ENGLISH

One page, 12mo, crupled but text clear and complete: "I shall have very great pleasure in diding with your Ladyship on Monday next - & some of the Ladies will be most happy to follow me in the evening. [...]" Note: joint author of 'Rejected Addresses'.

Postcards, c.11 x 9cm, some smudging but mainly good condition, text clear and complete. Postcard One: "Dear Mr Wynne, | Very best thanks for your valued gift: a fine & distinguished poem."; Postcard 2: "[...] | The books can be got separately & there are cheap editions of those two books any bookseller can secure for you for 2/- & 2/6 each. | I'm afraid London has had enough of my plays. My daughter's paly is not about [?] folk." Two items,

4to, 1 p. Ten lines, edges a little damaged but text clear and complete, on flimsy paper. "You are welcome to the quotation from my school-boy story - if it is worth while. I could have wished, however, that in an anthology of serious prose you had given me credit as a serious writer & chosen something more interesting. With compliments [...]"

Three pages, 12mo, bifolium, good condition. She has found a letter to W.C. Hazlitt from her correspondent about Margaret Hazlitt's diary and asks its whereabouts. Her letter about it in "The Times" had produced no results, and P.P. Howe (extensive writer on her "great grandfather William Hazlitt") would like very much to find it still existed. SAhe concludes, "It is now my care to keep the Grave of William Hazlitt in good order at St Anne's Soho".

The three items in good condition, on lightly-aged paper. All three items are excessively scarce, with no copies of any of them located on either COPAC or WorldCat. ONE (circular letter): 3pp., 12mo. Bifolium. Date number '25' and Shepherd's name added in manuscript.

1p., 16mo. On bifolium. In fair condition, on aged and lightly-spotted paper. The note reads: 'Mr. Webster in reply to Mr. Gotta's note desires to say, with his compliments, that his Picture, in the Royal Academy, is engaged.'

4pp., 12mo. Bifolium. Good, on lightly-aged paper. Docketted by recipient 'Mr. Robinson on my Spanish portraits.' A pencil note identifies the writer as 'Hy Reeve', perhaps the journalist Henry Reeve (1813-1895).

1p., 4to. In good condition, on aged paper, laid down on a grey-paper mount. The letter is addressed 'Gentlemen'. In the first paragraph he explains that having received their letter, he sent 'Dr Clarkes Plates [...] to the Writing Engravers but have not as yet received them back'. He has sent the bearer of the present letter to find out when they will be done, and he has been told to tell them the answer he receives. The second paragraph reveals that the bearer of the letter is himself an engraver: 'I understand that he applied to you for the engraving of one of your Portrait Plates.

1p., 12mo. Bifolium. In fair condition, on aged paper with damp stain along one edge. Addressed on reverse of second leaf to 'Mr. Scott'. He is sending 'by Bearer 4 sorts of french paper, 2 sheets of each, which you will be so good as to see that it is properly prepared before it is used - The grand Eagle with the watermarks will require a great deal of brushing with a hard brush as I think that many of the specks will brush off they being chiefly superficial'.

2pp., 16mo. Bifolium. 21 lines of text. In good condition, on lightly-aged paper. As Doubleday has not 'sent the last', he has 'done your 3rd Cut of "glorious Apollo" from the print alone endeavouring to give the antique style as faithfully as I could.' He thanks him for his 'bit about the "archaic" term', and is certain 'that that [last word underlined] - like many other derivations from Greek & Latin roots, are most frequently used improperly[. T]he taste for hard words is certainly on the increase among all classes - from the advertising tailor upwards.'

1p., 4to. Good, on aged paper. The letter begins: 'Sir | I shew to you my last little effort which is a Copy from Vertues large Print after the Picture by Holbein now hanging in the Council Chamber of Bridewell Hospital'.( A note at the foot of the page reads: 'The above was engraved for the Purpose of Illustrating Pennant Walpole &c'. He notes that the print (not present) was 'engraved as the companion to the last Print I sent you.

1p., 12mo. In fair condition, on aged paper, with traces of mount adhering to the blank reverse. In an apparent attempt to drum up business, Skelton writes:: 'In consequence of your suggestion I presume to request the favor of you to receive a few of my engraved Portraits, to present to the Noblemen & Gentlemen, Members of the Athenaeum Club, and shall be gratified if the enclosed may prove acceptable.'

1p., 4to. On blue-grey paper. In good condition, lightly-aged. He has been trying to get her a acopy of the print, but will not be able to until the following Tuesday. He hopes that this is not too late, and it will give him 'much pleasure in sending it up'.

3pp., 12mo. Bifolium. Good, on lightly-aged paper. An excellent and surprising letter. Lupton begins by saying that he is happy to comply with Mrs Osbornes request for 'two of my Cartes, one for yourself, the other for your Boy! My God Son: who I am glad to know is so well placed in the world. O!

1p., small 4to. In fair condition, on aged and lightly-stained paper. Addressed on reverse to 'Henry Howard Esq R.A. Secy | Royal Academy | Somerset House'. There is no message to Howard, the text only consisting of Bromley's titles: 'No 1 | Head of Juno, Antique, in possession of G Bankes Esqr. Engraved for the Dilettante Society - | No 2 | A Caryatides, being one of the Elgin Marbles | Engraved for the Trustees of the British Museum -'. The two engravings were nos. 945 and 946 in the Royal Academy's 'Ancient Academy' of 1833 (see Literary Gazette, 15 June 1833).

2pp., 12mo. In good condition, on lightly-aged paper. She begins: 'I felt much gratified by yr. kind attention to my request, with regard to my lithographs; I should have sent you 2 or 3 more copies immediately, had I had them by me, in the hope that you might be able to part with them, before the season at Southwold was quite over, - I now take the liberty of charging you with 2 more copies'. She invites Mrs Thompson to visit, and states that her husband will return in three weeks from 'a miss[ionar]y. excursion to the islands of Guernsey &c'.

3pp., 12mo. Bifolium. Good, on lightly-aged paper, with minor traces of mount to the corners of the blank reverse of the second leaf. The letter begins: 'Dear Gilbert | Thomas told me yesterday - at your gallery - that he had heard you had an attack of rheumatic fever'. He hopes that this is not true, as it is 'a most painful complaint', adding: 'I beg that you will give me a line as soon as you feel well, which we al must [hope] will be very soon'.

2pp., 12mo. In good condition, on lightly-aged paper. Scriven begins: 'I am afraid you will have thought I had forgotten to send the plate of Norfolk: the truth is, I decided on doing a few touches to that hand noticed by you & Mr Lackington; and although it was but a very little, I did not like to trust its going without first seeing a proof, as we can never be quite sure, on at all touching the copper, how it may come afterwards.' He ends by sending his 'best respects to Mr Lackington and the rest of your Gentlemen'.

2pp., 4to. In good condition, on lightly-aged paper. He will have to forgo meeting Britton, as he the previous evening he received 'a Message from the Horse Guards to attend there on Saturday at 3 O Cl'. He has 'just finished a Whole Length of Ld Hill, & its on that acct. I am summoned, I was yesterday Introduced with it To His Majesty so you see my present situation'. He will send the prints the following Tuesday, 'as they are in my press'. Turner's engraving of Hill is captioned: 'Painted by Henry W. Pickersgill Esq. R.A. Engraved by C. Turner, A.R.A.

1p., 12mo. Good, on lightly-aged paper. He reports that he shared the 'bounty' of the recipient's 'delicious present' with his brother, who has been 'confined to the house for a month'. He reports that 'Mr Watts and family are well', and hopes that 'Mr Stack is so'.

Each item is 1p., 12mo, the note being the last of the three. All written in green ink, the first on green paper, and the other two on pink paper. The three in very good condition, on lightly-aged paper. Written in an attractive, calligraphic hand. ONE: She writes that she is enclosing 'four rough designs [not present] for the woodcut frontispiece to the "Glade [sic] of Glenbella', and asks to be informed by return of the firm's choice, and she will 'get on with it at once'. She ends with a query about galley sheets. TWO: Docketted with brief pencil accounts.

4pp., 12mo. 55 lines of text, written in a neat, clear hand. On bifolium, with second leaf neatly placed in paper windowpane mount. The letter begins: 'I herewith send the electrotype of the Trowel, [not present] which is I think a beautiful specimen of the peculiar but slow process.

1p., 16mo. On bifolium. In fair condition, on aged and lightly-spotted paper. The note reads: 'Mr. Webster in reply to Mr. Gotta's note desires to say, with his compliments, that his Picture, in the Royal Academy, is engaged.'

4pp., 12mo. Bifolium. Good, on lightly-aged paper. Docketted by recipient 'Mr. Robinson on my Spanish portraits.' A pencil note identifies the writer as 'Hy Reeve', perhaps the journalist Henry Reeve (1813-1895).

1p., 4to. In good condition, on aged paper, laid down on a grey-paper mount. The letter is addressed 'Gentlemen'. In the first paragraph he explains that having received their letter, he sent 'Dr Clarkes Plates [...] to the Writing Engravers but have not as yet received them back'. He has sent the bearer of the present letter to find out when they will be done, and he has been told to tell them the answer he receives. The second paragraph reveals that the bearer of the letter is himself an engraver: 'I understand that he applied to you for the engraving of one of your Portrait Plates.

1p., 12mo. Bifolium. In fair condition, on aged paper with damp stain along one edge. Addressed on reverse of second leaf to 'Mr. Scott'. He is sending 'by Bearer 4 sorts of french paper, 2 sheets of each, which you will be so good as to see that it is properly prepared before it is used - The grand Eagle with the watermarks will require a great deal of brushing with a hard brush as I think that many of the specks will brush off they being chiefly superficial'.

2pp., 16mo. Bifolium. 21 lines of text. In good condition, on lightly-aged paper. As Doubleday has not 'sent the last', he has 'done your 3rd Cut of "glorious Apollo" from the print alone endeavouring to give the antique style as faithfully as I could.' He thanks him for his 'bit about the "archaic" term', and is certain 'that that [last word underlined] - like many other derivations from Greek & Latin roots, are most frequently used improperly[. T]he taste for hard words is certainly on the increase among all classes - from the advertising tailor upwards.'

Letter: 2pp., 4to. In good condition, on lightly-aged paper, in a windowpane mount. Addressed to 'Mr Georges | East Beach St | Hastings'. He begins by explaining that he did not call on Georges while in town as he was indisposed, and goes on: 'with respect to the drawing it is a portrait of a game keeper in the service of Charles Dixon Esqre Stanstead Park the identical drawing was never exhibited but about five years since I had a longer drawing of the same figure with more game dog and other matter, painted for the above gentleman'.

1p., 4to. In good conditon, on aged paper. He begins: 'As both the pictures you bought are to be taken without the frames, I can't take upon me to displace them, without either you or the Artists were present, and more especially Mr. Daniell's, which is framed in a particular way.' Consequently he will keep the paintings, till either the recipient or artists take them away, 'and give me a proper discharge for them'. He ends with his hours of attendance.

1p., 12mo. 16 lines of text. Good, lightly-aged and laid down on a piece of grey paper. The letter begins: 'Dear Madam | I feel quite young again at the idea of the pleasure you promise me, & can assure you, with great Truth, that I shall be happy to be introduced to the young Lady you mention, with whom I am already more than half enamoured: - report speaks so highly of her manifold attractions.' He has such confidence in 'Mr. Price's skill & care as a driver' that he would like accept her offer of a seat in his gig. He ends with his 'best Complimts. to Miss Freston'.