MOVIES

The two signatures are on a reproduction of a drawing of Robeson, on a 15 x 11 cm piece of shiny art paper, cut from a programme from Robeson's 1934 tour of Britain. In good condition, lightly-aged. The head and shoulders portrait shows a moody Robeson in collar and tie. The two signature are at the foot of the image, with Robeson's, in blue ink, slanting downwards, and Brown's, in green ink, slanting upwards, around the line of Robeson's lapels.

Good firm inscription on 19.5 x 16 cm letterhead. In good condition, lightly aged and creased, with slight rust staining to top left-hand corner from paperclip. Inscription reads: 'Sincere best wishes | Don Ameche'.

Album page, 17 x 11cm, good condition.

Good firm inscription on 18 x 16 cm leaf of blue paper removed from album. Reads: 'To Ann | with very Best wishes | from | Sabu | THE THIEF OF | BAGHDAD | 1939'. The recipient was the daughter of a cameraman at Twickenham Film Studios.

On 18 x 16 cm leaf removed from an album. In good condition, lightly-aged. Headed '"Carnival" July 1945' and with the following signatures: 'Stanley Haynes (Director) | Guy Green . (Camera) | Sally Gray | Stanley Holloway (actor) | Catherine Lacey | Michael Clarke | Hazel Court. | Michael Wilding | Jean Kent | <?> (stills)'. The recipient was the daughter of a cameraman at Twickenham Film Studios.

The three inscriptions are all on one side of an 18 x 16 cm leaf taken from an album. In good condition, lightly-aged. Given during the shooting of the RKO film 'The Saint in London' (1939), which Sanders starred in and Carstairs directed. Sanders writes, at the head of the page, 'To Anne | I want to see you in about 8 years time! | George Sanders | April 1939.' Beneath this is: 'Anne - let's make it seven! | John Paddy Carstairs: | '39.' And beneath Carstairs' inscription: 'Six years. X. | Tony Keys'. The recipient was the daughter off a cameraman at Twickenham Film Studios.

Printed on one side of a piece of 29 x 22.5 cm yellow newspaper stock. In fair condition, on aged and worn paper, with a 1 cm closed tear to the margin. Distinctively laid out, within a decorative border, with three vignette silhouettes of men in evening dress. Under the heading 'Double attraction', announces that 'The Excelsior Cinema Cuddapah. | Takes Pride in Presenting from Sunday 10-5-31. | Under the kind patranage [sic] of | A. G. Blake Esq., I.C.S., | Collector and District Magistrate, Cuddapah. | A Grand Show of an Assembly of | Nation Builders of India & England.

In very good condition, on brown spool 16.5 cm (6 1/2 inches) in diameter. In 17.5 cm square cardboard box, with title label on spine reading: 'M.30504 TOUCHDOWN MICKEY | FILM PRINTED IN ENGLAND', and broken blue label: 'GUARANT BAND | PATHESCOPE LTD.' The film was originally released by Disney on 15 October 1932 and runs to 6 mins 25 seconds. Mickey Mouse leads his team Mickey's Manglers to victory over the Alley Cats, as Goofy bungles through as sportscaster.

Thre leaves, last leaf blan, folion, fold marks, small closed tear on middle fold, mainly good condition. The agreement covers "Improvements in and relating to Colour Photography and Colour Cinematography" a Patent Application #5271/28 20th Febryaury 1928. Signed C.A. Bolton and Anthony Bernardi, with the Company Common Seal of Raycol, witnessed by two directors and a secretary.

1p., 4to. On aged paper. Printed in block capitals at head of letter: 'Experienced actor-dramatist and film adapter. Author of plays and films produced in England and America. Expert in "Dramatic Construction" gained in years of practical experience on the stage, and in films. Adapts stories to the talking films, the bigger the story with opportunities of being developed on a large scale, the better.' Addressed to 'Commander L. A. da Costa Ricci | Naval & Military Club, | 94 Piccadilly | W'.

Advance Prospectus, four pages, 4to, bifolium, fold marks, small closed tears along folds, sunned, minor staining, good condition. A detailed view of the state and potential of the Motiuon Picyure Industry is give (commercial, entertaining, educational, growth, attraction of stage stars, etc.) but apparently the invention of a fraudster.

On rectangle of paper, laid down on leaf removed from autograph album. In fair condition, on lightly-aged paper. Reads 'Good wishes | Anna Neagle.' With two newspaper cuttings carrying photographic portraits, one loose and one laid down to the left of the signature.

Black and white studio photograph, postcard format (14 x 9 cm). Laid down on leaf removed from autograph album. Good, on shiny photographic paper, with margin making dimensions of image 12.5 x 8 cm, captioned at foot 'JOHN STUART' and, in smaller type, 'PHOTO BY | L. PROTHEROE'. Stuart's inscription, in bottom right-hand corner, reads 'Best wishes | Sincerely yours | John Stuart'. Stuart's two Hitchcock films were the director's debut 'The Pleasure Gardens' (1925), and 'Number Seventeen' (1932).

On leaf removed from autograph album, with one set of rounded corners. In good condition. Reads ' Good Morning - Bill! | With every good wish | Yours Sincerely | Peter Haddon | 1928 -'. Together with a loose newspaper cutting carrying a photographic portrait.

Both items on 'Bebe' letterheads, and both with signature 'Bebe' incorporating a drawing of a stick figure with hat. Letter One: 12mo, 1 p. Twelve lines. Good, on lightly-aged paper. With addressed envelope. She is sorry they missed one another 'at the station, especially after all the trouble you went through to get there'. Gives news of show: 'Boy, it will be good to get back to town again. | I have enjoyed the tour but as you know travelling nowadays isn't what it used to be, by a long shot.' Letter Two: 8vo, 1 p. 21 lines.

12mo, 2 pp. 19 lines of text. Clear and complete. Fair, on lightly-aged paper. Begins 'Just a line to tell you we miss you like mad & hope you are well & happy. Praises a 'dinner at Mary's'. They hope to call on Colleano when passing through London on 'Sunday Nite'. Ends 'Well honey, keep us in mind & we will see you soon - Our very best to Bonar Jr. [Colleano's son the film actor Bonar Colleano]' Postscript 'Billy sends his best'. Coogan was married to Ann McCormack, his third wife, from 1946 to 1951. From the Colleano Family archive.

Letter: 4to, 1 p. Twenty-six lines. Text clear and complete. On aged and worn paper, with a couple of holes, light staining and indentations. Addressed to 'Jon', whose book, with a 'chapter pertaining to the Taylor case' Long 'would like very much to see'. Long encloses the copy of 'Taylorology', of which he writes, 'Despite my intentions, there was only one issue due to very poor response -- only a dozen subscribers.' He boasts that his 'collected material on this case', 'primarily newspaper clippings', 'weighs over 30 lbs., with more information coming in every week'.

4to, 1 p. On aged, worn paper with small area of loss at head (not affecting text). He will be 'pleased to act on the Committee to judge of the stories for filming', and is glad that 'the work will not be onerous'. In a postscript gives the version of his name he wishes given for announcing ('Right Hon. Sir Gilbert Parker Bt.'). According to his entry in the Oxford DNB, no fewer than sixteen of Parker's novels were filmed. As head of British propaganda in America, 1914-1916, Parker had a direct involvement with the medium.

One page, quarto. On paper discoloured with age. Attached along one edge of blank verso to card mount. Reads 'To simply tell you that your work is good would be putting it mildly. Things that I have heard all about me as I sat and watched the performance for the first time, from a loge seat, if you heard them, make [sic] you very very happy. | Your appearance is majestic; your enunciation beautiful; your reading and interpretation a delight. I cannot tell you how proud I am of you.

One page, 12mo. Very good. 'Do forgive my delay. I had lost your letter!'

On a piece of thin card roughly 8.5 x 11.5 cm. Very good. Good signature, 7.5 cm long, neatly centred.

The sepia photograph, 10 x 7 cm, is a head and shoulders shot of Aslan staring at the viewer in the character of Hamlet holding Yorick's skull. It is neatly mounted on a leaf of cream paper (24 x 20 cm) removed from an album. The whole attractive and in good condition. In a firm, bold hand Aslan has written, across the page beneath the photograph: '"Zu was für schnöden Bestimmungen | wir doch kommen, Horatio"! - | (Hamlet) | Ein Erinnerung | [signed] Raoul M. Aslan: | Wien, Oktober 1923. -'

The sepia photograph, 10 x 7 cm, shows Korff's head and torso. He is dressed in the costume of a flying ace, with leather coat, gloves, googles and scarf, and is striking a match while staring moodily at the viewer. It is mounted on a leaf of cream paper (24 x 20 cm) removed from an album. In very good condition and attractively mounted, with a piece of nicely-patterned paper (12 x 8.5 cm) beneath the photograph acting as a frame. Korff's large, bold signature runs across the page beneath the phtograph, reading 'Arnold Korff | Wien 25. Oct. 1923'.

12mo, 2 pp. Very good. Attractive letterhead with engraved illustration of 'Renishaw Hall | Derbyshire' (last word crossed out by Sitwell). Written in purple ink. Asks if there is 'anything to be made of a curtain-raiser, or short film, which wd. show Napoleon catching the cold, which lost him the Battle of Waterloo? . . It is an amusing idea.' He considers that it is 'sure to have been some very silly person who sneezed at him . . . Or is the idea nonsense!'

8vo, 2 pp. Very good. She has been recovering from influenza at Brighton. 'I think your Paper is going on Splendidly [last word underlined] & I am so glad! [last two words underlined]'. 'Yes, isnt Margaret Ettinger a charming Creature! She told me you had talked together of me'. Asks for Ettinger's address. 'How's the home? - how's the charming wife? - & when shall we discuss the affairs of the world, the flesh, & the devil?!' She is well, 'all but my knee, which has been behaving like an ungrateful child'.

Written in pencil by 'Mayhew' on an official printed 'Post Office Telegraphs' form, stamped with telegraph number and dated postmark. Good, on aged high-acidity paper, dimensions roughly 14 x 21.5 cm. Neatly laid down on a piece of brown card. Sent on Pickford and Fairbanks' honeymoon voyage to Europe. The couple have 'received so many lovely messages from friends in England' that Pickford's 'Life Long dream of visiting the old country seems to be all [she] had hoped more [sic] and that saying great deal Douglas is ready to jump from the Top mast the minute we sight Southampton'.

A carbon, in the hand of the wireless operator, on an official printed 'Post Office Telegraphs' form ('FOREIGN AND COLONIAL TELEGRAMS ONLY'). Good, on aged high-acidity paper, dimensions roughly 12.5 x 19 cm. Neatly laid down on a piece of brown card. Sent on Pickford and Fairbanks' honeymoon voyage to Europe.

On piece of cream paper, roughly 8.5 x 12 cm, removed from an autograph album. Good, on paper with a few light marks. Bold, firm signatures in pencil, one on each side of the leaf. Two signatures,

On a leaf of cream paper, 8.5 x 12 cm, part of a bifolium taken from an autograph album. Very good. All three signatures are bold and clear. The signatures of Lawrence and St Helier are on one side of the leaf, and that of Carey is on the other. Lawrence's signature is in ink, and the other two in pencil. Three signatures,

Movie cowboy (1880-1940) whose real name was Thomas Hezekiah Mix. Dimensions approximately 2 inches by 3 inches, with the signature 'Tom Mix,' in blue ink and approximately 1 1/2 inches long. In good condition although the 'om' of 'Tom' slightly smudged, and with a small brown stain above the tip of the 'T'. Mounted on an irregularly-shaped piece of blue card, docketed '93 | Famous Cinema Star | noted particularly for His wonderful riding and His famous horse Tony'.