CHEVALIER

2pp., 12mo. Bifolium. In good condition, lightly aged and worn. Addressed to 'Dear Sir', but with the rest written in French. He explains that it is with reluctance that he is unable to leave paris and attend the 'Congrès de Statistique', and that it is always with pleasure that he visits England. He refers to a 'traite de Commerce' and the 'Conseil Superieur du Commerce, dont j'ai l'honneur d'etre membre'. The letter is accompanied by an engraved portrait of 'The Late M. Michel Chevalier', cut from a magazine. On 14 x 9 cm paper. In good condition, lightly-aged.

Letter: 1p., 8vo. In fair condition, lightly creased and aged. With a few autograph emendations. In a characteristically eccentric letter he writes that their common friend Jimmy Linton has told Bowman that Duncan 'may be able to give me some particulars and perhaps a photo of Edith LORAINE who played Godiva in F. B. Woulfe's Company, presenting the famous historical play by Max Goldberg, (John F. Preston.) He refers to Mabelle F. Barlow, Lady Astor and his own play 'Divorce or Dishonour'. As a boy he was greatly impressed by Loraine's performance, and it 'started my interest in Coventry.

2pp., 16mo. 17 lines of text. Good, on lightly-aged paper. He begins by thanking him for 'the History of the Flitch of Bacon Custom at Dunnow. I well remember reading in the papers of 55 the celebration of the fete at which you & poor Made. de Chatelain were the hero & heroine'. He has called on de Chatelain to thank him for the 'Fleurs et Fruits' which he sent him, but did not find him at home. He will try again before leaving town for the autumn, 'which I shall do in a few days'.

On a piece of paper 6 x 14 cm. Laid down on part of leaf from autograph album. Good, on lightly-aged paper. Evidently in response to a request for an autograph. Good firm signature, with looped underlining. Reads: ' "We take the compositions as they are" | "Our Bazaar" | [signed] Albert Chevalier'. Chevalier's song 'Our Bazaar' was hugely popular. The published version (1894) gives the authors as Chevalier and Brian Daley, but the British Library ascribes it to John Charles Bond Andrews.

12mo, 1 p. Good. On grey laid-paper bifolium. Requesting an audience.

On piece of pink paper roughly 8.5 x 11 cm. Laid down on slightly larger leaf from an autograph album. Good with a little paper and glue staining to the mount. Good bold signature, diagonally across the page.

One page, quarto. On lightly creased, aged paper with a few closed tears. Rust marks from paperclip at head. Reads 'Il triangolo della perfezione arte scienza ad amore | [signed] F Matania'.

English engraver (1804-66). One page, octavo. Good, on slightly discoloured paper with spike hole at centre. Addressed to 'Mr. Moon' on verso of second leaf of bifoliate, which has a hole from the breaking of a wafer which still adheres. Reads 'I've taken the liberty of leaving for your inspection a few specimens of my stile of engraving - your brother Mr.

Anglo-French journalist (1801-81) and friend of Mallarme. Letter: two pages, octavo. Good, though on creased, discoloured and spotted paper. The verso of the second leaf of the bifoliate is ruckled and with glue stains showing through from the verso, which is attached to a piece of ruled paper. Reads 'Mon cher voisin | I enclose an order for the Westminster Play for to night, which may perhaps interest you or your son. If either of you are able to go, you should be there early.