FRANCAIS

Both items in good condition, on lightly-aged paper. ONE: 1p., 8vo. Despite being unacquainted with 'M. Tirman', he offers to do his best to be of assistance to 'M. Emile Farrence'. Petit's letter, dated 19 May 1883 is on the reverse of the second leaf of the bifolium. Writing to one of the individuals mentioned in Leroy Beaulieu's letter, he explains that he is forwarding that letter, and asks for it to be returned to him on his arrival. TWO: 1p., 16mo. He apologises for making him wait 'deux jours de plus'.

4pp., 4to. Bifolium. Unbound. In fair condition, aged and with wear to extremities. He considers one of the 'principaux devoirs de notre ministère [...] de veiller à ce que le service divin soit célébré avec cette décence et cette majesté qui conviennent au Dieu suprême auqel il se rapporte', and concludes by describing changes to vestments and ceremonial in four numbered sections. Ends: 'Donné à Bayeux, en notre palais épiscopal, sous notre seing, le sceau de nos armes et le contre-seing du Secrétaire de notre Diocèse, le 20 Fevrier 1819. | + CHARLES, Evêque de Bayeux.

One page, 12mo, bifolium, pin=holes at top and some marking, mainly good condition. "I hear that you are in town on your way back from Brussels. Should you have any time to spare, I should be happy to see you. You would find me at home tomorrow [...]".

46pp., 8vo (21cms), marbled pink paper wraps (original), spine and edges a little ragged, foxing, fair condition, sound. Scarce. Copies at BnF and Loyola Marymount University (USA)

Card, 11.5 x 9cm, vestiges of laying down in corners of verso, good condition. "J'ai été obligé de changer mes petits places de voyage. Voulez-vous aussi chamger les votres et venir mercredi au lieu de Vendredi. |Amitié[ ...]"Note in another hand on verso: "Autograph of Pierre Loti, Académician, officier in the French Navy (real name Viaud) author of Pecheur d'Islande, Fantomes d'Orient, etc. | Given me by M. Arthur Chasserian to whom it was addressed, Decr/92."

Substantial TLS from Zeke Berlin to Marsh, 29 Jan. 1963, 2pp., sm. folio, giving information about rehearsals, the Theatre, the actors, commenting on the "idiom" in the play, music, characters. Play not mentioned but characters named reveal Anouilh's "Dinner with the Family".

One page, 12mo, 9 lines, In Roy's small hand, 3 Nov. 1950, in French. He is awaiting Marsh's sign, depending on him for how England will receive his work.

Total: 6 items, 1957-1961.One substantial ALS from Marc Camoletti to Edward Marsh, translator, 2pp. 4to, 25 Jan.

Total: 18 items, 1957-1961, including:One ALS, one TLS, one telegram from Marcel Achard to Edward Marsh, translator, only the TLS in French, others in English.Subjects: rights to translation of "Voulez-vous jouer avec moa" (gentleman's agreement for six months); this play "on appelle communément un 'théatre d'avant-garde'", requiring "excellent" actors like Peter Sellers; other information, including his agent's name; [telegram] "Waiting for you Stop Love".Memorandum of Agreement between Achard and Dr Van Loewen, agent, with Donmar Productions Ltd (New Theatre, London), not signed, 4pp., fol.T

A small archive of material relating to the translation into English and production in the UK and USA of works by Jean Anouilh (particularly "Dinner with the Family"), comprising: A. Two Autograph Letters Signed "Jean Anouilh", in French, to Edward Marsh, translator and biographer of Anouilh, one dated in pencil "Feb. 1953", one of two pages, the other of one, both 4to, condition only fair.

Total: c.38 items, some more than one page, 1953-1968, 1984-1991, including:8 ALsS, Neveux to "Edward" [Marsh, translator], total 13pp., various formats, 1953-1961.

Total: c.21 items, 1977-1983.Four TLsS from Félicien Marceau to Edward Marsh, in French, (1978) saying that he'll go along with Marsh's proposals [about "L'Ami du Président"], reiterating two thirds for him; (1979) declining an adaptation for British television, anxious about the effect on "sa carrière théatrale"; (March 1983) having agreed film rights he is not free to authorise TV production; (May 1983) repeating what he understands about the cinema deal, and saying he'll be in touch on expiration.Eight copy TLs, some very substantial (one heavily worked), from Marsh to Félicien Marceau, 1

Total: c.43 items, some more than one page, 1953-1961, including:18 ALsS, TLsS and APCsS, to Edward Marsh, translator, total 26 pages/sides, various formats, with a telegram to him with note from him, and telegram from him to Edward Marsh.

TLS, 27 July 1971, one page, 4to, saying that the Camus Estate only want Robert Baldick to translate, giving background, so he's returning a script..

A very substantial TLS from Hauptmann to Marsh, 14 Dec. 1951, 2pp., 4to, in English, recalling their first meeting, commenting on Marsh's autograph collection from that time (1921), and responding to finding Marsh had adapted his "The Rats". He gives detailed response, complimentary but constructive.

Total: 5 items, all 1979.Postcard and TLS from Armand Lanoux to Edward Marsh, in French, (13 June and 27 July 1979) about the production in England of "notre fresque télévisuelle" "Zola ou la Conscience Humaine". He has asked his wife, Cathérine Tolstoi-Lanoux, to send Marsh "les deux pieces radiophoniques".WITH:Manuscript Draft, heavily worked over, letter from Marsh to Lanoux, 3pp., 4to, in French, 5 June 1979, broaching the question of an English production of the "Zola" programme (BBC etc).AND: ALS from Renée [de Conquele?

The first four letters are each 1p., 12mo; and the fifth letter is 1p., 4to. The price list, which accompanies the last letter, is 2pp., 4to. All items in good condition, on lightly-aged paper. In the first letter (4 May 1980) he replies to his correspondent, thanking him for a letter 'concernant la representation d'Orphée aux Enfers que vous avez vu à Oxford en 1977'.

The inventory (14pp.) is at the front of a 4to notebook, with ten pages of genelogical and other notes at the back. In good condition, on aged-paper, in worn original vellum quarter-binding, with blue patterned paper boards, and ties. Label on front board: 'Mobilier Picard A Faurel'. The inventory is dated 1839 on a title-page, but includes entries from the 1840s. It is divided into the following four sections, under calligraphic headings: 'Argenterie' (2pp.), 'Meubles Meublant' (5pp.), 'Linge' (4pp.) and 'Vins Fins' (3pp.).

16mo, 2pp. In good condition, on lightly-aged paper, attached along one edge to a piece of paper bearing part of the address of the English Consul in Boulogne, William (later Sir William) Hamilton.

[6] + 36pp., 8vo. In original yellow printed wraps. Title carries illustration by Fouget. Inscribed, at head of title, 'To "The Bairns" from Mr. ', 8 February 1866. Lightly-aged, with slight damp staining, in worn wraps. Clearly printed with simple musical scores, including such classics as 'Frère Jacques' and 'Sur le Pont d'Avignon'.?>

Three pages 8vo, browned paper, fragile, slightly chipped, small closed tears on folds. Levy was the patron of St Saens during his exile in London in 1871. In 1872 Saint Saens composed Menuet en Valse op. 56, which he dedicated to Felix's wife, Sarah Levy. The letter reads: Sunday My good friend , A thousand pardons for not having written to you sooner. I have started to work again and this makes me the most unreliable correspondent in the world. We will not come for dinner.

8pp., 4to. In stiff printed wraps. Printed in black and white. Photographic portrait of the artist tipped-in as frontispiece, twenty illustrations in text, and loosely inserted in a wallet at the rear a facsimile (2pp., 8vo) of an article from the Argentine Magazine, Christmas 1929: 'How MAUZAN makes lively posters' by A. Lancelotti. Cover carries image of smiling fat black man shining his foot with a shoebrush, above facsimile of Mauzan's signature. Scarce: does not appear to be present in the Bibliotheque Nationale.

28pp., landscape 12mo, printed on rectos only of 28 leaves. Dimensions 21 x 15 cm. In brown card wraps with brown cloth tape spine over staples. In fair condition, on aged thick paper, with foxing to title leaf, and damp staining at foot of first and last few pages. Printed decorative border on front cover, with same border in black ink on title page, enclosing the title in block capitals in red ink: 'SPÉCIMEN | DE | CARACTÈRES, VIGNETTES | & FILETS | LINOTYPE'.

1p., 8vo. On wove paper. Lightly worn and aged. Text in two columns within ornate decorative border. Author's details at foot, above printer's slug. Thirty-five line poem, in five seven-line stanzas. First stanza: 'O! toi, ma France bien-aimée, | Pour toi, nous faison tous des voeux, | Oh! sois à jamais vénérée, | Élevons nos voix vers les cieux. | Oh! France, ma patrie!

On one side of a leaf removed from an autograph album, roughly 18 x 14 cm. Good, on lightly-aged paper. On the reverse has been laid down an oval photograph, causing minor ruckling. The title of the piece is written at the top, with the part of the score ('Largo') in a line beneath it. Beneath the score is Pollain's bold signature: 'With best wishes | F. Pollain | Stoke on Trent 12 October 1925'.

12mo, 3 pp. Thirty-six lines. Text clear and complete. Good, on lightly-aged paper. Addressed by Bonaparte, with stamp, red wax seal and postmarks, on reverse of second leaf, to 'Monsieur le Lieutenant-Colonel Lherbette Adt. au comm. de l'artillerie dans la 1re. division militaire | Vincennes'. Were he not leaving for the country, he would have presented in person 'Mr. Colt, citoyen des Etats-Unis, inventeur d'un ingénieux système d'armes à feu à plusieurs coups'.

8vo, 4 pp. Seventy lines of text. Clear and complete. Fair, on aged paper, with the outer pages browned. The identity of the recipient is suggested by the following, written in the margin of the first page: 'Ces Dames vous supplient d'agréer l'hommage de leurs souvenirs. Mesdames de Vaublanc et veulent elles me permettre de leur offrir ici la mienne?' His correspondent is writing his memoirs, and de Marchangy considers that he has 'mille fois raison de vivre dans le passé, s'il vous console du present'.

12mo, 72 pp. Stitched. In remains of original grey wraps, with front wrap present (though worn at extremities), but only a trace of rear wrap remaining. Text clear and complete. On aged paper with many dog-eared corners. An ephemeral item by one of the greatest of French printers: COPAC only lists three copies, at Oxford, University College London, and the Victoria and Albert Museum. None of these record the misprint in the title of 'les Galerie' for 'les Galeries', and it is not present in the Harvard copy either.

4to, 22 pp. In original green printed wraps. Frontispiece photograph on art paper, inscribed in bottom right-hand corner 'A M. Maggs Bros booksellers | Souvenir de la guerre | Pce. Laforge de Vitanval | Madrid 12 Aout 16'. Text clear and complete. In fair condition, on lightly aged and worn paper. No diagrams. The invention is described as 'un Aéro-frein ou frein automatique pour aéroplanes et toutes espèce de machines volantes, empêchant le capotement des appareils, en cas d'accident ou d'arrêt subit du moteur'.

Folio, 4 pp. Both on the same bifolium. All texts clear. On aged and worn paper, with chipping and fraying to extremities. Presumably part of a series of ongoing receipts, as the the first begins in the middle of the preamble '<...> commandement de Monsieur le Marquis de Roye Lieutenant general, | De la somme de deux cent cinquante neuf livres onze sols huit deniers [...]'. The receipts are neatly written out, with two long authorisations in the margins, each bearing the same illegible signature.