AUTOGRAPH

Folio, 4 pp. Both on the same bifolium. All texts clear. On aged and worn paper, with chipping and fraying to extremities. Presumably part of a series of ongoing receipts, as the the first begins in the middle of the preamble '<...> commandement de Monsieur le Marquis de Roye Lieutenant general, | De la somme de deux cent cinquante neuf livres onze sols huit deniers [...]'. The receipts are neatly written out, with two long authorisations in the margins, each bearing the same illegible signature.

12mo, 1 p. Nine lines. Text clear and complete. Good, on lightly-aged paper. Docketed in pencil on reverse 'R. A. Bennett re T. P. O'Connor'. He is enclosing 'the promised note to "T. P". I see that he is ailing and going to the Riviera at an early date, so you had better try and catch him at once.' Bennett had to get the recipient's address from his publishers, as O'Connor left without passing it on.

4to, 2 pp. 23 lines. Text clear and complete. Very good on lightly-aged paper. Reporting the 'record character' of the 'financial result of the recent Anniversary Festival', and thanking Harmsworth for his 'great personal interest in the Festival which has led to the Funds of the Institution being so considerably increased' and 'splendid service', and requesting permission for his 'name to be thus permanently connected wtih the Charitable Work which your kind efforts have so very materially advanced'.

Portrait: 34.5 x 20 cm. Laid down on a piece of paper of the same size. Good: a little dusty and with unobtrusive 1.5 cm closed tear to left margin, and minor traces of previous mounting on reverse. Very good reproduction, on photographic paper of a complex, ghostly scene in a moonlit graveyard, with a number of supernatural figures among the graves. Decorative border with elongated skeletons.

Both items good, on lightly-aged paper. Palmer's letter: 4to, 6 pp. Text clear and complete. He begins by apologising if his letter to her 'sounded very ungracious': 'I was unaware at the time that you had made any acknowledgement to me, and as I have had my brains picked so frequently without acknowledgment (including, of course, plagiarisms from my poems) I was again feeling rather depressed & exasperated'. While describing her book as 'really [...] very good' and 'reliable', he suggests a number of changes, giving examples of 'where we clash'.

Deatched leaf of album with these five signatures in hhArabic script [?] the rest of the page being occupied by the list of signatorees and the information about the visit to Stoke in 1921 (as above). On the verso are the signaturs of Fred Terry and Julia Neilson-Terry, actor and actress.

Detached album leaf, c.17 x 14cm, good condition,

Postcard size, very good condition. Petulengro in cotume with signature above his head, verso giving information about him, advertising his column in the Sunday Chronicle.

Folio, 30 pp. In brown leather half-binding, with marbled boards. One simple pen illustration, p. 18, showing arrangement of 'Muraille' and 'Pont'. Good, on lightly-aged paper, in worn binding. Neatly set out, in a secretarial hand, with a synopsis beside each paragraph in red ink in the widened left-hand margins. As a loosely-inserted printed slip explains in English, the manuscript sets out 'instructions by a French Official Commission for the preparation and arming of a fleet of steam ships to be equipped to carry marines to form an expeditionary force to the coast of Africa.

Page detached from an album, 17 x 14cm, slightly foxed, mainly good condition, inscribed Every good wish | Paul Robeson | [Mar?] 1930 | Lawrence Brown. Note from wikipedia: Robeson and his accompanist and arranger Lawrence Brown were the first to bring spirituals to the concert stage; their association lasted through four decades.

Four pages, cr. 8vo, handwriting faded but readable, folded, foxing/staining, some damage, some crudely repaired, marginally affecting text (two words lost). Baillie Cochrane discusses a visit to Greece and the political situation in Greece from the point of view of a Philhellene. Letter addressed to The Honble. Mr. Leicester Stanhope, Ashburnham House, Kensington, Chelsea, London. Added at top of letter: France 24 Jany. 1847 | My dear Dewing, | Pray read this letter from Mr. B. C. I deeply regret that I shall not be in England to exert my self in doing honor to Gl.

Page detached from album, 17 x 14cm, good condition, headed Kedroff Quartet, with signatures, as far as I can make out, T. Kasakoff, Const Kedroff, J.. Denisoff, N. Kedroff, dated 19.1.1926.

Page of album, 17 x 14, good condition, signed as follows: Souvenir from | Luisa Tetrazzini | Stoke on Trent 9th Dec. 1921 [underlined]. On the same page, the signature Ivor Newton [pianist] who accompanied her.

Detached album leaf, c.17 x 14cm, good condition, on one side signed Fritz Kreisler | 2/XI 1922, the other Nellie Melba | 1923. A small image of Kreisler, extracted from a magazine, is below the signature.

12mo, 4 pp. Bifolium. 32 lines. Text clear and complete. Fair, on aged paper. In answer to a request for autographs, she has 'some duplicates somewhere, but tonight I send you only three cards', as she has 'no letters of Miss Yonge that I should like to part with'. She names the authors of the 'three signed postcards' (not present) as: James Payne ('Editor of Cornhill, author of many novels'), Charlotte Yonge and Richard Monckton Milnes, Lord Houghton.

For more information about Stephen Manton Bradbury, or Stephen Manton as he was known professionally, see his obituary in The Times, 8 September 1970. The collection is in good condition, on aged paper. The correspondence from various figures in various BBC music departments, both London and regional, and in a variety of formats from 4to down to 12mo, breaks down to the following number of items per year: 1944, 8; 1945, 5; 1946, 30; 1947, 34; 1948, 32; 1949, 22; 1950, 11; 1951, 15; 1952, 1.

Folio, 3 pp. Bifolium. On paper with 1818 watermark of Joseph Colles. Docketed, lengthwise on reverse of second leaf, 'Copy | Specification of Catch Pier at Cullen Harbour by John Gibb | 1819.' 46 lines of text. Clear and complete. Fair, on aged paper, with two punch holes for a ring binder in margin of each leaf. The full heading reads 'Specification of the proposed Catch Pier for Cullen Harbour, agreeably to the Plan and Section which accompanies this [not present].' Begins 'The Pier is to be of the dimensions marked on the Plan and Sections, and to join the outer end of the rock.

Both certificates landscape 8vo, 1 p. Each on paper, backed with contemporary cloth. The two texts are in the same secretarial hand, variously signed by Bourmaster and Bastard (both lieutenants at the time). Clear and complete. Fair, on aged paper. Both documents with Paterson's name given as 'Patterson'. The first certifcate concerns Paterson's service on the St Antonio (Captain George Anthony Tonyn) as Able Seaman, from 28 November to 2 December 1767, and from 3 December to 31 October 1768. It is signed 'Jo Bastard s Lt'.

Both letter and estimate clear and complete; both good, on lightly-aged paper. Letter: 4to, 3 pp. Bifolium. Addressed, with faint circular 'ABER | DEEN' postmark in black ink, on reverse of second leaf, to 'The Right Honourable | The Earl of Aboyne | Montrose'. The letter is in two parts: the first (12 lines) on the recto of the first leaf, informs the Earl that 'The Buttons were sent by yesterdays Mail', and that, 'Some days since', he 'sent by the Mail Coach a pattern Coat as a Uniform for the Band.

Thirteen files, on the following works by John Gibb: Kelvin Aqueduct; Broomielaw Bridge; Cullen Harbour; Boat O'Brig Bridge; Bonar Bridge; Cartlands Crag Bridge; Almond Viaduct; Northern Lighthouses; Victoria Railway Bridge over the River Wear; Stonehaven Harbour; Aberdeen Harbour; Don Bridge.

4to, 1 p. Twenty-lines. Text clear and complete. He has found 'il Barone' and is going to see 'Der Freishutz'. Monico is 'una gran bella citta', where he has seen 'molte belle cose'. He finds the Madonna of Rafael 'Divina'. A postscript concerns the print-seller Ackermann, as well as the art dealer Woodburn, and 'Cockerill'. The reverse carries a closely-written 30-line manuscript, in another hand, apparently in German, and followed by an indecipherable signature. It contains at least two references to 'Campball' [sic].

The telegram, which is tipped-in onto a leaf from an autograph album, is landscape 8vo, 1 p, with the strips from the ticker-tape laid down on it. Fair, on aged and worn paper, with various official pencillings. Reads 'LOCKER LAMPSON 72 STEPHENS CHAMBERS SW 1 = | CONGRATULATIONS = WINSTON AND CLEMMIE +++'. The cause for celebration, the birth of Locker-Lampson's son, is revealed in other documents in the papers.

Two pages, 4to, several closed tears, two small hole, one stain, 1in. dia., on p.2. , text clear and complete. "I am much obliged to you for sending me a copy of your 'Proteus' No.6 - the Goethe Commemoration Number. It was a happy idea to concentrate on this centenary. My interest naturally centres on the 'Metamorphosis of Plants'. Had Goethe lived as a post Darwinian his keen insight would have led him to a rather different statement of his great synthesis. He would have accepted I am pretty sure a theory of segregation rather than a theory of metamorphosis.

All texts clear and complete, and good, on lightly-aged and worn paper. Several annotated in pencil, one extensively. Letter One: 27 January 1936; on letterhead of County Hall, London. 4to, 1 p. '[...] if it be the case that under a given government the finances are really getting into difficulty but that the Chancellor will not be frank with his colleagues and insist upon action, the civil servants concerned are put in somewhat of a difficulty.' Letter Two: 21 May 1943; on letterhead of the Home Secretary, Whitehall. 4to, 2 pp.

Both one page, c.21 x 17cm, small closed tear, some dusting, mainly good, texts clear and complete: [10 June] "Re. Infected Books | A few days ago one of your Clerks saw me in reference to the above, and said that it was Miss Strong's intention not to replace the books as they and numerous dresses were taken away by Sanitary Authorities.

Uniformly bound in worn half-calf, marbled boards, black label, gilt. Internally good and tight, on aged paper, with all texts clear and complete. The 1906 diary is titled 'Waterlow Bros. & Layton's Legal Diary and Almanac for 1906'. The diary proper is 316 pp long, sandwiched in the middle of the printed almanac (866 pp). References throughout to the Leicestershire area: Nuneaton, Monks Kirby, Earl Shilton and other places. Clients include the Stoney Stanton Co-operative Society and the Female Provident Society.

Folio, 38 pp; and 4to, 22 pp. Trade source stated that this material was found in a file marked War Office, suggesting official file copies. All documents clear and complete. Good, on lightly-aged paper. All foreign documents translated into English. The main documents are Sir John French's Despatch on the Retreat from Mons, 7 September 1914 (folio, 10 pp); French's Despatch on the Battle of the Marne, 17 September 1914 (folio, 5 pp); French's Despatch on the Battle of the Aisne, 8 October 1914 (folio, 12 pp); Joffre's General Instruction No. 1, 8 August [1914] (folio, 4 pp).

12mo, 1 p. Fair, on aged paper. On the recto of the first leaf of a bifolium, with a cutting carrying a photographic portrait of 'Mr. Andrew Lang' tipped-in at right-angles below the text. The verso of the blank second leaf of the bifolium is tipped-in onto a larger piece of paper removed from an album, onto which a magazine cutting carrying a reproduction of a drawing of Lang is laid down, captioned 'Andrew Lang writes on The Progress of Literature in the Nineteenth Century'. Lang writes that he 'never received' his correspondent's 'paper on the drama: your Letter arrived, but no M.S.'

Folio, 2 pp. 31 lines. Text clear and complete. On aged paper, chipped at extremities. The elaborate letterhead features a circular engraving by Heuer of two classical female figures in front of a press.

12mo, 2 pp. 28 lines. With original envelope. Text clear and complete. Good, on lightly-aged paper. Regarding Saki's membership of two gentlemen's clubs - the Savage and the Author's - he has wished to refresh his memory before replying. Having heard back from both he admits he was mistaken; though he 'had drinks with him on several occasions at both he was never an actual member but, on and off, a guest only'. He recalls that Munro did not have 'any very close friends', but that he was 'much liked' by close acquaintance. 'Alas! I have no longer even a photograph of him'.