DESIGN

4to: 22 pp. Leaf dimensions roughly 280 x 210 mm. Ring binder in original card wraps printed in red. Very good in lightly-spotted wraps. Ring binding slightly rusted. Features ten pages of bright, striking and attractive label designs. The first page shows four 'Colours of Design Separated' for 'William's Extra Stout'. The second page shows, in four diagrams, how 'The colours are printed one after the other' on a label for American Cream Soda. Another page shows the design for 'Smith & Jones Ltd Nut Brown Ale in three colour combinations. Other products include S.

12mo: 1 p. Eight lines of text. Good, though creased. Letterhead printed with the words 'Joan Hassall' and a 5 cm short rule decorated with a tiny dove. She apologises for the delay in sending 'this signature': 'I lost your nice little piece of paper, and then I broke my pen.' Disspain's 'letters of appreciation' give Hassall 'very real pleasure' and she is 'most grateful' for his 'good opinion'.

Printed on one side of a piece of thick wove paper, watermarked 'G REIG', roughly 53 x 41 cm. Worn and a little spotted and grubby, with creasing and wear to extremities, but good overall, with text and design clear and entire. Handsome boldly designed certificate. Not filled in and with no manuscript additions whatsover. The illustration, an oval roughly 12 x 17 cm, shows the ship approaching white cliffs on shore, with a boat containing seven natives in the foreground.

12mo, 2 pp. Good, on lightly aged paper with two punch holes to the the outer edge of the first page. He apologises for troubling Rogers: 'I have not heard from yet.' Asks if Rogers would mind 'writing to ask him why he wont pay up.' Hopes Rogers is 'quite well by this time. | My panel is in the frame and finished. I want you to come and have a look at it one Sunday morn.'

All six items are good, on lightly aged paper, with pin holes to the top left-hand corners. Gloag's first letter (4to, 1 p, 13 lines) concerns a 'most unfortunate error, made by the Rotary Club of London in printing a paper which I recently gave on "Design in Industry,". The copy of Gloag's letter to Read (typed, 17 February 1950, 4to, 1 p) reveals this to have been the describing of Gloag 'on the luncheon menu as an "R.D.I." ' In the copy of Luckhurst's reply (12mo, 1 p, 16 lines) he comments that he has 'read enough press reports to know how unavoidable such things are'.

The first three items are 4to, with the first two of two pages and the last of one page, all with a brown border. The fourth item is 12mo, 1 p. The quarto items have some creasing and discoloration to the extremities, and a few closed tears. The 12mo item is good. Text of all four letters clear and entire. The correspondence concerns Crouch's application for membership. He gives the names of individuals who 'have signified their willingness to second' Crouch: Sir William Wayland, M.P.

Two pages, 12mo. Good, on lightly aged and creased paper. 'In the rush of finishing [his] Academy work' he finds Wright's letter 'among numerous others unanswered'. He will be returning to London in a fortnight 'and shall have great pleasure in sending you the bookplate together with an early one. Also my autograph &c.'

4to: 1 p. 21 lines. Very good, with a little wear to extremities. Headed 'Re Competition of Industrial Design'. The School have been 'working to' the 'Copy' they were sent 'giving full details of the Book Production competition' and dated 1924. 'Yesterday I discovered that the details, as regards sizes did not correspond to the first circular I received previously, announcing the Competitions, and dated 1925. [...] We have worked to Demy octavo as it was in the Copy. Our printing classes have now finished for the season, therefore no alteration can be made with their designs.

The collection is in very good condition, with a few staple and pin holes. Gray's letters are signed 'Milner Gray' and occasionally 'Milner'. All but the first two, which are on Society of Industrial Artists letterheads, are on Design Research Unit letterheads. An early letter (5 April 1949), to Kenneth Luckhurst, Secretary, Royal Society of Arts, apologises for and explains a 'difficulty' which has arisen 'over the fees we estimated for completing the necessary working drawings and supervising construction of the permanent display screens for the Society's headquarters'.

British stage designer (died 1971), painter, writer and lecturer. Both items one page, octavo, and very good, though lightly creased. Both signed 'Maxwell Armfield'. LETTER ONE (docketed and bearing R.S.A. stamp): He has read the lecture by 'Mr. Davis', 'with great interest [...] our opinions on the subject seem to be identical! I should like to meet him some time if he is an accessible sort of person. [...] a series of such lectures issued as pamphlets with attractive titles would do a great deal towards a better understanding of the problem'.

British industrial designer (1895-1961); Chief Instructor, Design, Royal College of Art, 1925-35. The two carbons to Capey from Luckhurst, one page, 12mo; the other three letters, one page, quarto. All very good, though somewhat dusty and lightly creased, and with staple holes to the top left-hand corners. Throwing useful light on the state of post-war art education, the correspondence concerns a request to Luckhurst from 'one-time Fellow of the Society' Hollewell for 'information and advice in regard to my daughter's future training'.

Dimensions six inches by eight. Four of the photographs very good, the other good, but with staining in one corner (capable of professional cleaning). Good, clear, professional images against a black background. The goblet was commissioned by Bonham Carter from Whistler as a wedding present to the present queen of England on her marriage to the Duke of Edinburgh. The body is etched with intricate images and the words 'Elizabeth | so be it ever, joy and peace. | And mutual love give you increase, | That your posterity may grow | In fame, as long as seas do flow.

Scottish engineer (died 1967), noted for his innovative design of a gas turbine engine. One page, 12mo. Very good. Pinholes to one corner and bearing a date stamp. He is honoured to be nominated as a fellow of the Society, and encloses the proposal and a cheque (neither present), thanking the Council 'for the kind invitation extended to me'. Signed 'H. Sammons'.

Architect, teacher and antiquary (1872-1955). One page, 4to, folded twice, in very good condition. He thanks him for sending 'the drawing of your commercial buildings'. He is working from it, and will return it shortly. Those at the school appear 'satisfied with the new gymnasium'. 'Good progress is being made with the main building.'

Fashion designer (1925-85). One page, 4to, with letterhead in black and light blue redolent of the nineteen-sixties. "Dear Sir, / Thank you for your letter of February 14th. We are most interested to hear of your connection with the election poster and I am enclosing it herewith since we have ourselves finished with it and it will no doubt be of interest to your family." Minor creasing, but otherwise in good condition.

Illustrator (1893 or 1896-1940). Crude sketch in pencil, on piece of lavender paper, 6¼ inches by 3¾, of garret with two beds, headed "Housemaster", and with "Drorn [sic] in the dark at the Apollo - / - / Aubrey Hammond / 1936 -" written beneath it. Mounted on fragment of blue paper carrying typewritten label and showing traces of brown paper strip.