POPULAR

Ticket printed on one side of an 8 x 7 cm piece of paper. In fair condition, with closed tear at head and slight damage to bottom right-hand corner. Printed within a decorative border and reading (with manuscript additions in square brackets): 'No [93 - 4] | This Book is the Property of the Brentford Mechanics' Institution. | It must not be kept longer than [14] days. If kept longer than the time specified the Fine of One Penny will be charged for the first fortnight, and an additional Penny for every succeeding week.

96pp., 8vo. In exercise book, in blue ink with red underlining. With two additional passages on slips of paper pinned onto leaves. Aged and worn, in red card wraps with repaired spine. Nicoll notes an earlier title 'All for Him'. Set in the house of London stockbroker David Carne. Considering the play's popularity in the provinces, its fall into oblivion is surprising. Productions are noted at Southampton (1918-1919, 1930-1931), Oxford (1919), Swansea (1920), Sunderland (1924, the poster announcing: 'J. R. C.

4pp., 12mo. Bifolium. In acceptable condition, aged and somewhat grubby. He thanks him for sending his article in the 'Musical Gazette', and comments that it is 'certainly curious about the Purcell Catch & the coincidence of the four notes, but it is difficult to say whether it was done purposely or by accident'.

31pp., 64mo., i.e. 10 x 6.5 cm. Stitched, in green printed wraps. Heavily aged and worn. Penny pamphlet with three illustrations. Contemporary inscription on p.30: 'Thomas Richard Woollard his Book | Given him by Ann Wright 1840'. The signature of Sarah Wollard is also present. BBTI has Frederick Lankester active in Bury St. Edmunds between 1821 and 1864, but this may reflect a confusion between Frederick and Francis Lankester. COPAC holds items by published by Frederick Lankester between 1824 and 1837. No other copy of this particular edition traced, either on OCLC WorldCat or on COPAC.

On 3 x 12.5 slip of paper cut from foot of letter. In good condition, lightly aged and worn. The reverse reads '[...] think of me! I fear [...] I was threatened your [...]'.

On 5 x 11 cm slip of paper cut from foot of letter. In good condition, lightly aged and worn. The reverse reads '[...] in these dark days [...] interest! It is so [...] of you to sent it, [...]'.

2pp., on both sides of a strip of 35.5 x 11.5 cm laid paper with fleur-de-lys watermark. In a secretary hand employing the thorn and long s. In fair condition, on aged and worn paper. An untitled forty-line poem, divided into five numbered eight-line stanzas. The narrator is an older married woman, advising a younger woman not to marry, with observations on the frailties of the male sex. The first stanza reads: 'Ere ye. read ys. ye. may suppose. | That some new listed Lover. | By means of Poetry has chose. | His Passion to discover.

16pp., 8vo. Disbound. In fair condition, on lightly aged and worn paper. Steel engraved portrait of Carlyle on title-page. Clearly produced immediately following Carlyle's death, as the commencement indicates: 'On a cold wintry Monday morning in February the Times announced that Thomas Carlyle was seriously ill.

After leaving Dulwich College Mortimer was a classical scholar at Brasenose College, Oxford. In 1933 he was received into the Roman Catholic Church, after which he became a schoolmaster in Catholic schools, most notably Stonyhurst. According to his profile in the Catholic Herald, 5 August 1938, Mortimer was 'well-known as a composer and lyric writer, and his work has been broadcast from the early days of broadcasting. | Recently he has contributed " uncle-duty " to the [BBC] Children's Hour.

4pp., 12mo. Bifolium. In very good condition, on lightly-aged paper. An interesting piece of ephemera relating to a ground-breaking series in the nineteenth-century extension of the market for serious literature. An initial 27-line prospectus in small print is followed by a list of the details of the 35 'Volumes already Published' and of 20 works 'in progress'. The final page carries details of items 'Uniform with his STANDARD LIBRARY, price 3s. 6d.', under the headings 'Bohn's Extra Volume', 'Bohn's Scientific Library, Vol. 1', 'Bohn's Antiquarian Library' and 'Bohn's Classical Library'.

256pp., 12mo. With frontispiece engraving and vignette on title. In original brown cloth binding, with blind-stamped decorative pattern on the boards, and title and design on the spine. Ownership inscription of 'Arthur Baxter | Runcorn | 1861' on piece of paper laid down on front pastedown. A tight copy, on stained paper (particularly the last few leaves) and aged paper, in worn binding with gilt almost dulled. An interesting production, reminiscent of previous Minerva Press publications, and looking ahead to the yellow-back.

1p., 12mo. Text enclosed within a decorative border. In fair condition, on heavily aged and worn wove paper, with a couple of small holes. Printed on cheap paper, with rough untrimmed edges. Beneath the title is a poem in two columns, itself titled 'Directions for Reading it.': 'Hast thou no pity on my woes? | Dost thou at me turn up thy nose? | I'll make my declaration first, | So read straight forward and be curst. | But if thy heart to me incline, | O!

On 12 x 21 cm rectangle, cut from the base of a 4to leaf. Good, on lightly-aged paper, with part of the card mount adhering to the reverse. A firm flowing signature which reads: 'Yours sincerely | Gilbert Frankau'.

4 pp, 12mo. Good, on lightly-aged paper. The unnamed recipient appears to have been named as executor in a prvevious will of Sir Henry Bishop. Opens in dramatic style: 'I was very greatly surprised to receive a letter from you this morning, dated from Brighton, as my poor Brother, Sir Henry Bishop, had not the slightest idea that you were still an inhabitant of this world, having heard of your death some time since, in consequence of which, he made another will similar to the one in your possession, but changing the executors'.

12mo, 32 pp. In original yellow printed wraps, with engraving on front. Front wrap gives title as 'Guerilla [sic] Spy', with full title on p. 1. Unopened. Very good, with slight fraying to wrap and at foot of first leaf. American Civil War story, beginning in 1861. Back cover advertises 'Cheap New Edition of the London Library. In Penny Numbers, every Number a Complete Story, and every Number containing Thirty-two Pages of well-printed matter, in book size, folded into an Illustrated Wrapper.' Excessively scarce: no copy on COPAC or WorldCat.

Following the singer's death in 1959 Johnny C. Beecher relaunched Holly's official English fan club, helping to keep his reputation alive at a time when he was practically forgotten in America. As Beecher stated in an interview, he kept 'in touch with Buddy's parents, Ella and L.O., and I can say that without them it wouldn't have been possible, as they sent us all sorts of information and photographs that kept up our enthusiasm. The Crickets also helped out and were pretty nice considering all we ever asked 'em was, "What was Buddy really like." Despite that, we became pals.

On a piece of paper 6 x 14 cm. Laid down on part of leaf from autograph album. Good, on lightly-aged paper. Evidently in response to a request for an autograph. Good firm signature, with looped underlining. Reads: ' "We take the compositions as they are" | "Our Bazaar" | [signed] Albert Chevalier'. Chevalier's song 'Our Bazaar' was hugely popular. The published version (1894) gives the authors as Chevalier and Brian Daley, but the British Library ascribes it to John Charles Bond Andrews.

On slip of paper, roughly 2.5 x 10 cm, cut from a letter for an autograph hunter. Good, on lightly-aged paper. Reads 'Yours sincerely | J Arthur Thomson'.

On a piece of paper roughly 7 x 10 cm. Laid down on a piece of card. Fair, rucked and grubby, with traces of previous mount adhering to the reverse. Presmuably in response to a request for an autograph. Reads: 'I wish thee well | [signed] W Gordon-Stables | MD - RN'.

12mo, 3 pp. Bifolium. Spike hole through both leaves, not affecting text. Fair, on aged paper. She states that 'The story would be ready to commence the 2nd. week in March.' She then gives a list of her five 'other works besides Comin' thro the Rye'. The first two in the list are said to have passed through '3 editions', and of the second in the list 'a further is in preparation'.

12mo, 4 pp. Bifolium. Good, on lightly-aged paper. He was introduced to the recipient 'by Mr. Philip Malleson of Croydon, when I wanted to send an Essay to The Albemarle'. Asks if he 'might be disposed to let me write a volume on Jane Austen or Leigh Hunt for your Dilettante Library', Austen being 'specially before the public just now'. He has edited Austen's novels and two 'well received' volumes of selections from Hunt for 'Mr. Dent's Temple Library'. 'If you do not care to arrange for either of these authors I would suggest Miss Burney[,] Hazlitt or T. L. Peacock.

12mo, 1 p. 7 lines of closely-written text. Clear and complete. On aged and slightly-grubby paper. He has received their letter regarding his 'Life of Thackeray', and appreciates 'the reason for your delay in deciding whether or no to issue a cheap edition. Undoubtedly the inclusion of my book in a series would benefit us both, & I hope Mr Lee may be able to make me an offer.'

8vo: 55 pp. Disbound. Tight, on aged, grubby paper, with wear to the title-leaf, which has a 7cm closed tear along the spine. Inscribed at head of title-page: 'Rev. S. Martin wh ye Authors Affec regards'. An informed discussion, with footnotes, tables and statistics, of the desirability of the education of the poor, by a correspondent of Charles Darwin. Excessively scarce: no copy at the British Library, and the only copy on COPAC at King's College, London.

8vo: 1 p. Good, on lightly-creased paper, with a faint 4cm pink stain in the right-hand margin. Reads 'Many thanks for the copy of your interesting paper, and the kindly reference to my novel.'

Each of the five items printed on one side of a piece of wove paper roughly 50 x 37 mm. All five good, on aged and lightly-spotted paper, with text and illustrations clear and entire, and with some wear, chipping and short closed tears to the edges. Each item with a central vertical fold. All five items with ornately decorated titles, and all of a devotional nature. Item One: 'Adam & Eve in Paradise.' ('Printed by J.

Printed on one side of a piece of wove paper roughly 280 x 95 mm. Aged, creased and spotted, with chipping to extremities, but with text and illustration clear and entire. Curious small (roughly 40 x 65 mm) crude illustration at head, showing dove with olive branch and acorn. Forty-line poem arranged in five stanzas. Interestingly-garbled nineteenth-century folk song with ancient antecedents.

Printed on one side of a piece of wove paper roughly 230 x 90 mm. On pitted, aged paper. Text complete. Approximate 30 x 50 mm piece torn away from top right-hand corner, causing loss to small illustration at head, which appears to be a crude woodcut of a woman lying in a coffin. The poem consists of thirty-six lines arranged in five stanzas. The first stanza reads 'Dear Peggy, read this letter, | its the last one I'll send, | Our long correspondence, | is now at an end.

On one side of a piece of thin wove paper, roughly 260 x 95 mm. Aged and creased, with internal 25 mm closed tear affecting four words of text (all of which can be completed from the context) repaired on blank reverse with archival tape. Otherwise text and illustration clear and entire. Small (30 x 40 mm) woodcut at head, showing two early nineteenth-century country coves outside a cottage. The poem consists of ten four-line stanzas.

Dimensions of paper 23 x 17 cm. White border of 0.25 cm. A little grubby and with slight silvering at base, but overall a very good impression. A striking head and shoulders shot, with a clean shaven young Wall, neatly dressed in evening wear with black bow tie, and wearing a white sailor's hat at an angle, staring straight at the camera, with glossy lips, eyebrows raised and deadpan expression. The words 'Max Wall' printed in bottom left-hand corner. The inscription reads 'To Peggy | Sincere good wishes | [signed] Max Wall | 1932'.

On piece of paper roughly 3.5 x 5.5 cm. Good firm signature, on lightly discoloured paper. Reads '<...> date hereof. | [signed] J. Aislabie'. Lightly docketed in pencil 'of South Sea notoriety'.