BALLADS

4pp., 12mo. Bifolium. In acceptable condition, aged and somewhat grubby. He thanks him for sending his article in the 'Musical Gazette', and comments that it is 'certainly curious about the Purcell Catch & the coincidence of the four notes, but it is difficult to say whether it was done purposely or by accident'.

In very good condition, on lightly-aged paper. The poem (24 lines in six stanzas) is written out on the letterhead 'Leam, | Leamington'. 1p., 12mo, with the blank second leaf of the bifolium tipped-in onto an 8vo leaf.

4pp., 4to. Printed on brown paper. In good condition, lightly-aged and with one corner dogeared. The only copy traced on OCLC WorldCat in the Thomas P. O'Neill Library at Boston College, in whose entry it is tentatively dated to the 1960s, with the note about the series to which it belongs: 'Primarily a selection and reprinting from Cuala Press' collected edition of Broadsides (new series), originally issued Jan.-Dec.

2pp., 12mo. On bifolium. Good, on lightly-aged paper. In answer to her request he is enclosing a Post Office order for £1, hoping that 'the help is to be given only to those who cannot help themselves. There is so much improvidence among the labouring classes in & around Llangollen, that I confess to having not the least pity for them, if they are feeling somewhat pinched by the present high price of fuel.' He considers that they 'should be taught to provide against this & other contingencies to which life must always be subect'.

2pp., 12mo. Very good, on lightly-aged paper. In worn envelope, with stamp and postmark, addressed by Martin to 'John T. Baron Esq | 48 Griffin Street | Witton | Blackburn'. He begins by explaining that he has 'had every minute so fully occupied of late', that he has not been able to comply with Baron's request. 'Lady Martin has done what she is now most reluctant to do - written the name she once bore with a few lines from Cymbeline. I have copied the verse you wish from the little Bon Gaultier Poem'.

The full drophead title, beneath a headpiece of three lions in folliage, reads: The Gentleman's CONCERT. | BEING | A Choice Collection of Favourite SONGS. | Containing, | [following 10 lines in left-hand of two columns] 1. Where's my swain so blyth and clever | 2. To an arbour of woodbines. | 3. The flame of love sincere I felt. | 4. When all the Attic fire was fled. | 5. Cupid, god of pleasing anguish. | 6. As I walk'd forth, &c. | 7. O give me leave to love you dearly. | 8. When Fanny I saw as she trip'd, [sic] &c | 9. Bumpers 'Squire Jones. | 10. Sweet Annie.

Poem: On one side of a piece of 12mo paper. Fair, lightly-aged and a little ruckled, with traces of gum from previous mounting on the blank reverse. The 12-line poem is written in heroic couplets, and begins 'POOR, faithful animal, adieu! - | To Nature's kind affection true, | For fourteen years, thy grateful heart, | Devoted, play'd its humble part.' At the end a contemporary hand has ascribed the poem to 'B. B.', and the same hand gives the date as 'September 3d'.

2 pp, 12mo. On the first leaf of a bifolium of wove paper. Fair, on lightly-aged paper. Signed 'L. N.' in type at end. A 114-line poem, in rhyming alexandrine couplets, beginning 'Messieurs, au jeu du whist adoptez constamment | L'air grave britannique et le flegme allemand.

4 pp, 16mo. Paginated [1] to 4. On a bifolium of wove paper. Fair, on lightly-aged and creased paper, with thin strip of previous mount adhering to inner margin of first page.

One page, 12mo, slightly marked but text cleear and complete. "I must refer you to the publisher, Messrs Routledge, Broadway, London, for a reply to your question." Suitable for framing.

One page and two pages, both 8vo, bifolia, some staining but text clear and complete. In the first letter to which (as he explains in the second letter) he didn't add his name, he says that he visited "your Bovey Coal Pits" as a geologist (!), made observations and concluded that it was a "real Coal district, the current coal mined [an internet site informs me of poor quality] being of a "comparatively recent formation". Real coal was produced in an earlier period.

On one side of a piece of laid paper, 45 x 27 cm. Dimensions of printing, including decorative border, 37 x 21.5 cm. Woodcut at head (between two vignettes) roughly 6 x 7.5 cm, showing two men with packs, one smoking a pipe, trudging across a field, with a dog in the foreground and what looks like a merry-go-round in the background. Clear and entire. With light water staining, but in good condition overall. The poem, attributed at the end to 'Z.' and announced as 'Entered at STATIONERS HALL', consists of seventy-two lines arranged in eighteen four-line stanzas over two columns.

Printed on one side of wove paper roughly 41.5 x 17 cm. Text clear and complete. On aged, creased and grubby paper. In two columns, headed by the title and royal crest. Begins 'Bannatyne's Key to the Almanack gives the following account of Sts Crispin and Crispianus, brothers, [...]'. Concludes: 'In a short time Crispin ascended the throne, [...] he was sainted and the Shoemakers, through gratitude for the privileges conferred on them, made him their tutelar saint'.

Printed on a sheet of wove paper roughly 37 x 24 cm. Fair, on lightly aged and stained paper, with slight wear to extremities. Illustration, roughly 9 cm square, shows Christ, a crown of thorns above his head and a crucifix behind him, blessing an orb which he holds in his hand. Attractively printed in two columns divided by decorative rule, with ornament beneath title. Text in small type, divided into sections titled 'A Letter of Jesus Christ', 'Christ's Cures and Miracles', 'King Agbarus's Letter to Christ', 'Our Saviour's Answer' and 'Lentulus's Epistle to the Senate of Rome'.

12mo: 8 pp, unpaginated. Stitched. In original green printed wraps. Text and illustrations clear and complete, on browned high-acidity paper with damp staining at head. Wraps foxed and with slight chipping to extremities. The cover features a striking crude woodcut (12 x 9 cm) of David's 'Napoleon crossing the Alps'. The first page features another woodcut (9 x 7 cm) of a martial figure on horseback, with sword drawn.

16mo (15 x 12 cm), 32 pp. Stapled pamphlet, in original green printed wraps. Text complete and clear, on aged and dogeared paper. Wraps worn and stained. Part three only of an annotated collection of ballads. Six-page English glossary at rear. Scarce: the National Library of Ireland only appears to have Part Five, and the only record on COPAC is of Parts One and Three at Trinity College, Dublin.

Printed on one side of a piece of wove paper, dimensions roughly 30.5 x 11.5 cm. Good, on aged, and lightly spotted and creased paper. Clear impression above title of engraving (5.5 x 6.5 cm) showing a knight, dismounted from his horse, vizor down and shield on arm, combating with a dragon somewhat akin to a huge wild boar. At the foot of the item, beneath the last line of the poem, another engraving, 2.5 x 8.5 cm, showing two cherubs blowing trumpets into an arrangement of hour-glass and two sickles. Heavily worn type.

Crudely printed on one side of a piece of wove paper, roughly 27 x 8 cm. Spotted and creased, but with no loss to text. Sixty lines of verse, beginning: 'Rejoice you sons of Erin's Isle, | Attention pay now for a while, | Those lines we'll surely make you smile, | Our brave brigade isvictorious. [sic] | The enemy they did subdue, | And fought them nine one its true, | There [sic] attitude was grand to view, | At the battle of Perugia.' Recounts how, 'Commanded by O'Reilly sure', the Brigade 'did floor, 1,500 of the Sardinian corps'.

At foot: 'PRICE ONE PENNY.' On one side of a piece of wove paper, roughly 220 x 170 mm. Enclosed within decorative border. Foxed and creased, with edges trimmed to edge of border. Thin strip of card mound adhering to one edge of reverse. Text clear and entire. Printed in two columns employing characteristically Victorian typography. Twenty-six four-line stanzas (the last two being the 'MORAL.'). Begins 'When down at Blackpool last July, and walking on the Pier, | I met a pretty maiden, so I said "How do my dear?" | "What do you here, love, by yourself? How is it you're alone?

Printed on one side of a piece of laid paper roughly 37 x 24.5 cm. Worn and spotted, with particular wear to the extremities, but with the text entirely legible. Printed in two 63-line columns, beneath a 3-line heading in an arrangement of various point-sizes, mixing italics and roman, capitals and lower case. The account of the speech, presumably extracted from a newspaper and intended for sale by street hawkers, begins 'MR.

On one side of a piece of wove paper, 25 x 10.5 cm. Spotted and lightly creased, with four small holes in the paper, but with text clearly legible throughout. Forty-four lines, arranged in eleven four-line stanzas.

One page, 12mo. Good, though a little grubby at the right-hand margin, and with the name of the recipient neatly torn away at foot. 'Dear Sir | Neither Lady Martin nor myself feel any interest in any letters of ours, which may have come into your hands.'

12mo: 2 pp. On lightly creased, discoloured paper, with traces of hinge from previous mounting adhering to margin of first page. He has 'an uncomfortable feeling' that he 'laid aside' a letter from Fulton 'to be answered, but which I cannot now find. It must somehow have got mixed up with other papers [...] If I am right in my fear, may I ask you to send me a copy of it?'

12mo: 1 p. On discoloured paper, ruckled and with traces of glue from previous mounting on reverse. He is returning 'the account of the Burns Volume' which accompanied his correspondent's letter of 8 October. 'It does not suit me to purchase it, as I have already other & more important memorials of Burns.'

12mo: 3 pp. A bifolium, the first leaf of which is good with light spottinng, but the second of which has the lower half cut away, and traces of glue from previous mounting on its reverse. Hinge strengthened with archival tape. Concerns an essay on 'Petrarch and his times' (unattributed as 4122 in the Wellesley Index). Her note to 'Mr. Froude' [James Anthony Froude (1818-1894)] has been 'handed to' Martin, 'as representing him during his temporary absence in Spain, in the arrangement of Fraser's Magazine'.

Dimensions of photograph 9 x 5.5 cm. Good sepia image, on backing card with Mayall's details printed in red at foot. Reverse of card mostly covered with remains of previous cream paper mount. This image does not feature among the three portraits of Martin listed in the National Portrait Gallery's online catalogue of its collection.

British composer (1876-1968) of light classical music and singer. 16mo. 2 pages. In good condition, with one neat vertical crease and one dog-eared corner. She thanks him for the 'charming lyrics'. 'I don't think I had better embark on any more at present, as I find it increasingly difficult to get things published, & my Store of MSS. is very large!' The two letters of his that she has are signed 'Grey' and she will be interested to see his 'real signature'. She wonders whether he has a spare copy of 'A recall'.