PAUL

The two signatures are on a reproduction of a drawing of Robeson, on a 15 x 11 cm piece of shiny art paper, cut from a programme from Robeson's 1934 tour of Britain. In good condition, lightly-aged. The head and shoulders portrait shows a moody Robeson in collar and tie. The two signature are at the foot of the image, with Robeson's, in blue ink, slanting downwards, and Brown's, in green ink, slanting upwards, around the line of Robeson's lapels.

ONE: Typescript. [3] + 94pp., 4to. Stapled in green tyed wraps. In good condition, on lightly-aged paper; in aged and worn wraps. Stage directions underlined in red pencil, and a handful of minor manuscript changes. 'The action of this play takes place in Malta G.C.

4pp., 12mo. On aged and lightly-creased paper. Originally a bifolium, but with the two leaves separated, and evidence of previous stitching into a binding. Regarding his new book 'Cruel London', he asks him if he can send six copies of what is not only 'a kindly notice, but excellently well written. All the more gratifying. The Spectator is always my enemy just as the Saturday was Thackerays, to compare a big man with a small one.' He refers to a notice in the Sunday Times by Joseph Knight, who 'also sent me a charming letter of congratulation'.

6pp., 12mo. Bifolium and single leaf. On aged and worn paper, with 4 cm closed tear to all three leaves. A highly interesting letter, illuminating Victorian Fleet Street and City of London practices. The author's signature is frustratingly illegible, but may well be that of sports journalist Charles William Alcock (1842-1907). The recipient is possibly James Clarke (d.1888), editor of The Christian World. The author opens the letter with the 'conclusions' he has arrived at regarding the 'various schemes' which he 'maturely reflected upon' in a discussion with Clarke the previous week.

1p., 12mo. On aged and worn paper. Expansive signature. Reads: '"Where ever "Paul Jones" is - I shall be!" | Act III | Agnes Huntington | London | 1890.' Huntington was a great success in this 'trouser role'. In 1892 Huntington married Paul Drennan Cravath (1861-1940); they were divorced in 1926.

The collection is in fair condition, with the photographs in good condition, and the other items showing some signs of age and wear. The four printed programmes are all bifoliums. ONE: Programme for a School House and Galpin's performance of R. F. Delderfield's 'Worm's Eye View', 12 March 1955. Signed by sixteen members of the cast, including Budgen. TWO: Programme for a King's School Players performance of Romeo and Juliet, 16 to 23 July 1955. Signed by five members of the cast.

Both items in good condition, on lightly-aged paper. ONE: 1p., 8vo. Despite being unacquainted with 'M. Tirman', he offers to do his best to be of assistance to 'M. Emile Farrence'. Petit's letter, dated 19 May 1883 is on the reverse of the second leaf of the bifolium. Writing to one of the individuals mentioned in Leroy Beaulieu's letter, he explains that he is forwarding that letter, and asks for it to be returned to him on his arrival. TWO: 1p., 16mo. He apologises for making him wait 'deux jours de plus'.

1p., 12mo. In fair condition, on lightly aged and worn paper. The letterhead, printed in gothic type, in black with red capitals on the first line, reads: 'On letterhead of 'Odd Volumes: | United once a month to form a perfect Sette. | Objects: Conviviality and Mutual Admiration.' Bevan apologies to Cooke for being unable to 'come to your Gathering', as he is 'engaged that evening to take out my wife'. In a postscript he also apologises for not having 'come to the Trips', having been 'too much away'. For more information on the recipient, see his entry in Who Was Who.?>

Taylor's collecting activities are described in his entry in the Oxford DNB. His collection was sold by his widow in 1912 for the massive sum of £358,500.3pp., folio. Bifolium. In very good condition, on lightly-aged paper. Tastefully-printed billhead, as one might expect, in black and red, with royal crests, boasting that the firm are 'Printsellers by Appointment to her Majesty, | Their Royal Highnesses The Prince Consort, The Prince of Wales, and the Duchess of Kent'. Also the text: 'Established 1760. | Half price allowed for packing cases if returned immediately'.

[2] + 99pp., 8vo. The leaves in fair condition, on lightly-aged paper, but with signatures detached, and creasing to the last couple of leaves. In worn and chipped printed wraps, with front cover detached. With the blind stamp of the 1846 Prussian-British Convention on Copyright (which all books imported from Prussia had to bear). Scarce: no copies on COPAC, and six runs on OCLC WorldCat all at American institutions.

Black and white photographic print, 21 x 14 cm. Creased and stained, with short closed tear at head and slight loss to one corner. Robeson's inscription, in the bottom left-hand corner, reads: 'To "Dora" | With all good wishes and all good fortune. | Paul Robeson | "Show Boat" | London 1929'. The image is a head and shoulders shot of an assured Robeson in jacket, shirt and tie.

1p., 8vo. Photocopied in black on light-green paper. In fair condition, creased and lightly-aged. Small photograph of Paul Harvey beside the title, above the following introduction: 'In a recent column Mr. Harvey, a noted commentator and journalist, strongly defended the law enforcement officer. With his permission the Bulletin reprints this message which we think will be of interest to our readers.' Harvey's piece, reproduced over three columns, begins: 'Don't credit me with this mongrel prose; it has many parents; at least 420,000 of them: Policemen.

4pp., 12mo. Bifolium. In very good condition. Signed 'Paul Sabatier'. He explains the reason for a delay to the test: 'La Cte du gaz de Toulouse qui paraissait disposée a entreprendre un essai immediat de cette formation en retarde indefiniment l'execution, sans doute à cause de certains desaccords avec l'administrateur de la Société des Raffineries catalytiques, mon ami Blanchet'. The second half of the letter discusses the technical aspects of the test.

Presumably all published. An excessively scarce item, with no copy traced, and none listed on OCLC WorldCat or COPAC. Printed in black on one side of a piece of thick white 85 x 55 cm paper. A display item, in fair condition, lightly aged and worn, with three small closed tears at crease ponts, and one dog-eared corner with slight loss to margin edge below. Striking modernist design, with architectural plans, photographic illustrations, and central collage of architectural features, and two columns of sans serif text, with headings in 'cargo crate' font.

1p., 12mo. With mourning border. In good condition, on lightly-aged paper, loosely attached to part of leaf from autograph album. Reads: 'Dear Tom | Please bring me a couple of grains of corrosive sublimate for a new bit of gum I am preparing - | Yr. affect. brother | E. Armitage'. Edward Armitage's entry in the Oxford DNB states that while adhering to the ' technical methods' of his teacher Paul Delaroche, he 'experimented with techniques suitable to England's damp climate'.

20pp., 12mo. In good condition, on lightly-aged paper, disbound, With light-blue front wrap only, carrying printed title. With stamp and label of the Educational Library, Science & Art Department, London. Scarce: no copies on COPAC or OCLC WorldCat.

6pp., 4to. In good condition, on lightly aged and worn paper. Closely-written in a difficult hand. In a letter reflecting the world of the closely-knit group of Irish culturual figures to which he belonged, Lynd begins by jokily defending himself against the complaint (heard in 'George Morrow's one night') that he has not written to Riddall, whom he lightheartedly accuses of living the leisurely 'life of a country gentleman'. 'Are you satisfied in Meath? Or miserable? God knows, I'm not satisfied here. I wonder if I would be satisfied anywhere.

3pp., 4to. On aged and worn paper (text entirely intact). In a letter deeply evocative of the Irish cultural renaissance, Henry begins on the subject of a piece of his writing on a political meeting of Irish nationalist Joseph Devlin: 'Dear Walter | I am sending you by this post another effort. You had no idea what you were letting yourself in for when you told me to "sling along anything I had got"! This is a little impression of a meeting of Devlins & was held in Sept. So I suppose it would be good to print it now. Altho' a thing like this would I believe go in America.

Good was educated at the Royal Academical Institution and Queen's College, Belfast. He was a reporter on the Northern Whig before moving to Dublin where he became leader-writer for the Freeman's Journal. He then became assistant editor of the Irish Statesman, and later joined the staff of the Irish Independent. Good and Riddall were part of a circle that included the essayist Robert Lynd and painter Paul Henry, and the present five items, written in an entertaining and friendly stye, cast light on the theatrical and cultural worlds shortly before the Easter Rising.

Letter: 1p., 12mo. In good condition, on lightly-aged paper. He begins by suggesting that Baron write to 'Mr Payn' (the novelist and editor James Payn) via the Reform Club, Pall Mall. (Baron's method involved asking one celebrity how to contact another.) He next discusses two of his works: '"The Memorial Windows" appeared in the Gentleman's & was published in Pippins & Cheese (Bradbury & Evans) - "The Valley" you will see in enclosed list'. He concludes by thanking Baron for his 'complimentary note'. With envelope addressed to 'J. T.

1p., 12mo. Good, on lightly-aged paper, with minor traces of mount adhering to the reverse. The note reads: 'My dear Murray, | I hope you have not forgotten your promise to dine with me this evening, at Willis' Rooms, at 7 o'clock precisely. | Yours very truly | P. B. Du Chaillu'. Murray's published du Chaillu's books from 1861 to 1903.

1p., 12mo. In fair condition, on aged and lightly-creased paper. Clearly responding to an enquiry regarding what books had had a formative influence on his life, Piper writes: 'Vollard's Life of Cézanne, because it showed me, in my teens, that an artist can be dedicated, unbohemian, unworldly, against the tide and absolutely true to his instincts, which happened to be right. The book - by a dealer, too!

16pp., 12mo. Stapled. In cream wraps, with the title in brown on front cover. In fair condition, on lightly-aged paper, with vertical fold and slight rust staining to cover from staple. From the Evans family papers, which include those of de Grasse's descendant Lady Marie de Grasse Evans [née Stevens]. No copy traced, either in English-speaking libraries or the Bibliotheque Nationale.

4pp., 12mo. Bifolium. On aged paper, with chipping, slight loss to margin, and closed tears. The only words on the covers are 'official secret?' in large bold type up the leading edge of the front cover from the bottom right-hand corner, and 'that Isis article' down the leading edge from the top left-hand corner of the back cover. The article is reprinted across the two inner pages, with the slug and price at the foot of the second page.

The four letters total 76pp., 4to. In very good condition, neatly written on lightly-aged paper. All signed 'Paul' (two preceded by 'Your old brother'). Three of the letters are addressed to 'My dear Jens' and the other 'Skål, Frater Amantissime!' The second letter is addressed from 'The Bing House in which live Lyn Bing and Porg [sic] Bing, Vancouver, Canada'. Bing refers to the four letter as 'the 5th. of the Epistles', indicating that one is missing from the sequence.

13pp., foolscap 8vo, each on a separate leaf. Compliments slip printed in blue. In good condition, on lightly-aged paper. Headed 'TRANSCRIBED FROM A TELEDIPHONE RECORDING'.

Dimensions of tile 16 x 12 cm. Dimensions of print 14 x 10.5 cm. The photographic image has been reversed, with Napoleon's left hand draped over the chair. In good condition, with white label with word 'Napoleon' pasted to reverse. In remains of light-green card box.

28pp., 8vo. Letterpress printed in green and brown on thick grey paper; plates in full colour. Unbound and without stitching, leaving the seven bifoliums of the pamphlet loose. Worn and aged, but with plates in good condition (two with slight dogearing to one corner). A pencil note states that the illustrations are by Evelyn Paul, from 'Stories of Indian Gods and Heroes' (W. D. Monroe, 1911). Scarce: no copy on COPAC.

9 x 14 cm. Backed on piece of card, and hence with the details of the addressees obscured. Fair, on aged paper with central vertical crease. Sending 'Compliments au père et à la mère. Bon veux pour le nouveau né!' Written while waiting for trial, following Déroulède's re-arrest for treason. He was found guilty and banished for ten years. His funeral procession in Paris attracted a larger crowd than any since Victor Hugo.

4to, 3 pp. Loose leaf inserted in bifolium. Good, on lightly-aged paper. Front page printed in black and red. Advertisements on reverse of last leaf.