CLAUDE

Letter: 4pp., 8vo. In good condition, lightly aged and worn. Loosely inserted in the book. Addressed to 'Dear Lady Kinnoull', which to Baker 'sounds so formal but when I was with you I got to feel as if we had known each other a long time'. Fearing that the Countess may consider her 'one of those people who take books', she explains about the difficulties of returning one: 'Our intention was to bring it back when we called for my picture but, as you know, we came to you from Big Sur & left Carmel early next morning.

192pp., 8vo. In contemporary black calf binding, with brass clasp and marbled endpapers. Ownership inscription on fly leaf: 'Claude Clark | Jan. 1875'. The first entry reads: 'System of Brewing according to commenced in Brewery Tuesday Nov 2nd 1875. The charge for instruction was 50 guineas, which was repaid in profits in almost 5 weeks, it was found to act admirably and produced 4 1/2 brls per qr and 5 brls from good malt.' This is followed by a long 'Mashing example'. There follow recipes for 'Dressing', 'Stout', 'India Pale ale', 'XXX Stock ales' and 'Running XXX Ales'.

ONE (Elliott's letter): 3pp., 12mo. 34 lines. Bifolium. In good condition, on aged paper, loosely attached to the title-leaf of the book by a small piece of gummed paper. The letter begins: 'My dear Driberg | I ought to have acknowledged your letter sooner, but I only received it on my return from abroad, and since then I have been busy struggling with the arears which always accrue during absence.' He thanks him for sending his 'son's little volume', which he has read 'with much interest & congratulate him on the neat & modest appearance he has made in print'.

1p., 4to. In fair condition, on aged and worn paper. He thanks him 'for the valuable additions to our theatrical wardrobe which you have been so kind as to send us this morning', adding that he can assure Guy 'that we shall make good use of them and will remember with gratitude the source from which they came, for Madame Albani was one of the best beloved friends of the College since its earliest days'.

The twelve items (typescript of lecture and eleven letters) are in very good condition, on lightly-aged paper. Peter's lecture was given in aid of the Dunheved Standard Fund at Launceston Town Hall on 11 February 1907, 'Fully Illustrated by numerous Limelight Pictures'. The typescript, tied with pink ribbon, is 43pp., foolscap 8vo. With numerous emendations, deletions and additions in manuscript. The first page carries a 'Syllabus' of the two topics.

12mo, 1 p. 20 lines of text. Clear and complete. On aged paper and lightly-creased paper. Writing to ask how the recipient wishes to deal with 'traités de Botanique et de Chimie' in his reviews. Written during the first of several incarnations of the 'Revue', this one beginning around 1836.

12mo, 1 p. Ten lines of text. Good, on aged paper with slight wear to extremities. In a bifolium, with address and four circular postmarks (two in black and two in blue ink) on verso of second leaf. He is 'a la fin de l'impression d'un ouvrage qui doit être pret pour la rentrée et qui depuis longtemps absorbe tous mes instants'. It is impossible for him to write the requested articles. He is 'tellement fatigué' that he awaits with impatience the end of the printing, so that he can take 'un peu de repos'.

A celebrated and scarce piece of Second World War ephemera. Printed on one side of a piece of paper 33.5 x 21.5 cm. Text and illustrations clear and complete. In good overall condition, on lightly-aged and creased paper with small damp stain to top left-hand corner and repair on reverse to small closed tear. The text consists of a supposed 'Extract from a letter written by The Duke of Wellington from Spain, about 1810.

8vo: [ii] + xxiv + 178 + [ii] pp. With half-title, and final leaf containing two pages of 'New Publications printed for T. N. Longman, No. 39, Paternoster-Row.' Frontispiece, becoming detached, of 'Catherine II. Empress of Russia, Taken from an Original Bust.' Tight copy, on aged and lightly discoloured paper, in worn and stained contemporary half-binding of chipped vellum spine and corners and marbled boards. Minor staining at foot of frontispiece, title and first leaf of prelims.

The dimensions of the envelope are roughly 6.5 x 12 cm. The flap has been gummed down and the reverse bears traces of glue from previous mounting. The front of the envelope is good, though slightly grubby. Reads 'James Claude Webster Esqe. | Secretary | Athenaeum Club | Pall Mall'. Docketed in a contemporary hand, in the top left corner, 'Charles Kean the Actor. | Decr. 1857.'

One page, 4to, good condition, discussing Claude and explaining the nature of the "Claude mirror" giving insights into his theory of painting.

4to, 1 p, 22 lines. On aged paper, with chipping at extremities neatly repaired with archival tape. Text clear and entire. He thanks him for his 'interesting paper', commenting on the 'Lucretian passage'. Postgate's 're-arrangement [...] is undoubtedly more attractive & logical than the ordinary arrangment, and as such I welcome it: but must we suppose always that artists do as well instinctively as they might if they had taken counsel?' 'Ex silentio I judge that all is well with you, as far as anything can be well for any of us these terrible times.

Edith Evans (1888-1976), distinguished English actress, created Dame of the British Empire in 1946; Claude Rains (1889-1967), English-born film actor, best known for his part in "Casablanca"; C. Aubrey Smith (1863-1948), England cricketer and actor, Hollywood's idea of the quintessential Englishman. Their signatures on a piece of paper, 7 by 4½ inches, mounted on a piece of pink card, along with those of six other members of the cast of the play "Daniel", performed at the St James's Theatre in London in 1921.