SHAKESPEARE

1p., 4to. In fair condition, lightly aged and worn, with small coffee stain in margin at head. He begins by thanking Guppy for the 'gift of the numerous "Transactions," including the beautiful volume "The English Bible in the John Rylands Library"': 'To our bibliographers as well as to our readers these works will be of the utmost value.' He writes that the war 'has put a temporary stop to our publishing', but that 'we have ambitious plans for the future, and every volume we issue will go promptly to you'. He also thanks him for 'printing my little article on the Shakespeare Signature'.

For information concerning Wilton, who had previously been associated with P. T. Barnum, see W. J. Lawrence's 'Life of Gustavus Vaughan Brooke, Tragedian' (Belfast, 1892). From the 1840s Brooke had toured England with increasing success, being favourably compared with Edmund Kean and called by several critics the greatest tragedian of his day. Although somewhat wooden in delivery, he was blessed with a splendid voice, but this had begun to fail towards the end of the decade, and he had been forced to seek medical help. At the same time his heavy drinking did not assist his acting.

1p., 4to. Bifolium. Addressed on reverse of second leaf, with postmarks, to 'Thomas Hill Esq | New Inn'. In good condition, lightly-aged. Headed by Oakley 'Circular' and entirely written out in his own hand. The letter begins: 'In consequence of the embarrassing finances of the Old Drury Club, and its being uncertain whether, or no, it can any longer hold its deliberative meetings at its accustomed place of redevous [sic] - it has been determined by a majority of its members - to resolve themselves into a committee of ways and means'.

Letter: 1p., 8vo. In fair condition, lightly creased and aged. With a few autograph emendations. In a characteristically eccentric letter he writes that their common friend Jimmy Linton has told Bowman that Duncan 'may be able to give me some particulars and perhaps a photo of Edith LORAINE who played Godiva in F. B. Woulfe's Company, presenting the famous historical play by Max Goldberg, (John F. Preston.) He refers to Mabelle F. Barlow, Lady Astor and his own play 'Divorce or Dishonour'. As a boy he was greatly impressed by Loraine's performance, and it 'started my interest in Coventry.

Thompson was a well-known Boston astrologer in the early decades of the twentieth century, with a lucrative private practice and columns in the 'Ladies Home Journal' and the 'Boston Globe', the latter syndicated to nearly a hundred other American newspapers. In August 1933 she was unmasked as a fraud by a disgruntled secretary in an article in the 'Ladies Home Journal'. Seven items, in good condition, on paper with light signs of age. ONE: Typescript titled 'A Boston Woman Who Has Made Good | Catherine Howard Thompson'. Dated internally to 1916.

376pp., 8vo. Uniformly printed and continuously paginated. Part I: [3] + 1-124. Part II; [2] + 125-251. Part II: 253-376. All three parts in fair condition, lightly aged and worn, with rusted staples. in remains of printed wraps. A total of 4240 lots, priced throughout in the margins. The full title gives a good indication of the nature of the collection: 'Catalogue of the Large and Valuable Library of the late Henry F.

209pp., 8vo. In printed wraps, with contents page on inner front cover. Aged and with worn spine, on browned high-acidity paper. The catalogue contains 4510 items, with around 10% (472 items, numbered 2041-2513) under the headings 'Shakespeare' (2041-2208) and 'Shakespeariana' (2209-2513), and including sections of 'Separate Plays' (2082-2137) and 'Translations' (2143-2208). The catalogue also contains sections on other notable authors, including Ossian, Bulwer-Lytton, Macaulay, Thomas Moore and Ruskin. No other copy traced, either on OCLC WorldCat or on COPAC.

Printed in black and red on one side of a piece of 37.5 x 26 cm wove paper, with Charles Martin 'Extra Strong' watermark. Text enclosed in attractive decorative border. At foot: 'God Save the King. | At a Piano ... ... ... ... Miss Wynne Runting'.

All items in fair condition, on six pieces of lightly aged and worn paper. ONE: Black ink pencil drawing, signed in bottom left-hand corner '"King Lear" | Peter Ustinov'. On 38 x 27.5 cm paper. Striking caricature of a hawkish and hairy Lear, eyes blazing, clutching his crown in his right hand while a courtier looks on from the bottom right. TWO: Black ink drawing, captioned by Ustinov at bottom right 'Carlo Goldoni'. On 38 x 27.5 cm paper. A head and shoulders portrait of a bewigged Goldoni, staring impishly to his right.

1p., on 11 x 9 cm card. Addressed on reverse 'To the Editor of The Book Buyer | c/o Messrs. C. Scribner's Sons | New York City | U.S.A.' With two postmarks. In fair condition, lightly aged and worn, and postage stamp removed. Since posting a letter on the previous day, he has 'discovered another article satirising the Bacon-Shakespeare theory', as with the one 'in Macmillan', anonymous. It is titled 'Who wrote Dickens's Novels?', and appeared in the Cornhill Magazine, August 1888. 'The author humorously endeavours to prove that Gladstone wrote them!!'

"Royal Institution of Great Britain. Weekly Evening Meeting, Friday, February 7, 1890. John Rae [...] in the Chair". Seven pages, unbound as issued, stapled, good condition. No copy listed on COPAC or WorldCat.

16pp. 8vo, fawn printed paper wraps, stapled, good condition

7pp., 8vo, printed paper wraps, grubby, stapled, contents good only. No other copy traced on COPAC etc.

1p., 16mo. Bifolium. In fair condition, aged and worn, with slight damage to second leaf, which is addressed to 'Miss Walters' and carries a small seal in red wax. The letter reads: 'My dear Miss Walters | I am so much obliged that I know not how to thank you as I wish. Your works are beautiful, & will be a most valuable present to our poor Moravians. Accept my sincerest thanks, & believe me ever | My dear Madam | Yr much oblig'd & affecte | H M Bowdler'.

The letters total 36pp., 12mo; 12pp., 8vo. The collection is in good condition, on lightly-aged paper. Seventeen of the envelopes are present, all addressed to Green-Armytage at Bath (fourteen to 22 Bathwick Hill, two to 5 Queen's Parade, and one to 'Bath').

1p., 12mo. In fair condition, on aged paper, but with loss at foot and traces of mount on reverse. The letter is addressed to 'Mrs Ashurst Morris | Victoria Hotel | ' (the last word damaged at the foot of the page). It reads: 'Dear Madam, | Thanks for your letter. Pardon my delay in answering, but our plans have been a little uncertain. We shall not be staying in London after the date mentioned, otherwise, we should have been very glad to continue our present sojourn at your comfortable flat.

Both items bound together in nineteenth-century worn brown-cloth 8vo binding, with 'THE JUBILEE 1827' in gilt on the spine. Ownership inscription on front pastedown of the actor and theatrical writer Hallam Fordham, dated Oxford 1942. ONE: Full title: 'Correct Detail of the Ceremonies attending the Shakspearean Gala, celebrated at Stratford-upon-Avon, on Monday, Tuesday, and Wednesday, April 23, 24, and 25, 1827; Together with some Account of "Garrick's Jubilee," in 1769; By J.

[16]pp., 8vo, discreet stab-holes, good condition. Presumably this item was once bound in to an issue of a periodical. Four copies are listed on COPAC/WorldCat.

Both works first editions, and both in good condition, on aged paper. Bound together in late nineteenth-century red cloth half-binding, with marbled boards. Title on spine: 'COLLIER CONTROVERSY | H.R.H. | 1919'. Hamilton title in full: 'An Inquiry into the Genuineness of the Manuscript Corrections in Mr. J. Payne Collier's Annotated Shakspere, Folio, 1632; and of certain Shaksperian Documents likewise published by Mr. Collier'. [4] + 155pp., 4to. With frontispiece and two plates, one of them double-page. Collier title in full: 'Mr. J. Payne Collier's reply to Mr. N. E. S.

1p., 12mo. Addressed on reverse to 'Messrs: Cadell & Davies | Booksellers, | Strand, | London.', with faint Hadleigh postmark. Good, on lightly-aged paper. Trimmed and repaired, with traces of previous mounting. He writes: 'Gentlemen, | I will thank you to pack up separately two copies of my Literary Hours [published in 1798] & to direct one P. L. Courtier Esqr. [the poet Peter Lionel Courtier (1776-1847)] & the other Mr. Jones. These copies, which you will place to my account, will be sent for by Mr. Sharpe of Piccadilly.

1p., 4to. In good condition, on lightly-aged and creased paper. Salzman's book had been published by Heffers of Cambridge in the previous year, and Brown finds that its 'scraps make such excellent feeding'.

Two pages, 12mo, sunned and lightly foxed, but text clear and complete, as follows: He starts off calling his correspondent a "beast" on a personal matter, continuing, "This is the worst of my Shakespeare papers I think: when you bring it back (and possibly my companion to Eng History?) you might tell me whether you think the essays as a whole are worth republishing as a book". He suggests a meting (lunch dinner "or what"), concluding, "I believe this essay to be a practically no value." Etty's "Studies in Shakespeare's History" are listed by WorldCat, but not COPAC.

2pp., 16mo. Bifolium. On monogrammed letterhead. In fair condition, with traces of glue from mount still adhering. She proposes a date for a meeting, adding: 'Will Miss Paget come in the evening & bring a young friend with her if she pleases?'

Both essay and letter on aged and brittle paper, with some chipping to extremities (not affecting text). Both are written in a tight, close hand. The letter: 2pp., 12mo.

8vo, 17 + [i] pp. Stapled. In original grey wraps. Aged and worn copy of a scarce item.

8vo, 17 + [i] pp. Stapled. In original grey wraps. Aged and worn copy of a scarce item.

8vo, 16 pp. Unbound. Evidence of previous stitching, but with no remains of thread,. Aged, worn, and with outer leaves somewhat dusty. Preface, dated 'London, June 1864', by 'THE MANUFACTURERS OF THOMSON'S CRINOLINES', states that the judges of the best of 'the immense number of manuscripts received' were 'B. Webster, Esq., J. Sterling Coyne, Esq., Andrew Halliday, Esq., George Rose, Esq., and Thos.

Four pages, folio, faint browning of edges, mainly good. Specimen page has Sonnet 34. Enclosed: Order For,

All twenty-four illustrations have been laid down on leaves removed from an album of prints. Both series are numbered to twelve, and each is complete. The plates in the Retzsch series appear to have had their margins cropped. All images clear and complete, on lightly-aged paper, with occasional light spotting and discoloration. Laid down at the head of the first illustration in the first series, and slightly (0.5 cm) encroaching onto it, is a printed label reading 'Illustrations to Shakespeare's | TEMPEST | in 12 plates'.

12mo, 1 p. Text clear and complete. Fair, on lightly-aged paper. Lucas's handwriting is not straightforward, and the recipient's name is unclear. His 'Shakespeare drawings' are 'first rate'. Lucas retires 'into private life again' on the Monday, when 'O. S.' returns.