WILHELM

In black and white on 34 x 23 cm shiny art paper. Possibly extracted from an unnamed periodical. Lightly aged and worn, and ruckled from being laid down on paper backing. Tiny chip lost at foot. Sixteen female figures are shown, in costumes representing newspapers from the 'Daily Mail' to 'The Sketch', and including 'Mdlle. Zangfretta as Fashion', around a central representation of a scene from the ballet, featuring Adeline Genée as the Liberty of the Press.

209pp., 8vo. In printed wraps, with contents page on inner front cover. Aged and with worn spine, on browned high-acidity paper. The catalogue contains 4510 items, with around 10% (472 items, numbered 2041-2513) under the headings 'Shakespeare' (2041-2208) and 'Shakespeariana' (2209-2513), and including sections of 'Separate Plays' (2082-2137) and 'Translations' (2143-2208). The catalogue also contains sections on other notable authors, including Ossian, Bulwer-Lytton, Macaulay, Thomas Moore and Ruskin. No other copy traced, either on OCLC WorldCat or on COPAC.

4pp., 4to. Bifolium. In fair condition, on aged and folded paper. Headed: 'Saturday, 24th July. The Tea to-day is kindly provided by Mrs. Searle.' Giving the scorecard, with names of all participants and results from first round to final, for nine events from the 'Gentlemen's Singles (Level). New Challenge Cup presented by SIR J. COLMAN, Bart.' (F. W. Rahe versus K. Powell) to 'Ladies Doubles (Handicap)' (Miss Harper and Miss Russell versus the Misses Bowyer). Scarce: no copy on COPAC.

2pp., 12mo. 37 lines of text. Bifolium. In fair condition, on aged and worn paper. The first sentence reads: 'Gegen das Projekt einer elektrischen Strassenbahn mit Erdleitung habe ich Einspruch erhoben und das Projekt ist von dem Polizei-Praesidium und von dem Ministerium fur offentliche Arbeiten untersagt worden.' The last paragraph refers to 'die Reichs-Telegraphic', 'Telephon', and 'Linien mit Erdleitung in Berlin', and contains a bar of music.

Each of the twelve designs is on a piece of card, ranging in size from 21.5 x 14 cm to 14.5 x 9 cm. In fair condition, aged and worn, with occasional loss to extremities. Little is known about Crage, but he does have 26 watercolour designs in the Victoria & Albert Museum, and one item in the National Portrait Gallery ('Henry Relph as Little Tich'). All twelve in the present collection show women wearing Crage's designs, and the three largest (all signed 'Basil Crage 94'), are part of the same series as two of those held by the Victoria and Albert Museum.

[2] + 33pp., 12mo. In fair condition, on aged paper, with stamp, labels and shelfmark of the Board of Education Reference Library, as well as stamp 'Supplied for the Public Service'. Three copies on COPAC and OCLC WorldCat.

2pp., 12mo. In good condition, on lightlhy-aged paper. In reply to a letter from the anonymous male recipient Legge writes: 'Mr. Russell was commanded to attend at Windsor Castle by the German Emperor with the approval of the King and though permission was afterwards given to publish the photograph you will readily see that no such statement as appeared should have been published without authority - incorrect as it was'.

A significant letter, filling gaps in the provenance of Bellini's Crucifixion, now in the Louvre. All that has been known hitherto about the painting's provenance is that at the beginning of the twentieth century it was in the Paris collection of the banker Rodolphe Kann, and that before the Second World War it was owned by the Florentine dealer Alessandro Contini Bonacossi, from whose heirs it was acquired by the Louvre in 1970.

Two pages, 12mo, good condition. "Since our talk I have been in America; returned - have been to Berlin on a diplomtic mission & only just touched at my club before sailing once more for New York on Wednesday - All my books, &c. are in storage at this moment & I must therefore wait until I onc emore return here for settlement - which will be soon I hope. | I hope you will not be angry at me because of what must have been strange silence on the part of [...]"

Printed on a piece of 14 x 9.5 cm india paper, laid down on a piece of 17 x 11.5 cm card, with rounded edges. Aged and faded, but nevertheless a nice item of Dickensiana. A sensitive study of Dickens's face, above a heavily-faded facsimile of his signature. Printed at the head of the card is 'R. LEHMANN'S PORTRAIT STUDIES.' And at the foot: 'CHARLES DICKENS | FRED.

Both signatures on the same side of a light-green leaf removed from an autograph album, roughly 18 x 14 cm. Good, on lightly-aged paper. The first signature is the larger of the two: 'Wilhelm Backhaus | Nov. 20th. 1922.' The second reads 'Lindley Evans. | 20/11/22'.

4to: 3 pp. A bifolium. Good, on lightly-aged and creased paper. Thin strip of brown paper mount still adhering in inner margin of reverse of second leaf. Forty-six lines of text, clear and complete. A small square of paper, bearing Von Bulow's red wax seal (with clear impression) has been cut away from the second leaf and neatly placed beneath the signature. Address, with circular Hull postmark in black ink, on reverse of second leaf.

16mo (roughly 11 x 8 cm), 1 p. Creased and ruckled, and with slight discolouration from previous mounting, and with a piece of the mount adhering to the blank reverse. Reads 'My dear Sir | I thank you for your letter and the information it contained. I write to Paris to have PP' book as soon as it is out. | Yours truly | [signed] Elisabeth'. Signature stylized to the point of illegibility. Piece of mount docketed in contemporary hand 'Elizabeth late Queen of Prussia'.

12mo, 2 pp, 10 lines. Good, on lightly aged paper, with scrap of brown paper mount adhering in top right-hand corner on the reverse (not affecting text). Concerns a volume which 'has been duly forwarded to Count Seckendorff, Comptroller of the Household of Her Majesty the Emperess Frederick'. The Ambassador Sir Edward Malet has asked Rodd to express to the correspondent 'his personal thanks for the second copy you were good enough to forward to him'.

8vo: 2 pp. Good, on lightly-aged laid paper with slight chipping and glue stain at head (not affecting text). A formal letter written in English in the third person. He asks them to send 'another form [for him to write his entry in 'Who's Who'] to be filled up [...] The first one sent was mislaid on leaving London'. Deichman was the subject of a 'Spy' cartoon ('Vanity Fair', 14 May 1903: 'He wears curious hats'), in which he is shown driving a coach.

Signed "Frederick of Prussia". One page, slighly creased but suitable for framing. He discusses Dandy's offer of "yet another Motor Cycle, this time a 1914 Triumph two Stroke". He says that his younger son would be "very happy if he could have such a rare Motor Cycle". He doesn't think his older son, Nicholas, is yet old emough to ride the bike already given by Dandy.

Conventional Christmas Card with winter's scene on front, signed inside "Brigid & Frederick" with greetings and their address (Patmore Hall, etc.) printed. In original envelope which says "Photographs Do Not Bend" suggesting that the card may have been accompanied by a photograph.