PRINCESS

6.5 x 10 cm piece cut from envelope, with the seal (roughly 1 x 1.5 cm) in black wax (2.5 cm in diameter) attached on a strip of paper. The seal a firm impression in good condition and the envelope fragment in fair condition, on aged paper, strip carrying typewriten caption laid down at foot. The Princess's autograph is unsigned, and simply reads: 'À mon cher petit Léopold.'

10pp., 4to. In fair condition, on aged and worn paper. An accompanying entry from a French manuscripts catalogue states that the letter was sent to the magazine 'The Age', but not printed.

11pp., 4to. Five are signed by Gustave Tuck, three by Desmond A. Tuck and one by Sir Reginald Tuck (the three men being named on the letterhead, together with Sir Arthur Conan Doyle, as the company's directors). Four are addressed to Adams personally, four to his firm (with one for the attention of 'Miss Dorothy Clarke'), and one to Bertram Adams, another royal photographer, with whom Adams shared premises at 43 Dover Street, Mayfair. The ornate letterhead, printed in brown, carries royal warrants and an engraving of Raphael House. On aged and worn paper, with slight damp staining.

The material is laid down and loosely inserted on 39pp. of a folio album with paper covers (the ATS badge drawn on the front). The album itself is aged and worn, but the material inside is in good condition, with light aging.Biographical information on Wynne-Edwards is given in a loosely-inserted copy of an autograph letter to 'Mrs.

Four pages, sm. folio, 104 entries, staining, tearing on folds, and chipping but text clear and complete.These are accounts of the executors of Frances Seymour (1599-1674), Duchess of Somerset, dated 28 May 1678. The first half page is a list of the charges, or amounts received by her executors. This totals £30,444 2d 6p and includes inventoried goods, rents, fines, and sales of property.

Both items in good condition, with minor signs of age and wear. The black and white photographic print is 24.5 x 19.5 cm, and depicts a chubby Hall, in shirtsleeves and tie, leaning over a seat at the back of a darkened theatre, with a positive look of concentration on his face, as he stares at the stage, a playscript in his hand. The reverse carries two stamps by 'Tony Armstrong Jones, one of them declaring his copyright. Also on the reverse are pencil calculations of dimensions for cropping for publication.

4pp., 12mo. Bifolium. In good condition, on lightly-aged paper. She apologises for troubling her 'with a few very important questions referring to the Biarritz life. I mean the Butcher's shop at Bayonne you spoke to the Baron about. Where does the dear man live? Also how have you settled to keep the meat fresh?' She asks for instructions so that she may inform her cook, 'a German who speaks a few words of french & a sort of nigger English'.

On a piece of 12 x 19cm paper. Discoloured and chipped, and laid down on an 8vo leaf removed from an album, with cut-out printed family crest letterheads in various colours on reverse. At head of page, in another contemporary hand: 'H. R. H. Princess Sophie's handwriting'. The letter is written in a difficult hand, and begins: 'The Princess Sophie returns Mr Clarke the enclosed Letter, & she also sends the sum of £1 .. 8 .. 9 for the 4 yds & 1/2 of <?> <?> he was so obliging as to purchase for her.' The letter continues with a request, ending '[...] this is much the fashion'.

1p., 12mo. In fair condition, on lightly aged and worn paper. Folded twice, with vertical closed tear along crease at head, unobtrusively repaired on reverse with archival tape. Clearly in response to a request for an autograph. Reads, in a bold hand, 'From | Princess Marie | Louise'.

[44]pp., 8vo, paginated 487-530. Rebound in modern red cloth binding, with red leather label on cover, with title 'ADDRESS TO HRH PRINCESS CHARLOTTE' in gilt. In fair condition, lightly aged and worn.

The photographs come from a range of news agencies (Associated Press; UPI; Publifoto Roma; Keystone; Dalmas-Orion; APIS Paris; Agence France-Presse; AGIP; Europress; Telephoto), and range in size from 20 x 30 cm down. The collection is in fair overall condition, but some of the prints are dogeared and worn, and others are affected by damp, which has attached a couple of them to one another. A few of the prints are marked up on the reverse for publication.

Both items are in an envelope addressed to the Duchess at 3 Belgrave Square. The envelope and its contents are on aged and creased paper. LETTER: 2pp., 12mo. Bifolium. Knowing that the Duchess is 'a well-known artist', she is offering her 'services as a model'. 'I was permanent model to the late Lord Plunket [sic] and have been painted by Cathleen Mann, Simon Elwes, Sir John Lavery, T. C. Dugdale, David Jagger and several other well-known painters.' She describes her appearance and asks to be granted an interview. POEM: 2pp., 12mo. In pencil. Unsigned, but clearly by Maitland.

2pp., 12mo. Bifolium with mourning border. In fair condition, on aged and lightly-creased paper. The Prince's handwriting is none of the best, and even his signature is illegible. The letter reads: 'Dear Mr Garth | I am very sorry to hear of the

5pp., 12mo. In good condition, on lightly-aged paper. The letter begins: 'Dear Freda | I think you may like to hear about your doll & the Princess Mary. The doll had a beautifully written card tied to it, saying it was the work of the youngest member of the Freeland Institute. Then it was put on a table with the basket of flowers for the Queen.

2 vols, 8vo. Vol.1 (1906): [8] + 106 + [1] + 17. Vol.2 (1907): [6] + 97pp. Both volumes with frontispieces and several plates. Both in original red cloth bindings with Sprot's crest in gilt on front board, and all edges gilt. Both in fair condition, on lightly-aged paper, and with the first volume (despite slight damp staining to the binding and damage to one plate) better and brighter than the second, which has wear at the foot of the spine.

On one side of an 11 x 17.5 piece of light-blue paper. In good condition, on lightly-aged paper, with two fold lines (not affecting signature). The signature is written in pencil, and reads 'Rambahadur Limbu V.C.' Beneath the signature, in blue ink, is the signature of 'Ranjit Rai', and beneath this, in a different blue ink, an indecipherable signature. With newspaper cutting, dated 28 September 1966, of article titled 'After the glory - it's back to the jungle'. The article carries two photographs of Limbu.

Princess Charlotte of Wales, the only child of the Prince Regent, died in 1817 at the age of 21. Many poems of mourning were published, but whether Evans's was among them is uncertain. Both drafts are in good condition, on aged paper; the first with short closed tears to the spine. DRAFT ONE (the earlier?): Title: 'Verse on the Death of the Princess Charlotte', altered from 'Threnodia Augustalis, Odes on the Death of the Princess Charlotte'.

The two volumes folio, 20 pp, and folio, 18 pp. Both in the same neat hand and in uniform original bindings of green boards, with green cloth spines and white decoratively-cut paper labels on front covers, each carrying a description of the contents addressed to 'Königin Adelheid von Großbritannien'. The first account book (1844-1845) has part of the second leaf (pp.2-3) torn away; and the second (1847-1848) is lacking the fourth leaf (pp.9-10).

4to, 1 p. 7 lines. Clear and complete. Fair on aged and lightly-creased paper. He is returning 'the leaf of your Peerage', which is 'quite correct in the part more immediately concerning me & in all other's [sic] as far as I have observed'. He makes a suggestion regarding Lord James Stuart'.

Square of paper, neatly torn from letter. Lightly-aged and creased. On one side firm signature ('Yrs truly | Dudley Coutts Stuart'), with docketting at foot ('Lord Dudley Coutts Stuart | "The friend of the Poles" -'). On reverse: '<...> a select Committee - A short time I obtained a return of a memorial presented him to the Court of Directors'.

12mo, 1 p. Eight lines. Text clear and complete. Fair, on lightly-aged paper. Begins 'The Queen has signed the Warrants, but things [sic] there is a mistake, as Duncan's Salary is but 80 L.' If her page's salary is £200, 'another Warrant must be made out [...] Mr. Rowland will do well to inquire about it.' The Queen's entry in the Oxford DNB stresses that she was never 'able to manage her money'.

Letter One: 12mo, 4 pp. Bifolium. 75 lines of text. Clear and complete. Good, on lightly-aged paper. Expresses regret at 'Morten Edens melancholy death, so young & so clever as he was'. 'There is great talk of Peace. We hardly know if to believe it - few will be sorry should the news prove to be true, as I think most of us have had enough fighting. Apparently refers to his sweetheart under a cypher. She has not written to him, but 'London gaieties have little time for correspondence'. 'The weather here is something awful - cold & wet, fogs & sleet.

16mo (roughly 11 x 8 cm), 1 p. Creased and ruckled, and with slight discolouration from previous mounting, and with a piece of the mount adhering to the blank reverse. Reads 'My dear Sir | I thank you for your letter and the information it contained. I write to Paris to have PP' book as soon as it is out. | Yours truly | [signed] Elisabeth'. Signature stylized to the point of illegibility. Piece of mount docketed in contemporary hand 'Elizabeth late Queen of Prussia'.

12mo, 1 p. Slight damage and loss at head, affecting one line of text. The seal, with a clear impression of a crown above the letters 'A R'., in a rectangle roughly 1 x 1.5 cm, adheres to the reverse of the second leaf of the bifolium, which also carries the name of the recipient, and has been repaired with tape along one edge of the recto. The letter is of 15 lines, and consists of directions as to where to place guests. For example 'Miss Murden Maid of honours room. her maid next to her. Miss Mitchell Bedroom up Stairs, her maid in the Closet within her room.'

Two pages, octavo. Very good on lightly aged paper. She is sending all her autographs 'and my index for them. I also venture to send my photo: Album hoping that at some leisure moment you wd. kindly have these pasted in for me.'