PALL

1p., 12mo. In fair condition, lightly-aged, and laid down on a piece of card. Reads: 'July 26 | My dear Faed, | Would you mind seconding me at the Athenaeum? I believe Tom Hughes has put down my name. | Yours faithfully | William Black.' According to Black's entry in the Oxford DNB, he 'studied landscape painting for a short time in the Glasgow School of Art, but, becoming connected with the Glasgow Citizen, gradually exchanged art for journalism'.

16pp., 4to. Stitched pamphlet. Aged and worn. The lay-out is staid and old-fashioned, reminsicent of the 1880s. Very much geared to the St James's Palace market, with such titles as 'Bicycle Gymkhana and Musical Rides' by Major Walter Wingfield, 'No Army, No Empire' by the Earl of Dunraven, and 'Roulette: The Winning Rules' by 'Sperienza'. Includes various of Sir Bernard Burke's publications, and Hertslet's Treaties, as well as 'Dress Worn by Gentlemen at His Majesty's Court. The latest date within the catalogue is 1903. No other copy traced, either on OCLC WorldCat or on COPAC.

Full title: 'A Catalogue of Engravings, by the most esteemed Artists, after The finest Pictures and Drawings of the Schools of Europe; Systematically arranged under the painters, and by Index to the Subjects: Accompanied by a List of Works in Progress, or recently completed: And also of various Books of Prints, Forming part of the stock of Moon, Boys, and Graves, Printsellers to His Majesty, And Publishers of Works of Art. No. 6, Pall-Mall.' viii + 214pp., 8vo. In original quarter-binding of grey printed boards and black leather spine.

16pp., 8vo. In good condition, lightly-aged, no wraps, disbound. Several copies on COPAC, but now scarce, with only one copy on the open market.

Dibdin's letter: 1p., 12mo. On bifolium, with the Signed Autograph Copy of Chapple's reply (also 1p., 12mo) on the reverse of the same leaf. Reverse of second leaf addressed to 'C. Chapple Esq', with a nineteenth-century shelfmark at the foot of the page: 'C.68.Coll.CR.' In fair condtion, on aged paper.

2pp., 12mo. In good condition, lightly aged and worn. Hanrott writes that he has received the recipient's letter on his 'return to Town', and that he will be pleased to subscribe 'to the work mentioned in the Prospectus you inclosed to me, & should wish to have a large Paper Copy'. He hopes that 'it may meet with that liberal encouragement, which it's [sic] importance & usefullness [sic] deserves'. He concludes in the hope that 'it is to be conducted under your auspices'.

1p., 4to. In fair condition, lightly aged and creased, with damage to two corners from removal from mount. Attractively printed in a restrained style, it gives the prices of proofs and prints, and boasts that 'The Picture, from which it is intended to take the present Engraving, has the reputation of being a STRIKING LIKENESS of the Poet, as he appeared in 1822, and is the last of any note or which he sat. It was moreover the favourite picture of his Lordship, as may be seen by the accompanying Fac-simile [not present] of one of his Lordship's Letters to Mr.

4pp., 12mo. Bifolium. Good, on lightly-aged paper. In something of a hard sell he begins by stating that 'the "Sir Philip Sidney" letter, of which I showed you a facsimile the other day, [...] seems to me peculiarly suitable for your collection'. In support of the letter's 'exceptional rarity' he cites 'a letter of Thorpe's (the expert of autographs of his day) dated 1839 accompanying the autograph & giving its pedigree, in which he says "I never saw a letter of Sidney's for sale except the present"', adding that 'no other autograph of his has occurred since'.

Printed on both sides of a 4to (28 x 22.5cm) leaf of semi-opaque paper. Both sides with oval purple stamp of 'J. Blanch & Son, 29, Gracechurch St., London, Gun Makers'. In good condition, on lightly-aged paper, with one dog-eared corner, folded three times. An attractively-produced item, with specifications, and text printed in small type. Engraving of a bullet in top right-hand corner of first page, with the Colt prancing horse at top left, also a small engraving of the rifle, with a larger one, by R. M. Smart, showing how 'To Charge the Magazine'.

The six illustrations and seven pages of text totalling 13pp., 4to (22.5 x 18cm), on seven leaves of laid paper removed from an album. On aged brittle paper, with chipping and slight loss to the edges. The illustrations are simple sketches, indicating the layout of the page, with titles and occasional words of text by Sullivan. Five of the six designs are for the Pall Mall Budget: 'The Thumbmark by H. G. Wells' (28 June 1894), thumbmarks around title and a newspaper seller with headline reading 'Anarchist Outrage'; 'The Stolen Bacillus by H. G.

1p., 4to (22.5 x 18cm). On laid paper. In fair condition, aged and with slight chipping. The sketches are crude but attractive, headed with a line of three girls in black stockings and petticoats shaking a leg, with the phrase 'The poppy' in the top left-hand corner, and a line of girls at the foot, with an oriental male figure with cane in the background, captioned 'Mamma's Alabama Coon'. Two sketches of the 'Shepherdess' at bottom right, with usual broad-brimmed hat and crook. Hattie Starr's 'Little Alabama Coon' took London by storm in 1894.

1p., 12mo. Good, on lightly-aged paper. He has been 'requested by Mr. L. Veneaux to desire you to return the Picture (Boulonaise) which was delivered at your Gallery at the last Winter Exhibition but being a French Picture was not Exhibited, but allowed to remain for the French one'. He has already made an application 'in Berners Street and Mr. Gambart said the proper place to apply to was at the Gallery.' Graves claims 'L. Veneaux' as a misprint for 'V. Vemaux' of 30 Piccadilly, who exhibited 'Souvenir of Eguihen, near Boulogne-sur-mer' at the Royal Academy in 1853.

2pp., 16mo. Bifolium. Very good, on lightly-aged paper, with small hole through both leaves at top inner corner. Beneath the signature the faint stamp of the St. James's Budget, 15 Dorset Street, EC. Raven-Hill points out that the Pall Mall Budget had only the right to use his drawings 'in that paper', and that he holds 'the entire copyright of all my drawings that appeared' in that magazine. 'If you want any of mine you could of course get the blocks from them & we could come to some arrangement about using them'.

2pp., 12mo. Bifolium. Very good, on lightly-aged paper, with small hole through both leaves at top inner corner. The letter begins: 'As far as I can remember I keep the Copyright of my late drawings in the Pall Mall Budget'. He refers Brodhurst to the magazine's editors, and apologises for his alte response.

2pp., 4to. 29 lines of text. Bifolium. In very good condition, on lightly-aged mourning paper, with broken black wax seal. Reverse of second leaf addressed to 'E Magrath Esq | Athenaeum | Pall Mall'. The letter begins: 'Yes, Truth, (as you say) is better than a thousand apologies. | From the Evng I was last in town (when I met your respected & kind friend Mr. J.

12mo, 2 pp. Eighteen lines. Text clear and complete. Good, on lightly-aged paper. Addressed to 'My dear Reed'. He thanks him for his note and is glad he likes the cartoon on 'the Educational Model'. He had 'been hoping the Tories would tread on the Nonconformists' toes to shut them up and now they have done it.' He doubts whether his agent has sold the original drawing, and is writing to him 'to let you have an offer if possible'.

4to, 15 pp. In small type. Text clear and complete. On brittle green high-acidity paper, with chipping and loss to extremities and three of the leaves detached. Begins by listing 'General Council of the Automobile Club | (appointed to confer with the Club Committee on questions affecting Automobilism generally).' Headed by 'His Grace the Duke of Sutherland'; followed, on second page by Club Committee and officers, and then (pp. 3-10) the list of members in three columns, giving name, optional address, and date of election; ends (pp.11-15) with lists of 'Members of Affiliated Clubs'.

12mo, 11 pp. Text clear and legible. On one side each of eleven leaves of lightly-aged paper, with slight creasing at foot of some leaves. The pages are numbered, and the article is incomplete, cutting off halfway through a sentence on p.11. An interesting and well-informed analysis, from an unashamedly pro-Japanese viewpoint.

12mo, 4 pp. Bifolium. Good, on aged paper. He has been 'hunting among papers, & found a great quantity of notable letters from notable people but they are mostly confidential - or dealing with some private matters'. He would have liked to gratify her wishes 'in a more liberal fashion, 'but I hope the enclosed may serve'. He wonders whether she is 'packing up for India - - perhaps for Worthing'. The valediction on the final page ('Believe me | sincerely') is followed by a large bold signature which with its underlinings covers an area 11 cm square.

The dimensions of the envelope are roughly 6.5 x 12 cm. The flap has been gummed down and the reverse bears traces of glue from previous mounting. The front of the envelope is good, though slightly grubby. Reads 'James Claude Webster Esqe. | Secretary | Athenaeum Club | Pall Mall'. Docketed in a contemporary hand, in the top left corner, 'Charles Kean the Actor. | Decr. 1857.'

A collection of items indicating the panic felt by the bourgeoisie around the time of the Great Chartism Meeting on Kennington Common, 10 April 1848. Items Two to Five are laid down on a piece of grey paper removed from a scrapbook. Item One: Printed warrant signed by two magistrates, appointing Cater a Special Constable, it appearing, 'upon the oath of a credible witness, that a tumult or riot may be reasonably apprehended'. On one side of a piece of laid paper roughly 320 x 210 mm. Watermarked 'W H FELLOWS 1847'.

12mo, 2 pp. Good, on aged paper. A formal letter in the third person. Windham 'is almost ashamed' of sending Sharpe 'anything so trifling as what accompanies this note'. His justification for doing so is the 'wish of having his opinions stated with tolerable correctness on a subject to which Mr Sharpe, as a matter of some interest at the moment, may happen in some degree to have turned his thoughts.' Sharp's name was often misspelt by contemporaries, and he is listed in the index to the online Oxford DNB as 'also known as Sharpe, Richard'.

12mo, 3 pp. Ruckled and stained, with the verso of the second leaf of the bifolium (carrying the address) laid down on a leaf detached from an autograph album. The 'Royal Family of France' are causing 'a very deep interest' and 'a portion of them have found their way to this Island'. He reports that the 'Duchesse d'Orleans and her two Sons, and the Duc de Montpensier have arrived here from Granville - they were brought over by a Jersey Boat the Master of which has been most liberally rewarded'.

Quarto: 4 pp. Unbound bifolium. Grubby and creased, with a couple of pin holes and small closed tears, and a little ink staining to the margins (not affecting text). Five illustrations, including full page engraving of two cherubs, entitled 'L'Enfance de l'amour'. Claims that 'neither labour nor expense will be spared to achieve and maintain the highest standard of literary and artistic excellence', and that the magazine will be 'strictly non-political, in the sense that it will champion the views of no particular party'.

Quarto, twelve pages. Unbound. In original grey printed wraps, with facsimile portrait of Caxton laid down on front cover as part of design. Stitched. Lightly aged and worn, and a little loose. A handsome production, with five full-page facsimiles of pages from the book, and three other illustrations (including duplicate of that on front wrap). Large plate of charcoal drawing, captioned 'A view of the facade of 16 & 17 Pall Mall as seen from the Athenaeum', laid down inside back wrap.

Journalist (1844-1914) and editor of the Pall Mall Gazette. The recipient was a British diplomat in Asia and travel writer. Good, but a tad grubby with rust marks from paperclip. 'You may do us 1600 words on Tibet and in preparing the mss put it in a form that will bear reduction'. Signature 'Douglas Straight' slightly smudged (with Straight's fingerprint?)

English engraver (1804-66). One page, octavo. Good, on slightly discoloured paper with spike hole at centre. Addressed to 'Mr. Moon' on verso of second leaf of bifoliate, which has a hole from the breaking of a wafer which still adheres. Reads 'I've taken the liberty of leaving for your inspection a few specimens of my stile of engraving - your brother Mr.

Irish administrator and Member of Parliament (1815-62). Consists of the front of the envelope, the dimensions of which are roughly five inches by three. Addressed to 'R. Byham Esq. | Ordnance Office | Pall Mall | London', and signed 'Th Redington'. Two postmarks in red ink: the first, in a circle, appears to read 'PAID | NW | 6 DE | 1846'; the second, in a circle topped with a crown, appears to read 'PAID | DE 7 | 1846'.

Proprietor (1775-1844) of the celebrated London gambling house, set up in 1827, out of which he amassed a fortune of more than a million pounds. On piece of paper roughly three and a half inches by one and a half. Good, but mounted on larger piece of paper, creased once and slightly discoloured by glue. Reads 'I beg to Remain | Your most Obed[ie]nt | W Crockford'.

Son (1794-1842) of King William IV by Mrs Jordan. One page, 12mo. In good condition, though slightly grubby and with remains of brown-paper mount adhering above address on verso of second leaf of bifoliate. Reads 'Lord Munster presents his Compts: to Mess Evans & Co of Pall Mall & will feel obliged to them to give him some information respecting some Arabic or other oriental MSS - which they are to sell by auction -'. Munster was for some time President of the Asiatic Society. For Robert Harding Evans (1777-1857), the greatest of all book-auctioneers, see M.