historian

Two pages, 8vo, fold mark (stained), mainly good, text clear and complete. "My dear Mr. Adams, | Once more I hoped to be able to present to you as my Christmas present my forthcoming book (The Illuminated Book [underlined]). Unfortunately, its pubication has been postponed till Febr. 1958. | Hence, I cannot but send to you my warmest greeetings & my best wishes of A MERRY CHRISTMAS & A HAPPY 1958. | I do hope to be able to meet you somewhere in London. I am aware that you have given up active studio-work, but I do not know whether you still have connections with your fromer studio in London.

All items in good condition, with minor signs of age. The drafts are both printed on yellow paper. Each is 4pp., 4to. The two appear the same textually, but one has two slips of paper with amended text attached, and the autograph emendations to the two are different from one another. Also present is a leaf from 'Lifewise' magazine, November 1993, with one page carrying Pitt's memoir, accompanied by a photograph of Wodehouse being interviewed at Tost by Angus Thuermer. The piece begins: 'I first saw P. G.

2pp., 8vo. On bifolium. In fair condition, on aged and worn paper. Written in a difficult hand. Dated 'M<?> 7 Fevr 69'. Addressed to 'Monsieur & Mes colleguès'. He writes regarding the 'Commission de la Bibliothèque', and their direction that he send copies of their prospectus to 'M le <?> Hofman à Berlin', with reference to 'Mr B'. The sepia portrait photograph of d'Aubigné is 9 x 5.5 cm and appears to have been cut down, but is otherwise in good condition.?>

The four letters in good condition, on lightly-aged paper. Also present are carbons of four letters from Pitt to Household (three from 1974 and one from 1981). ONE: ALS. 11 April 1974. 2pp., 4to. He is delighted 'to be appreciated by a fellow craftsman' and is sending a copy of his 'Time to Kill', which he asks him to accept, as he has 'a number of them taking up useful shelf room'. TWO: TLS. 24 April 1974. 2pp., 4to.

39pp., 8vo. On good thick Whatman paper, dated 1874, in luxurious black embossed leather binding by J. Y. Knight & Co. of Leeds and London, with brass lock by Bramah (lacking key). In very good condition, in worn binding. Stamped in gilt on front cover is 'PRIVATE MEMA. | A. H. PAWSON'. On the first page Wedgwood has written: 'Cicely Veronica Wedgwood. | Her Book. | presented to me in March 1933 | by | A. H. P. | born 20th. July 1910 | educated | Norland Place School. 1915-1926. | Lady Margaret Hall. 1928-1931 | London School of Economics. 1932-5'.

1p., folio. Good, on a lightly-aged piece of ruled paper. In two columns, with the left-hand column, written out by Roberts with his address at the foot, headed 'Name of Exhibition', and listing twelve international exhibitions between 1862 (Amsterdam) and 1898 (Brussels). The right-hand column, headed 'Picture Exhibition', carries Alma-Tadema's responses, some of which are written in darker ink than others, indicating that they were added at more than one point. Alongside 'Paris (EU) 1867' he writes '13 pictures amongst them.

On both sides of a 9 x 11 cm piece of paper. Very good, with a piece of mount adhering to one corner. Recto reads: 'Neither Fanny nor I can resist the great kindness of your note. If what you write be so consolatory it is natural to expect still more gratification from seeing you. I cannot go till Monday after Lectures. But unless I should be prevented by a relapse which I hope is not probable [...]'. Verso reads: '[...] Afftly | J Mackintosh'.

4pp., 12mo. Bifolium. In good condition, on lightly-aged paper. The letter begins: 'Dear George, | The idea contained in your letter is very interesting, and I am honoured to be thought of in connection with it. I am now reading Stevenson's letters, (admirable they are,) and I know from his dealings with American magazines and publishers that the terms offered by the Review are extremely handsome. But I am very late in the day, - in my day, - to be a writing a history; [i.e.

3pp., 12mo. Bifolium. In fair condition, on aged and worn paper. He has heard that King is 'to preside at the dinner tomorrow' and so is writing to him 'what I wrote to Smith that I am very sorry I can not "support the Chair", as I had a previous inviitation - our friends gave me this time only a few day's notice'. In any case, he has 'such a miserable cold' and is 'so incapable' that he will be 'no loss to your party'. It is with difficulty that he has 'got through my numerous mail duties'.

1p., 12mo. In poor condition, aged and worn, with rust marks to margin and corners. 'My dear Sir | If you could conveniently look in upon me tomorrow (Wednesday) about 2 OC'K I should be glad to have some talk with you'.

1p., 12mo. Good, on lightly-aged paper. In a difficult hand. The letter reads: 'In reference to the last paragraph of your circular of May 27 I have to say that I have no "notable successes" of any of my students to report, since neither in any of the scholarships at Oxford or Cambridge for which our students compete do the subjects of my Lectures form any part of the examinations.'

1p., foolscap 8vo. In good condition, on lightly-aged paper. He thanks him for his letter. 'The two Seymour books have no arrived and I will let you have the review as soon as I can get round to it.'

On both sides of a 9 x 11cm piece of paper, tipped in onto a strip of paper cut from an autograph album. In fair condition, on aged paper with closed tear along vertical fold unobtrusively repaired with archival tape. Lingard's texts, extracted from a letter, reads: 'I had forgotten the engraving. The real publishers of the print from Lonsdale's painting were Zanetti and some one else at Manchester. I think the name was Zanetti, but I make so many mistakes about names that I may be wrong. But one of the partners was an Italian.

1p., 12mo. In fair condition, on aged and lightly-worn paper. Accompanying the document is an undated and unsigned twentieth-century English translation, on letterhead of Lincoln House, Beauchamp Road, East Molesey, Surrey, headed 'A very free translation - guessing at illegible words'. At the time of writing Thiers was in government, in the Ministry of the Interior.

1p., 12mo. In very good condition, on lightly-aged paper. 'If you would ever care to look round King Edward's very archaic Oxford abode, I can shew you it, with engravings of its details in his day - coloured and otherwise. It is a nice old house - half Elizabethan, half Queen Anne.' He concludes by explaining that he is 'at Westminster all the middle days of the week, save in the recess', and so requires notice. From the H. E. Wortham papers.

3pp., 12mo. 35 lines of text. Bifolium. In fair condition, on aged paper. Written in a difficult hand. He begins by asking: 'Can you tell me anything about Mr. Bennett Stuart of Wesley? This is <...> servants asking for their master's characters. But I have a lad to place out & he is offered a place at Mr. Stuart - Wesley Vicarage - & I am rather disgusted at having already made an abortive attempt with another Clergyman, to me previously unknown, who wanted as it turned out a groom, coachman, valet, &

2pp., 8vo. In good condition, on lightly aged and creased paper.

Card, 11 x 9cm. very good condition. Printed text as follows: "Herzlichen Dank fur den freundlichen Gluckwunsch* [by his hand], der mich sehr erfreut hat. | Munchen | Nov. 1910." Written by him: "Paul Heyse *und das schone schone [Gedrint?]!"

1p., 16mo. Good, on lightly-aged paper. The note reads: 'My dear Sir! | I am very sorry that, being commanded by the Queen to attend one of her Balls, it is not possible to accept your friendly invitation for the 24th May. Every faithfully your | von Raumer | L. 17th. May 36'. Von Raumer was in England from 1835 to 1836.

Part of page, 10 x 7cm, edges a little ragged, mainly good condition. Full text preserved: We have thought & spoken much of you music & of your kindness. | Your's obliged | Eliz. Eastlake".

Both items in very good condition, on lightly-aged paper. Both letters are written in an excited, gushing style, and have the margins filled with extra text. Letter to Sylvia Lynd: 2pp., 4to. Addressed to 'Dear Mrs Lynd'.

ONE: Autograph translations by Proud. 14pp., 12mo. Unbound, stitched into a booklet of laid watermarked paper, with deckled edges. In very good condition, neatly and closely written on lightly-aged paper. Upwards along the inner margin of the first page Proud has written: 'Translation by R. P. Anno. 1802.' The translation of 'On Gardens, | From the Latin of Lord Bacon's Essays &c' covers the first 12pp., paginated 1-12; the 'Laus Mortuli. Translated at Hackney near London from a Lat. Epigram of Virgil, abt. the year 1752. by R. P.' covers the last two pages, and is unpaginated.

Nineteen items, in good condition, on lightly-aged paper, arranged in the following description into seven sections: ONE. Nine Autograph Letters Signed (two more are in sections Two and Three below) from DJ to ASB. Totalling 3pp., 4to; 15pp., 12mo (12 of them landscape); 5pp., 16mo. Four dating from 1963, one from 2004, and the other four undated (but apparently also from 1963). One signed 'Douglas', another 'D. J.', and the other seven signed in full. All but one, which is addressed to 'Alan', addressed to 'Baxendale'. Eight on letterheads of the School of History, Birmingham University.

Both letters in very good condition, and each in a stamped, postmarked envelope, and each addressed by Summerson to Cuddesdon Manor, Oxon. Letter One (2 May 1972): To Peter Rhodes. 2pp., 12mo. He is 'rather surprised' to find that the ruins of Soane's Piercefield House are 'still there!' The best he can do is 'to warn the National Monuments Record of the approaching dissolution'. They are 'seriously overworked but they might have a photographer in the area who would improve on Miss Stroud's snap-shots'.

Both letters in very good condition, and each in a stamped, postmarked envelope, and each addressed by Summerson to Cuddesdon Manor, Oxon. Letter One (2 May 1972): To Peter Rhodes. 2pp., 12mo. He is 'rather surprised' to find that the ruins of Soane's Piercefield House are 'still there!' The best he can do is 'to warn the National Monuments Record of the approaching dissolution'. They are 'seriously overworked but they might have a photographer in the area who would improve on Miss Stroud's snap-shots'.

1p., 12mo. Good, on lightl-aged paper. A short letter, in which he thanks Brett-James for writing to him 'about the Macmillan speech': 'I really feel badly at having put you obviously to so much trouble'. He suggests that Brett-James sends him 'the tape' and lets him 'have it transcribed here, by my secretary'.

1p., 4to. He is honoured to be asked to talk to the Napier Society (a military history society at Sandhurst), but is 'right in the middle of the Cambridge term', as a Fellow of Churchill College, and so must 'propose a subject which I have already talked about.' He suggests two topics: 'Trade Defence in World War II' and 'Some Reasons for Official History', in the last of which he tries 'to answer criticisms of that form of history and describe the sources I had used and the way I had worked when writing The War at Sea 1939-45'.

1p., 12mo. Good, on lightly-aged paper. Written in a bold, attractive hand. The letter begins: 'It was with much regret that I was compelled to forgo the honour of attending your Lordship's Conversazione on Wednesday.' He was called to Hastings that day by '[u]navoidable business', but hopes to have 'during the continuance of the Exhibition, an opportunity of waiting on your Lordship'.

1p., 12mo. 8 lines. On aged paper with a small hole (not affecting text) and pin marks. He thanks him for his 'kind thought' in sending 'the Danish Images', adding: 'I assure you the present was a very welcome one to me.'

2pp., 4to. 53 lines. Fair, on lightly-aged paper, with minor traces of previous mounting at head, and a light and unobtrusive water stain. The letter is headed by Rose 'Y.M.C.A. B.A.P.O.2 B.E.F. France'. Regarding Sheppard's recently-published 'Quest of Ledgar Dunstan', Rose writes: 'You have a wonderfully keen mental eye which sees everything with extraordinary sharpness, & you have a literary hand which etches with just & delicate touch. The book is also one of singular intensity of feeling which carries the reader along fascinated & thrilled.