CAMDEN

1p., 12mo. In good condition, on lightly-aged paper. He is enclosing an invitation (and puts the word in inverted commas) for the New English Art Club, and gives the date of the 'sending in day'. The New English Art Club was founded in London in 1885 as an alternate venue to the Royal Academy by young English artists returning from Paris.

24pp., 8vo. In good condition, lightly-aged, no wraps, disbound. Preface by Maria G. Grey, President of the Central Committee. Noi copies on market currently.

The diary is 66pp., 4to. In red buckram binding with 'Diary Oct-Dec 1907 Plowden Wardlaw' in gilt on spine. In very good condition, on lightly-aged paper, in good tight binding. Plowden Wardlaw's devoutness is apparent throughout. For example, on 17 October, he appears to be consecrating his own private chapel: 'At home to-day. Most of the day was spent in cleaning and preparing the Chapel for the dedication tomorrow. Father Maturin the former <?> father, who received Edith into the Church in 1898 came down by the 5.40. I met him in the motor. He is a gentleman, & a man of the world.

A cultured man (an authority on numismatics), Fewster worked for the family firm of Thomas Fewster of Hull, paint, colour and varnish manufacturers. The present item is an attractive example of his professional interest in the developments in late nineteenth-century design (another is his collection of the designs of Christopher Dresser, in two albums, is now in the Victoria and Albert Museum, London). It is a small 4to (21 x 17 cm) album of green cloth, with embossed design of birds and foliage around the words 'Scrap Album' on front cover, and printed illustrated title by Marcus Ward & Co.

1p., 4to. 22 lines of text. In very good condition, on lightly-aged paper, with traces of mount on reverse.

Three cards (bifoliums), 15 x 12.5cm, 11.5 x 18cm, 10 x 12.5, inscribed by Lamb either below image on front or on inside blanks. Images, two b & w, one faintly purple background, presumably by him, are: Madonna and child (inscribed page[3] "With love from | Henry Lamb"); Carol Singers (inside "Best wishes from | Henry Lamb") ; children and teenagers playing cards (under image on front "With love to you both | from | Henry Lam.| Xmas/48"). Image available on my website.

An interesting and scarce item. There are no copies of any issues of this magazine on either OCLC WorldCat or COPAC, and there is no record whatsoever of 'Group IV' itself. Now acknowledged as one of Britain's finest landscape painters, Keith Grant joined the Working Men's College on finishing his National Service with the RAF; he then enrolled at Willesden Art School, before joining the Royal College of Art, where he studied under Colin Hayes, John Minton and Kenneth Rowntree. 22pp., 4to.

2pp., 12mo. Good, on lightly-aged paper. Considering the fact that Mrs Harford states that she is staying at the home of Mrs Martin, and that Mr Martin died in 1832, it seems probable that the letter refers to the preparations for the coronation of Queen Victoria, which occurred on 28 June 1838. The letter reads: 'Mrs Harford understanding that people are admitted to see the Preparations in the Abbey & thinking it probable that Mr Gillen may have been employed in the decoration, will be very much obliged to Mr Wilson if he could procure her a Ticket to see them.

Landscape 12mo. 12 lines. Text clear and complete. Good, on aged paper, in envelope addressed by Lamb to Inglis. On 'seeing the picture after that long interval' he was 'not ashamed of it', but 'when it was new my friends used to rag me about my "Morgue" pictures', there being 'a few others of similar gruesome import'. Now that he is 'far past youth' he is 'painting mostly scenes of sweetness & serenity'. He is sorry that she is 'denied the priviledge [sic] I have enjoyed all these sinister times', that of being able to paint.

12mo: [ii] + ii + 390 pp. In contemporary quarter-binding with burgundy leather spine ('CARTES A JOUER' in gilt) and red paper boards. Top edge gilt. Binder's ticket of Bone & Son, Fleet Street. Tight copy, on aged and spotted paper, in worn binding with damage and loss to spine. In French, with Boiteau's preface dated 'Juin 1854'. Evidently the sheets of the French edition, with Hotten's new title-leaf. An interesting and informative work, with attractive engravings in text by Coppin. Scarce: the only copies on COPAC at the British Library and the National Library of Wales.

8vo: [ii] + 70 pp. Internally sound and tight, on lightly-aged paper. In worn contemporary burgundy quarter-binding with heavily-worn spine, recased with repair to rear endpapers. COPAC lists an entry for a copy in Cambridge University Library described as 'Probably the Lithographic facsimile by H.J. Bellars. London, reprinted 1861'.

12mo, 1 page. Bifolium with address ('John Gough Nichols Esqre. | 25 Parliament Street | London') on reverse of second leaf. Grey paper. Fourteen lines. Text clear and complete. Good: lightly aged and with one corner slightly creased. Begins 'I have much pleasure in again committing to your care Torkingtons M.S. Pilgrimage with my Transcript, & shall be gratified by seeing it embodied in a Vol: of the Camden Society Publications. How soon will the Volume be issued?' In a postscript enquires after a copy of Sir George Chetwynd's 'Catalogue of Provincial Coins'.

Octavo: viii + 201 pages. Good and tight, on aged high-acidity paper, with some chipping and a little light staining at foot. A few pencil marks. In original printed grubby and chipped wraps cloth-taped to spine. Front wrap annotated in pencil. Four-page introduction entitled 'A PLAYWRIGHT'S WORKING LIBRARY.' Even considering the importance and interest of the theatrical collection, the high point is undoubtedly item 102: 'BLAKE, WILLIAM. ORIGINAL DRAWINGS IN WATER COLOURS and INDIA INK by the celebrated WILLIAM BLAKE (Pictor Ignotus).

English Camden Town Group Painter (1878-1914). Dimensions seven inches by ten inches. Grubby, but in good condition. From the Mark Bonham Carter collection. Captioned 'Spencer Gore | Freddy', with an arrow pointing to impressionistic representation of figure, nine inches high, of the artist in a suit, with high-collared shirt, holding a palette in his left hand and with his right hand outstretched and painting onto a canvas. Around the figure dabs of watercolour and a representation of a foot. Crude drawing of seascape on reverse. Together with scrap of paper reading 'MR.

Poet and biographer (La Jeunesse de Swinburne, 1837-1867. [With a bibliography.]) Four pages, 8vo, good condition. A very detailed defence of his work on Swinburne. For example, "[I] want first to assure you that there is here some misunderstanding: in my opinion, you have no real justification for speaking of" the unfair treatment I have meted out to your Father". If I have had to quote contemporary documents in which unfavourable comments are made, it's always clear that I do not profess to share those views". He has in fact suppressed material in Swinburne's correspondence with W.M.