MARGARET

3pp., 12mo. Bifolium. In fair condition, on lightly aged and worn paper. The second leaf has traces of mount on reverse, and slight loss and a closed tear at the foot (not affecting text). He begins by stating that she 'has been collecting money for us at Chester, Stockport & in south-west Yorkshire', and that, although she has not mentioned the visit, he 'can have no doubt that she it is to whom you refer.

Both items in good condition, with minor signs of age and wear. The black and white photographic print is 24.5 x 19.5 cm, and depicts a chubby Hall, in shirtsleeves and tie, leaning over a seat at the back of a darkened theatre, with a positive look of concentration on his face, as he stares at the stage, a playscript in his hand. The reverse carries two stamps by 'Tony Armstrong Jones, one of them declaring his copyright. Also on the reverse are pencil calculations of dimensions for cropping for publication.

24pp., 12mo. Yapp-bound in brown-paper printed wraps. Stapled. Very good. Printed in brown ink on glossy paper, with one book per page, each with an illustration of the cover. Begins with 'The Wonder Book | (Fourteenth Year of Issue.)' and ends with 'Animals All | By Ellen Velvin'. Includes four works illustrated by Margaret W. Tarrant, including 'Alices Adventures in Wonderland'. Scarce: no copies traced, either on COPAC or on OCLC WorldCat.

4pp., 12mo. Paginated to 4. Bifolium. In fair condition, on aged and worn paper. On laid paper watermarked 'A PIRIE & SONS | 1883'. Tastefully printed.

8pp., landscape 12mo. Saddle-stitched into light-brown printed wraps. In good condition, lightly-aged. A tasteful production, with two full-page illustrations by 'T. O'B. Horsford', captioned 'Bateman's' and 'The Hall'. Introductory note by Parish, inside the front cover: 'The following article was written for the Kipling Society's Journal and is here printed by courtesy of its Editor.' The piece begins: 'It was not long after our arrival in 1940 as the tenants of Bateman's that we learnt that Mr.

On one side of an 8 x 21 cm slip of laid paper. Embossed with 3d tax receipt. In fair condition, lightly aged and worn. Nicely printed in gothic type. Reads, with the manuscript portion in square brackets: 'Received from [The Count de Flahault] the Sum of Five Guineas, being his Subscription to the Bannatyne Club for the Current Year, 1827. | [Thos. Kinnear.] Treasurer. | Edinburgh, 26th January, MDCCCXXVII.' Docketed on reverse: 'Count Flahault | 22 Septr. 1829. | Rec. Subscription | Bannatyne Club | For 1829. [sic] | £5. 5'.

40pp., 8vo, with four plates. Paginated 1-40 (the chapter appears with the same pagination at the beginning of the second of the two volumes of the book). Bound in green buckram, with 'TASTE | OSBERT SITWELL | AND | MARGARET BARTON' stamped in gilt on front board. In good condition, on lightly-aged paper, in lightly-worn binding.

2pp., 8vo. In very good condition, on lightly-aged paper. She apologises for not being able to be 'helpful on any of your questions'. She does not even possess a copy of her own 'Designing and Making Stage Costume'. 'I have no Motley designs at all, as every one which was in my possession has been sold to the University of Illinois, who have taken the whole collection of about 3000 swatches.' She is glad to hear that he has some of them, 'as it means that there are a few still in this country'.

The photographs come from a range of news agencies (Associated Press; UPI; Publifoto Roma; Keystone; Dalmas-Orion; APIS Paris; Agence France-Presse; AGIP; Europress; Telephoto), and range in size from 20 x 30 cm down. The collection is in fair overall condition, but some of the prints are dogeared and worn, and others are affected by damp, which has attached a couple of them to one another. A few of the prints are marked up on the reverse for publication.

2pp., 16mo. Bifolium. Good, on lightly-aged paper. Written with the essence of Victorian tact. 'We shall be extremely glad if you can give us the evening of the 7th. instead of the 5th. and I trust you will permit us to consider you engaged to us for that night - 8 oClock - | I am grieved to think that my note should have reached you at a time of grief. Thank you for kindly consenting to come.'

2pp., 12mo. 36 lines. She begins by accepting an invitation to give a talk to Wiener's 'Society', about which she has 'hears so much'. She is 'honoured to add my name to such a distinguished roll of speakers'. She next explains why she believes radio to be 'infinitely superior to TV'. She next turns to 'Mr. Sieveking's adaptation', which she considers 'very clever, as he had to leave out the descriptions which formed such an important part of the book. He allowed me to see and criticise all his scripts, too. I'm so glad you are liking the result. Isn't the signature-tune pleasing?

Written over 13 lines on both sides of the 9 x 11 cm card. In good condition, on lightly-aged paper. 'Dear John, | I do feel ashamed of having been so rude to my fellow guest yesterday - It was a dreadful thing to do! The fact is I am, I suppose, very touchy about Time & Tide - ridiculously so really - I don't think he had read it - but after all why should he, poor man - I really wasn't very fair - | Please forgive me - except for feeling that I had behaved abominab[ly], just at the end, I thoroughly enjoyed my most excellent luncheon'.

53pp., 8vo, with four plates. Stapled; in yellow printed wraps. C. E. Wright's copy, with the front cover bearing his neat ownership signature, and a list of 'MSS.' (three from the Phillipps collection and one from the library of Dr John Dee), as well as a number of lots in the catalogue priced and named by him. In good condition, lightly-aged. As a young man Meyerstein worked in the Department of Manuscripts at the British Museum, and he remained a notable collector, bequeathing a Mozart manuscript to the Museum.

[2] + 77pp., small 4to. A good tight copy, on lightly-aged paper, with foxing to pp.40-41. In original lightly-worn grey paper boards, with white printed labels on cover and spine. Autograph correction by Meyerstein on p.72. Meyerstein's autograph presentation poem is on the front free endpaper, and is dated by him, in decorative style, to 1949.

The material is loosely inserted in a copy of 'Passionate Nomad. The Life of Freya Stark' by Jane Fletcher Geniesse (New York: Random House, 1999). xxvi + 402 + [2]pp., 8vo. Very good, in like price-clipped dustwrapper, and inscribed to Drower by her daughter. Drower is described on p.296 as 'daughter of Freya's old Baghdad friend Lady Drower, [who] followed Pam Hore-Ruthven as her assistant and spent two years trying to get repaid for the cost, not to mention the enormous effort, of packing up Freya's belongings and sending them to Asolo after the war'.

On one side of a piece of 11 x 11 cm paper, cut from the bottom of a letter. In good condition, lightly-aged. Reads, all in Kennedy's hand: 'Yours sincerely | Margaret Kennedy'.

1p., 12mo. Good, on lightly-aged paper. She writes that she is enclosing a letter, which she would like sent on 'to the Manager of the Bournemouth Little Theatre Club if you will, as I do not know the address'.

6pp., 4to. Good, on lightly-aged paper, with slight traces of previous mounting. Gurwood has delayed sending 'a history of our proceedings', as Sir Charles wrote the day after the party's arrival in Lisbon. He describes their 'disagreeable passage', 'which Sir Charles and Lord Marcus treated with contempt, and were most provokingly well all the passage - we were however unanimous as to the impossibility of your having accompanied us for the inconvenience of a crowded ship, where all are more or less selfish, are really too great for a female passenger, whatever may be her rank'.

4to, 2 pp. On first leaf of a bifolium. Text clear and complete. Good, on lightly-aged laid paper with watermark of 'A ANNANDALE & SONS'. Stuck down on the reverse of the blank second leaf of the bifolium is a square of paper from the leaf to which it was attached in an album, and beneath this square, visible when held up to the light, is the inscription: 'Imperfectly printed | Annie Stirling Stuart | Castlemilk | 1871'. The poem is 48 lines long, arranged in twelve stanzas. Signed 'H. M.

the daughter of the aurist and laryngologist W. J. Chichele Nourse. In 1913 she married the mathematician Arthur Herbert Leahy (later Professor at the University of Sheffield). All items clear and complete, on lightly-aged paper, apart from one letter, in an envelope marked 'Margarets first letter from school - Jany./98 | dropped into the fire by Will's mistake'. The thirty-nine items to her parents (thirty-seven of them to her mother), all in purple ink, total more than 230 pages of neatly and closely written text. All letters signed 'Margaret Nourse'.

8vo, 1 p. Typed and signed in light-blue, beneath green letterhead, and with 'CARL VAN VECHTEN' 'watermark' at centre of page. Text clear and complete. On lightly aged paper, worn and dogeared at extremities. He thanks her for the copy of 'the Academic Observer (Gertrude Stein number) which intererested me so much that I am writing to ask if I may have another copy for a friend of mine, Please.' Autograph note explains that the 'friend' is one 'who also collects Steiniana'. Docketed in pencil on reverse: 'Miss Mallory | Keep this until I call - someday I will. | [signed] M. Lucha'.

4to, 2 pp. Bifolium, with letter on both sides of first leaf, and frank ('For Mrs Montagu at Mr Purdies in Orange Court, Bath'), with red wax seal (bust of a man), on reverse of second. 42 lines of text. Clear and complete. Fair, on aged paper, with strip of mount adhering to second leaf. Begins by describing her state of health, complaining of 'a Constant pain in my Head & Opression [sic] at my breast', for which she has been 'blooded'.

4to, [viii] + 26 pp. In blue printed wraps. Good, on lightly-aged paper, in slightly dogeared wraps. Introduction by Gwilliam; opening address by Ennals; summaries of speeches and notes on speakers. Two copies on COPAC (not major libraries).

All four items good, on lightly aged paper. Two of the five leaves have small dog-ears to corners. Goodman has done his accounts on the blank reverse of one leaf. An important collection, in which the most important British post-war play agent reveals, in entertaining and increasingly-brusque terms, the criteria by which she judges scripts. Goodman was hailed by Jacques Barzun as 'the greatest living master of true-crime literature', but his first love was, as his obituary in the Daily Telegraph (16 January 2008) states, the theatre.

Letter: 12mo, 2 pp. Bifolium. Good, on aged paper, with small rust stain at head from paperclip. She is writing to Harmsworth ('President, Dr Johnson's House') to ask him to accept a copy of 'my Journal in which mention is made of my Portrait of Dr Samuel Johnson which hangs in the Garrett of Dr Samuel Johnson house this was presented by H. B. Wheatley whom I knew for many years.' On a visit to the curator of Johnson's house she was 'pleased to see the picture still hands in its original place'.

Card (9 x 11 cm), 2 pp. Nine lines of text. Neatly and closely written. Addressed to 'Sehr geehrter Herr Professor!' Placed by Fürth, with a page of his autograph notes, in an envelope addressed by Wrinch 'Herr Doktor Professor Fürth'.

8vo: [viii] + 164 pp; [iv] + 183 pp. Bound together in contemporary half calf binding, gilt, marbled boards and endpapers. A tight copy, printed on aged, spotted paper, with occasional light damp-spotting, in worn binding. Bookplate of Aemiliani Reich, on spotted, aged paper, by Gordon Browne, on front pastedown. The first volume has a four-page preface by 'S.M.F.', dated 'New York, July, 1846.' Both volumes contain eight essays.

8vo, 2 pp. Very good. She has been recovering from influenza at Brighton. 'I think your Paper is going on Splendidly [last word underlined] & I am so glad! [last two words underlined]'. 'Yes, isnt Margaret Ettinger a charming Creature! She told me you had talked together of me'. Asks for Ettinger's address. 'How's the home? - how's the charming wife? - & when shall we discuss the affairs of the world, the flesh, & the devil?!' She is well, 'all but my knee, which has been behaving like an ungrateful child'.

Both items written in pencil and good, on lightly aged paper, with their stamped and postmarked envelopes addressed by Asquith. Both envelopes with traces of brown paper mount adhering to reverse, and both docketed by the Graphic's editor 'To me Harold Lawton'. Letter One (12mo, 4 pp, headed 'Private'): Amusingly outraged letter regarding a visit by 'two gentlemen' of whom Asquith 'had no sort of knowledge'. Graphic journalists, they assured Asquith 'that nothing wd. be written about me without my seeing it first [last five words underlined in red]'.

Two pages, 12mo. Good. Horsley has 'promised to do the illustration as soon as he possibly can'. Mitford has 'told him the sort of thing which was needed, and he seemed to take it in quite clearly, and I also impressed upon him that the time is short for the completion of the book.' Hopes he will see her at 65 Prince's Square.