WORCESTER

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[Offprint of anonymous article attacking Pusey and the Oxford Movement.] The Thirty-Nine Articles. (Extracted from "The Press and St. James's Chronicle," September 5, 1868.) [Including 'Extract from the Bishop of Worcester's Charge'.]

Author: 
[The Press and St. James's Chronicle, London; the Oxford Movement; Edward Bouverie Pusey; John David Macbride, Principal of Magdalene Hall, Oxford; Henry Philpott, Bishop of Worcester]
Publication details: 
[London: The Press and St. James's Chronicle, 1868.]
£120.00

2pp., folio. On single leaf, with the reverse paginated 2. In double column. The article begins: 'No sign of the times appears to us fraught with more emphatic warning than the proposal of Dr. Pusey, that the Universities should abandon subscription to the Thirty-nine Articles, as the practical qualifications for orthodox Church of England Protestant teaching.' A footnote cites a work by Macbride.

[Printed booklet.] De Quincey Society. 1889. [Rules of the De Quincey Society.] [With manuscript menu, on paper with crest of Worcester College, Oxford.]

Author: 
The De Quincey Society, Worcester College, Oxford
Publication details: 
Booklet: [The De Quincey Society, Worcester College, Oxford.] Art & Stationery Co., Printers, Oxford. Revised, 1894. Menu: Worcester College, Oxford. 'High Table - 18 June 1905'.
£95.00

Both items in good condition, on lightly-aged paper. Booklet: 8pp., 32mo. Staples rusting. Cover with Worcester College crest printed in red. Pp.3-6 carry the 20 rules, and p.7 contains a list, in three columns, of 46 'Members of the Society since its foundation.', from F. E. C. Drew to W. T. Lancaster. Menu: on small rectangle of card, headed with 'Menu' and the college crest printed in blue. At the head of the card, in pencil: 'High Table - 18 June 1905'. The menu is written out in another hand, in blue ink: 'Boiled Turbot | Poulet a la Marengo. Kromeskys. | Roast Sirloin of Beef.

Autograph Letter Signed ('H H Milman') from Henry Hart Milman, later Dean of St Paul's Cathedral, to Francis Cohen [later Sir Francis Palgrave], discussing his poem 'The Martyr of Antioch', the Rev. James Garbett and Milton's Adam and Eve.

Author: 
Henry Hart Milman (1791-1868), Dean of St Paul's Cathedral [Dean Milman] [Sir Francis Palgrave [born Francis Ephraim Cohen] (1788-1861); Rev. James Garbett (1775-1857), Prebendary of Hereford]
Publication details: 
St Mary's, Reading. 11 April 1822.
£65.00

3pp., 4to. Bifolium. Addressed, on reverse of second leaf, to 'Francis Cohen Esq | King's Bench Walk | Temple | London'. Fair, on aged paper, with the narrow remains of a paper windowpane mount around the edges of the second leaf. Milman begins: 'I found Garbett so much occupied that until yesterday I have not had an opportunity of seeing him'. Garbett has promised to send Milman 'a detailed answer' to all of Cohen's questions, 'and is very much flattered by your favorable opinion'.

Autograph Letter Signed ('B Price') from Bonamy Price, Drummond Professor of Political Economy at Oxford University, to 'My dear General' at Yale, following an 'American journey'.

Author: 
Bonamy Price (1807-1888), Drummond Professor of Political Economy at Oxford University, and Fellow of Worcester College [William Graham Sumner (1840-1910), Professor of Sociology, Yale University]
Publication details: 
2 March 1875; on letterhead of 2 Norham Gardens, Oxford.
£180.00

4 pp, 12mo. Bifolium. 63 lines. Text clear and complete. Good, on lightly-aged paper. Difficult hand. He thanks him for 'the Statistical Tables', admitting with 'some shame' that he needs 'an interpreter for part of the tables on page 68'. Describes the problem in detail, and discusses 'the sly remark that "the change is being made quite as abruptly as would be safe".

Autograph Letter Signed ('John Hullah') from the English composer John Pyke Hullah to the organist Edward Francis Rimbault.

Author: 
John Hullah [John Pyke Hulla] (1812-1884), English composer for one of whose operas Charles Dickens wrote the libretto [St Martin's Hall, Long Acre; Edward Francis Rimbault (1816-1876), organist]
Publication details: 
30 March 1868; on letterhead of 11 Devonshire Place, W., London.
£35.00
John Hullah [John Pyke Hulla]

12mo, 2 pp. Bifolium. 12 lines. Text clear and complete. Good, on lightly-aged paper. He would 'much like' to show him a song he has written for 'Exeter Hall', and proposes dinner the following day. In a postscript asks if he has 'learnt anything about R. J. S. Stevens'.

Autograph Note Signed ('John Hullah') from the English composer John Pyke Hullah to 'Mrs. Tail'.

Author: 
John Hullah [John Pyke Hulla] (1812-1884), English composer for one of whose operas Charles Dickens wrote the libretto [St Martin's Hall, Long Acre; Otto Goldschmidt (1829-1907), German composer]
Publication details: 
18 May 1878; on letterhead of Grosvenor Mansions, Victoria Street, S.W.
£28.00
John Hullah [John Pyke Hulla]

12mo, 1 p. Bifolium. Good, on lightly-aged paper. He is sending 'a few lines to Mr. Otto Goldschmidt, about the Bach Choir'.

Autograph Letter Signed ('John Hullah') by the English composer John Pyke Hullah to an unnamed recipient, complaining about an 'unreasonable' request.

Author: 
John Hullah [John Pyke Hulla] (1812-1884), English composer for one of whose operas Charles Dickens wrote the libretto [St Martin's Hall, Long Acre]
Publication details: 
25 April 1850; 20 St James's Place, London.
£35.00
John Hullah [John Pyke Hulla]

12mo, 2 pp. Bifolium. 17 lines. Text clear and complete. Good, on lightly-aged paper. Begins 'I cannot help thinking your request a very unreasonable one. You have, in the first instance, monopolized, for the best part of the season, my Room, on the night when it is most in request; & now that every body has fully laid out his plans for this side off the autumn you call upon me to release you from an engagement [...]'. He will not force the recipient to occupy the room 'longer than the six nights', but will not keep 'the engagement' open for him at Christmas.

Autograph Letter Signed ('John Hullah') from the English composer John Pyke Hullah to T. V. Lister.

Author: 
John Hullah [John Pyke Hulla] (1812-1884), English composer for one of whose operas Charles Dickens wrote the libretto [St Martin's Hall, Long Acre]
Publication details: 
28 March 1862; on letterhead of 11 Devonshire Place, W., London.
£35.00
John Hullah [John Pyke Hulla]

12mo, 2 pp. 15 lines. Text clear and complete. Good, on lightly-aged paper. Having failed to 'catch' lister after 'our practice', Hullah asks if he would be willing to 'take part in a private performance here of Haydn's Stabat Mater'. Gives details of dates of proposed performance, and rehearsal.

Autograph Letter Signed ('John Hullah.') from the English composer John Pyke Hullah to an unnamed male recipient.

Author: 
John Hullah [John Pyke Hulla] (1812-1884), English composer for one of whose operas Charles Dickens wrote the libretto [St Martin's Hall, Long Acre]
Publication details: 
24 May [no year]; 20 St James's Place, London.
£35.00
John Hullah [John Pyke Hulla]

12mo, 1 p. 10 lines. Text clear and complete. Good, on lightly-aged paper. The recipient 'had better be in Town for the Choral Meeting on the 4th. June'. Gives details of when the recipient will 'generally find' Hullah there.

Photographic portrait by Messrs W. Walker & Sons of Cavendish Square, London, of the English composer John Pyke Hullah, on albumen carte-de-visite.

Author: 
John Hullah [John Pyke Hulla] (1812-1884), English composer for one of whose operas Charles Dickens wrote the libretto [St Martin's Hall, Long Acre]
Publication details: 
Undated (circa 1860?). Messrs Walker & Sons, Artists & Photographers, 64 Margaret Street, Cavendish Square, London.
£125.00
John Hullah [John Pyke Hulla]

Oval sepia photograph of the head and shoulders of Hullah, looking to his right in double-breasted jacket. Faded and on aged card, with traces of mount adhering to reverse. The sitter - who by comparison with other photographs is definitely Hullah - is named as 'JOHN HULLAH' in a contemporary hand on the card beneath the laid-down photograph, and as 'Mr Hullah' in pencil on the reverse. Not present in the collection of the National Portrait Gallery, which only holds three images of the composer.

Manuscript document headed 'City of Worcester - An Account of Leases and Licenses from the Corporation already sealed'.

Author: 
Richard Cocks [City of Worcester]
Publication details: 
5 October 1790.
£95.00
Richard Cocks [City of Worcester], manuscript

8vo, 4 pp. Bifolium. Text clear and complete. Fair, on lightly-aged paper, with slight wear to extremities. First three pages, with forty entries, beginning with 'To Thomas Ford 2l. 12s. 6d. and petition 2gs'. All entries with 'Stamps & parchms.' in left-hand column and 'Licenses from' in right-hand column. Subheading after nine entries reads 'Leases and Licenses ordered prior to 28th. January 1787 but not drawn the Fines not being returned as po. for Pr. Chamberlain'. All columns totalled at end. Docketed on last pager, with signature of 'Richd.

Autograph Signature.

Author: 
John Hullah [John Pyke Hullah] (1812-1884), English composer and music teacher
Publication details: 
Without date or place.
£20.00

Cut from a letter. On small rectangle of light-grey paper, roughly 2 x 4 cm. Fair, on aged paper with thin light strip of glue staining along top edge. Neat firm signature, underlined and overlined, reading 'John Hullah'.

To Mr. Law. ['One of thirty copies reprinted from the original edition in the Library of Worcester College, Oxford.']

Author: 
Allan Ramsay. [Worcester College, Oxford; Oxford University Press; John Law; South Sea Bubble]
Publication details: 
[1924.] [With facsimile of title of the original anonymous Edinburgh edition of 1720.]
£125.00

Folio pamphlet: 8 pp. In brown wraps with 'TO MR. LAW. BY ALLAN RAMSAY.' on the front wrap and the publication details on its reverse. On aged and lightly-creased paper, in worn, creased wraps. Nicely printed, with the long s, at the University Press. Originally published anonymously in 1720. Facsimile of title ('EDINBURGH: Printed for the AUTHOR at the Mercury, opposite to Niddrey's-Wynd, MDCCXX.'). A scarce (unattributed) Oxford University Press item: of the thirty copies COPAC lists four: at the British Library, Oxford, Cambridge and the National Library of Scotland.

Observations on the Nature and the Treatment of the Asiatic Cholera.

Author: 
William Stevens [Edward Astbury Turley; George F. Knipe; James M'Millan of Worcester]
Publication details: 
London: Hippolyte Bailliere, 219 Regent Street, and 290, Broadway, New York, U.S. 1853. [London: Printed by Schulze and Co., 13, Poland Street.]
£100.00

8vo, lxxii + 499 pp. In original embossed brown cloth, gilt, with wear to hinges. Binders ticket of Remnant and Edmonds, London. A tight copy, on lightly-aged and foxed paper, in fair binding with wear to hinges. Inscribed at head of title: 'Presented - | To George F. Knipe Esqre. with Dr. Turley's Compts | 1854 -'. (There are references to Turley on pp. vi and 41 of the book. Turley and Knipe were provincial surgeons of relative proximity: Knipe at Stratford-upon-Avon and Turley at Worcester.

Autograph Signature ('John Hullah.').

Author: 
John Hullah [John Pyke Hullah (1812-1884), Worcester-born English composer and teacher of music, who wrote an opera to words by Charles Dickens]
Publication details: 
Place and date not stated. [Parkins & Gotto, London.]
£38.00

On a piece of paper roughly 3.5 x 9 cm, with embossed details of stationers. Good, with tiny crease to one corner. A clear signature, in pencil.

Autograph Note Signed ('J. J Stewart Perowne') to 'Mr Lewis'.

Author: 
John James Stewart Perowne (1823-1904), Bishop of Worcester
Publication details: 
9 March 1882; on government letterhead embossed with royal crest.
£28.00

12mo: 2 pp. On first leaf of bifolium. Good, on lightly aged and creased paper, with dogeared corners. Nine lines of text. The 'man for your purpose' is 'Mr G. Gray, the Diocesan Registry Peterboro''. 'He is intelligent & will do the work well I doubt not on receiving your instructions.' Loosely inserted is a leaf carrying biographical information in a contemporary hand.

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