MUSIC

2pp., 4to. In good condition, on lightly aged and creased paper. He writes that he is sorry that he could not sing the song 'Nancy's Hair' at Preston. He had not brought it: '(I only got your letter on arrival at the concert hall.) Funnily enough I picked it up before leaving home to put in my case as a possible encore & then put it back.' He is 'delighted to know that your mother liked my singing of it, I most certainly enjoy singing it & I hope to be able to help it along'.

Elegantly designed by the architect William G. Murray, the Dublin branch of Cramer, Wood & Co had a fine exterior. It is referred to in the Nausicaa episode of Joyce's 'Ulysses': 'That widow on Monday was it outside Cramer's that looked at me.' The collection of c.130 items is in good condition, lightly aged and held together with its original brass stud. 19 of the items relate to Dublin Rates and the Income Tax (including an account of 'Municipal Rates 1920/1921', amounting to £639 9s 0d).

The collection of more than 100 items is in good condition, on lightly-aged paper, apart from a damp-damaged notebook (see below). It derives from the papers of E. A. Reynolds, who was referred to in two works by Henry George Farmer. First, in his 'Cavaliere Zavertal and the Royal Artillery Band' (1951), Famer acknowledges 'the valuable assistance of Edward A.

Part of a card, 7 x 3cm, laid down on larger piece of paper, some staining (glue?) bur signature clear.

The three items in good condition, lightly-aged. Item One: 'St. Cuthbert's College. Ushaw. List of the Names and Numbers of the Professors and Students. 1918-19.' Shibden Industrial School, Halifax. 10.5 x 6 cm stapled booklet, in red wraps with title on front and printer's slug at foot. Headed 'A.M.D.G.' and ending 'L.D.S.', the list runs from number 1 (blank) to '337 John Corboy'. Item Two: Printed programme for 'The Tailor Prince and the Jester, An Operetta', 'Composed by Mr. J. Hughes Holloway, (College Prof. of Music.)' 'Junior House - Shrovetide, 1918'. 4pp., foolscap 8vo. Bifolium.

8pp., 12mo. Stapled into beige wraps with deckled edges, with attractive illustration of street musicians on front in brown and red. In good condition, with rusting to staple having loosened the central bifolium. A pleasing memento of an early concert by Elman (he was fifteen at the time). Pp.4-8 carry the 'Words of the Songs'. 'At the Piano - Mr. Charlton Keith. Piano by Bechstein. Suppied by Mr. Arthur Wood, Redhill.' Scarce: no copy on COPAC.

The five items in good condition, on lightly-aged paper. Item One: Autograph Letter Signed (with a crude drawing of Buckle sitting on a rope slung between the printed names of the two magazines). 1p., 4to. On Fleet Street letterhead of 'Ballet Publications Ltd.' Dated by Alport 14 February 1950. The letter concerns an article on the conductor Karl Rankl, and begins: 'Dear Erich | I have just spoken to Harewood [the Earl of Harewood, co-founder with Buckle of 'Opera' magazine].

2pp., 12mo. Very good, on lightly-aged paper. 36 lines. Harewood explains that he 'originally asked Mrs Rankl to think of someone who had known her husband for, at any rate, a portion of his continental career who would be prepared to review his career before he came to this country, and also to give some idea of what he had achieved since arriving here [...] when the moment came she had to say that there appeared to be nobody who had known him abroad who had the necessary musical qualifications. When I saw her about 10 days ago I said I would find someone myself.

In black 19.5 cm square sleeve, with striking cover design showing the aftermath of Sharpeville, and notice 'The American Committee on Africa receives royalties from the sale of this record.' The four songs are Tina Sizwe (We, The Brown Nation); Nkosi Waqcine (God Save the Volunteers); Asikatali (We Do Not Care If We Go To Prison); Liyashizwa (Pass-Burning Song). Very good, lightly-aged, with the record itself (in brown paper sleeve) seemingly unplayed. The twelve-page booklet is stapled, with illustrated cover and three photographs of the Sharpville Massacre.

On 8.5 x 11 cm piece of paper, cut from the bottom of a letter. In good condition, lightly-aged. Entirely in German's hand. The side of the letter with the signature reads: '[...] write you, & I hope we may be able to arrange a meeting. | Yours sincerely | Edward German'. The other side reads: '[...] you at Sidcup with the Georges many years ago. | I should be very pleased to meet you again, but at present I seem to be fully occupied [...]'.

Printed on one side of a 9 x 10.5 cm card. In good condition, lightly-aged and with a couple of corners slightly worn. The notice reads: 'Change of Address | Please note that | Sir Eugene Goossens | is now residing at | 76 Hamilton Terrace, London, N.W.8. | Telephone: CUNningham 9383'. Docketed in pencil at head (by Rostal?) 'Received 17th Sept.' Addressed on reverse, with stamp and postmark, to 'Max Rostal Esq., Highflower, 45, Brondesbury Park, London, NW6.

Both items printed on pink paper, with similar cover designs by Arnold Riches. Both in fair condition, aged and worn. The song sheet is a bifolium, 4pp, 4to, It dates from before 1939, when, following Ridgeway's death, the Player's Theatre moved to the Arts Theatre from King Street. The front page advertises performances 'Every Night (Except Sundays)', with 'THE ARTISTES' listed over twelve lines, and including 'Alec (Laneworthy-Figg) Clunes', Peter Ustinov, Bernard Miles and 'Leonard Sachs (Chairman)'.

On one side of a 16 x 20 cm piece of light-green paper, removed from an album. In good condition, lightly-aged. Thalben-Ball's signature is the upper of the two, and reads 'To | [bar of music in 3/4 time] | G. G. Thalben-Ball | 22. v. 41'. Parry's signatuer is towards the centre of the page, and simply reads 'Parry Jones.' From album which also contained the signatures of many performers at the Denbigh Eisteddford in 1939.

1p., 12mo. On fly-leaf of book. Written in green ink on aged and spotted paper. Reads: 'For | Madame Charles with best wishes from | [signed] Edward Sackville West. | Oct. 1934'.

1p., 16mo. Fair, on lightly-aged paper, and laid down on a leaf removed from an album. The note reads: 'Sir | can you offer me an engagement on either the 16th., 18th., 20th. or 24th. December, as I am engaged in your neighbourhood about those dates. | Requesting your immediate reply, | I remain, Sir, | yours truly | [signed] Erminia Rudersdorff | J. M. Wiske, Esq.'

3pp., 12mo. Bifolium, on yellow paper. In good condition, on aged paper, with traces of mount at head of second leaf. The full title reads: 'An Amateur Concert will take place in Mr. Gibson's Show Room, Eynsford, (Kindly lent for the occasion) On Wednesday, December 15th, 1869. | The Proceeds will be expended in the purchase of Coals, to be distributed previous to Christmas, among the poor of the Village.' Nine committee members are named on the first page, with details of tickets (to be 'obtained of any of the Committee, or Mr. T. M. G. Sharwood, Farmingham').

1p., 12mo. On bifolium with mourning border. With mourning envelope addressed by Chatterton to the surgeon 'Henry G. Times Esqre. | Manchester Street | Manchester Square'. Fair, on lightly-aged paper, in aged envelope. The note reads: 'With Balsir Chattertons [sic] best thanks. | Sunday | 32 Manchester Street | Manchester Square'.

The signature, cut from a letter is on a strip of paper roughly 1.5 x 10 cm, laid down on a piece of paper, 7 x 11.5 cm. Lindpaintner's signature ('Js. Lindpaintner') is bold and florid; a small part at the head has been trimmed away in cutting the strip. In fair condition, on lightly-aged paper, with one pinhole at head of mount, and traces of grey paper on reverse. The mount is neatly captioned 'Autograph of Lindpaintner, composer of "The Standard Bearer" | &c. &c. &c. | Recd. from Wessel & Co - 1859'.

3pp., 12mo. Bifolium. 40 lines. In fair condition, creased and with minor damage to second leaf from previous mounting. Addressing Reed as 'Dear Charles', Curwen explains that when asked who he would like as chairman for a forthcoming meeting, 'it was natural I should mention you, because of our old regard'. He is sorry that his 'friends' applied 'again - after your declining'.

Handbill, one page, crudely coloured border with images of a black troubadour with banjo[?] , a native American, and a trapper [?], 26 x 17cm, three stanzas each eight lines plus chorus, edges chipped, laid down on a larger page. Commences, "Oh! listen a while., a story I will tell; | It will please you to death, I know berry well [...]" Decorative border signed "E A Sparks" ("Printed within colored pictorial border (De Marsan trapper border J, in Wolf, E. Amer. song sheets)." One copy of this imprint listed by WorldCat, two of another imprint (later).

The three items are stapled to one another, in good condition on lightly-aged paper. The first item is the typescript, which is 1p., 4to. It is addressed to 'Dear Brother Artist,' and begins: 'You will possibly be rather surprised to receive a letter from me, but after having spent most of my life in the Provinces, I now find myself landed in London. I am surprised at the amount of discussion and activity that takes place here regarding the "politics" of the theatre - and realise how you in the Provinces are apt to get left out.

2pp., 12mo. On bifolium. Fair, on lightly-aged paper, with strip of tape from previous mounting adhering at the foot of the recto of the second leaf. He asks her to send 'cards for your afternoon Friday' to 'our dear friends Mr. and Mrs. Koecher (and the Misses Koecher)', who would 'enjoy every minute'. He gives the Koecher's address as de Keyser's Royal Hotel, Blackfriars, and ends by conveying his wife's love.

8pp., inc. title. cr. 8vo, staples rusted, ow good condition. No copy listed on COPAC.

On one side of a 14 x 18 cm piece of pink paper removed from autograph album. Lightly-aged, and a little grubby on the reverse. To the left of Chaliapin's bold signature is an oval photographic portrait, with Rabinowitz's signature below.

The nine items are in good condition, on lightly-aged paper. Items One, Three and Four, from 1962, and stapled together, as are the other six items, dating from 1964-5. ONE: Autograph Letter Signed ('Benjamin Britten') from Britten to Juda. On letterhead of The Red House, Aldeburgh, Suffolk. 25 July 1962. Responding to Item Three below, Britten thanks Juda for 'sending the magnificent book on Graham Sutherland', which Britten is 'very glad indeed to have'.

A loose 8vo leaf, roughly 26.5 x 19.5cm. In fair condition, on aged paper, with the edges strengthened with cream paper strips. The cover is decoratively printed, in a variety of types and point sizes. Priced at two shillings, and stated to be entered at Stationers' Hall. At the foot of the page, in capitals: 'The present arrangement is copyright; and the only correct edition of this beautiful negro melody in which the words are faithfully true to the original story, so popular among the negros [sic] in Alabama.' The reverse carries the beginning of the song, by 'Edwd.

1p., 4to. Fair, on aged and worn paper. He begins: 'M. POULENC vous a sans doute remis le paraître dans votre supplément et nous charge de vous demander de nous le renvoyer au plus tôt lorsque votre graveur n'en aura plus besoin.' He accepts that it is likely that the Revue will ask Poulenc to correct the proof.

2pp., 8vo. On both sides of a leaf of scored 29.5 x 23 cm paper. Aged and folded. The first page is numbered 330 in the top left-hand corner, and headed "I love to hear the Story"'. The first page carries the first and third verses of Miller's hymn, scored for piano, signed at foot 'Frederic Clay.' On the reverse, with no heading, is the score of the second verse: 'I'm glad my blessed Saviour was once a child like me / To show how pure and holy His Little ones might be'.

Scored on two facing pages, on two 25 x 34 cm leaves of music paper attached to one another along one edge with a thin strip of glue. Good, on lightly-aged paper, in red card folder with white label. Scored for voice and piano, with the two verses of libretto by Tom Taylor. Signed at end 'Frederic Clay. / Tenor Ballad from "Court & Cottage".', with ownership inscription alongside: 'Henry Wodehouse / 24 Upp. Brook St.' (According to the Survey of London, Hon.

8pp., 12mo. On shiny art paper. On aged paper, with the two staples rusted. Sammons has signed over the cover portrait of him by 'Haile, Bognor', 'Sincerely Yrs | Albert Sammons'. Including texts by Mary E. Coleridge, Lord Lytton and Sir Rabindranath Tagore. Central opening carries an advertisement stating that 'ALBERT SAMMONS Records ONLY for COLUMBIA Records', with list of eight 'Recent ALBERT SAMMONS Records'.