R.

Octavo: 4 pp. Unbound bifolium. On aged paper, with loss at head and gutter of both leaves, creases and closed tears. Entirely legible, with the only damage to the text being partial loss of the numeration and the first word of the title ('AN'). Loss at head damaging manuscript inscription to 'Francis Scot<...>sement | <...> | Margt. Scott | Decr. 11. 1836.' The work itself was published in Dublin in 1837 by Milliken. '[...] 'It surely cannot be considered an unimportant matter to attempt to direct in any way the attention of Protestants to the novelty of Popery.

12mo: 2 pp. Very good. 15 lines of text. He thanks him for his book . I can't read it leisurely at present - I am on the move - but I have been reading in it, as the old writers say'. He is very interested in the things he is gleaning from it. In a postscript he thanks the author for 'what you say about my work' and praises the book for its 'vitality which so much literature lacks, but which some books possess'.

One page, 12mo. Very good. 'I see that to-day is mail day for the Cape, I therefore send you at once the signature for which you ask. I wonder how you discovered my address.' Accompanied by biographical cutting.

12mo: iv + 132 pp. Unbound. In original red printed wraps. Stapled. A poor copy of a scarce item (COPAC only lists copies at the British Library and National Library of Scotland). Dog-eared and grubby, with wraps faded and with loss to extremities and spine repaired with tape. Staples rusted and worn through prelims. Text complete and entirely legible. Five essays: 'Chatterton and the Rowley Poems', 'Macpherson's Poems of Ossian', 'The Shakspeare Forgery', 'Psalmanazar and the Formosa Imposture' and 'Bentley and the Epistles of Phalaris'.

8vo: 1 p. Good, on lightly discoloured paper creased at head. 'Mr: Leckie is certainly entitled to ask for a fee, and it is usual in these cases for the publisher to obtain permission from the other publisher. The author's permission is also needed of course, but you had mine, and so that is quite all right.'

Two pages, quarto. On slightly stained, aged paper, with a few closed tears and some wear to extremities. Black wax seal adhering to second leaf of bifolium. Docketed 'March 1814 | Manchester | Revd. R. H. Whitelocke', but the signature appears to read 'Whitelock'.

Forty-four pages, octavo, with two-page leaf of addenda loosely inserted. Four pages illustrating seventeen pictorial covers on art paper. In printed card wraps. A worn and creased copy of an influential catalogue, issued at a time when, as the introduction points out 'catalogues devoted to detective fiction [were] something of a rarity in the book trade'.

Two pages, on a rough-edged leaf approximately seven inches by four. Good, though aged and a lightly stained. A highly interesting list of twenty-seven titles by a radical publisher. Several works relating to Robert Wedderburn and Thomas Davison. Also 'The Cast-Iron Parson', 'A Peep after Hell' and 'GREAT GORGY: giving a Humourous Description of his Journey to Westminster, on Giff, the Ch-lor's Grey Mare'. Ends 'The Trade Supplied with all the Popular Works of the Day. | Printing & Bookbinding | NEATLY AND EXPEDITIOUSLY EXECUTED. | NEWSPAPERS SERVED IN TOWN AND COUNTRY.

Three pages, octavo. Very good on lightly aged paper. Kenyon's paper was 'much enjoyed' when read on Saturday, and there was 'a good attendance'. '[T]he pleasantries were not missed': '1. the confusion of the inexhaustible emender; 2. the thrift of the canny Odysseus in his role of wooer; 3. Burne Jones's Law.' 'At the end some interesting questiosn were asked', for example, 'why second-rate Greek annalists shd. seemingly have been preferred to Herodotus & Thucydides'.

First edition. 12mo. Pages: 2 ('BIBLIOGRAPHY OF LAPSUS CALAMI.') + x + 84 + 4 pages of publishers' advertisements. Very good in original worn light-blue cloth with heavily-worn label on spine. Ownership inscription of Richard E. Benson (1892) on front free endpaper. Stephen was first put forward as Jack the Ripper in Michael Harrison's biography of Prince Albert Victor, 'Clarence' (1972).

Burnet (1784-1868), Corbould (1787-1844), Hills (1769-1844), Phillips (1770-1845) and Smirke (1752-1845) were artists. Colnaghi (1790-1879) was a print seller. Paper dimensions roughly four inches square. Paper grubby and creased. Reads 'T. Phillips - | R. Hills | D Colnaghi | Henry Corbould | Rob Smirke - | Jno: Burnet.' Reverse reads, tantalisingly, '<...> that his Eldest Son | <...>ilder of Liverpool Road | <...>ledged to call his Creditors | <...>t.