FICTION

Both items in poor condition, with burn marks and damp damage [fire damaged much of the Society's archive]. Some of the text of the autograph letter has faded, and it may be that the signature to the typed note has washed away. Autograph Letter Signed: 2pp., 4to. He begins by offering to 'oppose anybody' in a debate that Mrs Roscoe is organising (at the Society of Women Journalists).

On piece of paper 19 x 12 cm. Addressed by Pech on one side, with franks and black wax seal: 'London February twenty eight 1830 | J Richardson Esq | Heydon | Aylsham | N W Peach Norfolk'. The reverse carries the conclusion of Lytton's letter, in his handwriting: '<...> remember. - | Begging again to thank you my dear Sir, for your attention & to assure you of my Consideration & Esteem | I am, very sincerely yours | [signed] E. Lytton Bulwer.'

On 12 x 21 cm rectangle, cut from the base of a 4to leaf. Good, on lightly-aged paper, with part of the card mount adhering to the reverse. A firm flowing signature which reads: 'Yours sincerely | Gilbert Frankau'.

1p., 12mo. 10 lines. On bifolium. Good, on lightly-aged paper. She explains that her only publications up to that point are 'Stormbeaten and Weary' and 'Spectre Stricken' ('a Christmas Story'). 'I wish to remain unknown until I can write a book I consider sufficiently good to have my own name - for this reason I have called myself "Evelyn Burne".'

430pp., 8vo, “Biographical Sketch,” unsigned, p. 5–6,bookplate (Presentation), bokseller's label (both inside front cover), very dark red smooth cloth, spine blocked in gold., sl. worn, corners bumped wear to edges of spine, eps foxed, pages stained (mainly sides), ow good. Copy in Parish Collection, Princeton; none listed on COPAC, WorldCat. or Woolf.

2pp., 12mo. Fifteen lines. On bifolium. Fair, on lightly-aged paper. The male recipient is not named. She apologies that 'the crowd of Christmas engagements' has meant that his letter has gone unanswered until now. 'With regard to the question you ask, my feeling is that where an artist and an author can contrive to work well together illustrations are a decided improvement to novels. But it is most trying to an author to see his characters presented to the public in a way utterly unlike his own conception of them.' In her view it is 'clear gain' if a book can be 'well illustrated'.

The 12mo letter has been cut into two sections, both laid down on a piece of mustard paper, with typed caption. Good, on lightly-aged paper. The body of the letter is on a piece of paper roughly 11 cm square. Six lines of text, enclosing 'autograph & quotation' (not present), and apologising for having 'no photo available'. 'Glad you enjoy my books, & thanks for your good wishes'. The smaller piece, with letterhead and Styles's dating, is roughly 8.5 x 3.5 cm.

126 galleys, numbered in type, each 60 x 15 cm, and containing the text of two pages. Text clear and complete. On aged paper, with fraying and light staining to some extremities. Red Simon and Schuster label, with typed publication date and price, on reverse of last leaf. Under seven headings from 'Robots' to 'Marvelous Inventions', and featuring the work of authors from Jules Verne to Brian W. Aldiss. Introduction and linking passages by Knight himself. Although present in the proofs, one story - 'The Mindworm' by C. M.

4to, 13 pp on thirteen leaves, consisting of a covering title-page and with the preface itself making up the remaining twelve pages. Bradbury's inscription, in blue felt-tip pen, is on the title-page, with 'FINAL VERSION! | FEB. 1993' above the title and 'Ray Bradbury | SIGNED JAN. 5, 1994' beneath it. The print-out fax information at the top of each page reads '06-02-1993 09:22 PM FROM ZANA BRADBURY TO 16193205383'. Condition is fair, with the leaves somewhat dogeared and discoloured.

12mo, 96 pp, followed by four-page SPCK catalogue (with first page listing works by the Rev. F. Bourdillon). Text clear and complete. In original olive cloth binding, gilt, stained with damp. Damp damage at rear leaving light staining to corners of last few leaves and catalogue, together with heavier damage to rear endpapers. Traces of Library label on front pastedown. Cloth faded, worn and stained. Bell explains in her preface that 'The poor are excellently well provided with all sorts of books of counsel and help.

8vo, 32 pp. In original yellow printed wraps, with engraving on front. Unopened. Very good, with slight fraying to edges. American tale of 'Tim Timberlick', 'whom everybody liked except Indians, for in past years he had made many of them bite the leaves', and whose 'ranch was well known to hunters, trappers, and miners'. Back cover advertises 'London Library. In Penny Numbers, every Number a Complete Story, containing Thirty-two Pages of matter, book size, in Illustrated Wrapper.' Excessively scarce: no copy on COPAC or WorldCat.

12mo, 32 pp. In original yellow printed wraps, with engraving on front. Front wrap gives title as 'Guerilla [sic] Spy', with full title on p. 1. Unopened. Very good, with slight fraying to wrap and at foot of first leaf. American Civil War story, beginning in 1861. Back cover advertises 'Cheap New Edition of the London Library. In Penny Numbers, every Number a Complete Story, and every Number containing Thirty-two Pages of well-printed matter, in book size, folded into an Illustrated Wrapper.' Excessively scarce: no copy on COPAC or WorldCat.

Both items in fair condition, on lightly-aged and foxed paper. Letter One: 12mo (15 x 10 cm), 1 p. He thanks him 'for the Tickets': 'we are looking forward to seeing you act. I shall be very pleased to come to smoke a cigarette after the first act off the Duel.' ('The Duel' was produced at the Garrick Theatre, London, in 1907.) Letter Two: 12mo, 2 pp. He thanks him 'for the excellent evening you gave me at The Coronet the other night. | The Incubus is an admirable play, and admirably acted.' He hopes France 'had a good week of it': 'I told innumerable people not to miss it.'

4to, 1 p. On aged, worn paper with small area of loss at head (not affecting text). He will be 'pleased to act on the Committee to judge of the stories for filming', and is glad that 'the work will not be onerous'. In a postscript gives the version of his name he wishes given for announcing ('Right Hon. Sir Gilbert Parker Bt.'). According to his entry in the Oxford DNB, no fewer than sixteen of Parker's novels were filmed. As head of British propaganda in America, 1914-1916, Parker had a direct involvement with the medium.

12mo: 1 p. With mourning border. Text clear and entire. Good, on lightly-aged and creased paper. Fifteen lines of text. She is returning the 'very interesting & rich autograph book with what I fear isn't a very satisfactory page added. Not caring to mutilate letters, of which I have a few, I cut out a signature of Don's [her husband, killed in an accident in the blackout that year] from one of his note books together with one of his reflections from a notebook'. She has added one of her own notes ('short enough'). She feels sure the fete will be a success.

8vo: 1 p. Good, on lightly-creased paper, with a faint 4cm pink stain in the right-hand margin. Reads 'Many thanks for the copy of your interesting paper, and the kindly reference to my novel.'

12mo, 2 pp. Twenty lines. Text clear and complete. On lightly aged paper with a 2 cm across both leaves of the bifolium (not affecting text). He did not 'draw Domini and Hermione from special people', but believes that 'there are women quite as sincere as they are'.

12mo: 97 pp. A good, tight copy, on aged paper, in contemporary calf binding gilt. All edges gilt, marble endpapers, dentelles. Binding rubbed and worn. Apparently complete (and certainly complete as bound), containing all four stories listed in the National Library of Ireland entry, but having 97 rather than the 167 pp in that entry. A landmark work in Irish literature, highly regarded as a pioneering attempt to modernize Gaelic narrative.

Octavo: 190 pp. In original red cloth binding. First edition. Lacks rear free endpaper. On aged paper and in heavily worn binding. INSCRIBED by author on creased front free endpaper 'Much that is contained in this book is founded on fact | [signed] William Le Queux | Oct 1916'.

12mo, 2 pp. Creased, and with an unobtrusive 1 cm closed tear. He thanks her for her 'charming letter of appreciation'. He is delighted that she 'so enjoyed' 'The Door' ['The Door in the Wall' (1937)]: 'a similar story (or rather one dealing with Phillip Markham & Baikie) will be appearing in the autumn probably in early October'. 'It always cheers an author up to know that he has pleased his readers - & if they do him the good turn of recommending his book to their friends he is vastly obliged!'

8vo, 2 pp. Very good. She has been recovering from influenza at Brighton. 'I think your Paper is going on Splendidly [last word underlined] & I am so glad! [last two words underlined]'. 'Yes, isnt Margaret Ettinger a charming Creature! She told me you had talked together of me'. Asks for Ettinger's address. 'How's the home? - how's the charming wife? - & when shall we discuss the affairs of the world, the flesh, & the devil?!' She is well, 'all but my knee, which has been behaving like an ungrateful child'.

Scrap of paper,3.5 x 1", with the words, in Boyle's hand, "you and believe me / with sincere regard, / Your friend / Virginia Frazer Boyle". Paper partly laid down on card, unevenly and crudely cut, staining, corners have remnants of a laying down, and another hand has added "Author of 'Devil Tales' &c. Memphis, Tenn." (the word "Author" partly obscured. The text is clear if a little faded. Items in Boyle's hand appear to be scarce.

One page, 12mo. Very good. 'I see that to-day is mail day for the Cape, I therefore send you at once the signature for which you ask. I wonder how you discovered my address.' Accompanied by biographical cutting.

12mo: 1 p. On discoloured paper with wear at head and traces of previous mount adhering to blank reverse. He sent the publishers Chatto & Windus her novel the previous Monday, 'begging them to write to you on the matter, and giving your work my best recommendation'. He has not heard anything from them himself, but expects it will 'take a week or two, before they can give an opinion'. The recipient may be Edith Nesbit, although this is unlikely as Nesbit was her maiden name. She became Edith Bland in 1880. None of her works appear to have been published by Chatto & Windus.

4to: 2 pp. 26 lines. On lightly discoloured and spotted paper. She will be happy 'to send you word occasionally of any work or other matter concerning myself which might interest your readers'. Her 'new book', 'Enticement', 'has just been published by Leonard Parsons. At present I have not commenced another.' She has just returned from North Africa, 'where I motored over 3,000 miles in Algeria & Tunisia. On the strength of this I do not contemplate writing a "Sheik" story! We met no sheiks.

8vo: 8 pp. Stapled and unbound. In original grey printed wraps with rusted staples. Grubby and dogeared. Signed ('L. Conrad Hartley') presentation inscription dated 31 May 1915. No copy of the offprint of this short story on COPAC.

8vo: 11 pp. Unbound and stapled. In original beige printed wraps. Grubby and dogeared, with rusted staples. Signed (L. Conrad Hartley') presentation, dated 31 May 1915. No copy of the offprint off this short story on COPAC.

4to: 3 pp. Text clear and entire on creased, chipped airmail paper. A chatty, vivacious and entertaining letter, casting light on the state of mind of an English colonial wife. Thanks her for her 'kind remarks about my stories.

Octavo: 39 pp. Stitched. In original orange wraps, with grey printed paper boards. On spotted, aged paper, with insect holes to a couple of leaves. Wraps stained and worn. First English printing of an essay noted for its coupling with Henry James's piece of the same name (not present here) in an American edition of 1885.

Forty-four pages, octavo, with two-page leaf of addenda loosely inserted. Four pages illustrating seventeen pictorial covers on art paper. In printed card wraps. A worn and creased copy of an influential catalogue, issued at a time when, as the introduction points out 'catalogues devoted to detective fiction [were] something of a rarity in the book trade'.