IV

10pp., 4to. In fair condition, on aged and worn paper. An accompanying entry from a French manuscripts catalogue states that the letter was sent to the magazine 'The Age', but not printed.

Printed in black on one side of a piece of 11 x 7 cm card. In fair condition, lightly aged and worn. Text in a mixture of fonts and types characteristic of the period, with royal patent coat of arms. Text reads: 'Elliott's Long-Established Repository, and Temple of Fashion, No. 32, Rathbone Place, London, For Ladies' and Gentlemen's inimitable Head Dresses and Perruques, Patent Exact Imitation of Nature, The Hair appearing as if growing on the Skin, such as will deceive the eye of every Observer; and Ornamental Hair in all its Devices, of the First Fashion.

1p., 12mo. Very good, on lightly-aged paper. The letter reads: 'Sir | It gives me sincere Pleasure to learn that The Information against you was quashed. The Offence charged, does not come either within The Letter or The Spirit of my Act. I am only vexed that you have had so much Trouble.' Taylor's connection with the Metropolitan Paving Act of 1817, led to it being referred to as 'Michael Angelo Taylor's Act', but it is unclear which act he is referring to in this letter.

[44]pp., 8vo, paginated 487-530. Rebound in modern red cloth binding, with red leather label on cover, with title 'ADDRESS TO HRH PRINCESS CHARLOTTE' in gilt. In fair condition, lightly aged and worn.

2pp., 4to. In good condition, on lightly-aged paper. He will have to forgo meeting Britton, as he the previous evening he received 'a Message from the Horse Guards to attend there on Saturday at 3 O Cl'. He has 'just finished a Whole Length of Ld Hill, & its on that acct. I am summoned, I was yesterday Introduced with it To His Majesty so you see my present situation'. He will send the prints the following Tuesday, 'as they are in my press'. Turner's engraving of Hill is captioned: 'Painted by Henry W. Pickersgill Esq. R.A. Engraved by C. Turner, A.R.A.

23pp., foolscap 8vo. On six bifoliums of laid paper with 1833 Britannia watermark of Gilling & Alllford. Good, on lightly aged and worn paper. Folded into the customary packet, and docketed on reverse of last leaf 'Copy Letter to the King from the Princess Olive'. The document was written shortly before Serres' death, and does not appear to have been published.

2pp., 12mo, one of them at ninety degrees to the other. In fair condition, on lightly-aged paper. Following an enquiry 'relating to Mrs Bishop's Korea', Murray is 'sending you today to the St James's Budget office, an electro of the Gate of Victory at Muk-den', which he hopes will suit Richardson's purpose. He apologises that they 'do not happen to have one ready-made of Seoul', and he asks Richardson to return it 'when you have made use of it in the review of Mrs Bishop's book in the 'Vegetarian' magazine.

An interesting and scarce item. There are no copies of any issues of this magazine on either OCLC WorldCat or COPAC, and there is no record whatsoever of 'Group IV' itself. Now acknowledged as one of Britain's finest landscape painters, Keith Grant joined the Working Men's College on finishing his National Service with the RAF; he then enrolled at Willesden Art School, before joining the Royal College of Art, where he studied under Colin Hayes, John Minton and Kenneth Rowntree. 22pp., 4to.

1p., 4to. In fair condition, on aged and creased laid paper with watermark '1810'. The letter reads: 'The Duke of Marlborough is very sorry it will not be in his power to obey His Royal Highness the Prince Regent's commands on Thursday the 23d of April, which he should have been very happy to have done had it been possible for him. | Blenheim | April 19th.' The only 23 April falling on a Thursday during the Regency before the 4th Duke's death was in 1812.

4pp., 12mo. Very good, on lightly-aged paper with watermarked date 1848. Addressed to 'My dear Dean'. As the letter clearly concerns Pellew's life of his father-in-law Lord Sidmouth (1847), with Croker referring to his own review of the book in the Quarterly Review, the reason for the gap between the date of publication of the book and the writing of the letter is unclear. Croker writes that he has received Pellew's 'last livraison & kind letter which gives a very just idea of the correspondence'.

On one side of piece of 27 x 38 cm paper. Aged and heavily-creased, with central closed tear. A printed document, with engraved portrait of King George IV in the top left-hand corner, completed in manuscript and signed by Wellesley and three others, with fading to the manuscript parts. The document is headed: 'To all People to whom these Presents shall come Greeting.

On one side of a strip of wove paper, 46.5 x 9.5 cm. Cut down. In fair condition, on aged and lightly ruckled paper. 96 lines arranged in 12 numbered eight-line stanzas.

1p., on 29 x 7 cm piece of unwatermarked laid paper (probably cut down), with no indication of printer or date. Printed with the long s. In good condition, on lightly-aged paper. 64 lines, arranged in eight eight-line stanzas. The first stanza reads: 'BRITAIN! brave and generous nation, | Listen to my plaintive strain, | Tho' exalted be my station! | Day and night I sigh in pain; | Here I came a helpless stranger, | With no friend to take my part, | Braved the stormy ocean's danger, | From home for ever to depart.' She appeals to her 'Good Uncle' (i.e.

Princess Charlotte of Wales, the only child of the Prince Regent, died in 1817 at the age of 21. Many poems of mourning were published, but whether Evans's was among them is uncertain. Both drafts are in good condition, on aged paper; the first with short closed tears to the spine. DRAFT ONE (the earlier?): Title: 'Verse on the Death of the Princess Charlotte', altered from 'Threnodia Augustalis, Odes on the Death of the Princess Charlotte'.

The two volumes folio, 20 pp, and folio, 18 pp. Both in the same neat hand and in uniform original bindings of green boards, with green cloth spines and white decoratively-cut paper labels on front covers, each carrying a description of the contents addressed to 'Königin Adelheid von Großbritannien'. The first account book (1844-1845) has part of the second leaf (pp.2-3) torn away; and the second (1847-1848) is lacking the fourth leaf (pp.9-10).

12mo, 4 pp. 40 lines. Text clear and complete. Good, on lightly-aged paper. Addressed to 'My dear Spencer'. He is sorry to have missed Childers: 'I came back early on Sat: morning fairly driven home by the weather.' Reports that 'Better reviews of the book are now appearing Athenaeum - evidently by Dilke: Tablet: Pall Mall &c.' Thinks 'Clarke will use his influence with the Times', the idea that 'King' has done so being 'entirely out of the question'.

Broadside, trimmed to just outside decorative border for poem, with radiant crown at top, tipped on to detached album leaf, faint marking and creasing, mainly good condition, commencing, Who, that has lived beneath the Brunswick sway .... No copy listed on COPAC which lists a work by Somerton on the Bristol Riots and a work printed by him (as presumably was this broadside).

Folio, 4 pp. Bifolium. Text clear and complete. On aged and creased paper, with some wear and chipping to extremities. Previously folded into a packet docketed in a contemporary hand 'Answers to Queries'. The first page begins with 'Ansr. 1.', a list of ten ministers, from '1. The Duke of Richelieu President of the Council of Ministers & of the Privy Council & Min: Sec: of State having the Dept. of Foreign Affairs.' and ending with '10. Director general Count Pradel'. P. 1 also features 'Question 2 | Answer A', beginning 'The Members of the Govt.

12mo, 1 p. Bifolium. Ten lines. Clear and complete. Fair, on aged paper. Addressed, with three postmarks, on reverse of second leaf, to 'Capt Grindlay | North Bank | St John's Wood'. Letter of introduction for 'Mr Vivian a Subscriber to the Oriental Translation Fund', who is 'turning his mind to Hindostanee Architecture'. Suggests a date for them to meet, when 'any of your Drawings &c he would be glad to see'. Grindlay was author of 'Scenery, Costumes and Architecture, Chiefly on the Western Side of India' (1826-30).

Dimensions of print roughly 17.5 x 13.5 cm. On original grey paper windowpane mount (28 x 23 cm). Engraved label (2.5 x 11 cm) beneath the print, with a couple of remarque-style illustrations. The print itself is good, although a little aged and spotted; the margins and mount being rather more heavily affected. Attractive and unusual item, the image changing when held up to the light. Two soldiers are shown dwarfed by the high ceiling of the chapel, which is decked with brightly-coloured flags. When held to the light the chapel is filled with the mourning congregation. Scarce.

Folio bifolium (dimensions of leaf roughly 32 x 20 cm): one page, with the reverse of the leaf and the whole of the second leaf of the bifolium blank. Unbound. Good, on lightly aged and creased laid paper with a Britannia watermark. Eighteen lines of text, mostly taken up with comments on the teaching at the College of Latin and Greek, followed by an 'Extract from the General Report transmitted to the Admiralty Office' with room for the Student's name, his date of admission, and progress in mathematics, English, Latin and Greek, History and Geography, French and Drawing.

On one side of a piece of wove paper. Dimensions of paper roughly 25.5 x 35.5 cm; dimensions of image 23.5 x 35 cm. Image clear and entire on lightly aged and creased paper with a little spotting. The margins of the print have been trimmed, resulting in the loss at the foot of the leaf of the printer's slug ('Printed and Published by G. Drake, 12, Houghton-Street, Clare-market.').

12mo: 1 p. Seven lines of text. On creased and lightly-aged watermarked wove paper. Regarding Sir Henry Bate Dudley's farce 'At Home', performed 'with universal approbation' at the Theatre Royal, Covent Garden, in 1813. 'Should the Box of the Prince Regent be disengaged on Monday next at Covent Garden Lady Landsdowne [sic] (the Dow-) is anxious to see "At Home" Could she have it?'

8vo: iv + 48 + [ii] pp. Last leaf carries advertisements for works by Fairburn. In marbled wraps. Text clear and entire. On aged paper with slight wear and fraying, small holes and light stains to first four leaves. Title continues '[...] to which are added, The Q-'s last letter to the K-, Written a few Days before Her M-'s Death, and other Authentic Documents, never before published. | [quotation] I am the Viper that has been secretly wounding you both.

Printed on one side of a piece of rough wove paper, approximately 24 x 10.5 cm. Text clear and entire on aged, creased paper. A production in favour of the Prince Regent, with no trace of sarcasm apparent. Consists of six four-line stanzas, each followed by the chorus 'Hearts of Oak, &c.' First stanza reads 'Come cheer up my lads, we'll no longer repine, | United, we'll triumph - OUR CAUSE is divine!

George *11864; Reid *155; Cohn *732. Printed on one side of a piece of wove paper roughly 54 x 22 cm, dimensions of print 47 x 18.5 cm. Engraved at the sides of the caption beneath the print: 'Pubd. April 1st 1812 by M Jones No 5 Newgate Stt. | G. Cruikshank fect.' Image clear and entire, on aged paper with creasing to extremities, and with one 4.5 cm closed tear in bottom left-hand corner.

Printed on one side of a piece of laid paper roughly 37 x 24.5 cm. Worn and spotted, with particular wear to the extremities, but with the text entirely legible. Printed in two 63-line columns, beneath a 3-line heading in an arrangement of various point-sizes, mixing italics and roman, capitals and lower case. The account of the speech, presumably extracted from a newspaper and intended for sale by street hawkers, begins 'MR.

16mo (roughly 11 x 8 cm), 1 p. Creased and ruckled, and with slight discolouration from previous mounting, and with a piece of the mount adhering to the blank reverse. Reads 'My dear Sir | I thank you for your letter and the information it contained. I write to Paris to have PP' book as soon as it is out. | Yours truly | [signed] Elisabeth'. Signature stylized to the point of illegibility. Piece of mount docketed in contemporary hand 'Elizabeth late Queen of Prussia'.

Card with illustrated portrait in brown and black of the Prince (in English military uniform with 'V[ictoria] R[egina]' badge), 10.5 x 6.5 cm, mourning border. Good, with a little pitting at head (not affecting image). The five postcards, all roughly 8.5 x 13.5 cm, are all very good, on lightly discoloured card. They are captioned 'The Tomb of the Prince Imperial', 'Mausoleum Farnborough', 'FARNBOROUGH HILL. Residence of H.I.M. the Empress Eugenie', 'The tomb of H.I.M Napoleon 3' and 'Residence of H.I.M. the Empress Eugenie'. Also included is a thirty-two-line biographical cutting by 'R.

12mo, 1 p. Slight damage and loss at head, affecting one line of text. The seal, with a clear impression of a crown above the letters 'A R'., in a rectangle roughly 1 x 1.5 cm, adheres to the reverse of the second leaf of the bifolium, which also carries the name of the recipient, and has been repaired with tape along one edge of the recto. The letter is of 15 lines, and consists of directions as to where to place guests. For example 'Miss Murden Maid of honours room. her maid next to her. Miss Mitchell Bedroom up Stairs, her maid in the Closet within her room.'