DRAWINGS

On one side of a piece of wove paper, roughly 400 x 250 mm. Dimensions of engraving roughly 130 x 180 mm. Good, on heavily-foxed and lightly-creased paper. The sketch shows a well-dressed flautist playing his instrument in a market square, with money, clothes and food drawn to him from onlookers as if by magnetism. Beneath the print, in a variety of types and point sizes: 'Speedily will be Published, Inscribed to all Lovers of Tweedledum Tweedle, The Art of Playing upon People: or, Memoirs of the German Flute. Interspersed with The Character of Baron Steeple; [...]'.

12mo (leaf dimensions 16.5 x 12 cm): 96 pp. In original blue printed wraps. Very good and tight, on lightly-aged art paper. Short closed tears at foot of back wrap, and at spine on front wrap and first leaf. Seven full-page engravings by Mate: 'Old Woman from Vologda', 'A Zyrianin', 'Father Varnava, the Monk', 'North Dvina River', 'Church in Putschega', 'Wooden Column in Putschega' and 'An Old Steward'; with three vignettes by eye-witnesses. The series of paintings was executed in Moscow in 1893. No copy at the British Library.

On paper 25 x 20 cm. Plate size 14 x 18.5 cm. Uncoloured. Title beneath print and engraver's details beneath bottom right-hand corner. Image and text clear and intact. On aged, creased and foxed paper with wear and slight loss to extremities. The illustration shows a number of galleons at sea with wind-filled sails. Each is filled with knights whose flags and shields, each bearing different designs and coats of arms, are ranged along the sides. The National Maritime Museum possesses a coloured copy of this uncommon print, which also featured in the Hennin Collection.

8vo (23 x 15 cm), 32 pp. Stapled. Outer pages in blue. In fair condition, with a little damp-staining at the head of the first leaf (with minimal effect on the text), and a tiny dab of the same staining continuing at the corner of each leaf (not affecting the text). Title-page on cover illustrated by C. H. Dennis, showing Uncle Sam sharpening a razor of 'GOOD CUTS'. Note on page 2 begins: 'THIS CUT BOOK contains a few of the many varieties and styles of cuts which we carry in stock and use on your printing free of charge. We have many more and are constantly adding new designs. [...]'.

Steel-engraving, on a piece of thick laid paper, 12.5 x 17.5 cm. Fair, on lightly-aged and foxed paper. Never mounted, and so with no glue staining or other marking to blank reverse. Depicts Camelford's armorial crest, flanked by two birds, with motto 'PER . ARDUA . LIBERI .' At foot, in copperplate, 'Camelford.', with 'C. Catton R.A. del. F. Chesham Sculp.'

Landscape 12mo (leaf dimensions 12 x 16 cm): 27 pp. Stitched with no jacket as issued. Covers a little grubby, but a good copy of a scarce item. Title page and twelve delightful full-page pochoir illustrations by Arnoux, all hand-coloured: 'En temps de Paix', 'Premier contact', 'Le sous-lieutenant', 'Les Indiens', 'Black-Watch', 'Le capitaine et l'infirmiere', 'Les Irlandais', 'Le Major', 'La Mascotte', 'Ship ahoy!!', 'Le bon Ecossais' and 'God save the King'.

8vo: 32 pages. Stitched pamphlet. In small type. Good on aged paper with light wear to covers and dog-eared corners. Text clear and complete. A few pencil notes. Prices are given. The last four pages consist of an 'Extrait du Catalogue de Librairie Furne, Jouvet et Cie, éditeurs'. No illustrations. Scarce: not in the Bibliothèque Nationale, which does however contain a copy of an 1871 catalogue by the firm. No copy on COPAC. The British Library has one of the firm's catalogues from 1890.

India paper engraving (dimensions c. 22 x 16 cms) neatly laid down on piece of wove paper c. 29 x 22 cms. Very good, with the slightest spotting, and with minor creasing and staining to the extremities of the mount. A pensive Murray sits in an armchair, reading a manuscript.

Dimensions of print sixteen inches by eleven inches wide. Mounted on piece of irregular shaped card. 'J. D. H.' in bottom left-hand corner and Cattermole's monogram on barrow in bottom right. Good, with a little light spotting and aging, except for seven and a half inch closed cut from right margin around half an inch from the foot of the print. An attractive bustling street scene, suitable for framing. Original folio version, from John Parker Lawson's 'Scotland Delineated in a Series of Views' (London 1847-1854).

12mo, 61 pp. In original brown printed wraps. Engraving of Sheldonian Theatre on front, otherwise the item is not illustrated. 2864 items, ranging from '1 AARON, Rev. born 1695, engraved by Vertue. 5s 6d' to '2864 Zonelli (Anton. Maria) after Joan. Anton. Faldoni, Man blowing Horn, with hounds. 5s'. Fair, on aged paper, with a few leaves dogeared, in worn wraps chipped at extremities, and with 4.5 cm closed tear at foot of spine. Presentation inscription at head of front wrap: 'R. G. Bartelot. from Fredk. Bennett'.

Only edition. The dimensions of the volume, which is bound in grey paper printed wraps, are roughly 29.5 x 24 cm. It consists of 25 unpaginated leaves and a frontispiece (sometimes lacking). The other illustrations are eight tipped-in plates and a facsimile of a music score. Some ruckling to the wraps, otherwise a good copy on lightly-aged paper. Striking woodcut on front cover, 13 x 16 cm, showing and old Jew with a boy before a table with two candles. An attractive work, delicately and sensitively illustrated with images of Jews at prayer.

Number 17 in an edition of 50. Very good in slightly grubby portfolio. The portfolio is half-bound in black buckram with grey paper boards, dimensions 34 x 27 cm. On front board: 'JOSEF SCHWARZMANN | FÜNF RADIERUNGEN'. Dimensions of mounts and letterpress leaves (in thick cream wove paper) 32 x 25 cm. Initial bifolium consists of title and contents leaves, the latter giving the titles of the five engravings as: '1. Sitzender Junge', '2. Portrait H. W.', '3. Portrait L.', '4. Bäuerin' and '5. Landschaft'.

Landscape sketchbook of eighteen leaves. Leaf dimensions roughly 17.5 x 13 cm. One leaf loose. A further leaf has been removed. Drawings on twenty-five pages and the rear pastedown. Bound in rough grey cloth with printed design on front board. Printed stationer's ticket (label) on front pastedown. Grubby, and with the inevitable pencil offsetting, but good and tight on good paper, lightly-aged but unaffected by damp or stain. Contains some charming images, showing the promise that would win Wright a scholarship to the Royal College of Art three years later.

An important contemporary engraving, apparently unrecorded, with no record of the engraver S. Pearse, or of the Comus Press (probably connected with 'The Comus', a periodical launched in Bengal in 1857). On one side of a piece of wove paper, roughly 22.5 x 28 cm. On lightly-spotted and aged paper. Discreet repair to tear which had split the item in two. A crude but accurate representation of the well and environs, with the following text beneath: 'THE WELL AT CAWNPORE. S. Pearse.| Into which the bodies of the Women and Children were thrown after the Massacre.

Folio, 1 page. Good, on lightly-aged paper, with an edge of the blank reverse bearing a small strip of the grey mount. A formal letter, attractively presented. He is 'directed by the Trustees of the British Museum, in the absence of the Secretary', to convey their thanks for the 'obliging Present to the Museum Collection of Prints, of a Portrait of the late Paul Colnaghi Esqr. Engraved by R Easton, proof'. Interestingly, the National Portrait Gallery does not possess any portrait of Paul Colnaghi.

Landscape bifolium card on good-quality paper. Leaf dimensions 18.5 x 27.5 cm. In good condition, on slightly-aged paper, with a couple of small light patches of coffee staining. Printed in black and yellow. Elaborate design showing a winged youth (something of a cross between Jack Frost and Mercury), with winged heels, clutching a bouquet of flowers, flying over a buiding of modern design surrounded by fir trees. Signed in pencil 'luc simon' in bottom right-hand corner, with the limitation 'H. C. 15/100' in pencil in the bottom right.

Dimensions of leaf roughly seven and a half inches by ten. Good, though grubby and with archival repair to verso. That the piece is a spoof is indicated by the printers slug, in the bottom right-hand corner: '[Spottisnotwood & Co, Printers, London.', the reference being to the leading London printers Spottiswoode & Co.

4to: 8 pp (on the rectos of eight leaves of 28 x 22.5 cm). Unbound and stitched. The letterpress is printed in black on the green paper leaves. The eight engravings are in sepia on 18.5 x 16 cm white paper, laid down within the ruled 23 x 16.5 cm borders of the printed leaf. Cover with light wear and staining, with slight damage to bottom left-hand corner of engraved title. The seven illustrations by Wocher are in very good condition, with only the slightest damage to the top corners of the sixth.

Dimensions of paper roughly twelve and a half inches by fifteen and a half. Dimensions of plate roughly eleven inches by six and a half. On top of a stone plinth two eagles support a crowned crest with shell motif, showing a crowned eagle over a castle. The inscription on the base reads 'DIANAE FABVLAS | OLIM | A DOMINICO ZAMPERIO | PICTORE | VVLGO DOMENICHINO | IN PALATIO BASSANI | PRINCIPIS IVSTINIANI | DE PICTAS'. Apparently the frontispiece or engraved title to an oblong folio volume published in 1713.

National Portrait Gallery no: NPG D913 (only acquired in 1966). Dimensions of paper roughly nineteen and a half inches by fourteen wide. Dimensions of print roughly seventeen and a half inches by thirteen and three-quarters wide. Backed by a piece of cream card. Heavily aged and spotted, and with one small worm hole. Slight loss to lower right-hand corner, not affecting print. Closed tears to mount. Apparently printed before the name, and very likely a proof.

8vo: 21 pp. Stitched and unbound. Tastefully printed on good watermarked laid paper. Aged, and with the covers grubby. Priced and named to lot 113, and with a few of the other lots priced in pencil. A slip, dimensions 2.5 x 15.5 cm, has been cut away from the beginning of the sale (pp.3-4), resulting in the loss of the entries for three lots (12, 13 and 14). Scarce, with no copy listed on COPAC or WorldCat.

12mo: [ii] + ii + 390 pp. In contemporary quarter-binding with burgundy leather spine ('CARTES A JOUER' in gilt) and red paper boards. Top edge gilt. Binder's ticket of Bone & Son, Fleet Street. Tight copy, on aged and spotted paper, in worn binding with damage and loss to spine. In French, with Boiteau's preface dated 'Juin 1854'. Evidently the sheets of the French edition, with Hotten's new title-leaf. An interesting and informative work, with attractive engravings in text by Coppin. Scarce: the only copies on COPAC at the British Library and the National Library of Wales.

On piece of paper 6 x 9.5 cm. Lightly-aged, and tipped-in onto front free endpaper removed from book. A simple design, within a restrained decorative border, consisting of 'William Barnes.' in gothic letters in an arch, centred above a wavy rule beneath which are the words (adapted from the Dream of the Rood) 'BEARNAS AER BEORNAS.' A contemporary note on the endpaper beneath the bookplate (transcribed in a modern hand above it) states that the item came from Barnes's Rectory Sale, 25 November 1886. Uncommon.

On a piece of good wove paper, roughly 415 x 260 mm. Dimensions of engraving 180 x 220 mm. On aged paper and with the margins of the leaf trimmed. Laid down along the right hand margin runs a strip of blue paper, 30 x 410 mm, which it may be possible for a professional restorer to remove. This edges the border of the print (which is clear and entire) and overlaps a few letters of the text. Neatly coloured in sombre tones.

Printed in brown on a piece of watermarked laid paper, 29 x 36 cm. Dimensions of image 18 x 22 cm. On lightly-creased paper, with a few short closed tears to margins at extremities. A bustling scene, from the top storey of a building, showing the traffic of coaches, carriages and carts around the church, which is seen from the front with St Paul's Cathedral in the background. In addition to the pencil signature, the print has the dated facsimile signature 'Hanslip Fletcher 1912'.

8vo: [ii] + xxiv + 178 + [ii] pp. With half-title, and final leaf containing two pages of 'New Publications printed for T. N. Longman, No. 39, Paternoster-Row.' Frontispiece, becoming detached, of 'Catherine II. Empress of Russia, Taken from an Original Bust.' Tight copy, on aged and lightly discoloured paper, in worn and stained contemporary half-binding of chipped vellum spine and corners and marbled boards. Minor staining at foot of frontispiece, title and first leaf of prelims.

Printed on one side of a piece of thick wove paper, 21 x 17.5 cm. At the head of the page is the engraving, enclosed in an oval 12.5 cm high and 15 cm wide. A clear impression of a scarce print, on grubby, spotted paper. Within the border is engraved in red 'Part of Christs Hospital taken from the Stewards Office 1765.' According to the six lines of copperplate text at the foot of the page 'It was 129 feet long and 31 feet in breadth, [...] It was furnished with Books at the expence of £556 . 10s of which £400 were given by the founder, and the remainder by Dr.

Dimensions of print 11.5 x 19.5 cm. At the head of the recto of the first leaf of a bifolium (leaf dimensions 28 x 22.5 cm). The print itself is clear and undamaged, on aged paper. With traces of cuttings mounted onto the internal pages, and closed tear to the blank second leaf. An impressively detailed engraving, showing the bustling port and layout of the city, with church spires and prominent buildings. A copy of the item survives used as a letter home from a German girl in 1855. The copy in the New York Public Library is ascribed to 'C. Magnus, Lith. 22 N. William St.'

Dimensions of print 6.5 x 11 cm. On a piece of paper 7.5 x 12 cm. Neatly laid down on a piece of cream paper 20 x 27.5 cm. Good clear impression on paper with foxing to margins at extremities. A series of three concentric red borders on the mount surround the print. Charming image, with a couple of fashionable couples looking out over a bay with a steamship and sail boats.

Dimensions of print 6.5 x 11 cm. On a piece of paper 9.5 x 16 cm. Neatly laid down on a piece of cream card 15.5 x 21.5 cm. Good clear impression on lightly-aged paper. Charming image, with a couple of fashionable couples looking out over a bay with a steamship and sail boats.