PLAYWRIGHT

On one side of a piece of 11 x 11 cm paper, cut from the bottom of a letter. In good condition, lightly-aged. Reads, all in Kennedy's hand: 'Yours sincerely | Margaret Kennedy'.

1p., 12mo. On aged and ruckled paper, with pinholes to one corner. He is 'in the thick of this "Week in the Country" business'. 'When I come to town I'll come & see you about your proposition of the series for the Grand Magazine, but I'm a rotten short story writer, you know.'

4pp., 12mo. Bifolium. Very good, on lightly-aged paper. Untidily-written by Taylor, with several ink smudges. The letter begins: 'Dear Col: Cunningham | I find recorded, in my catalogues, no other portrait of Eliz: Countess of Pembroke & her son, except the one in the Earl of Pembroke's possession at Wilton House. There is a repetition of the group of mother & son in that picture, with the Earl in it, in Wilton House. Lord Normanton has a head of the Lady, painted at the same time, apparently'.

2pp., 12mo. Fair, on aged grey paper, with slight chipping at one corner. The letter accompanies a copy of an unnamed play, which Phillips hopes will interest Greenwood. 'I will stand or fall by it. I have learnt so much from your criticism (more indeed than from any one) that I should hope that you might continue possibly that line of such sane and helpful criticism which I have learned to look for from "the onlooker".' He concludes by declaring that there is no one to whom he is sending the book 'with greater pleasure'.

Two pages, oblong 12mo, pencil markings, grubby in parts, text clear and complete."Down with a touch of Influenza, busy with letters & work, I'd no time to answer you. I hadn't time to think of any article. I've written Peace messages to Moscow, New Yor, Paris, Plymouth & Melbourne; so, you see, I've not been standing idle in the market place. | I was very, very sorry to hear of your father's (Bob) death. All in all, he was a grand generous lad. Too fond of Ulster, maybe, but none the worse of that same. | My sympathy to you, dear lass.

Two pages, 4to, corrections and additions in his hand, fold marks, staining, some heavy, but text clear and complete. "I am not a good subject for a humorous article, because I am supposed to be a humorist myself. Now you may confidently make it a rule never to touch subjects that are already considered funny. You will find it easy to write an amusing imaginary interview with the Archbishop of Canterbury; but I defy you to make anyone laugh at an interview with Mark Twain. Mark made his reputation as a humorist with a description of a visit to the Holy Land.

Two pages, 4to, corrections and additions in his hand, fold marks, staining, some heavy, but text clear and complete. I am not a good subject for a humorous article, because I am supposed to be a humorist myself. Now you may confidently make it a rule never to touch subjects that are alreadyconsidered funny. You will find it easy to write an amusing imaginary interview with the Archbishop of Canterbury; but I defy you to make anyone laugh at an interview with Mark Twain. Mark made his reputation as a humorist with a description of a visit to the Holy Land.

1p., 4to. On aged and grubby paper. The letter provides an interesting insight into the niceties of Regency theatrical practice. Colman peremptorily addresses it to 'Madam', before expressing his displeasure and defending his imposition of a penalty, as a result of the non-attendance of the recipient (apparently an actress) at a performance at the Haymarket.

4pp., 12mo. Bifolium. Good, on lightly-aged paper. The first page headed 'Act III', and the whole tightly-written and filled with deletions, interpolations and marginal notes, providing a valuable insight into the creative process of one of Victorian England's most successful dramatists. The last page breaks off: 'Handeside confesses his own desperate attachment. Markham <...>'. 'A Sister's Penance' was a great success, with 83 performances at the Adelphi between 26 November 1866 and 2 March 1867.

2pp., 4to. Good, on lightly-aged paper. Divided into eight four-line stanzas, each with the same two-line refrain. The first stanza: 'Fashion was formed when the World began, | And Adam I am told was a very smart man, | As for Eve I shall say nothing more or less. | |But that Ladies of Fashion now copy her dress. | Yet barring all pother of this that & tother we all bow to Fashion in turn'. Containing witty references to the fashion for hunting boots and crops, New Bond Street, Tudor and Stuart clothing, Whigs and Tories.

2pp., 12mo. Good, on aged paper. He writes to decline Carpenter's 'flattering' offer: 'I now find my acceptance of an office in your Society though purely honorary, would be apt to be misinterpreted [...] I have another reason - that I am taking some part in endeavouring to form a great Author's Society of another kind, and it would look rather <?> and impudent to be playing the fiddle in all parts of the orchestra.'

3pp., 12mo. Fair, on aged paper with slight wear to extremities. She begins: 'Dear Mr Planch

The three letters are in excellent condition, on lightly-aged paper, with all texts clear and complete. ONE: 6 September 1866. 12mo, 4 pp. Jackson's letter has been forwarded to him in Scotland, 'but not your copy of the M.S.' 'What an interesting fund of entertainment you have at Longleat! I could not expect the original M.S to be sent to me, but I do hope some time or other that you may be able to procure for me a sight of the old Glorshire M.S.S.

12mo, 1 p. Text clear and complete. Fair, on aged paper. Docketed by Blanchard in top left-hand corner: 'Sent to Sat.

Photocopy of word processor typed print-out. 8vo, [ii] + 53 pp. Good. In plastic binder. Title carries Dee's address. Second page lists the twelve sections of the play. Loosely inserted is a photocopy of a long review, with photograph, from the East Hampton Star, 26 March 1992, of 'a dramatic reading' of the play at Canio's Books, Sag Harbor. The play was not published, and there are no copies of this item on WorldCat or COPAC.

All four items good, on lightly aged paper. Two of the five leaves have small dog-ears to corners. Goodman has done his accounts on the blank reverse of one leaf. An important collection, in which the most important British post-war play agent reveals, in entertaining and increasingly-brusque terms, the criteria by which she judges scripts. Goodman was hailed by Jacques Barzun as 'the greatest living master of true-crime literature', but his first love was, as his obituary in the Daily Telegraph (16 January 2008) states, the theatre.

12mo, 1 p. Fair, on aged paper, with traces of previous mount adhering to the corners of the blank reverse. Of course Hollingshead should 'wait till the last night of "used up" ' before writing to Mathews, who has 'hunted up Buckstone - hunted up Turpin - but in vain. Not a box to be had'. He has sent 'the best I could get': '3 Dress Circle to Mrs Smiles with "Mr Hollingshead's best compliments." '. In a postscript states that if Hollingshead wants 'a box for the "Overland Route" before the last night' he will be 'too happy'. 'There is always a run on last nights.'

One page, 12mo. Very good. 'Do forgive my delay. I had lost your letter!'

Inscription, "Franz Molnar / Wien, 7.XI. 1923", copy drawing c.9 x 9cms, on page from an album compiled by Harry Woord Wolling, BBC producer(?), minor defects not affecting drawing or signature. Suitable for framing.

Original brown wraps, chipped, dusted and soiled, titlepage partly soiled and dusted, otherwise good. Scarce: COPAC lists copies at BL, NLS, Oxford, and NLW. AddAll only lists the 1971 reprint.

Original mauve wraps, sunned and creased, endpapers soiled, contents slightly marked but mainly good. INSCRIBED by Robert Lynd, author and nationalist, in Irish, Riobard ua Flynn. Scarce: COPAC lists copies at NLS, Cambridge, BL.

Based on his novel of the same name. Original green wraps, motif of Maunsel's Irish Plays on front, soiled, one closed tear, titlepage faintly stained, pages of contents dulled through age, sound. From the library of Robert Lynd, author and nationalist. Scarce: COPAC lists copies at NLS, Oxford and NLW (NOT BL).

On a piece of wove paper roughly 4.5 x 9 cm. Good, clear signature on lightly aged paper. Reads 'my dear Sir, | Yrs always truly | [signed] P. Hoare'. Reverse reads '<...> am at a loss how to answe<...> | <...>ing the progress of the Anna<...> | <...>- opportunity of asking "Ho<...> | <...>t of the Elgin Marbels, whic<...>'.

12mo, 1 p, 11 lines. Very good. He begins by giving R. J. Smith's Brompton address. He was 'delighted to hear of Lord Powis' and hopes 'there is no mistake about it'. 'Remember in printing his Title he is a Knight of the Garter. - On the back of our 2nd. No. I see Lord Southampton printed as "the Earl of Southampton"!' Asks the recipient's view of the previous day's 'Times': 'And look at the Morning Post to day.'

One page, c.7 x 5", good condition. "Thank you for your letter. As to trhe hymn, I daresay it may have been a chance shot of mine although I have a notion that I did confirm it at the time. Herrick I assumed to have his poems circulating in manuscript for some time before the publication of 'Hesperides'."

The letter: one page, 12mo. Good, but with removal from mount having thinned the paper in places, and with traces of brown paper mount still adhering. He is sending the autographs of 'Henry Seton Merriman (Hugh Scott); Gertrude Atherton; Miss Fowler; and Douglas Sladen. Also a photo from Ted (not a good one, but the only one I have left).' He enjoyed himself 'so much' at Langford. 'It was a week of real enjoyment to me.' The fragment: one page, four inches by four and a half wide.

On leaf of light blue paper, 8.5 x 12 cm, removed from an autograph album. Very good.

4to: 1 p. With mourning border. Good, with slight wear to edges. 'Nearly every publisher in London has been at me with a proposal that I should write a book of reminiscences'. The answer to Watson's 'friend's friend' is that Pinero is 'not inclined for the task'. 'Perhaps at some future time I may feel differently disposed, but at present my mind is bent on other work.' Asks Watson to accept 'hearty thanks' for his 'kind interest'.

One page, small octavo. Very good, though with a little offsetting of ink from folding of letter, and a small closed tear at head. A reply to a request for an autograph - in a close, neat, hand - reading 'Dear Sir | With much pleasure as I assure you that I am | Sincerely yours | Alfred Sutro'.

Dramatist and novelist. One page, 8vo, good condition. In a difficult hand, he says that he has heard from [M. Rey?] that he hasn't concluded his engagement in Brussels and has no interest in the role mapped out except in a few days. He goes on to talk of the work involved in corrections which has prevented him from sending a "manuscript exact". Note: The place and date are written in another hand on the reverse.