Autograph Letters

English artist (1849-1923). Four pages, 12mo. Folded once. With mourning border. Good, if somewhat grubby and on discoloured paper. Difficult hand. He is very grateful for the 'kind thought in sending the pipes, they are beauties, and should last one a life time'. He also thanks Slocombe for his subscription 'to the Restoration of Blythburgh Chancel Porch'. He hopes he has enjoyed his 'work in Scotland'. 'I shall be only to [sic] proud to let you take Photographs of anything I have in my house - | Do you know that the Son of Charles Robinson F.S.A.

All four are notable British artists of the first half of the nineteenth-century: A. E. Chalon (1780-1860), J. J. Chalon (1778-1854), Geddes (1783-1844), Robertson (1777-1845). Paper dimensions roughly four and a half inches by five and a half. Grubby and discoloured with age, and with some wear and creasing to edges. Signatures read ' R: Jackson [perhaps John Richardson Jackson, mezzotint engraver, 1819-77] | Alfd. Edwd Chalon | Jno. Jas. Chalon | Andw. Geddes | A. Robertson'.

British sculptor (died 1864). Paper dimensions roughly five inches by two inches. Good, but on slightly discoloured paper. Reads 'I have the Honor to be | Gentlemen | Your Obedient Humble Servant | [signed] William Behnes'. From a collection of material relating to the Artists' General Benevolent Fund. Behnes ended his days in considerable distress.

English architect (1788-1863). Paper dimensions roughly seven inches by one and a quarter. Good, though somewhat grubby. From a collection of material relating to the Artists' General Benevolent Fund. Reads '<...> a necessity | C. R. Cockerell. | 10 Sepr. 1833. | 89 Eaton Square.' and on reverse '<...> | and relief, from the Benevolent Society of Artists | I am the Widow of the late Henry Landseer who died [^ on the 25 of July] after an Illness of only a few Hours. leaving myself and Two Infant Children totally destitute. - | <...>'

The sculptor Behnes (died 1864) and six painters: Cooper (1787-1868), Ross (1794-1860), Pickersgill (1782-1875), Newton (1785-1869), Etty (1787-1849). Paper dimensions roughly five and a half inches by three. Good, though a touch grubby. Reads 'William Behnes | Ab Cooper. R.A. | W. C. Ross RA. | H W. Pickersgill | Wm. J. Newton | Wm.. Etty'. From a collection of material relating to the Artists' General Benevolent Fund, and docketed by the Fund's secretary, next to Cooper's name, 'not eligible | W J Roper'.

Vulliamy (1780-1854) was a London clockmaker. Allnutt (1773-1863) was a wealthy wine merchant, a patron of Constable and Turner with a noted collection of paintings. Reads 'B L Vulliamy | Jn Allnutt, Clapham | 28 Nov. 1843'. From a collection of material relating to the Artists' General Benevolent Fund.

British artist (1787-1849). Dimensions of paper roughly four and a half inches by two. Folded three times. Good, but on slightly discoloured paper. Reads 'I have the honor to be | Gentlemen | Yours faithfully | [signed] Wm.. Etty.' From a collection of material relating to the Artists' General Benevolent Fund.

Denham was an artist (exhibited 1796-1858) and Wyatville (1766-1840) the architect best known for his transformation of Windsor Castle. Paper dimensions roughly four and a quarter inches by two and a half. Good. From a collection of material relating to the Artists' General Benevolent Fund. Reads '- J. C. Denham | 73 Pall Mall | J Wyatville', and on reverse, '<...> is, that I am now much <...> of my apartment, and of whic <...> help, from your <?> <...> most distressing kind - <...> every power, to obtain <...>, which, I am now down <...>'.

English sculptor (1799-1872). Paper dimensions roughly seven and a half inches by one and a quarter. Good. Reads '| <...> | To be | Gentn | Your obt Sert | Richd Westmacott | S. Audley St | 1st. Decr 1837.' Fragment of docketting on reverse. From a collection of material relating to the Artists' General Benevolent Fund.

Behnes (died 1864) and Westmacott (1799-1872) were both sculptors. Paper dimensions roughly four and a half inches by three inches. Folded three times. Good, though a shade grubby. Reads 'I believe the above statement to be quite correct | [signed] Richd Westmacott | William Behnes | Feb. 27/40.' Docketed on reverse. From a collection of material relating to the Artists' General Benevolent Fund.

Colnaghi was a member of the notable family of English printsellers. Hall (1800-89) was an author and editor. Paper dimensions roughly five inches by three inches. Good. From a collection of material relating to the Artists' General Benevolent Fund. Reads '<...> Paul Dominic Colnaghi Esq | | S. C. Hall. | '.

Four noted British artists of the earlier part of the nineteenth-century: Witherington (1785-1865), Jackson (1778-1831), Lonsdale (1777-1839), and Hofland (1777-1843), together with the sculptor Chantrey (1781-1841), and the art critic and connoisseur Balmanno (1780-1861), who left England for America in the early 1830s. Paper dimensions roughly three inches by four. Creased, and on paper discoloured with age, with show-through from remains of seal under Chantrey's signature. Reads 'J Chantrey | W. F. Witherington | John Jackson | James Lonsdale. | T. C. Hofland | Robert Balmanno'.

The engraver and painter Ward (1769-1859) and the artist Jackson (1778-1831). Dimensions of paper roughly five inches by two inches. Good. From a collection of material relating to the Artists' General Benevolent Fund. The reverse reads '<...> <...> | Daughters of the late Robert <...> | Painter Engraver & Publishe <...>'. Clearly a petition on behalf of the two women, and with Georgiana Dodd's cropped signature above those of 'James Ward R.A. | John Jackson R.A.'.

Probably the most famous of the Fleet Street cartoonists (1916-95). One page, quarto. Folded twice. Good, but lightly creased. He thanks him for the 'very nice letter and compliments', but feels he 'must administer a small but friendly reprimand. The Jean Rook [a noted Daily Express columnist] originals you refer to were ones concerning her article of the day and were a personal presentation.' Discusses charity commitments, before remarking 'It may surprise you that I spend more time in the studio working for charities than I do earning my living!

Three noted British painters of the first half of the nineteenth century: Clint (1770-1854), Stanfield (1793-1867), Brockedon (1787-1854), together with the printseller Colnaghi (1790-1879) and the auctioneer Robins (1778-1847). Paper dimensions roughly five inches by four inches. Good, but lightly creased and a touch grubby. From a collection of material relating to the Artists' General Benevolent Fund.

The artist Clint (1770-1854), the printseller Colnaghi (1790-1879) and the engraver Audinet (1766-1837). Paper dimensions roughly four and a half inches by three inches. Good clear signatures, but on paper somewhat grubby and creased. Reads 'D: Colnaghi | Geo Clint ARA | Philip Audinet'. From a collection of material relating to the Artists' General Benevolent Fund.

British miniature-painter (1761-1835). Dimensions of paper roughly seven and a half inches by one and a quarter. Good, on good-quality laid paper, but slightly creased and grubby at sides. Reads '[Signed] Charles Hayter 16 Buckingham Street | Portland Road | June 24. 1825'. Docketed to the right of signature and address. From a collection of material relating to the Artists' General Benevolent Fund.

Partner in Fores & Co., publishers and print sellers, who published some of Cruikshank's work and presumably sold it. He therefore had a vested interest in dealing with the problem he outlines to Cruikshank.

One page and two pages (1842), 12mo, bifoliate, former has recipeint's name on verso of second leaf, textsa clear and complete. (No date) "My dear Sir,/ There are two commas wanting in the last proofs. I have indicated their proper places; and I charge you to see them supplied under pain of being indicted before the Editor himself for treasonable insubordination." (1842) "My dear Sir,/ I will send you, by Friday's post, the first part of the next article, and by Monday at the latest, the second.

One page, 4to, small piece chipped off, spike-hole, edges discoloured, text complete and clear. "I will thank you to send me a List of the Books you have purchased for me and also a List of late publications.

One page, 8vo, good condition, text clear and complete. "Dr. Arnold desires his name may be set down as Subscriber to the history of Shrewsbury by Rev. H Owen & Rev. JB Blakeney . . ./ Large paper". Not in Bent. Not in Besterman. Published 1825, 2 vols. (i.e. much later).

Radcliffe Librarian. One page, 4to, edges discoloured, text clear and complete. "I should gladly have availed myself of your obliging offer, if we had not already in the Library all the published works of Humboldt[.] They have been consequently purchased at a very high rate - But heavy as the charge must be, & inconvenient as it often is to take works in progress or at the first moment of publication, we cannot very well suspend our orders woth respect to articles of so much novelty & interest--" See #2051 for further cross-reference.

(12 Feb.) three pages, 8vo, small tear on fold, discoloration at edges, spike-hole text clear and readable.

Author, editor (1828-1895). One page, 12mo, trimmed and stained,laid down, but text clear and complete. "My money, my money, my ten pound notes in a letter: oh: I hope it is on the way. My marrow is dried up, and my bones crackle like unto the thorns under the pot. I hope the money is on its way. It must be. You ought to get this on Monday afternoon." Sala edited the newly established "Temple Bar" for Maxwell 1860-1866.

(1783-1858). Thomas Rodd and Son NOT in Brown or Maxted! One page, 4to, fold marks, text clear and complete. "Mr Rodd,/ I am surprized that the vols. of Humboldt have not been yet sent home, as they were to have been done as soon as possible, and desire that they may be returned to Berkeley square immediately bound or unbound, - the Atlas shd. be sent on receipt of this, it never being intended to have it bound -" Addresss page part of conjoint leaf as foloows: "eighteen/ Aylsham, December {eighteen from above] fifteen 1825/ [address]/ [frank]Orford".

Book Collector. One page, 4to, discoloured, sl. chipped, fold marks, mainly good, clear text. "Mr. Watson Taylor requests Mr Triphook to send him down Ld Byron's new Work as soon as it comes out. enquiring first whether he is in Town at the time. He also wishes to have "Hints on the formation of Gardens & pleasure Grounds royal 4to coloured 3 gs. - at Gale & Jenners also the Rejected Addresses on drawing paper hot pressed - 10/6d.

One page, 4to, grubby, repaired (after being torn in two), text clear and complete. "Sir/ Having received your advertisemt. of the Antiquarian Repertory published by you in 4 Vol. at 12 Gs. a few copies of which remain on large Paper at 20 gs. I should like to purchase one or the other if you would send them to my House in St. James Square or keep them untill my return to town which will not be untill after Christmas perhaps not untill February---". Lowndes says of thenew edition (4 vols., 1807-1809 "Published and edited by Jeffery the bookseller . . .).

Author. Two pages, 4to, bottom portion torn off with minimal loss, spike-hole, hole in conjoint blank leaf (blank save address), discoloured but text readable. "I received yours of the 27th ulto respecting the Sale of the S[?] Hill Books on Saturday next, & soon afterwards I received a Copy of the Sale Catalogue.

One page (prob. from larger sheet divided since part of an address survives at bottom, 4to, poor condition but text clear and complete. "When Mr Parry returns the enclosed Proof (which he begs to have again soon) for press, he will be able to send copy enough to complete the next sheet. What he now transmits is all he has ready. / Saturday Evening - Febry 21st." Could this be the Arctic explorer?

Actor and theatre manager (DNB). One page, some damage marginally affecting the text. He thanks him for his gift of the poem "The Charge of the Light Brigade".