ERNEST

135pp., 4to. Lacking last page or pages. Typescript on rectos only. Bound with string and metal stud. Aged and worn, with front cover (with typed label) and title-leaf detached. Original typed title 'ONE, TWO, THREE!', altered in manuscript to 'ONE! TWO! THREE! (under which it was registered for copyright in 1928), with final title in autograph 'OUT GOES SHE'. Manuscript emendations throughout in pen and pencil, including additional dialogue and several deletions.

The four items present here are the prompt books for performances of Shakespeare plays by the 'Young Ladies of the University of Vermont', under the direction of New York actor Ernest Elton. BACKGROUND: Professor George B. Bryan, in a 'History of Theatre at the University of Vermont' writes that around the turn of the century 'The women students launched their own dramatic activities. If the men could stage their frivolities at the Howard Opera House, the ladies would perform classical plays on the lawn of Grasse Mount.

On 14 x 12.5 cm piece of card, with the cropped printed scorecard (completed in pencil in childish hand) on one side, and the autograph signatures on the otherwise-blank reverse. In good condition, lightly-aged. The five signatures are bold and strong in black ink, and read: 'P. Mead | Ed Tyldesley | E Hendren | J W Hearne | J W Hitch'.

[8] + 344 + [7]pp., 12mo, and four pages of plates (vol.2, no.2). Fourteen issues, loose, with volume 1 (issues 1-9) continuously paginated to 244; and volume 2 (issues 1-5) paginated to 90; with the volume's separate prelims (8pp.) and index (7pp.) ready for binding up. Two identical fliers for the society (giving its 'Purpose') loosely inserted. The collection is in good condition, on lightly aged and worn paper, but with rusted staples to all volumes. Hunnings and Gillett are named as editors of the first four volumes, thereafter Hunnings alone.

The three items are in fair condition, lightly aged and creased. Totalling 7pp., 8vo. ONE: ALS. From Whiteleaf, Princes Risborough; 11 Nov. 1930. Begins 'I heard the other day of a poem of yours, that a young soldier carried about in the war, till he was killed. It was sent home with his papers, & some day I hope to have it - his own copy of it - from a friend, & to send it to you | Why tell you of this now? Because the news of your mother's death has been weighing on my mind, & I wanted to say a word, yet knew how unconsoling words can be.' TWO: ALS.

Wolfe's four letters total 5pp., 12mo; the copy of the Gollancz letter 1p., 8vo. Item One in its original envelope, with both envelope and letter carrying closed tears, the other four items in good condition, on lightly-aged paper. ONE: ALS on letterhead of the hotel Les Bergues, Geneva; 7 April 1924, with envelope, with both letter and envelope torn on opening. TWO: ALS from the Ministry of Labour, London; 24 April 1924. THREE: TLS from Montagu House, Whitehall; 24 Aug. 1926. Sending, 'in confidence, this letter that I have had from Benn's.

Two stapled pamphlets, uniform in layout, each with the ownership signature of M. Rooff at head of title. Day 13: [2] + 35pp., paginated 279-313, folio. Day 27: [2] + 25 pp., paginated 591-616. Substantially Howard League views, and mainly concerned with 'The Experience of Abolition in other Countries'. Both in fair condition, aged and worn, and each with particular wear to the title leaf.

1p., 4to. On lightly aged and creased paper. Ashton has made two emendations in manuscript: 'Dear Sir' is changed to 'My dear Ernest', and 'Yours faithfully' to 'Yours ever'. The letter reads: 'I beg to offer you our sincere thanks for the gift of a design for La Bohème, Act II, by Hans Strohbach, which we have much pleasure in accepting for inclusion in the collections of the Victoria and Albert Museum.'

17 + [1]pp., 4to. In grey printed wraps. In good condition, on lightly-aged paper, in worn wraps. A few light pencil annotations. Stamps, shelfmarks and label of the Board of Education Reference Library, London. Six copies on COPAC.

LETTER: 1p., 4to, with 26 lines of text. In fair condition, on aged paper, with rust marks from paperclip in one margin. The letter begins: 'Dear Sir | I send you a report - the latest we have issued. It is cut down to 1/3 of its usual size. The regulations given are prewar conditions & hardly obtain now. We now require a man to pay what he can [last three words underlined] towards his board but no good candidate would be rejected because he could not find a penny. Practically this obtained before the war but we emphasise that now.

Pamphlet, 8vo: 50 pp + 8 pp of plates. Stitched. In original blue printed wraps. Minor staining. 56 diagrams in text (figs 1-56), which is followed by 17 photographs (figs. 57 to 73) as plates on art paper. Good, on lightly aged paper, with bottom corner at rear dogeared and slight wear and small stain to wraps. Presentation copy: 'No charge' in pencil on front wrap, which also carries the light ownership stamp of 'P. P. GRIFFITHS' at the head. Scarce: no copy in the British Library or on COPAC.

16 pp., 8vo. In printed wraps with advertisements of performances at the Queen's Hall on the back cover. Stapled. Aged and damp-stained, with chipping and wear to edges. Punch hole at head. Pp.2-16 carry Walker's notes on the five sections of the concert: a Beethoven quartet performed by the Kruse Quartet; Berger songs performed by Mrs Henry Wood, accompanied by her husband; a Brahms piano piece performed by Willibald Richter; Borodine songs performed by Mrs Henry Wood, again accompanied by her husband; and a Sinding quintet performed by Richter and the Kruse Quartet.

8vo. The ten issues are consecutively paginated from 1-140, not including the printed wraps, which carry advertisements including individual wants of parties ranging from the Irish scholar F. J. Biggar to the London booksellers Maggs Bros. The ten items are all complete and unbound. The first six issues are printed on high-acidity paper, and are in frail condition, with loose leaves and chipping; the last four are in better condition, on lightly-aged and worn paper.

The collection is in good condition, on lightly aged and worn paper, and can be grouped into three sections. ONE: Complete typewritten draft ([3] + 44pp., 4to) of Sussman's unpublished monograph on Bloch is contained in a large brown envelope, with the following note by Sussman on the front: '2ND COPY (without illustrations) of "Ernest Bloch - Music's Prophet" | JS'. It includes the contents, list of illustrations, introduction, and two-page 'Key and Bibliography'.

69pp., 8vo, paginated 281 to 349. In brown printed card covers. With shelfmarks and labels of the Board of Education Reference Library, otherwise in fair condition, on aged and worn paper. Scarce: no copy at the British Library, and the only copy on COPAC at the Institution of Mechanical Engineers.

Both items in good condition, on lightly-aged paper, with Item One carrying the stamp and shelfmarks of the Board of Education Library. Item One ('Brief Statement): 4pp., 12mo. Bifolium. Decorative cover with line of heraldic shields with axes. Describes the Order in six numbered points, Describes its promotion of 'A Physical Renassance' and of 'A Civic Renaissance', both in seven points.

Of the fifteen items in this collection thirteen are in very good condition, lightly-aged, the two others, both photographs, are in fair condition, creased and aged. The typescript is 12pp., foolscap 8vo, on eleven leaves, pinned together in one corner.

Colonel Lethbridge commanded the 1st Battalion Oxfordshire and Buckinghamshire Light Infantry, and was mentioned in despatches twice, and decorated several times, during service in the Great War. For more information about the two brothers, see their entries in 'Who Was Who'. Totalling 8pp., 4to; 30pp., 12mo. The ten 12mo letters are in good condition, lightly-aged, while the four 4to letters are aged and worn, with chipping to extremities.

1p., 4to. In fair condition, on aged and worn paper. He thanks him 'for the valuable additions to our theatrical wardrobe which you have been so kind as to send us this morning', adding that he can assure Guy 'that we shall make good use of them and will remember with gratitude the source from which they came, for Madame Albani was one of the best beloved friends of the College since its earliest days'.

The three items derive from the Bilainkin papers. Each is separately paginated and stapled, with the text on one side only of the leaves. All three in good condition, on lightly-aged and creased paper, with rusty staples. Item One: Titled 'ADD 1960 DIARY. Saturday, July 23.' 7pp., foolscap 8vo. With carbon copy of the same.

2pp., 16mo. 17 lines of text. Good, on lightly-aged paper. He begins by thanking him for 'the History of the Flitch of Bacon Custom at Dunnow. I well remember reading in the papers of 55 the celebration of the fete at which you & poor Made. de Chatelain were the hero & heroine'. He has called on de Chatelain to thank him for the 'Fleurs et Fruits' which he sent him, but did not find him at home. He will try again before leaving town for the autumn, 'which I shall do in a few days'.

3pp., 12mo. On bifolium with mourning border. In good condition, on aged paper. Her letter to him is 'the essence of sweetness': it has 'touched me deeply and will not soon be forgotten'. He supposes that she is unaware that 'Parratt and I travelled down to Windsor in the same train with you - indeed in the same carriage'.

4pp., 16mo. On bifolium. In fair condition, on lightly-aged and worn paper. He begins: 'No - I am not going to write the sequel to The City [his 1909 book 'The City of Beautiful Nonsense'] - but I am now hard at work on a book that is going to give me more pleasure to do than anything I have done yet. It is all laid in Ireland - which I have not written of for some years - & I believe will be as interesting to read as it is engrossing to me to write.' He asks him to 'go & see my play "Driven" when Johnson does it - some time this month in New York - & let me know - in

4pp., 12mo. 65 lines of text. Bifolium. In fair condition: on aged paper with one dogeared corner. He begins by apologising for not returning her manuscript sooner: 'what with my Doctorate exam: and other things, I have been specially busy'. Having been 'completely through the MSS' he lists those he likes best: 'the Rhapsodies (especially No. 1 - also No. 5 and No. 3 - especially the opening subject of No. 5).

1p., 12mo. Good, on lightly-aged paper. He has been 'requested by Mr. L. Veneaux to desire you to return the Picture (Boulonaise) which was delivered at your Gallery at the last Winter Exhibition but being a French Picture was not Exhibited, but allowed to remain for the French one'. He has already made an application 'in Berners Street and Mr. Gambart said the proper place to apply to was at the Gallery.' Graves claims 'L. Veneaux' as a misprint for 'V. Vemaux' of 30 Piccadilly, who exhibited 'Souvenir of Eguihen, near Boulogne-sur-mer' at the Royal Academy in 1853.

1p., 12mo. In fair condition, on lightly-aged paper. The receipt reads: 'Pour l'exposition de M. Gambart: | un tableau par T. Schmitson de Vienne representant des chevaux sortant de l'abreuvoir | prix (nette) frcs. 1500. - | Londre, le 30: Juin 862 | Charles Sedelmeyer | m[archan]d. de tableaux de Vienne'. Sedelmeyer has written some calculations in the bottom right-hand corner, and at the foot: 'Received back the above | Sedelmeyer'.

On one side of a 18.5 x 20.5 cm piece of paper, the head of the letter, with address and date, having been cut away. In fair condition, on lightly-aged paper. The letter reads: 'Dear Gilmer, | Here is the "Reise - Kaiser"; - the Reader's Report, 2 more illustrations, a preface, & a 2nd appendix, will follow by later post. I have been kept in the country till to-day. | Yrs v. truly | [signed] E Rhys'.

1p., 4to. Good, on lightly-aged paper. Warre repeats what he has already told Gye, that 'nothing has given me greater pleasure than the news of your recent appointment, though we will miss you in London'.

1p., 4to. With mourning border. In good condition, on lightly-aged paper with minor wear at the beginning of one crease. Moule writes that he is 'quite prepared to receive and of course to attend to any communication from Mr. Sydney Walton', but that he must 'distinctly decline responsibility in detail [last three words underlined] for the work of the Bible Crusade'. He 'willingly expressed' his 'cordial personal sympathy with its aims when its founder [i.e.

1p., 4to. Fair, on aged paper. He offers Gye his 'very best wishes' on his 'new appointment', adding: 'of course do not trouble to answer for this deserves none'.