CLARENCE

Large (35 x 25 cm.) sumptuously-printed stitched pamphlet, in printed wraps. 16pp., with one additional collotype plate (stamped 'Specimen Colour Plate') and one tipped-in plate (of the binding), both coloured, and three full-page half-tone plates. Subscription form (The British Book Centre, Inc., New York), in red and black at rear. Aged and worn, with creasing to front cover. Includes three-page 'Commentary on a Unique Volume' by Winchester, and the first three pages of Wilson's text, two pages listing the contents, and specimen pages.

4pp., 4to. Bifolium. In very good condition. Covering the whole of the front page is a beautiful coloured illustration of the Imperial State Crown, with no text. The following three pages are printed in black and purple, with the second page carrying the publication details; the third page a full-page note from the editor; and the last page an advertisement for Sir John Wilson's 'Royal Philatelic Collection'. No copies of this item traced on either COPAC or OCLC WorldCat.

The three items are in good condition, on lightly-aged paper. One is slightly creased, and the other two carry minor traces of rust from a paperclip. All three are accompanied by their envelopes, each bearing a circular royal stamp in purple, and a 'LONDON SW1 OFFICIAL PAID' postmark in red. ONE: 28 May 1954. 1p., 12mo. 'I am commanded by Queen Elizabeth The Queen Mother to thank you for your letter, and for the leaflet announcing a reproduction of the "Album of Redouté".

On one side of a 9 x 11.5 cm piece of card. In good condition, lightly-aged and with a couple of minor spots. Reads: 'New York, Novr. 14th. 1890 | Dear Mrs. Ferris, | In 1850, [date underlined] Alfred Tennyson married Miss Emily Sellwood, daughter of Henry Sellwood, of Horncastle, & took up his residence at Twickenham. He was made Poet Laureate the same year, & was then 41 years old. | Sincerely yrs., | Edmund C. Stedman.'

2pp., 12mo. Bifolium, with the blank second leaf laid down on page removed from album, which bears on the reverse a biography of Windham in a nineteenth-century hand. The letter begins: 'Dear Robert | I have seen the Pr. of Wales, & have written to the D. of Clarence, as well as to some others - It just occurs to me, that you shd get at University the address of Simpson formerly Tutor there who has a living somewhere in Dorsetshire, & endeavour to learn whether he is likely to be affected by the <?> question. Some of those on the spot will perhaps write, & explain why I have not.

Whaite was first cousin twice removed of his more famous namesake. He was himself an excellent artist and teacher, and there is a large collection of his work at the Whitworth Gallery in Manchester. 2pp., 12mo. Fair, on aged, creased paper with slight rust spotting. Mawson begins: 'Mr. H. Clarence Whaite first came under my notice a few years ago when attending my lecture on Decoration & Ornamental Design at the Slade School - and from the first I was much struck with his understanding and grasp of the principles[.] This enabled him to carry out work of exceptional merit.

2pp., 12mo. Good, on lightly-aged paper with small pin-holes to one corner. 'Mr. H. Clarence Whaite is a part time art master in this School. [...] He succeeds in stimulating an interest in art & has conducted parties of boys over the Dulwich Gallery with that end in view. Of course the post he holds here does not offer much opportunity for the exercise of his powers either as an artist or a teacher of art & he is therefore justified in seeking a position more in accordance with his qualifications.' From the Whaite papers. Whaite was first cousin twice removed of his more famous namesake.

Whaite was first cousin twice removed of his more famous namesake. He was himself an excellent artist and teacher, and there is a large collection of his work at the Whitworth Gallery in Manchester. LETTER: 1p., 4to. Fair, on lightly-aged and creased paper. He begins: 'I am just trying to get away for a short holiday, so I have crafted your testimonial at once. [...] We should miss you badly if it should so happen that you left us, but that consideration need not stand in the way of my offering you the heartiest good wishes for your success.' TESTIMONIAL: 1p., foolscap 8vo.

Two extraordinarily positive testimonials, especially significant coming from one of the leading educationalists of his age, and also of interest considering the fact that Whaite would follow Nunn to the London Institute. (Whaite was first cousin twice removed of his more famous namesake. He was himself an excellent artist and teacher, and there is a large collection of his work at the Whitworth Gallery in Manchester.) ONE: Written by Nunn as Principal, London County Council, London Day Training College (University of London), Southampton Row, London, WC1. On College letterhead; 28 June 1928.

1p., 8vo. Fair, on aged and spotted paper. She thanks him for his 'most interesting letter'. 'I have not seen the Board's advertisement, but I feel sure that an appointment of this kind would give you scope for improving conditions, and you would certainly be able to help teachers "struggling" and otherwise. Surely you ought to apply. [...] I can honestly say that I have, in spite of struggles, been very happy as an inspector.

Whaite was first cousin twice removed of his more famous namesake. He was himself an excellent artist and teacher, and there is a large collection of his work at the Whitworth Gallery in Manchester. 2pp., 8vo. In good condition, on lightly aged and creased paper. The testimonial begins: 'Mr. H. C. Whaite has been on my Staff as visiting Art Master since January 1929, and I am very glad to write in support of his application for an Inspectorship of Art. Mr. Whaite has had wide experience of Art teaching, and has done remarkably successful work here with boys of 14 to 18 years of age.

The note is Item Three below, and the testimonial is Item Six. Items One and Six refer to Tonks's 'large wall decoration at University College', 'The Four Founders', on which Whaite assisted Tonks. (Whaite, who was first cousin twice removed of his more famous namesake, was an excellent artist and tutor, and there is a large collection of his work at the Whitworth Gallery in Manchester.) One: Vale Studio B, Vale Avenue, Chelsea; 22 July 1932. 1p., 16mo. Good, on aged and spotted paper. 'I enclose you a Cheque for £5.

1p., 8vo. In good condition, on lightly-aged paper. 'Mr. H. Clarence Whaite has held Art classes at Queen's College since Janary, 1934. [...] He has been most successful in encouraging the students to do individual work and the results have been excellent. | It has been of the greatest value to the College to have a visiting teacher who could bring such freshness and originality to the Art lessons and who, at the same time, took a keen interest in other subjects and in the general welfare of the students.' From the Whaite papers.

Whaite was first cousin twice removed of his more famous namesake. He was himself an excellent artist and teacher, and there is a large collection of his work at the Whitworth Gallery in Manchester. 1p., 4to. In fair condition, on aged and dusty paper. 'Mr. H. C. Whaite, after attending at the Slade School, joined this School as an evening student in September 1925, since which time he has studied Pottery, Design and Decoration.

12mo, 4 pp. Bifolium. Forty-eight lines. Text clear and complete. Good, on aged paper. Begins 'One must needs be a churl indeed to be a laggard in his response to a letter containing words of so sweet breath composed as yours!' He thanks Baron for his 'kind & encouraging letter', and considers that an author 'has no keener or more lawful pleasure than to find that the errors of his song or tale has [sic] lodged (as Longfellow says) in the heart of some far-off and unknown friend'.

12mo: 1 p. Seven lines of text. On creased and lightly-aged watermarked wove paper. Regarding Sir Henry Bate Dudley's farce 'At Home', performed 'with universal approbation' at the Theatre Royal, Covent Garden, in 1813. 'Should the Box of the Prince Regent be disengaged on Monday next at Covent Garden Lady Landsdowne [sic] (the Dow-) is anxious to see "At Home" Could she have it?'

Foolscap bifolium: 1 p. Worn, and on discoloured paper, but with text clear and entire. Thirteen lines of text.

Dimensions of paper roughly five and a half inches by eight. Good, but on paper discoloured with age and with some glue-staining to reverse, which has not shown through. Docketed on reverse. An attractive example of Georgian calligraphy, within a thin black border.

First edition. 12mo. Pages: 2 ('BIBLIOGRAPHY OF LAPSUS CALAMI.') + x + 84 + 4 pages of publishers' advertisements. Very good in original worn light-blue cloth with heavily-worn label on spine. Ownership inscription of Richard E. Benson (1892) on front free endpaper. Stephen was first put forward as Jack the Ripper in Michael Harrison's biography of Prince Albert Victor, 'Clarence' (1972).