HORSES

Ten pages, sm. folio, green paper covers, with title label as above, stapled (sl. rusty), covers slightly marked. contents foxed but clear. From the regulation height of ponies to handicapping. WITH: Manuscript, 5pp., 8vo, stapled to inside cover of the Rules, printed heading "MEMO || From Capt. G.B. Rimington, M.C. | Box 1884, NAIROBI", commencing "If No. 1 gets ball at roll[?] in No 2 to Back | If No 2 or 3 get ball No 1 goes to back [..., concluding] No. 3|| Must be well mounted. He is half back assisiting his forward in attack & helping his back in defence".

1p., 12mo. Very good, on lightly-aged paper. Reads: Walmer Castle | Septr. 8 1839 | Henry | I beg that on receipt of this you will send off the Old Northampton Mare; and Young Copenhagen or any other that is in condition to travel & send as according to the Note, on the other side

&c W | Let them have Knee Caps'. 'Young Copenhagen' was named after Wellington's celebrated stallion Copenhagen (1808-1836), on whom he rode at the Battle of Waterloo.

Silk & Sons of Long Acre were one of the leading Victorian coach builders, Robert Silk (born c.1797, fl.1871) already being established in Long Acre by 1851. In due course Robert was succeeded by his son William (born 1824), who in his turn took his sons William junior (1853-1911) and Robert John (1858-1934) into the business. The firm continued to trade at least until 1907, when the Long Acre premises were sold. The present collection of eleven items derives from the firm's archive.

Silk & Sons were one of the leading coach builders of Victorian London, Robert Silk (born c.1797, fl.1871) already being established in Long Acre by 1851. Robert Silk was succeeded by his son William (born 1824), who in his turn took his sons William junior (1853-1911) and Robert John (1858-1934) into the business. The firm continued to trade at least until 1907, when the Long Acre premises were sold.The present collection, mainly compiled by the elder William Silk, contains around 350 items relating to carriages, coaches, coaching and coach building, dating from between 1750 and 1893.

The note is 1p., 12mo. In good condition, on lightly-aged paper. It reads 'The C

and the Poneys and Poney Carriage and the Saddle Horses are to be in readiness & go tomorrow afternoon to Shooter's Hill | Dartford Halt 17th. | Rochester | Sittingborne Halt 18th. | Canterbury Halt 19 | Walmer Castle Halt 20th.' Pinned in the bottom right-hand corner, on a piece of 2.5 x 5.5 cm paper, is the autograph signature 'Wellington' cut from a letter.

4pp., 12mo. On bifolium. Good, on lightly-aged paper. The last page docketed in pencil: 'Animal Painter | To D. Colnaghi'. He apologises for the fact that 'the portrait of Sam Darling that I have begun with a view of sending it up to you is but scarcely indicated and I amsure would rather lead you wrong than otherwise. He gave me but a short squint at his mug and went away with a promise to return but did not do so.

2 vols, 12mo. Vol.1: viii + 264 pp. Vol.2: viii + 336 pp. Complete, with all the engravings of sheet music listed in the contents (vol.1: five two-page plates and one four-page plate, with one more piece of music 'printed with the letterpress'; vol.2: one two-page plate). Both volumes good and tight, on lightly-aged and spotted paper. In worn contemporary half-calf binding, marbled boards, with the first volume rebacked. Each volume with bookplate of Frederic Perkins, Chipstead Place, Kent.

TWO COPIES, both octavo: iv + 158 pages. Several collotype plates, several in red and gold. In original green printed Sotheby wraps. Both items sound internally, with some wear to the wraps. One item has extensive pencil annotations to the front wraps, and the other has a few ink marks to the reverse, with minor wear to the last couple of leaves. Both catalogues partially priced with some names by the London booksellers Myers & Co. of New Bond Street, one on the second day of the sale and the other on the fifth.

Bifolium (dimensions of the two leaves 14.5 x 22.5 cm), 4 pp. Printed on light-green paper. Lightly worn and creased with one short closed tear. Contains 14 photographs of riders engaged in impressive stunts, including riding through flame, riding upside down and in a pyramid formation. No trace of existence of the troupe appears to have survived. Although in costume, to the ignorant eye they do not look particularly Cossack, and their signatures are not written in Cyrillic. The names, which do not yield any clues either, include 'A Boulanoff' and 'N. Golouboff'.

One page. On piece of paper four inches by three and a half wide. Good, on lightly creased and aged paper. Docketed in pencil at head. 'Dear Sir | I have pleasure in enclosing my autograph. | Yrs. truly | M. E. Kennard'. Scarce autograph of the woman described as 'Harborough's forgotten novelist' (J. D. Bennett, in 'The Harborough Historian', 2001).

Surgeon, Astley Cooper's mentor (DNB), author of medical works. Three pages, 8vo, crude repairs to tears on folds, laid down, text clear and complete. He writes, "That disorder in a horse which constitutes a Roarer, is caused by a membranous projection in a part of the wind pipe (technically called the larynx). It is a consequence . . . [he continues ] . . . "A Roarer is not therefore a diseased horse . . . When a horse is in strong action, his breathing becomes proportionatley quickened . . . and thus the roaring noise is produced.

CATALOGUE: Six unpaginated leaves, 8vo. Diagonal blue stripe printed on front and back covers. Unbound. In very good condition despite slight rust staining from staples and paper clip. The prices fetched and purchasers of the thirty-five lots are given in pencil. LETTER: one page, 4to, in very good condition with crease to one corner. Encloses marked copy of catalogue, asks to subscribe to Polo Monthly, and commends article in latest issue. Signed 'William Post & Son | pr Fred H Post'.

English equestrian artist (1753-1812). 1 page, 8vo. In poor condition: creased, frayed and torn. He has that morning received from his correspondent's servant 'the sum of sixteen Pounds nine shillings payment for your Pictures'. He will send them 'by the first conveyance' and hopes they will please. 'If any alteration should be necessary should be glad to make it at any time'. Signed 'J. Boultbee'. A postscript states that he has returned 'by your servant the Ballance from the Bill of twenty Pounds'. Docketed on reverse with date of receipt, sum paid to 'J.