SHARPE

A watercolour drawing in ink, coloured in yellow, blue and red, against a sepia ground. The drawing is on a 24.5 x 18.5 cm piece of thick white paper, laid down on a 28.5 x 29.5 cm piece of grey paper. In good condition, with light signs of age. In pencil in a contemporary hand on the grey-paper mount: 'Mrs Mackinnon - hanged | done by Charles K. Sharpe Esq | She had been a great beauty | murdered a man'. The drawing is not signed, but is in much the same style as other examples of his watercolours (for example those in the Victoria and Albert Museum, London).

1p., 4to. In good condition, on lightly aged and creased paper. With Royal Society stamp of acknowledgement. Written on behalf of Crouch, who is 'desirious of securing recognition by the R.S.A.', and who has 'supplied us with many designs of high artistic merit or many years and has made a considerable contribution to theh success of our fine art productions.' He praises the 'originality of design and the high artistic merit of his work', and considers that 'his work for industrial art deserves the highest recognition', being 'easily recognizable' and in a 'style distinctly his own'.

8pp., 12mo. On shiny art paper. On aged paper, with the two staples rusted. Sammons has signed over the cover portrait of him by 'Haile, Bognor', 'Sincerely Yrs | Albert Sammons'. Including texts by Mary E. Coleridge, Lord Lytton and Sir Rabindranath Tagore. Central opening carries an advertisement stating that 'ALBERT SAMMONS Records ONLY for COLUMBIA Records', with list of eight 'Recent ALBERT SAMMONS Records'.

1 p, 4to. Nine lines, in a neat and close hand. Fair, on lightly-aged paper, and still tipped-in onto a leaf from an autograph album. Addressed, with two postmarks, on reverse of second leaf of bifolium, to 'Mr. Jos. Sharpe, | at his chambers in | Lincolns Inn | London'. He wrote to Sharpe five weeks previously, sending a lease for his perusal, 'and likewise to authorise you to deliver up my sister's plate upon Mr. Argile paying you ye. <?> I agreed to take.' If the latter matter is still unsettled, he instructs Sharpe to apply to Argile's attorney 'to settle it forthwith'.

Letter: 8vo, 1 p. Twelve lines. Text clear and complete. Fair, on aged paper, with slight damage at foot of page, and strip from previous mount adhering to blank reverse. Addressed to 'Dear Sir'. As she does not hold her correspondent responsible for the 'accident' no compensation is necessary, and she cannot accept 'the valuable volume [...] under any such principle'.

4to, 3 pp. Bifolium. Very good on lightly-aged paper. Minimal damage has been caused to the second leaf (affecting two or three unimportant words of text) by the breaking of the red wax seal. Addressed by Guthrie 'To Charles Sharpe of Hoddam Esqr [Hoddam Castle] | Provenance Grand Master for Dumfries Shire'. Small circular red ink postmark. Docketed. Guthrie's letter, in a secretarial hand but signed and with an initialed postscript by him, covers the two centre pages. He writes that 'a great proportion' of the lodges are in arrears, 'some of them 20 years and upwards'.

On one side of a piece of laid paper, 25 x 17.5 cm. Text clear and complete. Aged, foxed and creased. Giving casts of the two plays (the first headed by 'Mr. Waddy' as 'Twineall'; and the second by 'Mr. Inchbald' as 'Don Antonio'. After the first cast list: 'End of the PLay, an Address in the Character of The Genius of Charity. To be spoken by Mrs. Sharpe.' At foot: 'Tickets too be had at W. Keymer's Printing-Office; and Places for the Boxes may be taken at the Theatre from Ten to Twelve o'Clock each Day.

12mo bifolium: 3 pp. Good on slightly grubby paper. He wishes to be informed 'which branch of the family the enclosed represent'. 'They are part of a large collection of persons connected with the Stock Exchange & mercantile world. The collection - some hundreds - was saved from the wreck of the "Oneida" in 1850', and is the work of August Edouard, 'who served under the first Napoleon'. He has 'the history of them, and a very interesting one it is'.

On light-yellow page (roughly 11 x 14 cm) removed from autograph album. Four glue stains showing through from the reverse (not affecting the signatures), otherwise good. Reads 'Dora Stevens | Ethel Hobday | Marjorie Hayward | Cedric Sharpe'. Lightly docketed in pencil.

12mo, 2 pp. Good, on aged paper. A formal letter in the third person. Windham 'is almost ashamed' of sending Sharpe 'anything so trifling as what accompanies this note'. His justification for doing so is the 'wish of having his opinions stated with tolerable correctness on a subject to which Mr Sharpe, as a matter of some interest at the moment, may happen in some degree to have turned his thoughts.' Sharp's name was often misspelt by contemporaries, and he is listed in the index to the online Oxford DNB as 'also known as Sharpe, Richard'.

12mo bifolium: 2 pp. On laid paper, with strip from previous mount in right-hand margin of recto of first leaf. Good, with a little wear at gutter, and slight damage (not affecting text) to second leaf from breaking open of red wax seal, parts of which still adhere. Twenty-two lines of text, clear and entire. Smith's uncle 'Mr ' is 'very glad to hear that you are well & desires to be remembered'. Asks if Smith has 'ever found me a portrait of Sr yet'.?>

The recipient Joshua Sharpe (c.1716-86) was a solicitor of Lincoln's Inn, and counsel for various American colonies before the Board of Trade and Privy Council. His brother Horatio was Lieutenant Governor of Maryland. Two pages, folio. Grubby, frayed and worn, with some closed tears and minor fraying and loss to extremities, and minor loss to text. Appears to concern the investigation into a case brought against an English ship by the owners of the Spanish vessel Sancta Barbara ('Patron Joseph de la Torre').