ENGLISH

10pp.,, 8vo. On five leaves torn from a notebook. In fair condition, on aged and lightly-worn paper. A creditable effort, showing the influence of Gray's 'Elegy' and Goldsmith's 'Deserted Village', describing the unnamed farm hand's funeral, and reflecting on the virtues and hardships of the poor. Begins: 'From yonder peaceful and secluded dell, | Snug in the bosom of th'encircling hills, | The perfumed Zephyr bears a passing knell, | And melancholy o'er the Soul distils.

Both items in good condition, on lightly-aged paper. Stamp and label of the Education Department Reference Library, London. ONE: Pamphlet titled 'A Reformed Alphabet'. 10pp., 12mo. Stapled in grey printed wraps. The first four pages carry 'Phonetic Notation. The Reformed Alphabet. For teaching purposes only. Devised by R. W. Leftwich, M.D.' The last six pages carry an essay by Leftwich, beginning: 'The art of learning to read English, instead of being so easy as to form a stepping-stone to higher accomplishments, is really a very difficult task.

68pp., 12mo. In grey printed wraps. In good condition, on lightly-aged paper, with shelfmark, stamp and labels of the Education Department Reference Library, London. Scarce.

The collection in fair condition, on lightly aged and worn paper. With labels, stamps and shelfmarks of the Board of Education Reference Library. A broken run of twenty issues from 1919-1920 to 1930-1931 (12 issues), issue for 1931-1932 lacking, and from 1932-1933 to 1938-1939 (7 issues), and finally the issue for 1945-1948. Octavo, in uniform cream wraps, and ranging in length from 104pp. (first in series, 1919-1920) to 283pp. (last in series, 1945-1948).

Both items on aged and lightly-worn paper. ONE: Invitation. Printed postcard, addressed on reverse to 'Mrs Molanda [sic] Sonnaband, | 30, Hamilton Terrace, | N.W.8.' Tastefully designed, in sans-serif font, the card reads: 'Elisabeth Frink | Basil Jonzen requests the honour of your company at the Private View of the first one-man exhibition of sculpture & drawings of Elisabeth Frink at St. George's Gallery Paintings & Sculpture. 3pm Tuesday 17 May 1955 | 10am to 6pm (1pm Saturdays) 7 Cork Street . London W1'. TWO: Programme.

ONE: (Queen Alexandra's card): With Buckingham Palace letterhead and mourning border. In fair condition, on lightly-aged paper. The card reads: 'I wish to express my heartfelt thanks to all the kind Donars, [sic] of the beautiful wreaths & flowers which were sent as tokens of affection in memory of our beloved King'. TWO (Streatfeild's letter): Signed 'Henry Streatfeild | <?> | Equerry'. 2pp., 12mo. On the first leaf of a bifolium with mourning border. In envelope with printed crown and mourning border, addressed by Streatfeild to 'Mrs. Macdougall-Rawson | Millhouse | Halifax'.

3pp., 12mo. Bifolium. In fair condition, on lightly aged and worn grey paper. The only reference to a 'Tory' in Christabel Coleridge's 'Charlotte M. Yonge, Her Life and Letters' (London, 1903) is to one of Yonge's two kittens, born on the Queen's birthday in 1900. In a letter to Coleridge, 17 July 1900, she states that 'Tory is banished', and on 1 August 1900 she reports that she has seen 'Tory in his new abode - also stepped on him'. It is therefore reasonable to assume that the letter is a playful one, addressed to his new owner.

In good condition, lightly-aged. Addressed to 'Miss Paget, | 28, Campden Hill Square | W.' Reads: 'I will look in this morning at the hour of coffee.'

2pp., 8vo. In very good condition, on lightly-aged paper. She apologises for not being able to be 'helpful on any of your questions'. She does not even possess a copy of her own 'Designing and Making Stage Costume'. 'I have no Motley designs at all, as every one which was in my possession has been sold to the University of Illinois, who have taken the whole collection of about 3000 swatches.' She is glad to hear that he has some of them, 'as it means that there are a few still in this country'.

15pp., 8vo. On twelve leaves torn from an album. With minor emendations, and an essay in another hand on some reverses. Unpublished. The piece begins: 'My collection of catalogues has grown much in the same way as other collections of books. At times I have got rid of many I missed later on and it was only by long experience I found that some things are desirable. First it is better to have each sale bound by itself and this I have carried out except where some association in an existing bound volume would have been destroyed.

On piece of 6 x 10 cm paper. Laid down on 8.5 x 20.5 cm strip of paper cut from album. In fair condition, aged and worn, with a cross in light red ink through text. Bold signature, with date, and titles of two books above. Reads: 'Howells Londonopilis [sic] | Monumenta Vetusta | Thos Allen | Nov 10/24'.

4pp., 12mo. Bifolium. In good condition, on lightly-aged paper. The letter begins: 'Dear George, | The idea contained in your letter is very interesting, and I am honoured to be thought of in connection with it. I am now reading Stevenson's letters, (admirable they are,) and I know from his dealings with American magazines and publishers that the terms offered by the Review are extremely handsome. But I am very late in the day, - in my day, - to be a writing a history; [i.e.

All three items in good condition, on lightly-aged paper. All signed 'Ralph Straus'. ONE: TLS. 6 January 1939. 1p., 8vo. After expressing his willingness to have 'the programme of Wat Tyler and the Bil of Madame Sala for 1827', he expresses his desire to acquire playbills 'of Sala's grandfather, in a King's Theatre ballet 1776 onwards - particularly if it gives his Christian name of Claudio. I know of one in Jan. 1788.

2pp., 12mo. Bifolium. On aged and worn paper. Addressed to 'Walter F. Stocks Esq'. He begins by pointing out that his daughter is not to blame for the late reply: 'it is my own fault my correspondence being somewhat in arrears'.

1p, 12mo. In good condition, on lightly-aged paper, with traces of glue from mount on the blank reverse. Reads: 'The Secretary presents his compliments to Miss Kerr and begs leave to inform her the Composition fee of £35 has been duly paid to Drummond & Co'.

1p., 12mo. In good condition, on lightly-aged paper. Confounding John Preston Neale, author of the ' Views of the seats, Mansions, Castles, etc. of Noblemen and Gentlemen in England, Wales, Scotland and Ireland' (1819-1823) with the poet Henry Neale (1798-1828) he writes: 'Having seen and admired yr. work on the Seats of the Nobility &c. I feel gratified that Lord Foresters House has fallen under your notice.

Pamphlet, 8vo: 50 pp + 8 pp of plates. Stitched. In original blue printed wraps. Minor staining. 56 diagrams in text (figs 1-56), which is followed by 17 photographs (figs. 57 to 73) as plates on art paper. Good, on lightly aged paper, with bottom corner at rear dogeared and slight wear and small stain to wraps. Presentation copy: 'No charge' in pencil on front wrap, which also carries the light ownership stamp of 'P. P. GRIFFITHS' at the head. Scarce: no copy in the British Library or on COPAC.

1p., 4to. On creased and lightly-aged paper, with wear and chipping to edges. She thanks him for his letter 'and for your offer of original potrait drawings by yourself', in which she was 'greatly interested'. She explains that there is a limitation of space, 'and as a general rule we are exhibiting portraits only when we can associate with them some other relic or possession of the writer concerned'. In response to 'our appeal' she has received 'souvenirs of past writers, and I am concentrating on these. This being so, I feel I must very reluctantly decline your interesting offer'.

1p., 12mo. Very good, on lightly-aged paper. He assumes his correspondent refers to an article which 'appeared long ago in the North British Review'. He has only 'a slight recollection of its nature or contents', but the correspondent is 'welcome, so far as I am concerned, to any use of quotations from it that may suit your purpose'.

Both items in good condition, on lightly-aged paper. ONE (13 January 1934): 1p., landscape 12mo. The 'proposed article sounds the sort of thing', but Strangeways cannot accept it until he sees it. TWO (3 February 1934): 2pp., landscape 12mo. He thanks him for sending the article, regarding which he writes: 'if the musicians mentioned in it had been more important or there had been more about them, it wd. have been worth printing; but as it is I am afraid it is not of sufficient interest.' The writer's reference to 'Ranzini' is, Strangeways points out, 'almost certainly' a mistake for 'V.

1p., 8vo. On recto of first leaf of a bifolium. Very good, lightly-aged. Nicely printed, in a variety of types and point sizes: 'Cricket and Lawn Tennis. | SEASON 1888. | Well Oiled & Seasoned CRICKET BATS | BEST MATCH BALLS, | Stumps, Pads, Gloves, &c. | The Demon, Champion, Challenge, Match, Eton, and other Racquets. | LAWN TENNIS BALLS, | By Ayres, Phillips (seamless), Feltham, Bussey, | and Slazenger. | A LARGE STOCK AT ALL PRICES. | AN EARLY INSPECTION RESPECTFULLY SOLICITED. | SPECIAL TERMS TO CLUBS. | T. J.

The seven items in very good condition, lightly aged. From the firm's archive, and produced to its highest standards. Partner John Cheney described himself on his calling card (not present) as a 'Printer in Gold, Silver, and Colours', with 'Specialities in the best class of work', and the company's high standards attracted clients from London's West End. For more about the firm see 'John Cheney and his descendants, printers in Banbury since 1767' (1936), and the Victoria County History volume for the County of Oxford, Banbury Hundred.

From the archive of Cheney & Sons, 'General, Commercial & Artistic Printers, Banbury'. The calling card of partner John Cheney describes him as a 'Printer in Gold, Silver, and Colours', with 'Specialities in the best class of work', and the company's high standards attracted clients from London's West End. For more about the firm see 'John Cheney and his descendants, printers in Banbury since 1767' (1936), and the Victoria County History volume for the County of Oxford, Banbury Hundred. The eight items are in very good condition, lightly-aged.

All four items in good condition, on lightly-aged paper. ONE (8 October 1908): 'Although I am only asking what I am offered elsewhere I am willing to meet you, & to accept Twenty five Guineas for the second serial use of the two stories, - on the understanding that the transaction is for prompt cash.' TWO (16 February 1909): His terms are fifteen guineas, cash.

[v] + 25pp., 12mo. In grey card wraps, with white label on front cover, carrying title in black and red. Internally good, in worn wraps with front hinge torn at head around a third of the total length. Inscribed on front free endpaper: 'with affectionate remembrance | from | F. W. Bourdillon'. The booklet contains ten poems, tastefully printed, and all relating directly or indirectly to the Great War. Titles include: 'The Coming of the Oversea Armies', 'A Lamentation over Belgium' and 'Lord Roberts'. Not common: seven copies on COPAC.

1p., 4to. In fair condition, on aged, creased and worn paper. The poem features under the title 'Liberty Imperilled' in Roberts's collection 'Charing Cross and Other Poems of the Period' (1919), and the context suggests that the poem was composed at the commencement of the First World War. The sonnet begins: 'Not without cause just and unshakeable | Will we surrender up the cherished prize | Of individual liberty, so well | and nobly held'.

42pp., 12mo. In cream printed illustrated wraps printed in green. The body of the magazine is paginated 53-85, with additional pages of advertisements at the front and back, and on the inside and back of the wraps. Aged, and with a little damp damage and rust to staples. From the Lynd archive, and with a full-page photographic portrait of 'Mrs. ROBERT LYND' on p.66. For the purposes of reproduction her daughter Maire Gaster has altered 'Mrs. ROBERT' to 'Sylvia' in pencil, and written 'Courtesy of MAIRE GASTER' at the head of the page.

50pp., 12mo. In light-blue boards, with white label on front board carrying title and illustration of sickle with sheaves of lavender. Internally good, on lightly-aged paper, in worn and aged boards. Uncommon: only three copies on COPAC (British Library, Oxford and National Library of Scotland), with a further four in American institutions on WorldCat. Farmar's only other book appears to have been 'Castles in Spain' (1907). She also produced the lyrics to a song titled 'Bluebell-time', with music by Ruby Holland.

The lecture, which is unpublished, is an interesting personal statement by a neglected Victorian painter who died tragically young. (A rather impressive example of his work, in Turneresque style, titled 'The Heart of the Hills', is in the Maidstone Museum.) The lecture is 30pp., 8vo, in a ruled notebook with embossed black wraps. In good condition, on aged paper with some wear and discoloration. Ownership inscription of 'W. G. Shrubsole | Bangor Decr. 1886' inside the front wrap. The first page is headed 'The Ideal in Art. | by W. G. Shrubsole Dec.

1p., 8vo. Laid down on a piece of card. Aged and discoloured, with chipping to extremities and some loss of text. The poem is sixteen lines long, arranged in two eight-line stanzas. The first stanza reads: '"Sometimes" - Althaea sighed - "in hours of sadness, | A sudden pleasure shines upon the soul; | The heart beats quick to half-heard notes of gladness, | And from the dark mind all its clouds unroll: | How comes this, Poet! You, who know things hidden, | Whence sounds that undersong of soft Content? | What brings such peace, unlooked-for & unbidden! | Answer me!