LEOPOLD

6.5 x 10 cm piece cut from envelope, with the seal (roughly 1 x 1.5 cm) in black wax (2.5 cm in diameter) attached on a strip of paper. The seal a firm impression in good condition and the envelope fragment in fair condition, on aged paper, strip carrying typewriten caption laid down at foot. The Princess's autograph is unsigned, and simply reads: 'À mon cher petit Léopold.'

In black and white on 34 x 23 cm shiny art paper. Possibly extracted from an unnamed periodical. Lightly aged and worn, and ruckled from being laid down on paper backing. Tiny chip lost at foot. Sixteen female figures are shown, in costumes representing newspapers from the 'Daily Mail' to 'The Sketch', and including 'Mdlle. Zangfretta as Fashion', around a central representation of a scene from the ballet, featuring Adeline Genée as the Liberty of the Press.

380pp., 4to. Carbon copies on rectos of numbered leaves. Preceded by an eleven-leaf thumb index (not complete). In original brown leather half-binding, marbled boards and endpapers. Internally sound and tight, in heavily-worn binding lacking spine. At the heart of the correspondence are eight letters to the artist with whom Lowenstam is most of all associated, Sir Lawrence Alma Tadema. These date from the 1890s, and are all addressed to 'My dear Tadema'.

2pp., 12mo. Bifolium. In good condition. In stamped envelope addressed to Boas at the Royalty Theatre, Dean Street. He thanks Berman for drawing his attention to the two versions of the play, adding: 'I feel that in this Goethe Centenary year, when the Urfaust is so rightly being performed, some English manager should put Marlowe's play on the stage for a few performances.'

2pp., 4to. On leaf with mourning border. In fair condition, on aged and worn paper, with traces of paper stub adhering to one edge. Regarding Neale's 'Views of the Seats of Noblemen and Gentlemen in England, Wales, Scotland, and Ireland', which was published in parts, with a total of 732 plates) in two series totalling 11 vols between 1819 and 1829. Gardiner writes that he has been 'commanded by The Prince Leopold to ascertain the number of volumes in which it is proposed to compleat Mr.

1p., 8vo. In fair condition, aged and creased. He is returning the 'drafts of Katherine Tynan. I have taken some liberties with the text in the matter of arrangement, but I hope there is nothing omitted which is of essential importance.' He is including 'a list of small questions', most of which he imagines 'Miss Pamela Hinkson could answer, and he offers to write to her himself.

Crocker made his name in the 1930s investigating and prosecuting insurance fraud (and in particular the activities of the Leopold Harris arson gang, convicted mainly through his efforts in 1933). In 2000 it emerged that at the outbreak of the Second World War he served as Deputy Director of MI5, despite being a 'Nazi sympathiser opposed to war with Hitler [...] active in Truth, a journal openly supportive of Sir Oswald Mosley' (Independent, 30 July 2000). The folio scrapbook and its contents are lightly aged and in good condition.

Two pages, 12mo, one stain, fold marks, sl. grubby, text clear, as follows: The Prince of Wales has at the same time desired Sir W. Knollys to tell My Dighton that H.R.H. thinks the likeness of the King of the Belgians would be much improved if he could make the nose a little longer and the beard a little darker -- The portrait shall therefore remain in Sir W. Knollys's room should nr Dighton wish to take it away with the view of making the improvements which the Prince has suggested. A list of names in pencil (Dighton's hand) has been added, including Thomas Baring and Combermere.

The seven signatures are each cut from a letter. They are mounted in two columns on a page of grey paper, roughly 22.5 x 27.5 cm, removed from an autograph album. In fair condition, on lightly-aged paper with occasional light spotting. At the head of the page is the word 'Horseman', with each individuals occupation in the same hand on the mount beneath his autograph. One (2.5 x 11 cm): '<...> delivery? | Yrs truly | Roderic Owen' ['Gentleman rider']. Two (5.5 x 11.5 cm): '<...> Yrs truly | Sam Darling' ['trainer']. Three (3.5 x 12 cm): '<...> Yours very sincerely | C. Morton' ['Trainer'].

Letter: Folio (30.5 x 20 cm), 1 p. Bifolium, with text on recto of first leaf and address (with several postmarks) on reverse of second. Five lines. Text clear and complete, with good clear signature. Fair, on aged and lightly-creased paper, with 1.5 cm closed tear in top left-hand corner (not affecting text). The 'Objet de la lettre' is given as 'Envoi d'un Brevet de Pension'. The pension will be paid 'par la Caisse d'Amortissement'. Engraving: Original, on paper 24 x 15.5 cm. Captioned 'G. CUVIER.' A good clear impression on grubby, spotted and lightly-creased paper.

Groom in Waiting and Equerry to Queen Victoria (d.1897). Gardiner says that Currie's arrangments for the King of the Belgians cannot be bettered. He will order the carriages for 11 and meet at Westminster Bridge. Currie has added a list of names, English and Belgian, presumably of people involved in the visit.