BELGIAN

Typescript, Paginated 76pp. but a few added, eg p.25a, cutting in places), 4to, clipped into brown folder (label partly removed '"The Play Box", Plays Placed, etc'), chipped, fold marks, sunned. Text dulled and stained in parts, but clear. With extensive additions and corrections in Cammaerts' hand, virtually every page, ranging from excising lines and paragraphs to one or two words to sentences to four lines. Note: "The International Theatre's production of M.

The signature 'Louis Haghe' on 0.8 x 5 cm. piece of grey paper, evidently cut from a letter. In good condition, close cropped and lightly aged.

24pp., 12mo. Stapled. Lacking title-leaf (publication details quoted from another copy) and with damage to last leaf, on aged and lightly-creased cheap paper stock. Ten poems, five of them dated: 'Aux Affamés' (8 January 1917), 'Le Bon Fermier' (15 January 1917), 'Le Crime', La Grève Judiciaire' (September 1918), 'Le Retour du Soldat' (10 October 1918), 'Les Pauvres Gens sont comme les Pavés', 'Assez!', 'L'Abdication' (15 October 1918, regarding the Kaiser's abdication), 'Ce que demande le Peuple!', 'La Plainte du Soldat'. The item featured in the 1919 'Belgische Bibliografie'.

1p., 12mo. In good condition, lightly aged and worn, with 'Conversazione' in a contemporary hand at head of first page. Addressing his letter to 'Dear Sir', Haghe begins by acknowledging the receipt of 'a card for the conversasione [sic] of the 5th. of June next', adding that he will be pleased 'to send you a couple of pictures at the appointed time'. He gives the dimensions of the two pictures. He ends by reminding the recipient that 'my brother Charles has not yet received the card you have usualy [sic] been kind enough to send him'.

2pp., 12mo. In fair condition, on lightly aged and creased paper. He writes that he has received the collection of specimens safely, and that there are several that are new to him. He would like to make a selection, but pressure of work makes that impossible, so he is taking the lot at £8 18s 0d. He concludes by expressing pleasure at the news that 'Monsieur Dale' still enjoys good health.

The photographs come from a range of news agencies (Associated Press; UPI; Publifoto Roma; Keystone; Dalmas-Orion; APIS Paris; Agence France-Presse; AGIP; Europress; Telephoto), and range in size from 20 x 30 cm down. The collection is in fair overall condition, but some of the prints are dogeared and worn, and others are affected by damp, which has attached a couple of them to one another. A few of the prints are marked up on the reverse for publication.

A scarce survival, providing a mass of valuable information, written during wartime, with nothing else about this section of the Belgian resistance having been discovered. All three documents in fair condition, on aged and lightly-worn paper. ONE: 'Historique de la Section 802 depuis ses debuts.' Typed document. 3pp., 4to. Rust staining from paperclip at head of first page. Type indentation indicates that this is an original document, not a mimeograph. Giving an account of Section 802 from September 1941 to 9 September 1944.

The form is 1p., landscape folio (43.5 x 33.5 cm.), printed on a piece of C. de Liagre et Cie laid paper with bell watermark. It is folded so as to make the central opening of a bifolium, with the following on the front cover: 'Administration des Chemins de Fer en Exploitation.

10pp., 12mo. In very good condition, on lightly-aged paper, and still attached to leaves removed from an album. He begins by informing Martin that he has perused his 'admirable article' about Stockmar with 'delight': 'I have read it three times most attentively, as you will see by some marginal marks. He praises the article's 'high moral and religious tone, so perfectly consonant with my old & revered friend's character'.

6pp., 12mo. In very good condition, adhering to leaves removed from an album. Helps begins: 'My dear Martin, | This is one of the things you excel in - the giving, in a comparatively short memoir, the real aim and end of a life: so that after reading your "In memoriam", one does not care to hear any more details.' Helps 'really cannot find any fault' in Martin's piece. 'H[er]. M[ajesty] [i.e. Queen Victoria] must, I think, be exceedingly pleased with the book - I mean your work.

1p., 12mo. In good condition, on lightly aged and worn paper. The poem, of 60 irregular lines, is placed (with a facsimile of Verhaeren's signature at the foot) within a thick floral border, reminiscent of the Arts and Crafts movement. It begins: 'Ce n'est qu'un bout de sol dans l'infini du monde. | Le Nord | Y déchaîne le vent qui mord. | Ce n'est qu'un peu de terre avec sa mer au bord | Et le déroulement de sa dune inféconde.' Scarce: no copy in the Bibliotheque Nationale, on COPAC or in the Imperial War Museum.

The contract is a form (1p., 12mo) printed in English in Paris by Imprimerie Hervey, and completed in autograph by De Keyser, with his stamp. It is in good condition, on aged paper, laid down on a larger sheet on which the words 'Royal Hotel, | 26, New Bridge Street, Blackfriars' are written in red ink in a large hand. In the same hand, on the form itself, is written: 'Published separately in English, French, German and Spanish'.

Both prints in very good condition. David Teniers the Elder: Dimensions of paper 22 x 17.5; dimensions of plate 18 x 14 cm. Captioned 'DAVID TENIERS SENIOR' and numbered 26. Brief biography in French beneath image, and 'P. V. Mol pinxit P. V. Leysebetten sculp'. David Teniers the Younger: Dimensions of page 20.5 x 15.5 cm; dimensions of plate 16.5 x 11.5 cm. Captioned 'DAVID TENIERS' and numbered 58. Short biography in French, followed by: 'Dav. Teniers pinxit Pet. de Iode sculpsit Io. Meyssens excudie.'

2pp., landscape 12mo. In good condition, with minor water stain. He begs Driberg's pardon for having to 'break my engagement to play Bridge with you on Saturday evening - though it seems very impolite when I accepted so long ago': 'The fact is that the Master of Trinity has announced his intention of bringing the Belgian Ambassador to dine with me in Hall at Magdalene on that evening, and I regard this as so near to a Royal Command that I dare not evade it!' He hopes that '[w]ith this amount of notice' Driberg will be able to find a replacement, and asks for 'another chance later on'.

On one side of piece of thick wove paper, 36 x 28 cm. The design is clearly and neatly drawn, coloured in orange, gold, red, blue, brown, black, grey and pink. The banner, casting a grey shadow, is shown tied by ribbon with black, yellow and red stripes onto a spearheaded flagpole, with carved horizontal branch. The banner has a bright red ground, and is of irregular rectangular shape (curved outer lower corner), with gold tassels along the lower edge.

A unique authorial assemblage of excessively scarce items. The nine reports total 344 pp in 8vo. They are bound together (according to a manuscript note) by the Belgian binder Claessens [Art Nouveau binder], who received twenty francs (sixteen shillings) for the job. In brown calf, with marbled endpapers, tooled in black on front cover with Barron's monogram, including a boar and a hand, with the words 'BARRON | REPORTS ON BELGIUM, | 1866 | 1867, 1872, 1873, 1875, 1876, 1879, 1880-82, 1883.' Similar title stamped in black on spine.

Both good, on aged paper. Both docketed and with the Society's stamp. ONE: 14 October 1915. Folio, 1 p. Regarding a 'special examination in English, for Belgian refugees'. TWO: 21 October 1915. 4to, 1 p. Headed 'Examination for Belgians in the English Language'.

4to, 2 pp. Bifolium, with first page on verso of second leaf, and second on recto of first. Text clear and complete. Good, on lightly-aged semi-opaque paper. The 'Prix et Programme de quelques Feux d'Artifices' follow a short introduction by Dresse. Prices range from 'Feux de 100 francs' to 'Feux de 500 francs', the latter including 'Moulin de Don Quichotte' and 'Chutes de Niagara, en feux au magnésium, 6 forts jets donnant une clarté ébloussante avec une pluie blanche merveilleuse.' Final sections headed 'Articles divers' and 'Conditions et Observations Generales'.

12mo, [ii] + 28 pp. In original pink printed wraps. Card frontispiece in three panels, folding out to 18.5 x 37.5 cm., carrying facsimiles of 48 numbered coins in collotype. Text clear and complete. Fair, on lightly-aged paper, with minor damp staining at foot, in chipped and faded wraps. 893 lots, beginning with 'Monnaies Grecques et Gauloises', and ending with 'Jetons' and 'Médailles'. Excessively scarce: no copy on COPAC, and the only copy on WorldCat in the Institut National d'Histoire de l'Art, Collections Jacques Doucet, Paris.

12mo, 22 pp (followed by final blank leaf). Stitched pamphlet. Text clear and complete. On discoloured and worn paper. 152 'ouvrages d'arts' arranged in alphabetical order under the names of the artists, from 'François Alewaters, peintre à Malines' and 'Henri Adams, à Malines' to 'G. P. Wuyts, de Lierre' and 'L. Zwitzer, de Malines'. Preliminary notice headed 'Police du Salon'. Scarce: no copy on WorldCat or COPAC.

Iin French. One page, 8vo. He is sorry that he does not know Gerard (Gerhard) Hauptmann's work well enough to "rendre . . . hommage", pass judgement not sufficiently "motive", "ne serait pas digne du poete dont une sorte de justice litteraire immanente m'a appris a venerer le nous(?)". (Hauptmann received the Nobel Prize for literature in this year, 1912.)

8vo: 87 pp. In original light-green printed wraps. Internally very good. Front wrap with minor spotting and slight damage to one corner. Presentation copy, signed on title 'To Mrs. H. Stanley from M. Luwel | 14. XI. 1960.' Inventory divided into ten sections, beginning with 'Baptist Missionary Society' and 'Missions protestantes au Katanga', and ending with 'Uele'. Uncommon: copies at the British Library, Oxford, Cambridge, University of London and SOAS.

One page, small octavo. Very good, though with a little offsetting of ink from folding of letter, and a small closed tear at head. A reply to a request for an autograph - in a close, neat, hand - reading 'Dear Sir | With much pleasure as I assure you that I am | Sincerely yours | Alfred Sutro'.

Belgian writer (1878-1953), author of the fairy-tale 'The two hunchbacks', set to music by Frank Bridge. One page, quarto. Poor, on discoloured, creased paper with several closed tears. He thanks her for her letter and has 'written to Miss Sands to ask her if she could not possibly alter the date as I have another lecture on the same day, at night. But if impossible, I will come all the same.' Signed 'Em Cammaerts'. Docked in pencil, by 'HSJ', 'Dec: 4. 1915. I heard M.