DRAWINGS

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[John Gere, Keeper of Prints and Drawings, British Museum.] Autograph transcriptions of 16 communications from E. H. W. Meyerstein, with unpublished poem by Gere on his death and other matter. With a copy of Watson's selection of Meyerstein's letters

Author: 
John Gere (1921-1995), Keeper, Department of Prints and Drawings, British Museum; E. H. W. Meyerstein [Edward Harry William Meyerstein] (1889-1952), scholar and poet; Rowland Watson
Publication details: 
Watson's book: London: Neville Spearman, 1959. The other material dating from the 1940s and 1950s.
£180.00

One: Holograph poem by Gere in red ink on slip of paper. Apparently unpublished, it reads: 'I.M. E.HWM | buried Hampstead 18. 9. '52 | Grave scholar of a Grays Inn cell, | Gay naturalist of Norfolk fen, | Divion [sic, corrected in pencil to 'Division'] now ordains farewell. | I shall not see your like again. | JG'. Items Two to Seventeen: Sixteen transcriptions of letters and notes from Meyerstein to John Gere (as 'J G'). Each on a separate piece or slip of paper, and all written out in red ink.

[Peltro William Tomkins, drawing master to the royal family.] Autograph Letter Signed ('P W Tomkins') to 'Gentlemen' [booksellers] regarding 'Dr Clarkes Plates' and the desire of the bearer of the letter to be employed as an engraver.d

Author: 
Peltro William Tomkins (1759-1840), engraver and draughtsman, drawing master to the family of King George III
Publication details: 
53 New Bond Street [London]. 14 March 1809.
£60.00

1p., 4to. In good condition, on aged paper, laid down on a grey-paper mount. The letter is addressed 'Gentlemen'. In the first paragraph he explains that having received their letter, he sent 'Dr Clarkes Plates [...] to the Writing Engravers but have not as yet received them back'. He has sent the bearer of the present letter to find out when they will be done, and he has been told to tell them the answer he receives. The second paragraph reveals that the bearer of the letter is himself an engraver: 'I understand that he applied to you for the engraving of one of your Portrait Plates.

[Niccolò Schiavonetti, printmaker.] Autograph Letter Signed ('Nichs. Schiavonetti') to 'Mr. Scott', sending '4 sorts of french paper', and giving instructions on how it is to be prepared.

Author: 
Niccolò Schiavonetti [Nicholas Schiavonetti] (c.1771-1813), printmaker, brother of Luigi Schiavonetti (1765-1810)
Publication details: 
Brompton; 15 April 1811.
£80.00

1p., 12mo. Bifolium. In fair condition, on aged paper with damp stain along one edge. Addressed on reverse of second leaf to 'Mr. Scott'. He is sending 'by Bearer 4 sorts of french paper, 2 sheets of each, which you will be so good as to see that it is properly prepared before it is used - The grand Eagle with the watermarks will require a great deal of brushing with a hard brush as I think that many of the specks will brush off they being chiefly superficial'.

[Major Herman Armour Webster, American engraver.] Autograph Letter Signed ('H. A. Webster') to 'Mr. Barry'.

Author: 
Major Herman Armour Webster (1878-1970), American etcher, draughtsman and lithographer
Publication details: 
Paris. 28 October [no year].
£40.00

3pp., 12mo. Bifolium. In fair condition, on lightly aged and creased paper. He apologises for the 'very short letter' and 'long delay in answering'. He reports that 'the rings came in your order but I have not had a chance to use them and will not have now until next Spring or Summer'. He is sending money as requested. 'My three plates of the trees came very nicely - one has just gone to the "Studio" so you may see it there later on.' He will write again when he has time for 'a rational note'.

[John Hassell, artist and engraver.] Autograph Note Signed ('J Hassell'), arranging to offer 'something interesting' to an unnamed employee of the London printseller 'Mr Boydell' [either John Boydell or his nephew Josiah Boydell].

Author: 
John Hassell (1767-1825), watercolour painter and engraver [John Boydell (1720-1804), artist and London printseller; his nephew Josiah Boydell (1752-1817)]
Publication details: 
'Thursday Morng [no date] | 11 Clements Inn'.
£50.00

1p., landscape 12mo. In fair condition, on aged and lightly-stained paper. The note reads: 'Dr Sir, | I shall do myself the pleasure of waiting upon you the beginning of the week, when I hope to have something interesting to shew you for Mr Boydell - believe me | Dr Sir | Yrs truly | J Hassell'.

[John Henry Robinson, engraver.] Autograph Letter Signed ('J. H. Robinson') to an unnamed male recipient, discussing his engraving of the Marchionness of Abercorn, and pointing out that the plate belongs to the printseller F. G. Moon.

Author: 
John Henry Robinson (c.1796-1871), engraver [Sir Francis Graham Moon (1796-1871), London printseller and publisher]
Publication details: 
20 Spring Street [London]. 23 February 1842.
£45.00

2pp., 12mo. In fair condition, on aged paper, with slight creasing and chipping at head. In answer to an enquiry, he states regarding 'the Portrait of the Marchioness of Abercorn' that 'though Mr Moon & I have not yet completed our arrangements I consider that the Plate is his property & not mine as you appear to have been informed'. He concludes by thanking him 'for the favorable opinion you are pleased to express both of the plate in question & the engraving'.

[William Pengree Sherlock, watercolour artist.] Autograph Letter Signed ('W P Sherlock') to an unnamed recipient, sending his 'last little Effort' in engraving, as proof of his abilities.

Author: 
William Pengree Sherlock (b.1775), watercolour artist and engraver, son of the artist and engraver William Sherlock (1738-1806)
Publication details: 
Cumberland Place, Shepherd's Bush. 21 July 1817.
£120.00

1p., 4to. Good, on aged paper. The letter begins: 'Sir | I shew to you my last little effort which is a Copy from Vertues large Print after the Picture by Holbein now hanging in the Council Chamber of Bridewell Hospital'.( A note at the foot of the page reads: 'The above was engraved for the Purpose of Illustrating Pennant Walpole &c'. He notes that the print (not present) was 'engraved as the companion to the last Print I sent you.

[William Skelton, engraver.] Autograph Letter Signed ('W. Skelton') to William Aynton, requesting that he be allowed to send him 'a few of my engraved Portraits', for distribution to 'the Noblemen & Gentlemen, Members of the Athenaeum Club'.

Author: 
William Skelton (1763-1848), English engraver [William Aynton; the Athenaeum, London club]
Publication details: 
1 Stafford Place, Pimlico. 3 September 1831.
£80.00

1p., 12mo. In fair condition, on aged paper, with traces of mount adhering to the blank reverse. In an apparent attempt to drum up business, Skelton writes:: 'In consequence of your suggestion I presume to request the favor of you to receive a few of my engraved Portraits, to present to the Noblemen & Gentlemen, Members of the Athenaeum Club, and shall be gratified if the enclosed may prove acceptable.'

[William Thomas Roden, Victorian portrait painter.] Autograph Letter Signed ('W. T. Roden'), to an unnamed recipient, regarding the engraving of a painting by William Powell Frith.

Author: 
William Thomas Roden (1817-1892), Victorian portrait painter and engraver [William Powell Frith (1819-1909), English artist]
Publication details: 
1 Victoria Terrace, Bridge Road, Hammersmith. No date.
£80.00

1p., 12mo. In fair condition, on aged and worn paper. Casting an interesting light on the practicalities of Victorian engraving. Roden begins: 'I have had an answer from Mr. Frith who is willing that I should engrave his picture[,] he cannot however get it me for 3 years, the time I mentioned.' Frith has mentioned a copy to Roden, which will cost him sixty guineas, 'and the purchaser consents to me having the original "now and then"'. He ends with an appeal for the recipient's advice.

[Sir Charles Holroyd, English engraver, first Keeper of the Tate Gallery.] Autograph Letter Signed to 'Mr Kitton' [the author Frederic George Kitton], accepting the congratulations of the Hertfordshire Arts Society on his knighthood.

Author: 
Sir Charles Holroyd (1861-1917), English engraver, first Keeper of the Tate Gallery, and Director of the National Gallery [Frederic Geoge Kitton (1856-1904), author; Hertfordshire Arts Society]
Publication details: 
On letterhead of the National Gallery, London. 11 November 1913.
£120.00

1p., 12mo. Good, on lightly-aged paper. 'Allow me to thank you and through you the members of the Hertfordshire Arts Society for your kind congratulations upon the honour the King confers upon me and upon the Gallery in the work of which I am privileged to assist'.

[Sir Francis Seymour Haden, etcher and surgeon.] Autograph Letter Signed ('F. Seymour Haden') to 'B. Gibbs', explaining his reasons for declining an invitation, and a 'lantern man' at 'Gipsy [sic] Hall'.

Author: 
Sir Francis Seymour Haden [pseud. H. Dean] (1818-1910), etcher and surgeon
Publication details: 
On letterhead of Woodcote Manor, Alresford, Hampshire.
£65.00

4pp., 12mo. Bifolium. On aged paper, with a patch of damp staining across both leaves. He should be happy to accept the 'kind invitation', 'if it were not that I believe I am to be the Guest of your Honorary Secretary Dr. Rice Oxley on this occasion'. He hopes that 'Gipsy Hall will be the proper to come to in either case'. He requires 'certain particulars', and will be writing to Oxley regarding 'the ability of the lantern man to obtain fine definition - linear definition I mean'.

[Richenda Cunningham [née Gurney], engraver and sister of Elizabeth Fry.] Autograph Letter Signed ('R. Cunningham') to 'Mrs. Thompson', regarding 'my lithographs'.

Author: 
Richenda Cunningham [née Gurney] (1782-1855), engraver, wife of Rev. Francis Cunningham, Rector of Pakefield, and sister of the prison reformer Mrs Elizabeth Fry (1780-1845) [George Borrow]
Publication details: 
Pakefield [Suffolk]. 21 September [no year].
£200.00

2pp., 12mo. In good condition, on lightly-aged paper. She begins: 'I felt much gratified by yr. kind attention to my request, with regard to my lithographs; I should have sent you 2 or 3 more copies immediately, had I had them by me, in the hope that you might be able to part with them, before the season at Southwold was quite over, - I now take the liberty of charging you with 2 more copies'. She invites Mrs Thompson to visit, and states that her husband will return in three weeks from 'a miss[ionar]y. excursion to the islands of Guernsey &c'.

[Benjamin Phelps Gibbon, engraver.]

Author: 
Benjamin Phelps Gibbon (1802-1851), Wesh engraver
Publication details: 
89 Albany Street, Regents Park [London]. 17 November 1841.
Upon request

1p., 12mo. Good, on lightly-aged paper. He reports that he shared the 'bounty' of the recipient's 'delicious present' with his brother, who has been 'confined to the house for a month'. He reports that 'Mr Watts and family are well', and hopes that 'Mr Stack is so'.

[Peltro William Tomkins, drawing master to the royal family.] Autograph Letter Signed ('P W Tomkins') to 'Gentlemen' [booksellers] regarding 'Dr Clarkes Plates' and the desire of the bearer of the letter to be employed as an engraver.d

Author: 
Peltro William Tomkins (1759-1840), engraver and draughtsman, drawing master to the family of King George III
Publication details: 
53 New Bond Street [London]. 14 March 1809.
£60.00

1p., 4to. In good condition, on aged paper, laid down on a grey-paper mount. The letter is addressed 'Gentlemen'. In the first paragraph he explains that having received their letter, he sent 'Dr Clarkes Plates [...] to the Writing Engravers but have not as yet received them back'. He has sent the bearer of the present letter to find out when they will be done, and he has been told to tell them the answer he receives. The second paragraph reveals that the bearer of the letter is himself an engraver: 'I understand that he applied to you for the engraving of one of your Portrait Plates.

[Niccolò Schiavonetti, printmaker.] Autograph Letter Signed ('Nichs. Schiavonetti') to 'Mr. Scott', sending '4 sorts of french paper', and giving instructions on how it is to be prepared.

Author: 
Niccolò Schiavonetti [Nicholas Schiavonetti] (c.1771-1813), printmaker, brother of Luigi Schiavonetti (1765-1810)
Publication details: 
Brompton; 15 April 1811.
£80.00

1p., 12mo. Bifolium. In fair condition, on aged paper with damp stain along one edge. Addressed on reverse of second leaf to 'Mr. Scott'. He is sending 'by Bearer 4 sorts of french paper, 2 sheets of each, which you will be so good as to see that it is properly prepared before it is used - The grand Eagle with the watermarks will require a great deal of brushing with a hard brush as I think that many of the specks will brush off they being chiefly superficial'.

[Major Herman Armour Webster, American engraver.] Autograph Letter Signed ('H. A. Webster') to 'Mr. Barry'.

Author: 
Major Herman Armour Webster (1878-1970), American etcher, draughtsman and lithographer
Publication details: 
Paris. 28 October [no year].
£40.00

3pp., 12mo. Bifolium. In fair condition, on lightly aged and creased paper. He apologises for the 'very short letter' and 'long delay in answering'. He reports that 'the rings came in your order but I have not had a chance to use them and will not have now until next Spring or Summer'. He is sending money as requested. 'My three plates of the trees came very nicely - one has just gone to the "Studio" so you may see it there later on.' He will write again when he has time for 'a rational note'.

[John Hassell, artist and engraver.] Autograph Note Signed ('J Hassell'), arranging to offer 'something interesting' to an unnamed employee of the London printseller 'Mr Boydell' [either John Boydell or his nephew Josiah Boydell].

Author: 
John Hassell (1767-1825), watercolour painter and engraver [John Boydell (1720-1804), artist and London printseller; his nephew Josiah Boydell (1752-1817)]
Publication details: 
'Thursday Morng [no date] | 11 Clements Inn'.
£50.00

1p., landscape 12mo. In fair condition, on aged and lightly-stained paper. The note reads: 'Dr Sir, | I shall do myself the pleasure of waiting upon you the beginning of the week, when I hope to have something interesting to shew you for Mr Boydell - believe me | Dr Sir | Yrs truly | J Hassell'.

[John Henry Robinson, engraver.] Autograph Letter Signed ('J. H. Robinson') to an unnamed male recipient, discussing his engraving of the Marchionness of Abercorn, and pointing out that the plate belongs to the printseller F. G. Moon.

Author: 
John Henry Robinson (c.1796-1871), engraver [Sir Francis Graham Moon (1796-1871), London printseller and publisher]
Publication details: 
20 Spring Street [London]. 23 February 1842.
£45.00

2pp., 12mo. In fair condition, on aged paper, with slight creasing and chipping at head. In answer to an enquiry, he states regarding 'the Portrait of the Marchioness of Abercorn' that 'though Mr Moon & I have not yet completed our arrangements I consider that the Plate is his property & not mine as you appear to have been informed'. He concludes by thanking him 'for the favorable opinion you are pleased to express both of the plate in question & the engraving'.

[George J. Stodart, engraver.] Signed engraving, from a photograph, of Dr Evan Buchanan Baxter, Professor of Materia Medica at King's College, London.

Author: 
George J. Stodard, British engraver [Dr Evan Buchanan Baxter (1844-1885), Dr. Evan Buchanan Baxter, Professor of Materia Medica at King's College, London]
Publication details: 
Without place or date. [1880s.]
£50.00

On piece of 21 x 13 cm India paper, laid down on a piece of thick paper, 33 x 24cm. The engraving is small in comparison, measuring around 8 x 6 cm, and showing a formally dressed and bearded Baxter's head and shoulders, facing to his right. Aged and dusty, with crease line to the mount at the foot. Stodart has signed in pencil in the bottom right-hand corner of the engraving paper, and the crease line bissects the signature and its underlining. At bottom right of mount, in pencil: 'Dr Baxter | Kings College'.

[William Upcott, antiquary and autograph collector.] Autograph Letter Signed ('Wm. Upcott') to the music publisher and collector of Napoleana John Davis Sainsbury, requesting the loan of plates to be engraved by Charles John Smith for Henry Colburn.

Author: 
William Upcott (1779-1845), antiquary and autograph collector [John Davis Sainsbury (b.c.1793), music publisher and Napoleonic collector; Charles John Smith, engraver; Henry Colborn, publisher]
Publication details: 
102 Upper Street, Islington. 18 February 1836.
£120.00

1p., 12mo. Good, on lightly-aged paper. Addressed to 'J. Sainsbury Esq'. The letter reads: 'Dear Sir | My friend, Mr Charles Smith, is engaged by Mr. Colborn to engrave the portraits of Sir Hudson Lowe, Madame Bertrand and M.

[William Henry Hunt, English artist.] Autograph Letter Signed ('W. Hunt') to 'Mr Georges' of Hastings, regarding his drawing 'The Gamekeeper'. With two proofs of a print of the work by Edward Smith, and explanatory letterpress.

Author: 
William Henry Hunt (1790-1864), English watercolour painter [Edward Smith (fl. 1823-49), engraver]
Publication details: 
Letter: No place. 17 January 1831. The other three items undated.
£180.00

Letter: 2pp., 4to. In good condition, on lightly-aged paper, in a windowpane mount. Addressed to 'Mr Georges | East Beach St | Hastings'. He begins by explaining that he did not call on Georges while in town as he was indisposed, and goes on: 'with respect to the drawing it is a portrait of a game keeper in the service of Charles Dixon Esqre Stanstead Park the identical drawing was never exhibited but about five years since I had a longer drawing of the same figure with more game dog and other matter, painted for the above gentleman'.

[John Raphael Smith, mezzotint engraver and publisher.] Autograph Letter Signed ('J. R. Smith') to the architectural writer James Elmes, informing him of the progress of a work and that he is sending two proof plates. Carrying 3 signed notes by Elmes

Author: 
John Raphael Smith (bap. 1751, d. 1812), mezzotint engraver and print publisher [James Elmes (1782-1862), writer on architecture]
Publication details: 
'Newman Street. 33. [London]'. 17 June 1811.
£120.00

1p., 4to. Bifolium. Very good, on lightly-aged paper. Addressed on reverse of second leaf to 'James Elmes Esqre.' At the head of the letter Elmes has written: 'From J. Raphael Smith the celebrated mezzotinto Engraver | J Elmes', and down the bottom right-hand corner: 'From J. Raphael Smith, Painter in Crayons & Mezzotinto Engraver to Mr Elmes, with 2 proof prints | J. E'. At the foot of the page Elmes has identified 'Mr. Tooke' in the letter as 'Horne Tooke J.E.' Smith writes: 'Sir | I have sent you an impression of Sr.

[John Hall, engraver.] Autograph Letter Signed ('Jno: Hall') to Thomas Pennant, regarding his portrait of the Admirable Crichton for Pennant's second 'Tour in Scotland', carrying an impression of his seal in red wax.

Author: 
John Hall (1739-1797), English engraver [Thomas Pennant (1726-1798), Welsh antiquary]
Publication details: 
Cheney Walk, Chelsea [London]. 7 February 1774.
£120.00

1p., 4to. Bifolium. In very good condition, on lightly-aged paper. Addressed on reverse of second leaf 'To Mr: Pennant | Downing in Flintshire', with two postmarks, and carrying a fair impression of his seal, cracked but intact. The letter reads: 'Sr | The portrait of ye Admirable Crichton is very near finished - I shall send you a proof in a few Days - Shall be oblig'd to you - for what writing you propose under the Head - that I may get it done in theh neatest manner'.

[James Mitan, engraver.] Autograph Letter Signed ('J Mitan') to the print collector Robert Balmanno, arranging an exchange of prints by Abraham Raimbach between Balmanno and the engraver Charles Heath.

Author: 
James Mitan (1776-1822), English engraver [Robert Balmanno (1780-1861), Scottish author and print collector; Charles Heath (1785-1848), engraver; Abraham Raimbach (1776-1843), engraver]
Publication details: 
63 Warren Street, Fitzroy Place. 2 December 1814.
£220.00

2pp., 4to. 18 lines of text. In bifolium. Good, on aged and creased paper, with strip of page to which the letter was attached adhering. Addressed, with red wax seal, on reverse of second leaf, to 'R. Balmanno Esqre. | 3 Middle Temple Lane Temple'. He begins: 'Having some communication last week with Mr. Charles Heath in the course of conversation he was regretting that he could not procure any proofs of plates engaraved by Mr. Raimbach - now as your Kindness gained me what I wished of his performance with an obliging offer of something more it occurred to me to solicit fom Mr.

[David Lucas, mezzotint engraver.] Autograph Letter Signed to the painter David Roberts, giving his terms for relinquishing his interest 'in the plate I am engraving from your picture of Jerusalem'.

Author: 
David Lucas (1802-1881), English mezzotint engraver [David Roberts (1796-1864), painter; Royal Academy of Arts]
Publication details: 
London. 9 January 1855.
£135.00

1p., 16mo. In good condition, on aged paper. Addressed to 'David Roberts Esqre. R.A.' The letter reads: 'Sir | I will relinquish all claim on and interest in the plate I am engraving fom your picture of Jerusalem and make it over unconditionally to you on your paying me the sum of Fifty pounds. I hereby bind myself to this offer until tomorrow'.

Six pencil sketches by E. J. Sullivan for illustrations in the Pall Mall Budget, including ones to the H. G. Wells stories 'The Stolen Bacillus' and 'The Thumbnail'. With autograph notes by Sullivan for an apparently unpublished short story.

Author: 
E. J. Sullivan [Edmund Joseph Sullivan] (1869-1933), English book illustrator [H. G. Wells; The Pall Mall Budget, London]
Publication details: 
Undated [five of the illustrations appearing in the Pall Mall Budget, London, in May and June 1894.]
£850.00

The six illustrations and seven pages of text totalling 13pp., 4to (22.5 x 18cm), on seven leaves of laid paper removed from an album. On aged brittle paper, with chipping and slight loss to the edges. The illustrations are simple sketches, indicating the layout of the page, with titles and occasional words of text by Sullivan. Five of the six designs are for the Pall Mall Budget: 'The Thumbmark by H. G. Wells' (28 June 1894), thumbmarks around title and a newspaper seller with headline reading 'Anarchist Outrage'; 'The Stolen Bacillus by H. G.

[E. J. Sullivan, English book illustrator.] Page of pencil sketches of girls dancing, captioned 'The poppy', 'Sheperdess' and 'Mamma's [sic] little Alabama Coon'.

Author: 
E. J. Sullivan [Edmund Joseph Sullivan] (1869-1933), English book illustrator
Publication details: 
Without place or date. [Circa 1894?]
£160.00

1p., 4to (22.5 x 18cm). On laid paper. In fair condition, aged and with slight chipping. The sketches are crude but attractive, headed with a line of three girls in black stockings and petticoats shaking a leg, with the phrase 'The poppy' in the top left-hand corner, and a line of girls at the foot, with an oriental male figure with cane in the background, captioned 'Mamma's Alabama Coon'. Two sketches of the 'Shepherdess' at bottom right, with usual broad-brimmed hat and crook. Hattie Starr's 'Little Alabama Coon' took London by storm in 1894.

[Three coloured plates, tipped in onto three leaves in an illustrated portfolio.] The Bookman Portfolio. Containing Plates in Colour by Jessie Willcox Smith. Illustrating The Water Babies, by Charles Kingsley.

Author: 
Jessie Willcox Smith (1863-1935), American children's illustrator [Hodder & Stoughton Limited, London publishers; Charles Kingsley]
Publication details: 
Hodder & Stoughton Limited, Warwick Square, London, E.C.4. Christmas 1920.
£120.00

Each of the three coloured plates is 19 x 14 cm, and each is laid down on a piece of 31.5 x 20.5 cm cream textured paper, each mount with caption and vignette printed in green. The three are placed in a portfolio, made of the same textured paper as the mount, with the front carrying the title, publishers' details, and an illustration (of underwater baby balancing on a fish). In fair condition, aged and with wear to extremities.

Manuscript copy of letter from William Lock to Alexander Murray, complaining from Italy about the result of the sale of his books and prints, discussing his estate, and planning the sale by Sotheby of his own paintings and those of Henry Fuseli.

Author: 
William Lock (1767-1847), painter, son of the connoisseur William Lock [Locke] (1732-1810) of Norbury Park, Surrey [Henry Fuseli; Samuel Sotheby; Alexander Murray; John Julius Angerstein]
Publication details: 
2 June 1821. Florence, Casa Quaratesi, Piazza Ognissanti.
£150.00

1p., 4to. Neatly written out in a contemporary hand (presumably the recipient's), with 'Copy' at the head. In very good condition, on lightly-aged laid paper with watermark of 'W D WELLS'. Signature transcribed as 'Wm. Lock'. Lock has just received Murray's letter of 18 May, 'giving me an Account of the Sales of my Books and Prints which is so much below what I had reason to expect, that I must beg you to apply only One thousand to the Payment of my Debt to my Fathers Executors'.

Two sets of printed 'Plans of the New Royal Westminster Ophthalmic Hospital, Broad Street, London, W.C.2.' by Adams, Holden & Pearson.

Author: 
[Charles Henry Holden (1875-1960), English architect; Adams, Holden & Pearson, London architects; The Royal Westminster Ophthalmic Hospital, Broad Street, London, WC2.]
Publication details: 
Without date or place. [London, c.1926.]
£120.00

The two plans are both in good condition, on lightly-aged paper: each printed in black ink on one side only of a piece of white paper, and both folded twice. The first is landscape, 28 x 40.5cm, and carries the 'FIRST FLOOR PLAN' on the left, and 'GROUND FLOOR PLAN' on the right. The second is portrait, 40.5 x 29.5cm. It has two 'TYPICAL WARD PLANS' (third and fourth floors) above two 'SECTIONS A.B. & C.D. OF ELEVATIONS'. The Royal Westminster Ophthalmic Hospital was established on High Holborn in 1816.

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