TYPOGRAPHICAL

Printed in black ink on one side of a 23.5 x 17.5 cm piece of pink silk. An interesting piece of American nineteenth-century printing, with only the printer's details giving a clue to the occasion of the dinner. Within a decorative border, and with Maleville's slug in bottom left-hand corner. A sumptuous 'service à la russe', with potages, hors d'oeuvre, poisson, relevé, entrées roti, entremets and dessert.

[1] + 28pp, 8vo. Paginated 135-162. Stapled pamphlet, in printed green wraps. In good conditon, lightly aged and worn. Inscribed at head of title-page: 'For Dr. S. H. Steinberg with all good wishes from Rollo G. Silver'. Contains an eleven and a half page appendix of 'Abstracts from Some Printers' Bills in the Masschusetts Archives'. The only copy on COPAC at Trinity College, Dublin.

16 x 20 cm booklet, consisting of a bifolium stitched with black green thread into covers of thicker paper. In fair condition, aged and worn, with remains of clear plastic front covering. On the front cover is a heavily-inked art photograph superimposing an image of a musical score over the edges of an fanned-out signature. On the inside of the back cover is a facsimile of a calligraphic inscription in Latin, in Renaissance style. The inner contents consists of two facsimiles.

1p., 8vo (28 x 22 cm). In fair condition, aged and worn, with damp stain to top right-hand corner, not extending to the print. The engraving entirely consists of an attractive arrangement of copperplate lettering with some decorative flourishes (for example to the first two words).

Around 190 items, fifteen of them loosely inserted. (The firm was already a century old at the time this material was assembled, boasting that it was 'established the year after Waterloo', 1816.) Contained within a sturdy album of grey paper (dimensions 48.5 x 33.5 cm.), stitched with string into covers with brown cloth spine. Label on front cover: 'ADVERTISEMENT FILE. | CHAS. THURNAM & SONS.' In manuscript on label: 'OLD MATTER | NOT TO BE DESTROYED'.

16pp., 8vo. Printed in black and red. In card wraps, with title on front cover also in black and red stylised lettering on front, and an advertisement on the inside back cover ('This is the first of a series of three informative pieces of literature which are to be issued and presented by the printers of the country to users of printing. [...]'). Saddle-stitched with brown thread. In fair condition, lightly aged and worn.

2pp., 4to. Carbon. In fair condition, lightly aged and worn. Begins: 'The third of a series of lectures arranged by the Norwich Printers' Joint Industrial Council was held at the Norwich Central Public Library on March 19, when the City Librarian (Mr. Geo A. Stephen, the author of "Commercial Bookbinding" and other works) gave a lecture on "The Making of a Modern Book". The lecture was illustrated by about a hundred lantern slides and exhibits. [...] Mr. F.S.

[3] + [80] + [1]pp. The eighty pages of the article paginated 283-362, and with the last twenty-four pages (339-362) containing the illustrations. In brown printed wraps. Very good, on lightly-aged paper, in worn and creased wraps. An attractive production, with presentation inscription ('no 94') to the publisher George Bentley, signed 'RB' and dated 7 June 1886. This offprint is uncommon: no copy at the British Library, and only six copies listed on OCLC WorldCat, only two of which in the United States.

40pp., 4to, with sixteen additional leaves carrying laid-down printed matter. Stapled. In green card ad hoc binding, with white label on front cover in Morison's autograph, with ruled border, reading 'A Brief Survey of | Printing | Stanley Morison & Holbrook Jackson'. In fair condition, on aged paper, the leaves of the text having become detached from the aged and worn binding. The duplicated pages of typed text are on the rectos of forty leaves, each with letterhead of 'LINOTYPE & MACHINERY LIMITED, LONDON'.

1p., 12mo. Attractively printed within a decorative border, on the recto of the first leaf of a bifolium. The letter reads: 'Dear Sir | The Specimen Book sent you herewith, of which I have much pleasure in asking your acceptance, contains a history of the Caslon Foundry printed with the justly celebrated types engraved by its founder in the early part of last Century.

[4] + 47pp., 8vo. In printed wraps. Internally in fair condition, on aged paper, with slight staining to the corners; in worn and chipped wraps. A handsome production, as one might expect from one of the nine founders of the Grolier Club, with a two-page introduction followed by a full-page reproduction of the Ascensius printer's device, and 47 examples of pages set in various point sizes of Cushing, Ancient Roman, Jenson, Satanick, Louis XV, and Century Roman. No copy on COPAC, six American and one French on WorldCat.

[13] + 264pp., 8vo. In original purple wraps lacking spine label. A landmark work in the history of printing. In fair condition, on aged and dogeared paper, with damp staining to the first few leaves, and front cover of the wraps detached. Pp.246-264 carry Didot's 'Note Bibliographique et Typographique', with the engraving on p.263 of the Estienne device, to indicate that it is possible to print both text and 'taille douce' on the same page.

The six items in good condition, on lightly-aged paper. ONE: Typed Letter Signed to Carter, in English, from Miss Dr. D. van Velden, curator. On letterhead of the Rijksmuseum Meermanno-Westreenianum. 22 March 1966. 1p., 12mo. Giving details of the opening hours. TWO: Typed Letter Signed to Carter from E. A. Lowe. On letterhead of the Institute for Advanced Study, Princeton, New Jersey. 25 January 1969. 'If there are any new developments re Stanley Morison, I hope you will keep me posted. Some one sent me Brooke Crutchley's Two Men. There was no card so I do not know to whom I am indebted.

1p., 12mo. In fair condition, on aged and creased paper, unobtrusively repaired with archival tape. Signed 'S. Gibson | (Secretary)'. He explains that as the 'beginning of the Michaelmas Term is an unusually busy time' he has 'only been able just recently to find time to study your very interesting contribution to the history of the R-printer'. He is going to insert Aldrich's article 'in our copy of the Speculum Doctrinale'.

An interesting collection of typographical ephemera. ONE: Landscape 8vo wood engraving, captioned 'This illustration, entitled "Psyche in Charon's Boat," was engraved on wood by William Morris from a design by Edward Burne-Jones and forms one of a series in illustration of the story of Cupid and Psyche in "The Earthly Paradise." It is proposed to issue one or two of these designs, which have never been published, though one of them formed the frontispiece to the "Note on the Kelmscott Press" by Mr. S. C. Cockerell.' In good condition, on lightly-aged paper.

28pp., landscape 12mo, printed on rectos only of 28 leaves. Dimensions 21 x 15 cm. In brown card wraps with brown cloth tape spine over staples. In fair condition, on aged thick paper, with foxing to title leaf, and damp staining at foot of first and last few pages. Printed decorative border on front cover, with same border in black ink on title page, enclosing the title in block capitals in red ink: 'SPÉCIMEN | DE | CARACTÈRES, VIGNETTES | & FILETS | LINOTYPE'.

An interesting assemblage of twenty-six items relating to a leading figure in twentieth-century British typography and design. David Kindersley's best-known work (in conjunction with his third wife Lida) is the iconic gates to the British Library at Euston. The collection is in very good condition. Among the items are three booklets, four keepsakes, one brochure, and ten letters and cards. ONE. Copy of David Kindersley's book 'Eric Gill, Further Thoughts by an Apprentice (London: The Wynkyn de Worde Society, 1982). 12mo, xii + [iv] + 24. Finely printed in green printed wraps. Very good.

12mo, 72 pp. Stitched. In remains of original grey wraps, with front wrap present (though worn at extremities), but only a trace of rear wrap remaining. Text clear and complete. On aged paper with many dog-eared corners. An ephemeral item by one of the greatest of French printers: COPAC only lists three copies, at Oxford, University College London, and the Victoria and Albert Museum. None of these record the misprint in the title of 'les Galerie' for 'les Galeries', and it is not present in the Harvard copy either.

8vo, 3 pp. Bifolium on laid paper. Fair, aged and lightly-creased. 'Composed in Lexicon, designed by Bram de Does in 1992. 250 copies printed by Offsetdrukkerij Jan de Jong, Amsterdam. | Presented to the members of The Wynknyn de Worde Society on the occasion of the International Luncheon Meeting 21 September 1995.' The facsimile of the letter, by 'Jan', dated 'Heemstede 12 March 1947', is on both sides of the first leaf. Biograpical printed text by Dreyfus on recto of second leaf, the verso of which is blank.

Small 4to, 4 pp. Stitched. In original brown and black decorative wraps. Good, on lightly-aged paper. A pretty piece of printing, with the title-page printed in light blue and black, and the vignette on illustration on the reverse of the title leaf in the same light blue. The text covers two pages. Scarce: no copy on COPAC.

12mo, 10 pp. Stitched. In original red wraps, with title and illustrations printed on the front in red. Good, on lightly-aged paper. An attractive pamphlet, with the illustrations accompanying sections entitled Summer and Winter. At end: 'The text was set in 12 pt. Bodoni by A. File and A. Morris and the machine work is by D. Jackson and B. Dove'. Scarce: no copy on COPAC.

All items freshly mounted in a photo album, very good condition. The core of the collection is a full series of membership cards for the Association of Correctors of the Press (1949-1965), London Typographical Society (1966), National Graphical Association (1967-1988). With their variant typographical features.design and colour, these make an attractive display.

All items octavo, stitched and unbound. Page range between 16 and 32. Each catalogue carrying an illustration on the front cover. The condition of the collection is variable. All items on aged paper: some dogeared or with closed tears, and a handful with damp and other staining. Several catalogues annotated in a contemporary hand, and one with an entry cut out. Coleman's speciality was 'Heraldry, Genealogy, Topography', and the first three catalogues are headed 'Pedigrees!

12mo: 123 + [iv] pp. Engraved title (dated 'Octr. 1823') featuring engraving Heath from design by Corbould. Four pages of publisher's advertisements at rear. In contemporary green leather binding with decorative gilt spine and pattern to edges of boards, marbled endpapers and marbling to edges. Contemporary ownership inscription of 'Miss L. Smith'. A tight, sound copy, on lightly-aged paper, with light staining to engraved title, and wear to binding. COPAC only lists copies of this edition at Durham, St Andrews, Oxford and the British Library.

LETTER: One page, quarto. Somewhat aged and creased. An attractive item in Carter's disciplined calligraphic hand. A damning assessment of Craig's son Edward Anthony Craig ('Edward Carrick', 1905-98). '[...] If you know him, you presumably also know what you are taking on! We had some dealings with Teddy over possibly printing old EGC's engravings of Robinson Crusoe, but Teddy sold them, [...] My impression is that the old rogue manufactured archives in order to sell them to someone - preferably twice.

Folio. Pagination: [1-7] 8-45 [1-3] = 24 leaves. Unbound. Stitched as issued, unopened and uncut. Printed with the Fell types on good but browning paper. In good condition, but with spotting to recto of first leaf, which has a small closed hole at head and some tiny closed tears at foot, and with two unobtrusive staple-stains to verso of last leaf. Creased and dog-eared at foot. The importance of this item in the history of Shakespeare studies has been emphasized recently by A. J. West (The Shakespeare First Folio. The History of the Book. Vol. 1. Oxford University Press, 2001).

Limited to 200 copies and signed by the printer John Kristense. 8vo: [13] + [1] pages. Stitched. In original blue printed wraps. Good, with minor wear at head. The colophon reads 'The London Booksellers - Etymology of the Term Yankey was hand set in English Monotype Baskerville and printed on Curtis Ragston paper in an edition of 200 copies at Firefly Press in Cambridge, Massachusetts, by [signed 'John Kristense'] who sends it as a 1983-84 holiday greeting to his friends. The Society of Printers in particular is thanked for honoring him in 1983 with membership.

On one side of a piece of wove paper roughly 23.5 x 19 cm. A delicate and scarce piece of ephemera, in a remarkably good state of repair. Possibly a proof, as a thin blank strip along one of the vertical edges, intended to be detached and discarded, still adheres. The menu itself is crisply printed in the centre, covering a space roughly 17 x 13.5 cm.

4to bifolium of three pages, together a seperate leaf (dimensions of leaf in all cases 26 x 20 cm) carrying on one side one set of the three illustrations. Printed in black, and each page enclosed within a red decorative border. Creased and foxed, but a scarce piece of ephemera in acceptable overall condition. The first page of the bifolium is headed, in a variety of decorative fonts and point sizes, 'John Wright & Co.

12mo: 1 p. Eight lines of text. On a piece of grey laid watermarked paper. Complete and clear. Lightly aged and creased. Unusually frank business communication. He is angry at having to tell Deterville that he cannot have 'd'exemplaire des Rudimens'. He will do his best to let him have them soon. However weak the excuse, it is nevertheless true that the 'ouvriers ne m'ont pas tenu parole'.