TYPOGRAPHY

[1] + 28pp, 8vo. Paginated 135-162. Stapled pamphlet, in printed green wraps. In good conditon, lightly aged and worn. Inscribed at head of title-page: 'For Dr. S. H. Steinberg with all good wishes from Rollo G. Silver'. Contains an eleven and a half page appendix of 'Abstracts from Some Printers' Bills in the Masschusetts Archives'. The only copy on COPAC at Trinity College, Dublin.

16 x 20 cm booklet, consisting of a bifolium stitched with black green thread into covers of thicker paper. In fair condition, aged and worn, with remains of clear plastic front covering. On the front cover is a heavily-inked art photograph superimposing an image of a musical score over the edges of an fanned-out signature. On the inside of the back cover is a facsimile of a calligraphic inscription in Latin, in Renaissance style. The inner contents consists of two facsimiles.

Printed in black on a 45 x 28 cm piece of white card, folded twice to make a 22.5 x 14 cm bifolium. When opened out the card has the printing details and 'THE 35TH DINNER' on the otherwise blank reverse. Aged and worn. The outer covers of the card, opening out to 45 x 14 cm, carry a reversed photograph of a Miller & Richard chase, with form featuring the words 'DOUBLE CROWN CLUB'.

Around 190 items, fifteen of them loosely inserted. (The firm was already a century old at the time this material was assembled, boasting that it was 'established the year after Waterloo', 1816.) Contained within a sturdy album of grey paper (dimensions 48.5 x 33.5 cm.), stitched with string into covers with brown cloth spine. Label on front cover: 'ADVERTISEMENT FILE. | CHAS. THURNAM & SONS.' In manuscript on label: 'OLD MATTER | NOT TO BE DESTROYED'.

16pp., 8vo. Printed in black and red. In card wraps, with title on front cover also in black and red stylised lettering on front, and an advertisement on the inside back cover ('This is the first of a series of three informative pieces of literature which are to be issued and presented by the printers of the country to users of printing. [...]'). Saddle-stitched with brown thread. In fair condition, lightly aged and worn.

2pp., 4to. Carbon. In fair condition, lightly aged and worn. Begins: 'The third of a series of lectures arranged by the Norwich Printers' Joint Industrial Council was held at the Norwich Central Public Library on March 19, when the City Librarian (Mr. Geo A. Stephen, the author of "Commercial Bookbinding" and other works) gave a lecture on "The Making of a Modern Book". The lecture was illustrated by about a hundred lantern slides and exhibits. [...] Mr. F.S.

23 + [1]pp., 12mo. Stitched, in blue printed wraps. Aged and worn, with creasing to wraps and fly-leaf, which is inscribed 'Ivor James | from | J. A. Grosvenor | May 20. 1921.' Excessively scarce: the only copy on COPAC or OCLC WorldCat at the British Library.

Both items on aged and lightly-worn paper. ONE: Invitation. Printed postcard, addressed on reverse to 'Mrs Molanda [sic] Sonnaband, | 30, Hamilton Terrace, | N.W.8.' Tastefully designed, in sans-serif font, the card reads: 'Elisabeth Frink | Basil Jonzen requests the honour of your company at the Private View of the first one-man exhibition of sculpture & drawings of Elisabeth Frink at St. George's Gallery Paintings & Sculpture. 3pm Tuesday 17 May 1955 | 10am to 6pm (1pm Saturdays) 7 Cork Street . London W1'. TWO: Programme.

[3] + [80] + [1]pp. The eighty pages of the article paginated 283-362, and with the last twenty-four pages (339-362) containing the illustrations. In brown printed wraps. Very good, on lightly-aged paper, in worn and creased wraps. An attractive production, with presentation inscription ('no 94') to the publisher George Bentley, signed 'RB' and dated 7 June 1886. This offprint is uncommon: no copy at the British Library, and only six copies listed on OCLC WorldCat, only two of which in the United States.

40pp., 4to, with sixteen additional leaves carrying laid-down printed matter. Stapled. In green card ad hoc binding, with white label on front cover in Morison's autograph, with ruled border, reading 'A Brief Survey of | Printing | Stanley Morison & Holbrook Jackson'. In fair condition, on aged paper, the leaves of the text having become detached from the aged and worn binding. The duplicated pages of typed text are on the rectos of forty leaves, each with letterhead of 'LINOTYPE & MACHINERY LIMITED, LONDON'.

1p., 12mo. Attractively printed within a decorative border, on the recto of the first leaf of a bifolium. The letter reads: 'Dear Sir | The Specimen Book sent you herewith, of which I have much pleasure in asking your acceptance, contains a history of the Caslon Foundry printed with the justly celebrated types engraved by its founder in the early part of last Century.

[4] + 47pp., 8vo. In printed wraps. Internally in fair condition, on aged paper, with slight staining to the corners; in worn and chipped wraps. A handsome production, as one might expect from one of the nine founders of the Grolier Club, with a two-page introduction followed by a full-page reproduction of the Ascensius printer's device, and 47 examples of pages set in various point sizes of Cushing, Ancient Roman, Jenson, Satanick, Louis XV, and Century Roman. No copy on COPAC, six American and one French on WorldCat.

[13] + 264pp., 8vo. In original purple wraps lacking spine label. A landmark work in the history of printing. In fair condition, on aged and dogeared paper, with damp staining to the first few leaves, and front cover of the wraps detached. Pp.246-264 carry Didot's 'Note Bibliographique et Typographique', with the engraving on p.263 of the Estienne device, to indicate that it is possible to print both text and 'taille douce' on the same page.

The 40 items range in size from 25 x 19cm to 5 x 4.5cm. All in good condition, lightly-aged, and all but five laid down on the grey paper leaves of a heavily-worn album, with back cover loose, and with ownership signature of Sir Michael's wife Elisabeth Clapham at head of first page. The couple married in 1935, and one of the 40 items is a card with text in red featuring Elisabeth's maiden name. It conveys 'Good wishes for Christmas & the New Year from Elisabeth Rea | 6 Barton Street, S.W.1'.

Both items in fair condition, on lightly aged and creased paper. The second letter addressed by the secretary on the reverse, with four torn stamps and postmarks, to 'Mr. Lawrence Hodson | Bradbourne Hall | Ashbourne | Derbyshire'. The 'set of stations' referred to in the first letter is likely to have been based on those executed by Gill in stone in Westminster Cathedral, and completed in 1918. Letter One (3 November 1920): 1p., 12mo.

[1] + 23pp., foolscap 8vo. On 24 leaves attached in one corner by a metal stud. The title page carries the reference TM144D, and states that the producer was Cleverdon, and gives times of transmission, rehearsal and recording, with 'R.P. REF. NO.' and the details of the secretary who typed out the document. The piece was narrated by Barker, with the 'Speakers' are named as Burns, Carter, Crook, Crutchley, Meynell, Pollard, the Stones and Warde.

The six items in good condition, on lightly-aged paper. ONE: Typed Letter Signed to Carter, in English, from Miss Dr. D. van Velden, curator. On letterhead of the Rijksmuseum Meermanno-Westreenianum. 22 March 1966. 1p., 12mo. Giving details of the opening hours. TWO: Typed Letter Signed to Carter from E. A. Lowe. On letterhead of the Institute for Advanced Study, Princeton, New Jersey. 25 January 1969. 'If there are any new developments re Stanley Morison, I hope you will keep me posted. Some one sent me Brooke Crutchley's Two Men. There was no card so I do not know to whom I am indebted.

Both letters are addressed to 'Dear Jake'. Both are in good condition, on aged and lightly-worn paper. Letter One: 1p., 8vo. Addressed to Carter at 26 Carlyle Square. Explaining the complications of a planned joint visit to the Hague. Letter Two: 1p., 8vo. Addressed to Carter at Sotheby's, New Bond Street, with Percy Muir copied in. On returning 'the draft note on the S.M. Handlist' (not present) he makes three long comments (totalling 32 lines of text). The first comment deals with two versions of the publication, 'varying in the dedication.

In 1868 Joseph Swan (inventor of the incandescent electric bulb) set up the company to commercialise his patented process for producing permanent photographic images. Throughout the nineteenth century it was known as the Autotype Fine Art Company, It changed its name to the Autotype Company Ltd in 1923, and is now MacDermid Autotype. All five items are in good condition, on lightly-aged paper. Item One dates from before the company's move from 74 to 59 New Oxford Street in 1926; and the other four items from after the move.

An interesting collection of typographical ephemera. ONE: Landscape 8vo wood engraving, captioned 'This illustration, entitled "Psyche in Charon's Boat," was engraved on wood by William Morris from a design by Edward Burne-Jones and forms one of a series in illustration of the story of Cupid and Psyche in "The Earthly Paradise." It is proposed to issue one or two of these designs, which have never been published, though one of them formed the frontispiece to the "Note on the Kelmscott Press" by Mr. S. C. Cockerell.' In good condition, on lightly-aged paper.

The three letters are in fair condition, on aged paper. On a total of four letterheads, each with the names 'Nancy Nicholson | Geoffrey Taylor' printed in red ink in the top left-hand corner. Letter One: From 'Geoffrey Taylor' to Peter [Rhodes]. 18 August [1938?]. 1p., landscape 12mo. He is enclosing paper, and reports that the 'envelopes will come to two shillings a hundred, which is more than I said.

The three letters are in fair condition, on aged paper. On a total of four letterheads, each with the names 'Nancy Nicholson | Geoffrey Taylor' printed in red ink in the top left-hand corner. Letter One: From 'Geoffrey Taylor' to Peter [Rhodes]. 18 August [1938?]. 1p., landscape 12mo. He is enclosing paper, and reports that the 'envelopes will come to two shillings a hundred, which is more than I said.

30 + [ii] pp., 12mo. One of 300 copies. Printed in Caslon in red and black on Batchelor handmade paper. Wood-engraved initial and press-mark. Worn grey paper-covered boards with printed labels on spine and front board. Internally good in worn binding with discoloured spine splitting. Inscribed 'With every kind thought from C. Persis Burkitt. | July 17th.' Bookplate in green and black of D. Tecwyn Lloyd. The "second book printed at the Essex House Press".

Printed on one side of a piece of unwatermarked wove paper, 18 x 20cm. Aged and worn, with a number of closed tears. The poem crosses horizontally and verically through three crucifxes, beginning: 'Behold, O God! INRI vers of my Tears'. The poem was first published around 1765 by W. Bailey, 28 Great Tower-street, London, and was reprinted by several other publishers, with an American version as late as the 1850s. No copy of this edition is present on COPAC. According to BBTI John Fenley was active in Bristol from around 1785 to 1811.

3pp., 4to. 60 lines of text. Bifolium. Good, on aged paper. Addressed, on reverse of second leaf, to 'Valentine Mott M.D. | 25 Park Place | New-York'; with three postmarks, one from Havre and another 'Forwarded by Lewis Rogers & Co.' (Mott was in Europe at the time of writing.) An tantalising letter, regarding an intriguing affair about which nothing else appears discoverable. Eldridge is sending 'a hand bill, 5000 of which have been circulated thro Paris and the towns in its vicinity'.

28pp., landscape 12mo, printed on rectos only of 28 leaves. Dimensions 21 x 15 cm. In brown card wraps with brown cloth tape spine over staples. In fair condition, on aged thick paper, with foxing to title leaf, and damp staining at foot of first and last few pages. Printed decorative border on front cover, with same border in black ink on title page, enclosing the title in block capitals in red ink: 'SPÉCIMEN | DE | CARACTÈRES, VIGNETTES | & FILETS | LINOTYPE'.

2pp., 8vo. Good, on lightly-aged blue paper with brown border, with slight chipping to one corner. Eastman has purchased a 'Set of Fac-Simile Die-Proofs with the Autographed Card'. Presuming that Eastman is 'interested in Confederates', Dietz is enclosing 'the tentative Foreword' to 'a far more "pretentious" work - one upon which I have been engaged for many years': 'It "promises" to make over 400 pages octavo, and I am not yet through the Manuscript.

Monty Shaw's 'Banks and Miles: Thirty Years of Design Evolution' was supposedly published by Lund Humphries (London) in February 1993 but no copy can be found on the internet (one listed on WorldCat appears to be a ghost).. This collection, in a buff card folder, contains material relating to Shaw's monograph, grouped as follows: ONE.

An interesting assemblage of twenty-six items relating to a leading figure in twentieth-century British typography and design. David Kindersley's best-known work (in conjunction with his third wife Lida) is the iconic gates to the British Library at Euston. The collection is in very good condition. Among the items are three booklets, four keepsakes, one brochure, and ten letters and cards. ONE. Copy of David Kindersley's book 'Eric Gill, Further Thoughts by an Apprentice (London: The Wynkyn de Worde Society, 1982). 12mo, xii + [iv] + 24. Finely printed in green printed wraps. Very good.

The collection is in very good condition, containing four items of autograph correspondence from Ruszkowski to Shaw, all signed 'Zdzis'. One: Autograph Letter Signed. Undated. 8vo, 3 pp. Expressing his extreme disappointment with 'the proposed arrangement of the double-page and the suggested treatment of the illustrations. 'Nearly one third of the drawing [sic] is left out and alters the sense of the theme. Each illustration is composed to stress the situation and can't be mutilated at the will to suit the arrangement at the page.