GUILD

The fourteen items are laid down on three pages, on two leaves of grey paper, removed from an album, on the reverse of one leaf are two coloured coaching scenes by Randolph Caldecott, one featuring a highwayman. The overall condition is fair, with creasing and signs of age. The Autograph Letter Signed is from Crane to 'My dear Stanley Little'. 1p., landscape 8vo. With letterhead of Beaumont Lodge, Shepherd's Bush, featuring an illustration by Crane of a shepherd and sheep. 20 September 1892.

Printed in black on 4 x 7.5cm piece of card. Lightly aged and stained, with one indentation. Evidence on reverse of removal from a grey paper mount. Restrained in design, and reading 'G. BERNARD SHAW, | 29, FITZROY SQUARE, | W.' The 'G' and 'S' in Shaw's name with flourishes at head trailing to the right. Shaw lived at this address from 1887 to his marriage in 1898. Virginia Woolf lived there from 1907 to 1911. From a collection of material relating to Walter Crane, who was a member of the Fabian Society with Shaw, and possibly designed by him.

29pp., 12mo. In fair condition, on lightly-aged paper, with wear to front cover and slight rusting to staples. Shelfmarks, stamps and label of the Board of Education Reference Library, London. Scarce: no copies on COPAC or OCLC WorldCat.

36pp., 12mo. In grey printed wraps. In good condition, on lightly-aged paper, with rusted staples. Shelfmarks, stamp and label of the Board of Education Reference Library, London. Includes six pages of advertisements at front, and eight pages at rear. Scarce: no copies on COPAC or OCLC WorldCat.

12pp., 12mo. In cream wraps printed in brown. In good condition, on lightly-aged paper, with rusted staples and shelfmarks, stamp and label of the Board of Education Reference Library. Foreword (pp.1-2) by Bell, and text (pp.3-12) by Pettit. Scarce: no copy on COPAC.

7 + [1]pp., 8vo. In grey-green printed wraps, with vignette and title on cover. In fair condition, on lightly-aged paper, with loose stitching. Light pencil annotation in margins. Shelfmark, stamp and labels of the Board of Education Reference Library, London. Subtitles: 'Early History of the Movement', 'The Emergence of New Art', 'The Economic Question', 'Back to Tradition', 'The Limitations of the Arts and Crafts Movement', 'An Appeal to Artists and Craftsmen'. Only copy on COPAC at NLScotland.

1p., 12mo. Bifolium. In good condition, on aged paper. The letter reads: 'Dear Madam | Thank you for your reminder about reading the paper tomorrow night. | I will be at the Guild before 8, and get the slides.' Strang was Master of the Art Workers' Guild.

1p., 12mo. Bifolium. In good condition, on aged paper. The letter reads: 'Dear Madam | Thank you for your reminder about reading the paper tomorrow night. | I will be at the Guild before 8, and get the slides.' Strang was Master of the Art Workers' Guild.

A bifolium, with the text printed landscape on the recto of the two leaves, each of which are 21 x 33.5 cm. On laid Britannia paper watermarked 'G. PIKE | 1809'. The first two words in gothic script, nine-line marginal note in italic, and the rest in roman. Thirty-three lines of text, with spaces for manuscript insertions. Neither of the two parts (presumably one for the master and the other for the apprentice's family) has been filled in. Prepared for completion in the 1810s ('in the Year of our Lord 181[gap]').

All three items in very good condition. Interesting series of letters by an obscure 1890s poet. Letter One (12mo, 7 pp): Although he realises that some are 'rather poor', he is sending, through his brother (possibly the artist Alan Wright, 1864-1959), 'all the lyrics I have by me': 'I have not had time to "weed" yet, being veryy busily engaged writing lyrics for a Comedy-Opera ['Ethelinda, or a Philanthropic Fad' (1890), on which he collaborated with Hamilton O. Wylde] - & a libretto for Operetta; also been trying my hand at very sensational prose'.

Small 8vo. Pages: x + 74. In original cream printed wraps. One of two hundred copies of the 'Small Paper edition'. In the 'Moray Library'. Internally sound and clean. Light spotting and wear to wraps. Minor foxing to endpapers. Trenchant observations on an interesting selection of late-Victorian authors.