BALLET

Black and white photograph of Kirsova in costume and dance pose, cut from a magazine. 13 x 9.5 cm. In fair condition, lightly aged and creased. Good firm signature across bottom left of image, reading: 'Hélène Kirsova | 1936'.

Black and white photograph of Panaieff in costume and dance pose, cut from a magazine. 15 x 10 cm, with border. In fair condition, lightly aged and creased. Good firm flourishing signature across the image, reading: 'Mischa Paniaieff | Lancks [sic] | 1936'.

In black and white on 34 x 23 cm shiny art paper. Possibly extracted from an unnamed periodical. Lightly aged and worn, and ruckled from being laid down on paper backing. Tiny chip lost at foot. Sixteen female figures are shown, in costumes representing newspapers from the 'Daily Mail' to 'The Sketch', and including 'Mdlle. Zangfretta as Fashion', around a central representation of a scene from the ballet, featuring Adeline Genée as the Liberty of the Press.

Three black and white prints, ranging in size from 12 x 17 cm to 10 x 7.5 cm. The contact sheet is 12.5 x 13 cm. The four items in fair condition, lightly aged and worn. One of the three pictures shows a smiling Baron outdoors with a young blonde boy (his son?), who is holding a camera tripd; another shows him standing with his arm on the shoulder of another man (his brother?), both on skis in the snow; and the third shows him in a heavy wool coat, on the steps of a European building, with a man in Slavic costume. The last is inscribed on the reverse: 'May 1940 | <?>.

On a piece of paper torn from a letter, roughly 9 x 12 cm in dimensions. In fair condition, on aged and creased paper. Signed 'Votre | très respectueuse | Lucile Grahn'. The five lines of text, addressed to a man, ask for the date of his departure, and a forwarding address.

Thirteen of the fourteen photographs are in black and white, with the largest 21.5 x 15.5 cm (with slight paint staining at edge), another 17.5 x 12.5 cm, and the other nine roughly 12.5 x 9 cm. The other print is a colour polaroid, with paint smudges from Sonnabend's portrait on the white mount. Other than the paint marks to three of the prints, in good condition, although six of the smaller ones have aged due to acid in the paper stock.

1p., 12mo. Good, on lightly-aged paper. He begins by stating that his book 'contains the details' his correspondent requires, and continues: 'I am sorry to say that I made a little mistake when I was talking to you over the telephone about "Pulcinella". I think I said there was a long description of that ballet in my "Diaghilev Ballet in London", but of course it is the "Complete Book of Ballets".

In black ink on 5 x 8 cm card, with rounded edges. In very good condition, lightly aged, with evidence of previous mounting on the marbled reverse. Reads 'Alicia Markova | 1933.'

The five items in good condition, on lightly-aged paper. Item One: Autograph Letter Signed (with a crude drawing of Buckle sitting on a rope slung between the printed names of the two magazines). 1p., 4to. On Fleet Street letterhead of 'Ballet Publications Ltd.' Dated by Alport 14 February 1950. The letter concerns an article on the conductor Karl Rankl, and begins: 'Dear Erich | I have just spoken to Harewood [the Earl of Harewood, co-founder with Buckle of 'Opera' magazine].

The first four letters are each 1p., 12mo; and the fifth letter is 1p., 4to. The price list, which accompanies the last letter, is 2pp., 4to. All items in good condition, on lightly-aged paper. In the first letter (4 May 1980) he replies to his correspondent, thanking him for a letter 'concernant la representation d'Orphée aux Enfers que vous avez vu à Oxford en 1977'.

Around 140 items, laid down on 53 pp of a contemporary 37 x 25 cm stapled scrapbook. In original red and orange wraps, with 'Edinburgh Festival 1958' in manuscript on front cover. The collection is in good condition, on lightly-aged paper, with occasional items a little discoloured from mounting. The scrapbook itself is slightly grubby and ruckled. Collected by Victor Conn of Eltham, London, who was presumably responsible for the neat captions to some newspaper cuttings and other items.

The collection is in very good condition. Fletcher's letter (12mo, 2 pp) contains several autograph corrections, and its presence with Flower's reply suggests that, although signed, it may be a draft. Fletcher was pleased to see Flower at the Bib. Soc. meeting. 'Since then I have been turning over in my mind a project which may interest you.' His paper is 'based on material I have gathered for a bibliography of English splendid occasions', which is 'nearly ready and I hope to issue it, by private subscription, later this year'.

Srimathi Mirabai, Indian Classical Dancer - "India's Pavlova". One page each, large 4to, good condition, the second has a representation of an Indian dancer cut from corner (present in first), with some additions in Mirabai's hand. (6 Dec.) She gives information about her activities, the tour, her studies, her performances in India and Ceylon, enclosing a photo (not present). (21 Dec.) She gives some idea of the thinking behind the tour, testing whether Indian Classical Dancing would be successful in London and Europe. Her partner has returned to India but she has her eye on another.

Ballet. Fletcher was a bookseller specialising in Performing Arts and founder of the Society for Theatre Research. One page, 4to, chipped, four small tears, fold mark, punch-holes, small hole in centre, but complete and legible. He thanks Fletcher for submitting a print to "us" (Leslie and Niles?) but they decline regretfully, requesting others from the Romantic Period as they occur. "The 'Pas de Quatre' is most beautiful and now graces our walls." He requests an English translation of "Stepanow alphabet les Mouvements du Corps Humain".