DRAWINGS

Ten of the engravings carry Crowquill's name; the other eight can be attributed to him stylistically. In good overall condition, on aged paper, with a few of the eighteen lightly creased or worn, and one bearing traces of previous mounting. Seven of the engravings are proofs of vignettes and initials, ranging in size from 10.5 cm square to 22 x 18.5 cm.

Each proof is on 29 x 23 cm paper, and each is laid down on a piece of 38 x 31.5 cm card. In good condition, on lightly-aged and spotted paper, with wear and bumping to mount. The first engraving The Spectator for 23 December 1848 carried an advertisement by Cundall for 'ILLUSTRATED WORKS BY LADY AMATEURS', at the head of which was 'THE BABES IN THE WOOD. Illustrated with Ten Original Designs, Etched on Steel. | Colombier 8vo. price 1l. 1s.; or Coloured after the Drawings, 2l. 2s.

Landscape on 16 x 12 cm paper. Dimensions of plate 12.5 x 18.5 cm. In very good condition, lightly-framed. Signed in pencil 'Frank Short' at bottom right outside the plate. The mezzotint itself (a cloudy view of a bay, with shipping in the background) is 5.5 x 10.5 cm., within a 7 x 12 cm printed frame. Outside the frame, in the bottom left-hand corner, is an engraving of a pheasant on reeds by a river. The title is at the head, with the list of the twelve engravings down the right-hand side of the mezzotint, and the publisher's details beneath it in the bottom right-hand corner.

2pp., 12mo. Bifolium. Good, on lightly-aged paper, with reverse of second leaf laid down on part of leaf removed from album. Addressed to 'Fredk Chapman Esq', the letter reads: 'My dear Sir, | Will you hear what Mr Swaine [sic] (long since principal engraver upon Punch) has to say & if you can serve him you will oblige | Yours very truly | Mark Lemon'.

Placed within a 35 x 45.5 cm frame, with 25 x 35.5 cm window. In good condition, with unobtrusive 2.5cm closed tear at head. Dimensions of image 34 x 22 cm, with engraved caption beneath: 'A PARLIAMENTARY EXAMINATION TOUCHING CERTAIN CURIOSITIES IN THE BRITISH MUSEUM', and 'MC.LEANS MONTHLY SHEET OF CARICATURES NO. 41' running up the left-hand side of the border.

The sheet is 38 x 27.5cm; and the dimensions of the plate are34 x 25cm. At foot of plate: 'London, Published by Thos. Mc.Lean, 26 Haymarket, 1824.' The engravings, each 11 x 8cm., are arranged in two rows of two. In good condition, lightly-aged and with a torn pin hole at head, presumably where the print was torn from its string. Moving clockwise from top left, the prints are as follows.

The engraving, which is not in the collection of the National Portrait Gallery, is on a piece of 19 x 14 cm paper, with tissue guard. The image measures around 8 cm square, and shows Landor's head in profile, looking to the left, with 'A. D'Orsay' beneath to the left, and 'H. W. Smith' beneath to the right. In good condition, lightly-aged, with small stain to one edge of border. Attached to a piece of paper, along with the piece of Landor's autograph, which is on a 1 x 18.5 cm strip of grey paper cut from a letter, and is in fair condition, lightly-creased.

On a piece of paper 20 x 22.5 cm, with the dimensions of the image 16.5 x 22 cm. Caption at foot: 'A Drawing on Paper transferred on Stone', with 'Drawn by S. Prout' beneath the bottom left-hand corner of the image. In fair condition, on lightly-aged paper, with the image clean, and foxing to the caption strip at the foot. Laid down on a leaf removed from an album. The original print, from the English edition of Senefelder's book, published by Ackermann in 1819, and not the version reprinted in 'Lithography and Lithographers' by E. R. and J. Pennell (London: T. Fisher Unwin, 1915).

In black and white. Dimensions of paper 15 x 20 cm; dmensions of plate 13.5 x 18.5 cm. In good condition, lightly-aged. Cameron's actual signature ('John Cameron') is in blue ink in the bottom right-hand corner of the card; his facsimile signature is in the bottom left-hand corner of the print, with 'Junk Shop | in Chelsea' in the bottom right-hand corner. A detailed, cartoony image (with Ronald Searle undertones), depicting a stretch of three houses in a terraced street, with a number of customers rooting through junk in front of a corner shop.

Most of de Lairesse's plates were, as the British Museum Department of Prints and Drawings notes, 'originally published by Nicolaes Visscher, who published a collected edition under the title "Opus Elegantissimum" in c.1675. The BM holds an album bound in vellum containing the Gerard Valck edition of 'Opus Elegantissimum', a selection of numbered etchings by Lairesse and 13 unnumbered etchings and mezzotints by other printmakers (Valck, van den Berghe and Blooteling) after Lairesse'.

Both prints in very good condition. David Teniers the Elder: Dimensions of paper 22 x 17.5; dimensions of plate 18 x 14 cm. Captioned 'DAVID TENIERS SENIOR' and numbered 26. Brief biography in French beneath image, and 'P. V. Mol pinxit P. V. Leysebetten sculp'. David Teniers the Younger: Dimensions of page 20.5 x 15.5 cm; dimensions of plate 16.5 x 11.5 cm. Captioned 'DAVID TENIERS' and numbered 58. Short biography in French, followed by: 'Dav. Teniers pinxit Pet. de Iode sculpsit Io. Meyssens excudie.'

Printed on a piece of 14 x 9.5 cm india paper, laid down on a piece of 17 x 11.5 cm card, with rounded edges. Aged and faded, but nevertheless a nice item of Dickensiana. A sensitive study of Dickens's face, above a heavily-faded facsimile of his signature. Printed at the head of the card is 'R. LEHMANN'S PORTRAIT STUDIES.' And at the foot: 'CHARLES DICKENS | FRED.

3pp., 4to. Fair, on lightly-aged paper, with slight smudging to outer margins of both leaves. Addressed to 'My dear Jack'. He is pleased to have heard from Driberg, but disappointed that there is 'no immediate chance' of seeing him, as he has not 'strayed from home for moons.

Original hand-coloured engraving, two hundred years old. Landscape 8vo, with the dimensions of the plate 19 x 24 cm, on paper 20 x 27 cm. In fair condition, on lightly-aged paper, with smudge to top left-hand corner (not affecting the image). A striking and attractive print, tastefully coloured, showing a boat filled with attendants, dwarfed by the Hindu goddess Kali (the Black One), who is garlanded with skulls and wielding a sword in one of her four arms, with a temple in the background.

2pp., 12mo. In fair condition, on lightly-aged paper, with a couple of small spots of glue from mount. Numbered in another hand at the foot of the second page. He writes: 'The Chalcographic Soicety meet at my house on Friday evening next 21st inst | If you can favor me with your company on that evening it will give me great pleasure.' For information about the Chalcographic Society, founded in 1807, see Dennis M. Read's biography of 'R. H. Cromek' (2011).

4pp., 12mo. Bifolium. Aged and ruckled. Doré's huge painting 'The Triumph of Christianity over Paganism' was first exhibited in the Egyptian Hall in Piccadilly in 1867.

Plate: Portrait of 'Peter Morris, M.D. | Printed at the Ballantyne Press'. 'Painted by John Watson. Engraved in alto relievo by W. Lizars.' Dimensions of plate 10.5 x 9.5cm., on 12mo leaf. The frontispiece to the first volume of the 1819 Ballantyne edition of Lockhart's 'Peter's Letters to his Kinsfolk'. In fair condition, on foxed paper. Letter: 4pp., 12mo. On bifolium. Fair, on aged paper, with remains of stub adhering to margin.

Printed on one side of a piece of laid paper 28 x 23.5 cm. The hand-coloured engraving (showing Mathews in riding garb with long whip in foreground, and a coach and four in the background) is 16 x 22.5 cm. Fair, on aged paper, with wear and slight loss to extremities (not affecting the engraving or text), and the reverse showing signs of removal from an album. Above the engraving are the words 'BANG UP - RANDOM, OR TANDEM.' and beneath are the publication details, followed by the full title: Some Push Along With Four In Hand, While Others Drive At Random. Written by J.

A fine plan, so neatly and delicately drawn that it could easily pass for an engraving. The title concludes: '[...] its Defence under the Command of SIR SIDNEY SMITH. Kt. &ca. &ca. &ca. - on the 2nd: day of May 1799.' In landscape on one side of a piece of laid paper, 29 x 42cm, with the plan itself within a 19.5 x 32.5cm border. The drawing and the precise and detailed lettering are in ink, the whole coloured in grey, brown, pink and blue watercolour. On aged and lightly-creased paper, with a couple of small unobtrusive holes. On a scale of one and a half inches to half a mile.

Grant's work has been undergoing a reappraisal of late. According to his entry in the Oxford DNB, 'Every Body's Album' forms a 'substantial body of work, using the tonal qualities of lithography in an extremely subtle manner, and constituting some of his finest work in the medium. The series often made use of a thematic, though not narrative, unity to picture a world in the grip of folly and distraction and can be read on more than one level—as harmless fun, meaningless nonsense, or social critique.' No.

1p., 12mo. Fourteen lines. Good, on lightly-aged paper. He is sorry to have put Monkhouse to 'the trouble of writing', and hopes someday to show him his 'best etchings'. 'I have been exhibiting etchings at R.A. for about 10 years: and my published work has been very favourably noticed in the "Times", "Athenaeum" "Academy" &c. &c.' He is enclosing (not present) an article which 'the Gazette des Beaux Arts' carried on his work, 'so long ago as 1876'.

3pp., 12mo. Good, on lightly-aged paper. A friend of Lupton's 'has just arrived from Paris with a few choice matters, among others is as I understand an extraordinary Collection of Autographs'. Lupton told his friend that Trench was 'no buyer, but from your knowledge of such matters you could advise him'. The autographs 'consist of official documents connected with the Custom House & Police from the time of the first revolution (1790) to the present date, and about a hundred letters'.

All items in good condition, on lightly-aged paper. The letters total 33pp., 12mo; and 31pp, 16mo; with nine on 12mo bifoliums, seven on 16mo bifoliums and two on single 16mo leaves. Nine are on Southgate House letterheads, and two on Winchester College letterheads. All are complete except the last, which lacks the last part. Mostly addressed to 'My dear Aunty' and signed in a variety of ways, from 'J. Bowyer B. Nichols' to 'BBN'. The first letter, dated 4 December 1871, sets the tone, showing Bowyer Nichols to be a precocious and spirited twelve-year-old.

1p., 12mo. On piece of aged and lightly-creased laid paper. The engraving, at the head of the page, is 7 x 9.5 cm., is a stylised full-length depiction of a young man in eighteenth-century dress, wearing a cravat, with hands on hips, standing between two trees. The poem reads 'Dear He - / Or She - / This from me, / Victor B. / Neuburg, to thee.' Second stanza: 'Not me: we, / I forgot, you see.' In bottom left-hand corner, in italics, 'Christmas, 1921.' And in italics in bottom-right: 'The Vine Press, / Steyning, / Sussex.' No other copy found listed.

The four prints are in good condition, on aged paper. Each of the four engravings is on india paper, laid down on a piece of good thick laid paper of dimensions 19.5 x 28 cm. Printed beneath each image is 'Photogravure R.

2pp., 12mo. 21 lines of text. Good, on aged paper. She lists four 'figures of St Alexis' which she has found among her memoranda (the first: 'By B. Lutti - much praised by Lanzi - but I know not whether engraved'). Following the four is 'St Adrian. Domenichius Engraved by Gregori'. She asks: Have you any of these or could you procure them for me?' She will be in town the following day, and is 'in desperation about the St Alexis because the press is stopped for want of him - pray help me if you can!'

1p., 4to. Eight lines. Fair, on lightly-aged paper, with slight discoloration to the blank reverse, caused by tape repair to a short closed tear. In envelope addressed by Gibbings to 'Mrs. de Navarro | P.O. Box 88 | Mont-Rolland | P.Q. | Canada'. He thanks her for her 'nice letter'. He is 'now hard at work on the engravings for my new book "Coming Down The Seine" to be published in the autumn; then I may be going back to Ireland again.' He ends in sending 'every good wish for 1953'.

Note: 1 p, 4to. Addressed on reverse to 'W. S. Tuckerman Esq | Post Office | Boston', with red ink postmark and remains of red wax seal. Good, on lightly-aged paper. Reads: 'Boston 30 Octr. 1843 | [name deleted] Esq | Sir | I have much pleasure in complying with the request conveyed in your letter of Saturdays date. | I remain yours very truly | [signed] Dion: Lardner'. Print: 11.5 x 17.5 cm (including 0.5 cm white border). In good condition, neatly laid down on piece of wove paper, 22.5 x 29 cm, with black ink border.

All 54 are printed on paper 12 x 9 cm. Each is captioned and numbered in roman numerals, with the first as III and the last as XCVII. Carter published his 'Views of Ancient Buildings in England' between 1786 and 1793, and the six volumes contained a total of 120 views. Those LACKING from this collection, in arabic numerals, are 1, 2, 6-10, 15, 16, 18, 19, 21, 26, 36-38, 43, 48, 53, 57-59, 63-66, 69-71, 73, 75, 76, 78, 81-84, 90-94, 96, and 97-120.

Printed in black on two sheets of watermarked laid paper, attached to make a long panel, 84 x 39 cm. Image clear, on worn and aged paper, with minor staining at head (not affecting image), and slight repair to reverse. In bottom left-hand corner: 'G. Herreijns invent. Ao. 1773.' Above this is printed a 19.7 cm rule, marked 1 to 11, to give an idea of scale. In centre at foot: 'Klauberi, Cath., Sermi. et Revdmi. Archiep. et Elect. Trevir: et Episc. Aug.uti et Sermi. Elect. et Com. Pal nec non Cels Princ. Kampidun. Chalc. Aulici, Sculp. Aug.