with one small spot covering a word, but with the text entirely legible. First sentence reads 'Percy Courtenay, of 196, Wickham-terrace, Lewisham High-road, was brought up on a warrant before Mr.

Juliette Huxley's letter is 4to: 2 pp. Good, though lightly creased and attached to the other items by a paperclip. The correspondence mainly concerns a book by Cowell's eventually published under the title 'The garden as a fine art: from antiquity to modern times' (1978). She begins by describing Mary Wellesley: 'quite a character [...] lives in a small house off St. James's Palace, and entertains by candlelight.

Three pages, 12mo. Good, on lightly aged and ruckled paper, with a little glue adhering to the reverse of the second leaf of the bifolium. She has received the two packets containing the small photographs. Apart from wanting the hair to appear lighter and clearer, she is satisfied with the large photograph, and would like several copies before her departure on 2 August. If this is not possible copies are to be sent to her at the theatre du Gymnase in Paris.

Irregularly-cut piece of paper, roughly 2 x 9 cms. Good, strong signature on very good, lightly aged paper. In purple ink. Reads 'Every sympathe | =tically V. Ouida'. Minor traces of previous brown-paper mount on reverse.

Two pages, 8vo, minor defects, mainly good. He apologises for not using (or knowing) her full married name and tries to persuade her to give a part to his son whose career he summarises (Athos in "The Three Musketeers", juvenile lead in the "Absent-Minded Beggar"). In a postscript he suggests he would make "an ideal Rochester".

Anglo-Australian actress (1890-1975), connected with the Kendalls, Beerbohm-Tree, Bernard Shaw and a host of other figures from the London stage. Two pages, 12mo. Veryy good. Difficult hand. She has asked 'Mr. de Lion' about Gifford's play: 'he said he will try to make enquiries & let me know but I dont expect he will'. The rest appears to refer to relate to travel plans. Ends 'I beg you to forgive me.' Signed 'Marie Löhr'.

Octavo: 106 pages. AUTHOR'S COPY WITH AUTOGRAPH INSCRIPTION. Good only. No dustwrapper. Tight copy in original black cloth binding (dusty and spotted), with worn green paper label (spare label at rear). Some spotting and foxing. A few pencil marks in text. Inscription on front free endpaper reads (in ink) 'To be returned to | Dr Marie Stopes | Norbury Park | Dorking | Surrey'; (in pencil) "Please keep as clean as possible as it is my only copy. | M C S'.

A Large Paper Edition of which there are 50 copies, this being No.1 (!!). Red cl., vg. With The bookplate of Marie Stopes and a scattering of annotation in her hand.