LITERATURE

1p., 12mo. Fair, on lightly-aged paper. In envelope addressed by De Tabley to 'Mrs. Kate. A. Wright. | Monona House | Small Heath | Birmingham.' In reply to her letter of 18 June, he states that he will have pleasure in permitting her to 'insert the five pieces' which she enumerates in her 'forthcoming Collection of Poems and Ballads of the Nineteenth Century'. Kate A. Wright's 'Dainty Poems of the Nineteenth Century' was published in Birmingham in 1895. The titles of the five poems are given in another contemporary hand [Mrs Wright's?] on the reverse of the second leaf.

4pp., 12mo. Good, on lightly-aged paper, with the second leaf neatly placed in a paper windowpane mount. He writes that he has been 'excessively busy', and this has delayed his 'coming to a decision re the lecture'. 'Since the 4th Oct. I have written two large books, besides any amount of magazine work &c.' As he has '4 books to write before May', he is afraid his 'lecture on Caravan Life will have to be deferred till another season'. He has been asked to 'lecture on Kindness to Dogs, &c with living specimens on the stage at Birmingham', and fears that 'even this will have to be put off'.

Both letter and description on the same bifolium. Letter: 1p., 12mo. On recto of first leaf. Description (headed 'Johnian System of Marking'): lengthwise across the verso of the first leaf and recto of the second, and thus making 1p., 8vo. Very good, on lightly-aged paper. Calverley begins by wondering whether he has 'made the Johnian System [...] intelligible' in his description.

1p., 4to. On aged and grubby paper. The letter provides an interesting insight into the niceties of Regency theatrical practice. Colman peremptorily addresses it to 'Madam', before expressing his displeasure and defending his imposition of a penalty, as a result of the non-attendance of the recipient (apparently an actress) at a performance at the Haymarket.

1p., landscape 12mo. Good, on aged paper. Garrison's name and address are typed in the top left-hand corner. Her signature is written boldly beneath the poem, which is eight lines long, in two stanzas. It reads 'Because I snatched a pebble from the way, | And thought it priceless till that day my eyes | Filled with a clearer light, and knew my prize | Was worthless, poorer than the common clay; | Because of this shall I go clamouring, | "Behold, there are no diamonds!" and say, | "Look as ye will, ye find but pebbles"? Nay!

1p., 12mo. On aged and creased paper, with short vertical closed tear at head (not affecting text). The letter reads: 'Dear Sir | By a sad mistake the Copies of my Letter to the Students were not sent off on Saturday | But 250 have been struck off which will sufficiently answer for the present demand - | Yours in haste | [signed] T. Campbell

1p., 4to. Good, on aged paper. The letter (possibly addressed to the book's publisher) reads 'My dear Sir, | It would give me great pleasure to write for the "Liberty Bell," but I dare not at this moment say I could prepare anything in the time you mention. | Yours truly | [signed] S. Judd.'

1p., 12mo. Fair, on aged paper, wtih two small unobtrusive closed holes to the paper. Placed in narrow paper windowpane border. The letter reads 'My dear Cunningham | This will be delivered to you by my Cousin & friend Mr Gray of Glasgow - He is ambitious of paying his respects to you - I need say no more - I am sure that you will soon be good acquaintances - With the greatest regard | Believe me | Yours truly | [signed] T. Campbell'.

2pp., 12mo. Good, on lightly-aged paper. She hopes that she may, 'without being needlessly intrusive', suggest that 'someone, well up on the Elizabethan dramatists, should write a brilliant critical notice of Massinger's works'. She thinks that it would be 'a means of advertisement of great value' if the recipient could 'find the writer & the vehicle'. She suggests 'W. G. Henley of the New Review', who 'has all the literature of that time, & before, at his fingers ends.

4pp., 12mo. Fair, on lightly-aged paper with slight discoloration to inner margins from previous mounting. She thanks Alice for her 'sweet letter', and declares that she has had 'a very very pleasant visit here. I like my friends here extremely. They are my sort for all that they are strong conservatives, and they are so simple, so homely, so gentle, & I get on with them as well as - what shall I say? . as well as with you!

4pp., 12mo. Good, on lightly-aged paper. Ingelow begins by asking Mrs Oliver to thank 'the Professor' for her. 'I am much interested in his singular reproduction of the curious relics of ornament'. She would like to lunch with the Olivers, but 'We have some cousins coming to stay with us next Monday till the end of the week & I do not see how it can be done as they will like me to go about, with them to the exhibitions &c They live not many miles from Kew [where Professor Oliver was Keeper of the Herbarium and Library] & it would not interest them to go there again'.

3pp., 12mo. Fair, on aged paper with slight wear to extremities. She begins: 'Dear Mr Planch

2pp., 12mo. Very good. Neatly presented, With the blank second leaf of the bifolium tipped in onto a large leaf of cream paper, with the engraved portrait of Kenyon (7 x 8 cm), extracted from a contemporary magazine, laid down above it, both items surrounded by a ruled border. Kenyon begins the letter: 'I have a male party to dine with me on Saturday next - consisting of persons whom you would I think like to meet - our genial friend Felton among them.

2pp., 4to. 35 lines of verse. On a leaf of laid paper with watermark 'J WHATMAN | TURKEY MILL'. Paginated 13-14. Very good, on lightly-aged paper. The first page begins with the line 'The shrouding soil, and give it back to air,' and the second page ends with the line 'Won it's [sic] dark truth, and Gaspar fed on such.' The verses in this manuscript are published on pp.19-21 of 'A Day at Tivoli: with other Verses' (London: Longman, Brown, Green, and Longmans, Paternoster-row, 1849).

4pp., 4to. On two loose leaves of Whatman paper, each watermarked 1827. Very good, on lightly-aged paper. The document begins with the following note, dated and signed by Roby: 'The following ballad from my forthcoming "Traditions of Lancashire," though not of much value in itself, may yet acquire some, from its connexion with, and introduction into Mrs. Thelwall's elegant volume of Scraps.' (The implication that the two leaves have been removed from Mrs Thelwall's album is supported by pagination from 12 to 15.) Sixty-four lines, divided into sixteen four-line stanzas.

3pp., 16mo. Good, on lightly-aged paper. She begins: 'I am sure you wil grieve to hear that my dear Parents have met with a severe accident, altho', thank God! we have every cause to hope that there wil be no latent results. They were knocked down by a horse, in attempting to avoid an Omnibus: both are cut on the head, & Mama is much bruised in several places.' 'Quiet and care' will restore them, she trusts. Her mother has asked her to write, as it will be impossible for her parents to keep the dinner engagement with Mrs Cooper.

1p., 12mo. Very good, within thin paper windowpane mount. She writes 'Dear Mr. Chichester:- | I return statement. Please have it corrected according to "White Islander" contract, and send me the check early in February. And I shall be obliged.' Docketed by Chichester 'Ansd. 1. 30' and 'Corrected State. sent | Sent Ck $186.66'.

4pp., 12mo. On bifolium of lined paper. Good, on lightl-aged paper. Addressed to 'Dearly valued friend', the letter begins 'Faithful to my promise, I write to tell you of our safe arrival in Augusta, after one of the most disagreeable journeys I ever made in all my wanderings, either in Europe, or America'.

2pp., 12mo. 33 lines of text, written in a close, neat hand. Good, on lightly-aged paper. She begins with a five-line 'encomium', before assuring Mrs Drysdale that she is 'pretty safe': 'I have been considered By People of the Highest Rank to whom I was known merely as a private teacher &c &c of moral virtues To possess of <?> for the highest talents & the purest Virtues I have been familiar I need not say why. None of these I ever flattered.

3pp., 4to. Bifolium. 57 lines. Good, on lightly-aged paper. Addressed, on reverse of second leaf, to 'William W. Greenough | Andover | Massachusetts', with circular postmark in red ink and remains of red wax seal. Regarding 'the article on Bosworth's Anglo-Sax. Dict.', Henry writes: 'From the few first pages that I have read & the glance that I have given at the rest, I am satisfied that I shall be glad to print your article.

4pp., 12mo. Fair, on lightly-aged paper. Addressed to 'My dear friend', and with the name of the recipient obliterated from the valediction: 'Will you give my sincere and grateful remembrances to your noble hearted husband? and believe me | dear <...> | Every affectionately, | [signed] Charles Swain'. He can put off 'the evil day' no longer, and must now 'give in to circumstances' and reluctantly inform her that he cannot come and visit.

2 pp, 4to. Text clear and complete. Fair, on lightly-aged paper, with slight wear to extremities. On one leaf, with both sides ruled with red borders. In Payne's neat and distinctive hand, and attributed to him in pencil at head.

1 p, folio. On grey paper. Fair, on aged paper, with slight spotting and chipping to extremities affecting a few words of text. A whole page of the manuscript, numbered '9' and written entirely in Reid's hand, with a few minor emendations by him, from Chapter XXVI, 'Treed by an Alligator'. Begins with the reported speech: '"That would be anything but pleasant - perhaps more so [last word emended from 'unpleasant'] to those who are waiting for us, than to ourselves.

4 pp, 12mo. Bifolium. 73 lines. Text clear and complete. Fair, on aged paper. Hood returned to England from Ostend in 1840, moving into Devonshire Lodge after trying other lodgings. A fine letter, informative, energetic and moving. Jane begins by thanking Mrs Elliot for the 'kind present to my Tom [the couple's son Thomas Hood the younger (1835-1874)]': 'I only wish you could have seen the happy boy - how proud he was - and indeed is, of his new appearance - he sends his love & best thanks. I am sorry to say he does not yet write a readable letter'.

1 p, 4to. Bifolium. Sixteen lines, neatly written. Text clear and complete. Good, on lightly-aged paper. Addressed on reverse of second leaf to 'W. Hayley Esqre.' He begins by thanking him for 'the kind memorial' (a volume of music?); the gift expresses Hayley's 'sense of common civility' and acquaints Boaden 'with a composer of great merit'. 'I tried the effect of his divine art yesterday, Sunday, and could not but wish to hear it from the organ at Chichester'. The rest of the letter concerns 'the subject of Randolph, and the copy of his works honour'd by the hand-writing of Pope'.

4 pp, 12mo. Bifolium. 51 lines. Text clear and complete. Fair, on lightly-aged paper. The General Committe have asked Besant to thank the recipient for his 'kind assistance during the last year, and to express their hopes that your sympathy with the objects which they have at heart will still continue'.

12mo, 1 p. Text clear and complete. Marked up for publication, with the first sentence deleted. On aged and stained paper. He 'can only say that your list seems to me as representative as any that could be drawn up', and that he does not 'feel in a position to offer any criticism upon it'. The edited version of Anstey's letter appeared with others in 'The Academy' in November 1897, in a piece with the opening sentence: 'We have received a large correspondence in response to our request for comment on the list of suggested members for an ACADEMY OF LETTERS published last week.'

Four pages, 12mo, good condition.He thanks him for his letter and some enclosures which he lists (Baker's [African explorer] letter, [Smithers'] reply, Lady B.'s letter), continuing, "Your letter to Baker enters fully into the subject, and makes the state of affairs quite clear, and we can now only await the return of Lady Burton and Dr Baker to England. I hope that you will go on with Catullus [trans. Richard Burton] and your proposals about bringing out two editions of that work appear to be good and commendable ...

Both 4to, 1 p. Texts clear and complete. Both on aged and worn paper. Autograph Letter: He apologises for not acknowledging her letter ('I have been so busy and away a great deal') and regrets that he does not 'for the moment remember anything which would be of service to you'. Typed Letter: He regrets that 'the present is rather a bad time for what we call the free lance in literature'. He is not himself 'very much in Fleet Street and the neighbourhood', the 'bulk' of his work being done 'far from the madding crowd'.

The 12mo letter has been cut into two sections, both laid down on a piece of mustard paper, with typed caption. Good, on lightly-aged paper. The body of the letter is on a piece of paper roughly 11 cm square. Six lines of text, enclosing 'autograph & quotation' (not present), and apologising for having 'no photo available'. 'Glad you enjoy my books, & thanks for your good wishes'. The smaller piece, with letterhead and Styles's dating, is roughly 8.5 x 3.5 cm.