ENGRAVER

12mo: 1 p. Eight lines of text. Good, though creased. Letterhead printed with the words 'Joan Hassall' and a 5 cm short rule decorated with a tiny dove. She apologises for the delay in sending 'this signature': 'I lost your nice little piece of paper, and then I broke my pen.' Disspain's 'letters of appreciation' give Hassall 'very real pleasure' and she is 'most grateful' for his 'good opinion'.

Printed in brown on a piece of watermarked laid paper, 29 x 36 cm. Dimensions of image 18 x 22 cm. On lightly-creased paper, with a few short closed tears to margins at extremities. A bustling scene, from the top storey of a building, showing the traffic of coaches, carriages and carts around the church, which is seen from the front with St Paul's Cathedral in the background. In addition to the pencil signature, the print has the dated facsimile signature 'Hanslip Fletcher 1912'.

Dimensions of print 11.5 x 19.5 cm. At the head of the recto of the first leaf of a bifolium (leaf dimensions 28 x 22.5 cm). The print itself is clear and undamaged, on aged paper. With traces of cuttings mounted onto the internal pages, and closed tear to the blank second leaf. An impressively detailed engraving, showing the bustling port and layout of the city, with church spires and prominent buildings. A copy of the item survives used as a letter home from a German girl in 1855. The copy in the New York Public Library is ascribed to 'C. Magnus, Lith. 22 N. William St.'

8vo: 224 pp. Errata on last page. Frontispiece and portrait of the author on p.65 by Lodge. In original brown calf binding, with red label with 'Kisses of Secundus' in gilt, on spine. A tight copy, with the flyleaves becoming detached, the frontispiece foxed and with a closed tear at the head of the hinge, and a 4mm ink stain spreading upwards along the leaves along the bottom edge. Elegantly printed, with a four-page preface by the unnamed translator, followed by a 32-page 'Essay on the Life and Writings of Secundus'.The poems are on the versos, with the translations on the facing rectos.

Landscape. On one side of a piece of paper roughly 25 x 41 cm. In poor condition: aged and damp stained, with loss to top-right and bottom-right hand corners (in neither case affecting text or design). Laid down on a piece of white paper. Title and small portrait head of Moore surrounded by an ornate calligraphic embellishment. The poem, of nine heroic couplets arranged in two columns, is engraved in copperplate, and begins 'Lamented Moore!

Dimensions of paper roughly twelve inches by ten; dimensions of print roughly nine and a half inches by seven and a half. A good clear impression, on aged, creased paper, of a striking illustration showing a portly and sleek Asperne, beautifully turned out in Freemason's robes and paraphernalia, holding a leather-bound book, and seated in an ornately carved wooden chair with the Freemasons' eye in a triangle at its head. Captioned 'Mr James Asperne | BOOKSELLER, CORNHILL, | Past Master of the FOUNDATION LODGE NO. 96 And St. Peter's No.. 249 | P.S.D. of the LODGE of Antiquity No.

On wove paper roughly eleven inches by seven and three-quarters; dimensions of print roughly seven inches by four and a half. Image clear and unaffected, on paper aged and creased, with some staining to extremities. Smith's monogram in bottom left-hand corner. The figure is formally dressed, in frock-coat and stockings, with his hat tucked under his left arm. Clearly a portrait, but of whom is uncertain: it is not among the six works by Smith catalogued by the National Portrait Gallery. A charming evocation of print culture in the early part of the nineteenth century.

On good thick wove paper, roughly six and a quarter inches by four and three-quarters wide. Dimensions of plate indentation five inches by three wide. Good, on aged and lightly-foxed paper, left edge irregular indicating extraction. A very attractive card, carrying an engraving of a sylvan scene giving a very good idea of Sandon's qualities. Reads, in a variety of hands, 'EVERY | Description | OF | ENGRAVING & PRINTING | Neatly executed. | [vignette] | HENRY SANDON, | 60, Wellington Street, Goswell Street, | London.' Sandon does not feature in BBTI. is he real?

Paper dimensions roughly ten and a half inches by eleven and a half; print dimensions eight and a half inches by ten and a half. Aged and with three inch strip, roughly half an inch wide, torn away from surface of print in top left-hand corner. Depicts a crowded and rather grand hall, containing a long horseshoe-shaped table around which are crowded connoisseurs of both sexes contemplating engravings and illustrated books or engaged in discussion. Arti et Amicitiae is an Amsterdam society of artists and art lovers, founded in 1839.

Leaflet. Two pages, 12mo. Tasteful bifolium on cream wove paper. Unbound. Good, though a tad grubby. Gill woodcut (roughly two inches by one and a half) on front: two hands around the front of a large 'V' with rest of word 'Veritas' on stem and cross at head. Apparently numbered in pencil bottom-right of woodcut 579.

On piece of aged, laid paper roughly six inches by eight and a quarter wide. Two inch closed tear at head, and three-quarters of an inch closed tear, with a little loss, to the right. Quarter-inch hole towards top right-hand corner, in sky above archway. Mounted on piece of grey paper. Negligible wear to bottom left-hand corner.

One page, quarto. Very good, with staple holes in one corner. He thanks Samson for his letter 'about the enquiry from the Esso Petroleum Company concerning a sculptured commemorative tablet. I should be pleased to take part in any limited competition for this project and could carry out the work this year if I were commissioned to do so within the scheme of my existing commitments.' The context is explained by an accompanying photocopy of a carbon of a typed letter (one page, quarto) of 5 May 1960 from Samson to the sculptor Professor R. Y.

Wood engraver2pp., 8vo. Staining not obscuring the text. He promises to go to his house to "sign the Return you speak of" and announces a recent change of address.

English artist and illustrator (1820-1912). Swain (1820-1909) was a noted wood-engraver, and the letter concerns his possible employment by Macquoid. Two pages, 12mo. Good, but on discoloured paper, heavily sunned along one edge and browning in one corner, with small closed tear at top of fold. Swain's price 'for Blocks will do - £8. 8. 0 for full page & £6. 6. 0 for front page -'. He has seen Williams 'who was very polite & promised me some work'. Williams is 'going to be married soon - wh: he said wd. "come in the way" of drawings at present'. Signed Thos. R. Macquoid'.

The engraver and painter Ward (1769-1859) and the artist Jackson (1778-1831). Dimensions of paper roughly five inches by two inches. Good. From a collection of material relating to the Artists' General Benevolent Fund. The reverse reads '<...> <...> | Daughters of the late Robert <...> | Painter Engraver & Publishe <...>'. Clearly a petition on behalf of the two women, and with Georgiana Dodd's cropped signature above those of 'James Ward R.A. | John Jackson R.A.'.

Colnaghi was a member of the notable family of English printsellers. Hall (1800-89) was an author and editor. Paper dimensions roughly five inches by three inches. Good. From a collection of material relating to the Artists' General Benevolent Fund. Reads '<...> Paul Dominic Colnaghi Esq | | S. C. Hall. | '.

British sculptor (1882-1962) and 'MEDALLIST AND ENGRAVER | TO | HIS MAJESTY THE KING' (as per letterhead). All six items one page, quarto. All six signed 'Allan G. Wyon'. Five bearing the R.S.A. stamp and two docketed. All six very good though dusty (but see secretarial item below). ITEMS ONE (19 October 1916, typed) and TWO (21 October 1916, typed) discuss the practicalities and cost of repairing the R.S.A. 'broken Seal Press'.

General, of Blair Adam, M.P., lord lieutenant of Kinross, and "a most eminent orator and Scotch judge" (DNB) One page of text, 4to, with conjugate leaf with Heath's address, postal marks (Blair Adam, etc.), some damage to latter, but text leaf in good condition. "Lord Chief Comr Adam presents his Compliments to Mr Heath with many thanks for his very elegant and acceptable pesent of the two copies of the Keepsake and the prints. / The Lord Chief Comr has received them in safety and the Picture is again here in its proper place".