SATIRE

Rochefort's letter: 1p., 12mo. Thirteen lines of text. In fair condition, aged and worn. Following an 'aimable visite' he thanks him for 'le plus charmant article', with reference to 'Mr. Dufaux' (Rochefort's future son-in-law) and 'son tableau ' and 'son buste'. After more graceful thanks and a request he ends, 'Mille poignés de main avec la moitié pour Neville'. The copy of 'La Laterne d'Arlequin' (not to be confused with Rochefort's 'La Lanterne') is 16pp., 12mo, in its original orange printed wraps. In good condition, lightly aged.

Printed in black on one side of a 12.5 x 16.5 cm piece of card. A charming image, framed within the drawn curtains of a theatre stage, showing four snowmen, dressed as toff in top hat, flat-capped figure with spade, lady with shawl and umbrella, and bowler-hatted figure with muffler and broom. At head of image 'A Merry Christmas', and at foot, 'from E. V. & Mary Knox'. In blue ink in border at foot of page: '110 Frognal. N.W.3.' and 'Hampstead 7330.' Mary Knox's father E. H. Shepard was the illustrator of the Winnie the Pooh books.

Folio folder of red card, with title printed on cover in black, containing the six prints, each on a separate piece of thick wove paper (almost card), with a bifolium of the same paper carrying the title leaf and limitation (164), as well as a page of letterpress by Vicentini. Internally in good condition, with one corner bumped; in worn and aged card folder. Each cartoon is signed in pencil by Marantonio in the bottom-right corner, with the limitation '162 [sic] / 250' in the bottom-left corner. Six crisp and elegant designs.

The two engravings in good condition, with light signs of age, and with 'A Faint Impression' with some offsetting in light pink (not entirely displeasing). Both headed above the image 'Casualties of London Street Walking', with the title and publication details below the image. ONE: 'A Faint Impression.' Dimensions: image, 23.5 x 18.5 cm; plate, 27 x 20 cm; paper, 29 x 22 cm.

1p., 32mo. Good, on lightly-aged paper. The note reads: 'My dear Webster, | I have fasted all the week in joyful expectation of the 1st of December. | Every truly your's [sic] | Douglas Jerrold'.

Printed on one side of a piece of 17 x 12 cm paper. Aged and worn, and trimmed down. Reminiscent of another Victorian spoof obituary - that which led to the Ashes cricket series between England and Australia - the full text reads: 'LOST, STOLEN, OR STRAYED, | THE | BRITISH LION. | Whoever finds him is hereby requested to KEEP him, as he is no longer of any use. | N.B. - He was last seen with his Tail between his Legs. | Obituary. | On Monday, the 27th inst., of a severe attack of Non-intervention and Court intrigue, | THE | BRITISH LION, | His end was - Peace ! !

Printed on one side of a piece of 17 x 12 cm paper. Aged and worn, and trimmed down. Reminiscent of another Victorian spoof obituary - that which led to the Ashes cricket series between England and Australia - the full text reads: 'LOST, STOLEN, OR STRAYED, | THE | BRITISH LION. | Whoever finds him is hereby requested to KEEP him, as he is no longer of any use. | N.B. - He was last seen with his Tail between his Legs. | Obituary. | On Monday, the 27th inst., of a severe attack of Non-intervention and Court intrigue, | THE | BRITISH LION, | His end was - Peace ! !

1p., 12mo. On 24.5 x 18.5 cm. piece of thin wove paper. In fair condition, on aged and worn paper with damage to extremities. A scarce and intriguing survival, about which nothing has hitherto been discovered. Printed in heavy black type characteristic of the early nineteenth century.

[7] + 243pp., 8vo. On aged paper, with slight damage at top edge of first few leaves; in heavily-worn binding with blind-stamped decoration; corner torn away from front free endpaper, and glue spots to front pastedown. Described in an advertisement by the publisher in The Times, 16 July 1897, as 'A SOCIAL SATIRE.' Six copies on COPAC, but now a scarce item. Note: "In Pantalas Mr. Jenkins is at his best.

1p.,12mo. Fifty-three lines of small type. Good, on lightly-aged and ruckled paper, with traces of mount on blank reverse. The item begins: 'MR. PUNCH is accustomed to receive letter and treaties, imploring him not to call homoeopathy fudge, and some of them attempting to assign reasons why he should not. In all these communications, the medical opponents of homoepathy are called "allopathists."' Later on the author comments: 'PROFESSOR HOLLOWAY is perhaps an allopathist; however he does not tell us on what principle his pills and ointments cure all diseases.

1p., 12mo. On trimmed wove paper. Aged and worn, with traces of mount on reverse. 24 lines, arranged in six four-line stanzas, beneath the title 'New Version to an Old Nursery Rhyme.' The poem - based on 'Sing a song of sixpence' - begins: 'Sing a song of Thousand Guineas, | Pockets full of brass; | Rate-payer's money's nought to me, | I'll squander it like an ass. | Sing a song of Royal Visit, | Ain't I a man of sense | To shake hands and sit with Royalty, | At Rate-payers expence.

Printed in black on piece of purple paper, 27 x 14 cm. In good condition, laid down on a leaf removed from a contemporary album, with the date '1881' written beside it. The first paragraph sets the tone: 'LORD RANDOLPH CHURCHILL rose to ask Her Majesty's Government a question as to the state of Public Business, and the probable date of the Prorogation of Parliament.

One page each, 4to and 8vo, good condition.[1990?) I wouldn't mind talking to your students but I'm not at all sure I'd be any good as a Tutor [...] In fact I might have an adverse effect on [?] students if I had to set projects and then read what they had written. I don't think I'm an adequate judge of other people's work: I know when I'm satisfied with my own work but that's as far as my judgment goes. Still I'm all in favour of encouraging writing, which is what your course sets out to do"; (1991) "I am off to Scotland for a bit but my wife Nancy will forward my letters.

4pp., folio. Originally on a bifolium, but now with the two leaves separated and attached to a white stub from an album. In good condition, on aged and lightly-spotted paper, and trimmed at the head. Laid out in the conventional manner, With the reverse of the final leaf printed in landscape, so that the item can be folded into the customary package.

The present short story, based on Bernardin de Saint-Pierre's 1787 novel Paul et Virginie, was expanded into a novel published by Chatto & Windus in the same year, and is regarded as a significant example of the dystopian literature popular during the period. The three items are attached to one another along margins. All in good condition, on lightly aged and worn paper. Letter One (28 March 1898): 2pp., 12mo. He explains that he is hoping to send her a copy on the following day 'a copy of a new production of mine, which is to appear in the "Contemporary Review".

W1, Some Customs and Institutions of the Inhabitants of Mayfair:An unpublished 1930s parody of an anthropological study, with satirical force, of London's wealthiest district, by J. H. Driberg, Lecturer in Anthropology at Cambridge University.Unpublished manuscript parody by Jack Herbert Driberg (1888-1946), Lecturer in Anthropology, Cambridge University, 1934-42, author of several mainly anthropological works; and brother of the Labour MP and gossip columnist 'William Hickey' Tom Driberg (1905-1976), written under the pseudonym of Ludwig H.

1p., 12mo. In small type. On aged and creased paper. Signed in type: 'Beggar and Flames! | Gentlemen, | If I am not your Bum Bailiffe, [sic] | For any dirty work, | WM. BUSTER, JUNR.' The circumstances surrounding this spoof are unclear. It begins: 'In fact, I feel it a duty devolving upon me, to return you my sincere thanks for the honour you have done me, in electing me one of your Guardians.' The next paragraph concerns 'the slanderous assertion, which certain persons have industriously circulated, detractive of this honour, in fact, that I am the nominee of my own workman'.

Grant's work has been undergoing a reappraisal of late. According to his entry in the Oxford DNB, 'Every Body's Album' forms a 'substantial body of work, using the tonal qualities of lithography in an extremely subtle manner, and constituting some of his finest work in the medium. The series often made use of a thematic, though not narrative, unity to picture a world in the grip of folly and distraction and can be read on more than one level—as harmless fun, meaningless nonsense, or social critique.' No.

12mo: viii + 40pp. As a fold-out tipped-in onto p.23 is 'A Synopsis of Drinking, formed according to the Categories of Aristotle' (1p., folio); and following the text is a four-page catalogue of 'Books published by J. Vincent, Oxford; Whittaker and Co.; Simpkin and Marshall; and Sherwood, Gilbert, and Piper, London.' Side-stitched, in original grey printed wraps. Fair, on lightly-aged paper, with small burn-hole to dogeared front wrap, which carries the ownership inscription of 'F. Saunders / Trin Coll'. A satire on the dissolute ways of the Oxford undergraduate.

Four pages, 8vo, sl. chipped and sunned but mainly good, stab-holes. It autlines plans and describes The Proprietors of the Satirist as a society of private gentlemen, whose literary connections are peculiarly extensive. They will follow the same spirited plan which fomerly distinguished the Antijacobin newspaper. Subjects to be Poetry, Literature, Theatre, Politics, etc. NoteThe Satirist survived 7 years re. CBEL (1807-1814)..

16mo, 4 pp. Bifolium. Text clear and complete. On aged and creased paper, lightly discoloured. A typographical curiosity, and interesting social document, the background to which is not easily discoverable. Three columns to a page, with the text divided into short sections including Marriages, Deaths, Shipping and Railways. The first section, 'BIRTHS', reads 'Jan. 1, at the residence of the Proprietor, The First Number of the Cosaque Times. Friends will please accept this intimation.' Spoof advertisements.

Folio, 1 p. Double column. Text clear and complete. On aged paper, with wear to edges and repair on reverse to short closed tear.

4to (22.5 x 19), 2 pp. Text complete in forty-three lines. On aged and stained paper, with wear and closed tears to extremities. The first three lines are 'This is the Bridge that was blown into air. | These are the Miners who had the care | Of mining the Bridge that was blown into air'. Three corrections in the same hand. The poem was printed in the Morning Chronicle, 24 November 1813, under the title 'Buonaparte's Bridge', and reprinted in 'The Spirit of the Public Journals for 1813', that version containing a couple of minor variations [authorial?] from the present text. A. M.

12mo, 3 pp. Bifolium. Good, on lightly-aged paper. Attractive red letterhead, in the Arts and Crafts style. The writings she referred to in a previous letter have not come. 'You probably forgot to enclose them. I expect to read some of the papers in the days when I look in the P[all]. M[all]. G[azette].' He asks her to give him 'an idea of what the publisher proposes to spend on the illustrations, and also the size of them, and the style - pen & ink, or "wash".' He has heard news of her 'from Welsh, Ethel Johnson's husband, who is with me at the Haymarket'.

Dimensions of leaf roughly seven and a half inches by ten. Good, though grubby and with archival repair to verso. That the piece is a spoof is indicated by the printers slug, in the bottom right-hand corner: '[Spottisnotwood & Co, Printers, London.', the reference being to the leading London printers Spottiswoode & Co.

In three columns of small type on one side of a piece of unwatermarked wove paper, dimensions 39.5 x 29 cm. Text clear and complete, on aged and lightly creased paper. Four short closed tears at the extremities of folds. An unusual production, docketed in pencil in a contemporary hand at the head: 'These letters were written by Baker, Consul out in the Principalities & a great protege of Gladstone'. Begins 'We have been favoured with a copy of a remarkable letter addressed to the Premier by an old friend of his father's.

Printed on one side of a piece of laid paper roughly 21 x 13.5 cm. Good, on aged and lightly-creased and spotted paper. Eighteen line poem in heroic couplets, turning on the conceit of a game of cards. Begins 'OFT have I shuffled, often played the Knave, | In vain attempts a losing game to save;'. Ends ' 'Stop!' cried John Bull, with honest anger choking; | 'Turn out that fellow Gladstone - he's revoking!' ' References to Egypt and Home Rule date this item to the mid eighteen-eighties.

Two pages, printed on the recto of the first leaf and verso of the second of a yellow wove-paper bifolium. Leaf dimensions 22.5 x 14.5 cm. Grubby and creased, but with text clear and complete. The first poem, 'A New W[h]ig Song', begins 'In our town there's a street, with a chapel and shop, | Where a gay pole once hoisted of late is let drop, | There a fam'd Barber deals with his w(h)ig as he wills, | From full bottom'd P----r to little scratch M--ls.' References to 'shot-yellow A---r [Adair]' and 'M----y, the close button'd Barber'.

Printed in three columns of small type on one side of a piece of wove paper roughly 22.5 x 18 cm. Text clear and complete on grubby, worn, creased and foxed paper.

Landscape 8vo (leaf dimensions roughly 15.5 x 23.5 cm): [iv] + 98 pp of letterpress, and 24 tipped-in full-page lithographic engravings ('taille-douce' over a tinted background), one illustrating each of the book's twenty-four chapters. Woodcut engraving on title-page. In contemporary brown cloth with green patterned endpapers. A tight copy, with the first few leaves somewhat grubby and worn at bottom outer corners. Occasional foxing throughout. Alhoy (1802-1856) was co-founder of 'Le Figaro'. Second and last edition.