GILL

Printed in black ink on 8 x 12 cm piece of thick watermarked laid paper. In very good condition. Sims acquired the Gill archive from the artist's widow, and it seems likely that he had the illustration made from one of the artist's blocks. The illustration shows a bearded man in loincloth, trailing a sword along the ground as he runs from a tree. Printed beneath the illustration: 'With the compliments of | George Sims'. Above the illustration is typed 'for Tony & Jean', and below the printed text 'just before it was remaindered'.

First edition. 8vo, 32pp., original mottled blue cloth, gilt titling to spine, bumped, dustwrapper, browned at edges. Small bump to front board, good copy in good dustwrapper. Enclosed more by accident than design: George Sims' Compliments slip, 11.5 x 7.5, light blue, edges browned, featuring a design by Eric Gill (whose archive Sims rescued) of an athleticllly poised swordsman. Sims has typed on the verso, "for the Rota Foundation - this good piece of printing - these [the Gill engraving presumably] passed through my hands 25 years ago!".

Both items in fair condition, on lightly aged and creased paper. The second letter addressed by the secretary on the reverse, with four torn stamps and postmarks, to 'Mr. Lawrence Hodson | Bradbourne Hall | Ashbourne | Derbyshire'. The 'set of stations' referred to in the first letter is likely to have been based on those executed by Gill in stone in Westminster Cathedral, and completed in 1918. Letter One (3 November 1920): 1p., 12mo.

One page, cr. 8vo, good condition, giving a brief c.v. of his son, Lewis Cleverdon from Primary School to William Ellis [Marsh's school], Dartington to work experience (dry-stone walling, carpenter's mate, training with wheelwright. He asks Marsh to send a reference toi the Clerk of the Skinners Company, giving address.

A stylish and amusing 12mo card, with the cartoon printed in dark red and black on the front and the slug on the back. All printed. Tipped in inside the card is a bifolium, with 'BOOMPS-A-DAISY!' on the verso of the first leaf, and 'What is a BOOMP between friends?' and a short musical phrase at the head of the recto of the second leaf', with 'Peaceful New Year, | 1940 | from Gerald Hamilton | 91, Kinnerton Street | Belgrave Square, S.W 1.' beneath it.

Monty Shaw's 'Banks and Miles: Thirty Years of Design Evolution' was supposedly published by Lund Humphries (London) in February 1993 but no copy can be found on the internet (one listed on WorldCat appears to be a ghost).. This collection, in a buff card folder, contains material relating to Shaw's monograph, grouped as follows: ONE.

An interesting assemblage of twenty-six items relating to a leading figure in twentieth-century British typography and design. David Kindersley's best-known work (in conjunction with his third wife Lida) is the iconic gates to the British Library at Euston. The collection is in very good condition. Among the items are three booklets, four keepsakes, one brochure, and ten letters and cards. ONE. Copy of David Kindersley's book 'Eric Gill, Further Thoughts by an Apprentice (London: The Wynkyn de Worde Society, 1982). 12mo, xii + [iv] + 24. Finely printed in green printed wraps. Very good.

The story on nine numbered 4to pages, with a covering page carrying the title: 'THE BATTLE OF THE WAVES FOR FREEDOM. | By Maxim Gorki.' On the rectos of ten 4to leaves, attached by a brass pin. Text clear and complete at 26 lines to the page. On worn, discoloured paper (watermarked 'CONQUEROR | LONDON'), with loss to extremities. Mrs Gill's purple oblong stamp in bottom left-hand corner of reverse of last leaf: 'Mrs.

The engraving illustrates the biblical passage describing an incident during the wreck off Crete of a ship carrying Saint Paul. Acts 27:35: 'And when he had thus spoken, he took bread, and gave thanks to God in presence of them all: and when he had broken it, he began to eat.' Printed on one side of a piece of paper, 28 x 19 cm, with one rough edge. A striking image, irregularly shaped, with white lines against a black background, showing centurions and others on the deck of a ship on a stormy sea, with land in the distance.

12mo: 2 pp. Good, with thin strip of glue and grey paper from previous mounting adhering at foot of reverse (not affecting text). While it is possible that Howell may have given 'Mr. Gill' [tMichael Henry Gill, later of McLashan & Gill?] 'letters [of introduction]' when he 'went to New York ten or fifteen years ago', it is unlikely.

Leaflet. Two pages, 12mo. Tasteful bifolium on cream wove paper. Unbound. Good, though a tad grubby. Gill woodcut (roughly two inches by one and a half) on front: two hands around the front of a large 'V' with rest of word 'Veritas' on stem and cross at head. Apparently numbered in pencil bottom-right of woodcut 579.

Small 8vo. Pages: viii + 24 + [4 blanks]. Original cream paper wraps: title and price in red and engraving in green on front. Wraps discoloured, rubbed and stained, with covers loosening and loss at foot of spine. Internally sound and tight, but quite heavily foxed. Dated ownership inscription on flyleaf. Titlepage vignette and 15 engravings. Collection of whimsical poems about places like Hampstead Garden Suburb and people like G. K. Chesterton and Bernard Shaw. Taylor & Sewell A125b.

4 leaves. 8 unpaginated pages. 16mo. 9 centimeters by 12 centimeters. Dusty but very good indeed. Evan Gill 272 describes the first edition of 1923 and a subsequent edition of 1929, but makes no mention of an undated issue. Wood engravings by Gill: lawyer's wig on cover-title; bird in cage on verso of third leaf; angel before tombstone on verso of last leaf. 'WITABEL WATLO' engraving [by David Jones?] on recto of third leaf. Prob. Taylor & Sewell 117c

Attractive illustration, in red, green, yellow and black, on piece of white card roughly nine and three-quarter inches by six and a quarter, neatly mounted on piece of black card roughly ten and a quarter inches by seven and three-quarters. At head a parody of the London Underground black rectangle over red circle, roughly six and a half inches by three and a quarter, bearing the notice 'ALIGHT HERE' in white letters. Beneath this the words 'FOR EVERY SMOKER.', with a red arrow at foot pointing to a box of Swan Vesta matches. Very good, though lightly foxed.