MUSIC

3pp., 12mo. Bifolium. In good condition, lightly aged and worn. Addressed to 'Dear Sir & Brother'. He had been hoping to see him 'at the consecration of our Tenbury Lodge. I begged Brother Barber to invite you, & I think I told you we would put you up here on that occasion'. He hopes he will come 'at some future lodge night when we have got into work'. He informs him that he has that day 'received a notice of the Royal Arch Chapter' the following Thursday, adding 'I see I am to be ballotted for, & if elected to be exalted'.

1p., 16mo. Bifolium. In fair condition, lightly aged and worn. Docketted on reverse of second leaf 'Sir H Bishop June 17th/46' (17 June 1846 was a Wednesday, so probably a mistake for the previous day). He is much obliged by her 'kind thought, in sending me a Ticket for you Concert', but it is uncertain whether he will be in London at that time, 'but I wish you, most sincerely, every success'.

72pp., 12mo. Stitched. In brown printed wraps. With Ackland's ink stamp on cover and throughout. In fair condition, lightly aged and worn. A 'Complete Alphabetical Catalogue' in small type. With 'Index to Contents' on inside front cover, divided into 'Sheet Music' (including 'Christy Minstrel Songs and Ballads', 'Bishop's Glees', 'Varsovianas', 'Philipp Fahrbach Junr.'s Dance and March Compositions' and 'Brass Band Music') and 'Index of Music Books' (including music for organ, harmonium and concertina). Scarce: no copy found either on OCLC WorldCat or on COPAC.

Printed on one side of a piece of 4to paper, with thick embossed decorative border in imitation of lace. In fair condition, on aged and worn paper, with closed tears to frail border. Royal crest at head printed in gold and other colours and also embossed. Headed: 'BUCKINGHAM PALACE. | MONDAY EVENING, 16th. JUNE, 1879.' Fourteen pieces are listed, by Mendelssohn, Liszt, Wagner (2), Gounod (2), Bizet, Max Bruch, Rossini (2), Ambroise Thomas, Massenet, Schumann and Cimarosa. Apart from Patti, Kellogg and Trebelli, the performers are 'Herr Henschel', 'Mr. W. H.

1p., 4to. On aged and worn paper. Ornate letterhead featuring Prince of Wales feathers and motto 'Patronised by his Royal Highness the Prince of Wales', reading 'Vance's Concert Party, | Annual Tour. | Proprietor & Manager, | Mr. Alfred G. Vance.' The 'Route' for the following Wednesday to Saturday is given as 'Newcastle on Tyne'. He asks that a 'Parcel of bills' which have been 'addressed to your House' be given to 'the principal Bill Poster to Post immediately', his agent to go over the following day.

For more information about the periodical, see the entry in Brake and Demoor's 'Dictionary of Nineteenth Century Journalism in Great Britain and Ireland' (2009), which stresses the its independence: 'the Musical Standard was rare among nineteenth-century music journals in that it was not produced by a music publisher or other music issuing body'. The present item consists of around 175 items laid down in file copies of eleven issues, four of them from 1888: 21 April, 26 May and 16 and 30 June; and seven from 1891: 3 January, and 7, 14, 21, 28 February, and 7 and 21 March.

Thomson's friend Burns worked with him on the Scottish and Welsh melodies, which were arranged by Haydn and others. As Haydn's health was failing, Thomson turned to Beethoven for the arrangements of the Irish melodies, the first group of which were sent to him in 1809. 4pp., 8vo. Paginated 1-4. Unbound bifolium, stabbed as issued. In good condition, lightly-aged. Beneath the drophead title on the first page: 'On the 30th of May 1817, will be published the THIRD and CONCLUDING Volume of | Select Welsh Melodies; | [...]'.

3pp., 12mo. Bifolium, with Smirke's embossed monogram. Although he and his wife were 'absent in Northumberland', their daughter and a friend were able to make use of Miss Macerone's gift of a card of admission to her concert, and 'very great pleasure' was 'afforded to them by the afternoon's Entertainment.

1p., 12mo. In good condition, lightly aged and worn. Reads 'Dear Madam, | I am sorry I cannot have the pleasure of attending your Concert, but wish you every success. | Yours very truly | G A Macfarren'. Little is known of Miss Macerone, but on 26 October 1846 the Boston 'Musical Gazette' reported: 'A young lady, Miss Macerone, who excels as a pianist and composer ! recently gave her first concert in London. She performed Mendelssohn's trio in D, ( in which Messrs.

1p., 12mo. In very good condition, lightly-aged, with parts of red wax wafer at each corner. Reads 'En route | Royal Hotel Cardiff | Sir | Here is my autograph according to your wish. | Yours faithfully | J. Sims Reeves | April 21st. 1876.' Good, strong signature, with a final flourish continuing in a circle, and enclosign the whole of it.

105pp., 8vo. Duplicated typescript, in two parts, each with title-page, continuously paginated. In good condition, lightly aged and worn. The piece, described as a 'musikdramatiskt' (music drama), was produced in 1976 by the Kungliga Teatern, Operan, and in 1977 on the Sveriges Radio. No other copy traced, either on COPAC or OCLC WorldCat.

All four items in good condition, lightly aged and worn. All four in a bold, expansive hand. The two letters accompanied by their envelopes, addressed to Child in London. Letter One: Address: 'c/o Mr & Mrs G. W. Williams, | 615 East Genesee, | Saginaw | Michigan. U.S.A.' 4 July 1957. 4pp., 4to. She is 'on the first lap of my Vacation' and has asked 'Anne' to contact him. 'During the University year I am so frightfully taxed for time - my own correspondence and my personal affairs suffer in consequence and are perforce relegated to the background.

An interesting piece of First World War London social history107pp., 12mo. In good condition, on aged paper, in aged and worn black cloth notebook. On first page: ''Sheena Tennant | 49 Wimpole Street | W. | Concerts, Theatres etc | 1916'. Carefully and neatly compiled, with the date, theatre, production, and often the cast and the names of those she went with.

91pp., 12mo. In good condition, lightly aged, in aged and worn notebook with cloth spine and brown marbled covers, with label on front cover. Carefully and neatly written, with date, venue, title and musicians and actors names. The volume begins with concerts at St Andrew's Hall, Glasgow, with other performances in London, Cambridge and Liverpool, but 29 September 1904 on p.32, the performances are seen in Munich. Among the artistes are Leonard Borwick, Bernard Stavenhagen, Felix Weingartner, Berthe Marx-Goldschmidt, Theresa Carreno.

Collection of six items of printed sheet music of piano pieces. In good overall condition, on lightly aged and worn paper. All published by The Frederick Harris Company, London (Item One at 89 Newman Street, Oxford Street; Items Two to Four at 89 Newman Street; and Items Five and Six at 40 Berners Street). All items excessively scarce, with COPAC only recording one copy (at the British Library) of Items One, Two, Three and Five; two copies (British Library and Trinity College Dublin) of Item Four; and no copies of Item Six. ONE: 'Now Sleeps the Crimson Petal. Song .

Both items in good condition, lightly aged and worn. Excessively scarce, with COPAC only listing one copy (at the British Library) of both items. ONE: 'An Irish Cradle Song. Words by W. B. Yeats. From Poems by W. B. Yeats, published by T. Fisher Unwin'. [1914.] 5 + [1]pp., folio. Title page carries the gaelic motto: 'Goth yani me von gilli beg," | "'N heur ve thu more a creena"'. TWO: 'The Lake Isle of Innisfree. Words by W. B. Yeats'. [1917.] 5 + [1]pp., folio. Illustration of tree on bank of lake on front cover.

The collection comprises a large collection of autograph sheet music, together with copies of nine published piano pieces. Accompanying the collection is an autograph note by Sheena Tennant's son Hugh Kendall: 'These books, with accompanying score sheets, represent something rather unusual - the compositional examples of my mother, aspiring as she did to be what she saw herself as - one of the first women composers.

The present diaries paint a vivid and evocative picture of four 'seasons' of study at the Royal Academy of Music, Munich, by an intelligent, articulate, talented and ambitious female student, from a privileged Scottish background, and present an informative account of the musical milieu in Munich at the turn of the twentieth century, with assessments of various notable musical figures including Edvard Grieg, Ferruccio Busoni, Felix Weingartner, Joseph Joachim, Théophile Ysaÿe, Édouard Risler, Emil von Sauer, Aleksandr Abramovich Pechnikov, George Liebling, Frederic Lamond, Teresa Carreño, Bert

6pp. by Boulanger, out of 46pp. in a landscape 14.5 x 23 cm notebook of printed staves, stitched within plain white covers. In fair condition, lightly aged and worn, with five leaves loose and a sixth leaf with loss to one corner. Eleven pages in ink (all by Tennant), the other 35pp. in pencil. In pencil at head of front cover: 'Lundi 4 h.' The initial three leaves (the third of them loose) carry the six pages of musical composition and text by Boulanger; the rest of the volume (40pp.) comprises musical composition by Tennant.

2pp., 12mo. In good condition, lightly-aged. The letter reads: 'My dear Miss Macirone | Mrs. Cowden has recd. your letter, & forwards the enclosure to Clara [the Countess of Gigliucci, another sister]. | Mrs. C. C's hands are so afflicted that she writes with greatest difficulty; so I write for her. We Villa-ites know no one of the name of "Macirone" excepting your own distinguished family. We rejoice to hear you have regained yr. health, & that sweet Minnie is flourishing. We all send kindest remembrances. Excuse gt. haste'.

Closely and neatly written on five bifoliums. Text totalling 14pp., 12mo. In fair condition, on aged and worn paper, with minor damage at head of third letter, and wear to extremities of the fourth. The first two letters (1856 and 1859) addressed formally, the third to 'Angela & Minnie', and the fourth and fifth to 'Angela'. She writes the first letter (1856) before her sister Clara's 'approaching visit to England', to thank Macirone for writing to express the pleasure she had received from Charles Cowden Clarke's sister's writing.

Married to one of the richest men in England, Lady Wimborne was lover and patron of the young Sir William Walton (1902-1983). She was, according to Stephen Lloyd ('William Walton: Muse of Fire'), 'extremely musical and Wimborne House in London became home to many musical soirées, including the private subscription concerts of the Quartet Society and even a chamber orchestra conducted by Hyam Greenabum'. Both items in very good condition, with light signs of age. ONE: Marsh to Strutt. 2pp., 12mo.

2pp., 8vo. In very good condition, on lightly-aged paper. She begins by asking whether the recipient is 'the same gentleman who wrote to me from Bournemouth', and to whom she replied that she was 'unable to give the information required, for many years before my husband's death we were seperated [sic]'. She explains that when Fisher was not 'travelling about in the Country he lived with his Father I believe, who has now been dead some years. The whole thing was very tragic and painful, & I shall feel obliged to you not writing to me again on the subject'.

Dibdin's letter: 1p., 12mo. On bifolium, with the Signed Autograph Copy of Chapple's reply (also 1p., 12mo) on the reverse of the same leaf. Reverse of second leaf addressed to 'C. Chapple Esq', with a nineteenth-century shelfmark at the foot of the page: 'C.68.Coll.CR.' In fair condtion, on aged paper.

All items in good condition, lightly aged and worn. ONE: Autograph Score. 7pp., 4to. On printed music paper. Sewn into green card printed wraps. Title: 'Henry Purcell | "Fantazia In Nomine" | (1680) | in seven parts for strings (viola da gamba a. s. on) | Adaptation for 12 parts for the 12 Cello-players of the Berlin Philharmonic Orchestra from the original manuscript in The British Museum, London, from Martin Fischer | (This is my first version of the adaptation) | Meinem lieben Freund Richard Hutchins, Waynflete, England, in Dankbarkeit zugeeignet. Berlin, 1976/77'.

Letter and printed text both on a 12mo bifolium. In fair condition, lightly aged and worn. Letter: 2pp., 12mo. Docketed with stamp of the Brighton Aquarium. She writes that she is 'happy to accept an Engagement for a Saturday Concert at the Brighton Aquarium as Principal Soprano' and will do her best 'to meet your terms'. Printed text: 2pp., 12mo.

2pp. 8vo. In good condition, lightly-aged. Making arrangements for a visit by Lynd's daughter Maire, 'with Thomas', the following week. 'Please let Miss Maire stay as long as possible as it is a long journey - I asked Thomas if they could not stay over the 19th when Vera Moore & Antonia Butler will be playing for me in Alnwick but I am afraid he said Term began before then but anyhow I hope they will stay as long as they possible can & get some music as I believe Vera Moore comes here about the 12th -'.

4pp., 12mo. Bifolium with mourning border. In good condition, on lightly-aged paper. Following her husband's death, she writes 'I have been trying to find my way through, so that I might be able to do as Herbert would wish, and make up to the children for what they have lost. [...] I am so glad now to think of the years we had in Kerry where Herbert was able to do what he liked best of all'. From the Lynd Archive, and with note at head of first page from Maire Gaister (daughter of Robert and Sylvia Lynd): 'Widow of Herbert Hughes, who collected Irish songs orally.'

1p., 16mo. In fair condition, creased and lightly-aged, and laid down on a leaf removed from an album. In a close tiny hand, the note reads: 'Dear Mr. Mellon | can you oblige me with a private box for Monday evening next? The largest you can afford. | You are a naughty man. | Your's most truly | Erminia Rudersdorff'.

Lambert's attractive signature ('Constant Lambert') on piece of 7.5 x 11 cm thin card. Lightly aged and creased, and with evidence of previous mounting on reverse.