REGENT

On one side of a 12 x 13 cm piece of paper. On aged paper with four folds. The crown is drawn in pencil, and is 2.5 x 2.75 cm. The caption, in ink, is below, and reads: 'Scottish crown. | Drawing to be returned.' Between the two lines of text is the firm's stamp, made up of perforated lettering. Presumably a design for a letterhead, or other engraving.

[44]pp., 8vo, paginated 487-530. Rebound in modern red cloth binding, with red leather label on cover, with title 'ADDRESS TO HRH PRINCESS CHARLOTTE' in gilt. In fair condition, lightly aged and worn.

2pp., foolscap 8vo. Bifolium on blue paper. In fair condition, on aged and worn paper, with slight fraying and loss to extremities. Addressed on reverse of second leaf to 'Mr. Superintendent B. T. Oswald | Police Office | Burton on Trent'.

1p., 4to. In fair condition, on aged and creased laid paper with watermark '1810'. The letter reads: 'The Duke of Marlborough is very sorry it will not be in his power to obey His Royal Highness the Prince Regent's commands on Thursday the 23d of April, which he should have been very happy to have done had it been possible for him. | Blenheim | April 19th.' The only 23 April falling on a Thursday during the Regency before the 4th Duke's death was in 1812.

4pp., 12mo. Very good, on lightly-aged paper with watermarked date 1848. Addressed to 'My dear Dean'. As the letter clearly concerns Pellew's life of his father-in-law Lord Sidmouth (1847), with Croker referring to his own review of the book in the Quarterly Review, the reason for the gap between the date of publication of the book and the writing of the letter is unclear. Croker writes that he has received Pellew's 'last livraison & kind letter which gives a very just idea of the correspondence'.

Letter One: 4pp., 12mo. Bifolium. With decorative letterhead in red. Very good, on lightly-aged paper. Addressed to 'My dear Old DD' and 'E. D. Davis'. He realises that Davis is in 'a precious state of mind', and will only send 'a few lines to exchange domestic greetings of kindliness & good fellowship from the circle of Balham to the Square in N'Castle - the waters of the Thames mingle with those of the Tyne'.

On one side of a strip of wove paper, 46.5 x 9.5 cm. Cut down. In fair condition, on aged and lightly ruckled paper. 96 lines arranged in 12 numbered eight-line stanzas.

1p., on 29 x 7 cm piece of unwatermarked laid paper (probably cut down), with no indication of printer or date. Printed with the long s. In good condition, on lightly-aged paper. 64 lines, arranged in eight eight-line stanzas. The first stanza reads: 'BRITAIN! brave and generous nation, | Listen to my plaintive strain, | Tho' exalted be my station! | Day and night I sigh in pain; | Here I came a helpless stranger, | With no friend to take my part, | Braved the stormy ocean's danger, | From home for ever to depart.' She appeals to her 'Good Uncle' (i.e.

15pp., 4to. On four bifoliums, neatly attached white thread. Good, on lightly-aged paper. A fine long letter, marvellously spirited and gossippy, to either one of the Marchioness's two sisters Theophila ('Offy') or Elizabeth. A large part of the letter is concerned with 'an account of the Drawing Room & the Ball'.

Princess Charlotte of Wales, the only child of the Prince Regent, died in 1817 at the age of 21. Many poems of mourning were published, but whether Evans's was among them is uncertain. Both drafts are in good condition, on aged paper; the first with short closed tears to the spine. DRAFT ONE (the earlier?): Title: 'Verse on the Death of the Princess Charlotte', altered from 'Threnodia Augustalis, Odes on the Death of the Princess Charlotte'.

Five manuscripts items, 15pp., 4to (4), fol.(1); three printed items, 4to, some with MS. additions. The Manuscripts items are related to the printed and are as follows: a. List of Subcriptions recd towards building the Chapel at Brighton (names and amounts). [1820] - Total, £1591.11-; b. [Fol., partly detached at fold marks] List of subscriptions (name, place, amount, or just town or city for some reason) and donations, Aug. 1834. with crossings out and calculations, and a list including periodicals (as subscribers?); c.

Broadside, trimmed to just outside decorative border for poem, with radiant crown at top, tipped on to detached album leaf, faint marking and creasing, mainly good condition, commencing, Who, that has lived beneath the Brunswick sway .... No copy listed on COPAC which lists a work by Somerton on the Bristol Riots and a work printed by him (as presumably was this broadside).

Laid down on 114 quarto pages; the leaves disbound and loose. The items themselves in good condition, on aged paper. Also included is a mass of loose material (having become detached from the album's pages), including 21 colour drawings (many marked as having been drawn by Wingfield between the ages of 8 and 12), 10 black and white drawings, 10 cut-out grotesque figures (three in colour), three loose quarto Colnaghi engravings ('Wm. Fredk. King of Prussia', 1814; 'Field Marshal G. L.

Goodyer has long been recognised as a significant figure in the arts and crafts movement (see Adburgham's 'Shops and Shopping' and Aslin's 'Aesthetic Movement, Prelude to Art Nouveau'), but surprisingly little is known about him. A former partner in the firm of Liberty's, he founded his Aesthetic Gallery at 55 Bond Street in 1889. It specialized in 'English silks, cashmeres, velveteens, fans, cushions, handkerchiefs, table covers, and other dainty manufactures', and numbered Voysey among its suppliers.

12mo, 1 p. Eleven lines of text. Good, on aged and dusty paper, with minor traces of mount adhering to blank reverse. The delayed reply is due to the fact that he only returned from the continent on the previous day. 'My fee for a full consultation Palmistry Psychometry & Crystal is £1 - 1 - 0'. As he is 'very busy', an appointment is necessary 'to avoid disappointment'.

12mo: 1 p. Seven lines of text. On creased and lightly-aged watermarked wove paper. Regarding Sir Henry Bate Dudley's farce 'At Home', performed 'with universal approbation' at the Theatre Royal, Covent Garden, in 1813. 'Should the Box of the Prince Regent be disengaged on Monday next at Covent Garden Lady Landsdowne [sic] (the Dow-) is anxious to see "At Home" Could she have it?'

8vo: iv + 48 + [ii] pp. Last leaf carries advertisements for works by Fairburn. In marbled wraps. Text clear and entire. On aged paper with slight wear and fraying, small holes and light stains to first four leaves. Title continues '[...] to which are added, The Q-'s last letter to the K-, Written a few Days before Her M-'s Death, and other Authentic Documents, never before published. | [quotation] I am the Viper that has been secretly wounding you both.

Printed on one side of a piece of laid paper roughly 37 x 24.5 cm. Worn and spotted, with particular wear to the extremities, but with the text entirely legible. Printed in two 63-line columns, beneath a 3-line heading in an arrangement of various point-sizes, mixing italics and roman, capitals and lower case. The account of the speech, presumably extracted from a newspaper and intended for sale by street hawkers, begins 'MR.

Printed on one side of a piece of rough wove paper, approximately 24 x 10.5 cm. Text clear and entire on aged, creased paper. A production in favour of the Prince Regent, with no trace of sarcasm apparent. Consists of six four-line stanzas, each followed by the chorus 'Hearts of Oak, &c.' First stanza reads 'Come cheer up my lads, we'll no longer repine, | United, we'll triumph - OUR CAUSE is divine!

George *11864; Reid *155; Cohn *732. Printed on one side of a piece of wove paper roughly 54 x 22 cm, dimensions of print 47 x 18.5 cm. Engraved at the sides of the caption beneath the print: 'Pubd. April 1st 1812 by M Jones No 5 Newgate Stt. | G. Cruikshank fect.' Image clear and entire, on aged paper with creasing to extremities, and with one 4.5 cm closed tear in bottom left-hand corner.

12mo, 1 p, 7 lines. Good, on light aged paper, with 1 cm closed tear to top corner (not affecting text, which is clear and entire). Reads 'I regret having to inform you that the Salford Mayoralty Seal has broken all to pieces in the process of hardening and that I am afraid that I am obliged to engrave another which I am proceeding with as expeditiously as possible'.

4to, 1 p, 7 lines. Text clear and entire on lightly aged and discoloured paper. Nicely connecting two notable nineteenth-century London architects. I'Anson has 'great pleasure in stating from long and intimate personal acquaintance with Mr Robert Abraham that his experience Talent and integrity qualify him to fill any office connected with his profession creditably to himself and beneficially to his patrons'. Docketed on reverse of second leaf of bifolium 'No 9 | Edwd I'Anson Esq'.

4to, 1 p, 18 lines. Addressed on verso of second leaf of bifolium. Good, on lightly aged and creased paper with a few closed tears along folds. Written in French. He regrets that he cannot respond to the appeal that Tessier has made on behalf of the Société des Inventeurs. When he retired from business he thought he would have 'des moments de loisir', but the experience of each day teaches him the contrary, and his time has never been so occupied.

Two pages. Paper dimensions approximately seven and a half inches by twelve. An important and highly dramatic document, relating to the Prince's treatment of his wife Caroline of Brunswick in the period following the birth of their only child Princess Charlotte Augusta, with reference to the tensions caused by the Prince's Whig connections. 'GR' at both head and end of document. Begins 'The Propositions which you have Lately made in your Letters of your Particular Regard to me, are so Contradictory to all your actions, that I cannot suffer my Self to be Imposed on by ym.

Novelist and wit (1788-1841). On piece of paper roughly four inches square. Folded twice and lightly creased and with traces of glue and paper from previous mounting adhering to four corners of reverse, and affecting text. Typed title neatly attached at foot. Reads 'Will you give our kindest regards to Your Family and always believe me | Yrs Very Sincerely | The: E. Hook'. Reverse reads '<...> club.

British architect (1883-1952) who worked on 'the Bath Improvement Scheme, Saint Catherine's Church, Hammersmith, W., The Regent Theatre, Brighton, The Picture House, Edinburgh, Gresham Hotel, Dublin, and many private and other works' (Who's Who). One page, quarto. Very good. Docketed and bearing R.S.A. stamp. Headed 're Architectural Decoration Committee'. He assumes that 'the Agenda of a meeting of your Committee on the 30th November at 4 p.m.' has been sent to him in error, as he has written a letter declining the invitation to serve on it.

The South-Western Polytechnic was opened at Manresa Road, Chelsea, in 1895, to provide scientific and technical education to Londoners. It changed its name to Chelsea Polytechnic in 1922. Renamed Chelsea College and formally incorporated into the University of London, 1971. An important collection, casting much light on the foundation of the College. In very good condition overall, despite being on paper discoloured with age and by glue. Five items.

Title-page headed 'BY HIS MAJESTY'S COMMAND'. Pages viii + 136. Binding copy only: lacking spine and with original pink boards and some signatures detached. Paper discoloured and with light staining to prelims. Ownership inscription cut away from head of title-leaf. Unusual ownership inscription in contemporary hand on flyleaf: 'Mahomed Ibrahim Ali Khan'.

One page, 8vo. "My dear Sir, / I have dined with the Prince alone & well weighed all that can happen at Plymouth, & am prepared to meet it. / The most material Point seems this Will L. vacate on Monday? for as the House has now adjourned till that day, He cannot now accept Office before that day. / Gl Baker breakfasts with me at ten, & if you will meet him or as soon after as shall suit your convenience I shall be most happy to see you. / Very truly yours / Thomas Tyrwhitt". Tyrwhitt was knighted in 1812, and was Usher of the Black Rod from that year until 1832.