JOSEF

1p., small 4to. Bifolium. In good condition, with light signs of age. Addressed on reverse of second leaf, with remains of red wax seal, to 'Mr Booth | Duke street'. It is his intention 'to go abroad and not to keep the house longer than Ii am obliged', so he asks Booth if he will 'put up a bill that the house is to be let. it is understood that, if no one will take it before february, I must pay the rent.' He asks if Booth knows 'any poor family in whom you have confidence and who would be glad to live in it till it is let again', suggesting 'the same family who was in it before me'.

Thomson's friend Burns worked with him on the Scottish and Welsh melodies, which were arranged by Haydn and others. As Haydn's health was failing, Thomson turned to Beethoven for the arrangements of the Irish melodies, the first group of which were sent to him in 1809. 4pp., 8vo. Paginated 1-4. Unbound bifolium, stabbed as issued. In good condition, lightly-aged. Beneath the drophead title on the first page: 'On the 30th of May 1817, will be published the THIRD and CONCLUDING Volume of | Select Welsh Melodies; | [...]'.

In very good condition, on lightly-aged paper. The poem (24 lines in six stanzas) is written out on the letterhead 'Leam, | Leamington'. 1p., 12mo, with the blank second leaf of the bifolium tipped-in onto an 8vo leaf.

The signature, cut from a letter is on a strip of paper roughly 1.5 x 10 cm, laid down on a piece of paper, 7 x 11.5 cm. Lindpaintner's signature ('Js. Lindpaintner') is bold and florid; a small part at the head has been trimmed away in cutting the strip. In fair condition, on lightly-aged paper, with one pinhole at head of mount, and traces of grey paper on reverse. The mount is neatly captioned 'Autograph of Lindpaintner, composer of "The Standard Bearer" | &c. &c. &c. | Recd. from Wessel & Co - 1859'.

Both items are in good condition, on lightly-aged paper. Each is in its original envelope, with typed address to Cobbing at 262 Randolph Avenue, London. First Letter: 1p., 8vo. He does not 'object to the publication of "Descartes metamorphosis': 'I am looking forward to the record and some other news. What will be the price of were [sic] not high, I should buy another specimen for my friends from my royalties.' Striking bold 13 x 16 cm design in black at foot of page, somewhat like a melted anthropomorphic letter H. Letter Two: 1p., folio (42 x 21 cm).

All three in good condition, on lightly-aged paper. The ALS is accompanied by its stamped and postmarked envelope, addresed by Nov

Number 17 in an edition of 50. Very good in slightly grubby portfolio. The portfolio is half-bound in black buckram with grey paper boards, dimensions 34 x 27 cm. On front board: 'JOSEF SCHWARZMANN | FÜNF RADIERUNGEN'. Dimensions of mounts and letterpress leaves (in thick cream wove paper) 32 x 25 cm. Initial bifolium consists of title and contents leaves, the latter giving the titles of the five engravings as: '1. Sitzender Junge', '2. Portrait H. W.', '3. Portrait L.', '4. Bäuerin' and '5. Landschaft'.

The sepia photograph, 10 x 7 cm, shows Korff's head and torso. He is dressed in the costume of a flying ace, with leather coat, gloves, googles and scarf, and is striking a match while staring moodily at the viewer. It is mounted on a leaf of cream paper (24 x 20 cm) removed from an album. In very good condition and attractively mounted, with a piece of nicely-patterned paper (12 x 8.5 cm) beneath the photograph acting as a frame. Korff's large, bold signature runs across the page beneath the phtograph, reading 'Arnold Korff | Wien 25. Oct. 1923'.