VAN

2pp., 4to. In good condition, lightly-aged. Unsigned copy of typed letter., with one autograph emendation. Addressed to 'My dear Harry'. He begins by explaining that he is in Eastbourne recuperating from the flu. 'As I did not rise until Monday last I missed the Sunday papers including alas, the Referee. [ amended in autograph from 'the Rat' ] | A cutting, however (from the Ref) reached me here today containing an article of yours, wherein you place me among your Hebrew musical collaborators.

In good condition, on loose leaves, with light signs of age and wear. ONE: 'Green Roomers by the Rags Wags.' A large collection of original jokes. Around 140pp., mostly 8vo. On different papers, including letterheads of 212 Finchley Road, London, the Burlington in Folkestone, and the Hermitage Hotel, Le Touquet. Hundreds of unconnected gags, each of them framed as a rhetorical question, mostly relating to the London entertainment world. The humour is now mostly impenetrable. Individuals referred to include: C. B. Cochran, H. G.

[1] + 19pp., 4to. Unbound, on leaves attached with a brass stud. Title-page reads: 'LIFE'S LITTLE LAUGHS. | BY | HERMAN FINCK.' In good condition, on lightly aged and creased paper. The introduction reads: 'Laugh, and the world laughs with you. Cry, and the world laughs at you. Here then let me set down some things of humour that I remember, some of my own which have appealed to my friends, some of my friends' which have appealed to me.

2pp., 4to. In fair condition, lightly-aged and somewhat creased at extremities. He explains that he has sent 'the Van Gogh material' to Feisenberger, whose address he gives.

Four items loosely inserted in a 33 x 25.5 cm black paper folder which is in good condition, with light signs of wear. With 26.5 x 20.5 illustrated label on cover, printed in black and brown, for 'The Colophon | A book collector's quarterly'. Presented to the guests at a 'Colophon' dinner (perhaps the inaugural one in 1929?). The contents as follows. ONE: Leaf from the Cologne Chronicle, 1499. The dimensions of the leaf from this incunabulum are roughly 30.5 x 20.5 cm. In fair condition, on aged paper with light damp staining. With three woodcuts, each roughly 5 x 4 cm.

Thomson's friend Burns worked with him on the Scottish and Welsh melodies, which were arranged by Haydn and others. As Haydn's health was failing, Thomson turned to Beethoven for the arrangements of the Irish melodies, the first group of which were sent to him in 1809. 4pp., 8vo. Paginated 1-4. Unbound bifolium, stabbed as issued. In good condition, lightly-aged. Beneath the drophead title on the first page: 'On the 30th of May 1817, will be published the THIRD and CONCLUDING Volume of | Select Welsh Melodies; | [...]'.

Letter: 2pp., 4to. In fair condition, on lightly aged and worn paper, tipped-in onto the front pastedown of the book. He is sending the book registered, 'as a precaution against confiscation', and is looking forward to her 'new book', and has 'told N. Testament scholars in the U.S.' to look out for it. 'Like Lloyd, I am sure I will disagree with parts of it!

Eight pages, 4to, unbound as issued, fold marks (sl. grubby), mainly good condition. A report of the Company's properties in Tasmania. Copies held by several Australian libraries.

The present item presents a double significance as a result of the circumstances in which it was composed. The author writes in a tone of forced levity to her two sons John Peter Hankey (1770-1807) and Thomson Hankey (1773-1855), grandsons of the banker Sir Thomas Hankey (1704-1770), from whom she is separated as a result of her divorce from their father, following a sensational adultery case, her marriage to Hankey having been dissolved by an act of parliament in the previous year, her hairdresser and maid having deposed that she was living in a state of intimacy with Lt-Col.

The 77 plates (uncoloured steel engravings) are in 4to format, in good condition, on lightly-aged paper, in the third volume of the work ([4] + 318 + [1]pp., 4to), which is in a worn contemporary brown leather half-binding with marbled paper covers. Most of the plates carry two half-page illustrations. 28 of the plates (between pp.66 and 167; and carrying 52 illustrations, 48 of them half-page and 4 full-page) concern New Zealand, Australia and Tasmania, with the majority relating to New Zealand. These show views, fauna, inhabitants, atrefacts, and incidents on D'Urville's voyage.

In good condition, on lightly-aged paper, tipped in onto a grey paper mount. Engraved on 13 x 8 cm piece of wove paper, with no margin. The firm's shop was at the sign of Horace's head in the Strand, and the engraving depicts a lapidary carving off the head and shoulders of the poet, with laurel leaf above, in an oval frame, around which are 'carved' decorations (including lyre and grapes).

In addition to his pioneering cinematographic work, Herkomer was a theatrical innovator. As Lynda Nead points out in her 'The Haunted Gallery' (Yale, 2007), it was shortly after the opening of his art school that 'he and his students created an auditorium, modelled on Wagner's Festspielhaus in Bayreuth, for public performances of plays, written, directed and, indeed, performed by Herkomer'. See also M. A. K. Taylor, 'The New Stagecraft' (1953); J. Stokes, 'Resistible Theatres' (1972); and L. M. Edwards, 'Herkomer: A Victorian Artist' (1999). These five items all relate to the project.

Both items in fair condition, on lightly-aged paper. Item One: Pencil inventory of 'RB | Select Books' - i.e. volumes of drawings by Richard Batty, dated June 1919. 3pp., 8vo, with separate inventory on last page headed 'Book of Engravings | In Drawing Room'. Bifolium. The first item in the list of 'Select Books' reads 'no Cover 1817 April Lyons Genoa Florence Rome (May) to 24 June'. Last entry on p.3: '1832 IV, thick 26 Decr Dawlish & 23 Jany | Coaxden [sic] Hall May 23 | Chard Torquay (July) Plymouth Falmouth | Lands End St Michaels M[oun]t 15 July 1833'.

The three items in good condition, on lightly-aged paper; the essay and first letter having punch-holes in the margin. The essay is 3pp., foolscap 8vo. The title, corrections and emendations are all in van der Post's hand. 'To someone like myself who believes that coincidence is the manifestation of a great law of which we are not yet properly aware, this timing of the birth of Christ is not accidental.

10pp., 12mo. In very good condition, on lightly-aged paper, and still attached to leaves removed from an album. He begins by informing Martin that he has perused his 'admirable article' about Stockmar with 'delight': 'I have read it three times most attentively, as you will see by some marginal marks. He praises the article's 'high moral and religious tone, so perfectly consonant with my old & revered friend's character'.

The six items in good condition, on lightly-aged paper. ONE: Typed Letter Signed to Carter, in English, from Miss Dr. D. van Velden, curator. On letterhead of the Rijksmuseum Meermanno-Westreenianum. 22 March 1966. 1p., 12mo. Giving details of the opening hours. TWO: Typed Letter Signed to Carter from E. A. Lowe. On letterhead of the Institute for Advanced Study, Princeton, New Jersey. 25 January 1969. 'If there are any new developments re Stanley Morison, I hope you will keep me posted. Some one sent me Brooke Crutchley's Two Men. There was no card so I do not know to whom I am indebted.

Mary Frances Stevens was the daughter of Silas O. Smith of Rochester, and the mother of the novelist Augusta de Grasse Stevens (1852-1894) and of Marie de Grasse, Lady Evans (d.1920), wife of the English Liberal politician Sir Francis Henry Evans (1840-1907). After her husband's death in 1854 she married John Fowler Butterworth. The seven letters in this collection are closely and neatly written; those to her father in brown ink and those to her mother in blue. All seven in good condition, on lightly-aged paper.

Both prints in very good condition. David Teniers the Elder: Dimensions of paper 22 x 17.5; dimensions of plate 18 x 14 cm. Captioned 'DAVID TENIERS SENIOR' and numbered 26. Brief biography in French beneath image, and 'P. V. Mol pinxit P. V. Leysebetten sculp'. David Teniers the Younger: Dimensions of page 20.5 x 15.5 cm; dimensions of plate 16.5 x 11.5 cm. Captioned 'DAVID TENIERS' and numbered 58. Short biography in French, followed by: 'Dav. Teniers pinxit Pet. de Iode sculpsit Io. Meyssens excudie.'

1p., 4to. Bifolium. Bottom corner of first leaf torn away (carrying with it the latter part of Grantham's signature) otherwise in good condition, on lightly-aged paper, with slight traces of mount on reverse of second leaf. Neatly written out the bill reads: 'His Excellency Lord Grantham, His Majesty's Ambassador Extraordinary and Plenipotentiary at the Court of Spain, humbly craves Allowance of the following Bill of His Extra-Ordinary Disbursements. | For removing myself & Family to Aranjuez, House Rent, and other Expenses. - £300. 0. 0. | Madrid June 21st. 1772. | [signed] Granth'.

2pp., 12mo. 34 lines. Fair, on lightly-aged and creased paper. It has 'just flashed across' his mind that he neglected to answer the question in Wright's letter about the Syriac bible. 'We have no use for the Mod. Syr. Bib. in these parts & so do not keep it at hand.' He gives names of individuals to contact on the question, and discusses how copies could be procured. A postscript reads: 'What is the prospect for the completion of Lanes Lex. I have to the end of S - but since Lane died [Edward William Lane died in 1876] it seems as if most words were put off to the Supplement!!'

1p., 8vo. In good condition, on lightly-aged paper. Van Thal was 'most distressed to read in the Daily Express this morning that you were no longer connected with that paper.' He thanks him 'for the pleasure that you have given me over a number of years of reading a first class column'. He hopes it will be 'discoverable as to where you are going to continue to write - or have politics put an end to a chapter?' In a postscript he states that he is at least 'able to console myself with Hansard!'

1p., 4to. A fair copy, on a piece of aged high-acidity paper, with chipping and loss to edges (not affecting text). Signed at foot. The poem begins: 'Heart of a hero in a poet's frame, / Soul of a soldier in a body frail, - / Thine was the courage clear that did not quail / Before the giant champions of shame'. Gilder is praised as a 'poet, patriot, friend', the poem concluding: 'Thou leavest two great gifts that will not die, - / Amid the city's noise, thy lyric cry!

3 pp, 16mo. 47 lines. Text clear and complete. In small tight and difficult hand. Fair, on lightly-aged paper. He begins by thanking them for the cheque for a thousand francs for the translation of the book by Henri Van Laun, before going on, in response to an enquiry from the recipients, to discuss other translations of his work into English, with reference to the London publishers Sampson Low & Co, and Reeves & Co.

8vo, 3 pp. Bifolium on laid paper. Fair, aged and lightly-creased. 'Composed in Lexicon, designed by Bram de Does in 1992. 250 copies printed by Offsetdrukkerij Jan de Jong, Amsterdam. | Presented to the members of The Wynknyn de Worde Society on the occasion of the International Luncheon Meeting 21 September 1995.' The facsimile of the letter, by 'Jan', dated 'Heemstede 12 March 1947', is on both sides of the first leaf. Biograpical printed text by Dreyfus on recto of second leaf, the verso of which is blank.

8vo, 1 p. Typed and signed in light-blue, beneath green letterhead, and with 'CARL VAN VECHTEN' 'watermark' at centre of page. Text clear and complete. On lightly aged paper, worn and dogeared at extremities. He thanks her for the copy of 'the Academic Observer (Gertrude Stein number) which intererested me so much that I am writing to ask if I may have another copy for a friend of mine, Please.' Autograph note explains that the 'friend' is one 'who also collects Steiniana'. Docketed in pencil on reverse: 'Miss Mallory | Keep this until I call - someday I will. | [signed] M. Lucha'.

The Van Diemen's Land Company was formed in 1824 by a group of London merchants, including Charles Richard Fenwick (1822-1888) and Thomas Dyer Edwardes (d.1912), to supply wool for the British textile industry. It received a Royal Charter the following year. In 1826 it was granted 350,000 acres in the northwest of the country. It established its headquarters at Circular Head. The company retains much of the original land grant and is believed to be the last chartered company still operating in Tasmania.

8vo: 42 pp (paginated 131 to 172). Stitched pamphlet. In original printed wraps, with title and illustration. Two photographic illustrations in text and forty-eight numbered illustrations by Zaborowska. Good, on aged paper, with light notes in blue pencil on pp. 144 and 145. Blanchard explains that Quy, a doctor from Hanoi, came to Paris to further his medical studies. He had a position under Blanchard 'au Laboratoire de Parasitologie'.

12mo (leaf dimensions 22 x 14.5 cm), 4 pp. Bifolium. Text clear and complete. On lightly-worn and aged paper. Excessively scarce: no copy in the British Library, on COPAC, or on WorldCat. Five songs: 'The Union Jack. Air "Nancy Lee." ', 'The Shamrock, Thistle, & Rose. Air "The British Grenadiers." ', 'The Unionists' song. Air "The Mermaid." ', 'Here's To Our Cause. Air "Drink, Puppy, Drink." ' and 'Loud Roars The Gladstone Thunder. Air "Bay Of Biscay." '

8vo: vii + 168 pp. Complete. A tight copy, on aged and dusty paper. In remains of brown cloth binding, with spine chipped and covers detached. With the bookplate and 21 June 1884 accession stamp of the Public Free Libraries, Manchester, to whom it was 'Pres[ented]. by Messrs. Walch Bros. & Brichall' on reverse of title. No other stamps. Binder's stamp of Charles Winstanley of Manchester. The cloth-backed fold-out coloured map is approximately 50 x 40.5 cm. Titled 'Tasmania' and 'Compiled and drawn by Leventhorpe Hall January 1884.' Printed by 'R.